Tag: Side

  • Lighting Up the Dark Side: Star Wars Shadow Art Portraits

    [ By Steph in Drawing & Digital. ]

    star wars shadow 1

    Balls of aluminum foil transform into Darth Vader and irregular chunks of chocolate cookies covered in rainbow sprinkles become the Star Wars logo when a single light source is shined upon them in just the right way. Artist ‘Red’ Hong Yi of Malaysia created an entire series of Star Wars shadow art with a range of materials, from feathers to discarded computer guts.

    star wars shadow art 7

    The artist turns on a lamp and begins attaching her bits of materials to pieces of wire embedded in a base, watching the shadows on a plain white wall until her seemingly random compositions start to make visual sense. Some of the portrait are more complex than others; a Stormtrooper made of cotton is simple and graphic while a Yoda silhouette crafted of nothing more than a handful of leaves  and weeds seems as if it could spring to life.

    star wars shadow art 5

    star wars shadow art 3

    star wars shadow art 4

    “It started with a spark of curiosity and then a lot of tweaks and experiments,” says the artist on her Instagram. “As an artist/designer, I’ve learned to not be afraid of experimenting and failing; you’ll get better at what you do with each step you take. Our responsibility as creators is to sit down and create again and again. May the force be with you!”

    star wars shadow art 2

    star wars shadow art 6

    Get inspired with 24 more amazing works of shadow art, and follow Red Hong Yi on Instagram for more creations made from unexpected materials, like tea bag portraits and intricate arrangements of edible items.

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    [ By Steph in Drawing & Digital. ]

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    WebUrbanist

  • Landscape Photography from the Side of the Road

    2-for-1 special

    As part of Landscape Photography Week here on dPS, we’re offering TWO for the price of ONE on our best-selling Living & Loving Landscape Photography ebooks!

    Click here to take advantage of this offer.


    For most people the idea of landscape photography means getting a good backpack that can carry everything, then hiking for miles to a destination. You need to be fit, and prepared for anything that might happen. You might have to camp, and sleep, out in the wilderness. It would be an adventure, and you get to photograph some areas that others never get to see.

    I don’t do that. Never have, and I can’t see it happening anytime in the near future. I don’t think there is anything wrong with it, but I would never do that on my own, especially not here in Australia. The hiking part would be okay, but, again, only if I had company. There are just so many other ways of doing landscape photography.

    cole-landscape-road-side-photography-0002

    The sun trying to break through the trees meant we had to find somewhere to stop and take some photos.

    One of those methods is car trunk photography, also known as roadside photography.

    It sounds easy right? It’s simply about doing photography that isn’t far from your car.

    cole-landscape-road-side-photography-0004

    Lake Eildon water level was down and these trees were reflected in the water beautifully, but we had to walk to get to them. We could still see the car in the distance.

    One of the most famous photographers of our time was well known for using his car to take photos, Ansel Adams. You likely have seen the photo of him on top of his car with his camera, setting up an image. Boards were put over his roof racks so he could stand up there with his big view camera. My car has roof racks, maybe I should consider doing the same.

    Moose Peterson is another photographer that loads up the trunk of his car with his full set of gear, and has a second bag to carry some of it around.  He has full knowledge that the car isn’t too far away if he needs to grab something.

    Gear

    One of the best advantages of doing this kind of photography is that you can take as much gear as you like with you. You aren’t restricted by how much you can carry, you can take everything you think you might need.

    cole-landscape-road-side-photography-0007

    The car was right behind me, I got out my zoom and took this shot of a dam showing an old bridge that had emerged as the dam water level went down.

    You may just have a compact camera and not a lot of photography gear, but you may also decide to take your umbrella, coat, scarf, gloves and hat, or other weather appropriate clothing. If it is hot take your sunscreen and sunhat, don’t be silly with the sun.

    But if you are doing this type of photography you will likely be using a DSLR or Mirrorless camera, and you might have a lot more to take with you. If you do have a lot of gear, it may be best to use two bags – one as the main bag to hold everything, usually the bigger one, and the second one to carry what you need for any particular place you stop.

    Once you get out and look around, you often find you don’t have the right lens, but as the car isn’t that far away you can go and change it easily. This also means you can take tripods, filters, monopods, anything that there might be a possibility of using. You just never know.

    cole-landscape-road-side-photography-0001

    A foggy morning along the road. Just pull over, take some photos and get back in the car before you get too cold.

    Safety

    It is all very well pulling up on the side of the road to do what you want to do, but you also have to make sure that it is safe as well. When you pull up, get right off the road and as you get out of your car, or back in again, look for cars or trucks that might be driving past so you don’t get hit.

    Look at the sides of the road before you pull off. Make sure the road is not wet and you won’t get stuck. Find out if there has been lots of rain. If you are in Australia in summer, be careful about long grass and snakes hiding in it.

    When you are moving away from the car, lock it. While someone might not steal the car they might take all the gear you have left inside. You need to take the normal precautions that you would take if leaving your car anywhere else.

    cole-landscape-road-side-photography-0006

    We pulled into the side track, but then had to take a short walk to see these old fence posts in the dried out dam.

    Planning Your Trip

    It is something you can do on your own, or with others. You can do it on a day trip to somewhere, or go away for a few days exploring countrysides to see what you can find.

    The most common way is to pick a day with friends and then decide on a destination. Discuss what are you going to look for and where will you find it. You need to decide if you are going to do any small hikes. Roadside photography doesn’t mean you can’t leave your car on the side of the road while you explore somewhere close.

    cole-landscape-road-side-photography-0002

    Like a scene from a movie, fog, and a gnarly dead tree. We saw this going to Mansfield and on the way back knew we had to stop.

    There has to be a warning, while it is best to take roads that are not the normal route, so no freeways or highways, you can get very distracted. You might find that you want to stop constantly, and if you have a final destination it can mean that when you get there you don’t have enough time or light left to shoot.

    It is best to decide one way or the other if you are going to stop on the way. From experience, it is good to decide so you know how much time you will have when you get where you want to go. It can also be fun to drive aimlessly and stop at anything you find interesting along the way. You never know what you might find.

    Looking for a Subjects to Photograph

    One of the advantages of doing things on the roadside is that you aren’t trespassing, and in most cases, can’t get into trouble for photographing things you see over the fence. As long as you don’t go over the fence you should be fine. Sometimes you might find the person who owns the land and get permission to enter.

    cole-landscape-road-side-photography-0005

    I see this all the time, but it was the first time I was on the right road to photograph the old flour mill.

    There are lots of different things to take photos of, it depends on what you find interesting. There are the beautiful, big landscapes showing the scenery of the area, although one thing that many photographers look for are the old sheds or houses that have been abandoned, and are now falling apart. When you drive on the roads you can often see them, though sometimes you need a big zoom to get good photos.

    The coast can be great for this kind of photography too. You nearly always want to explore more than one area. So, with the smaller bag, you can go to one area, then drive to another.

    Don’t think that the only way to take landscape photos is to pack the bag and slog through lots of harsh land to get the ideal image. Do it from the luxury of your car, take a friend, and make a day of it.


    Here on dPS it is landscape week. You can see the previous ones listed below. Watch for a new article (or two) on landscape photography daily for the next week.

    • 6 Tips for Better Low-Light Landscape Photography
    • Landscape Photography and the Human Element
    • 5 Ways a Telephoto Lens Can Improve Your Landscape Photography

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    The post Landscape Photography from the Side of the Road by Leanne Cole appeared first on Digital Photography School.


    Digital Photography School

  • A Walk on the Wild Side: A Collection of Wildlife Photography

    Nature is an amazing thing. This week I share with you some images of wildlife, animals in nature. Some may have been taken on nature preserves or even in a zoo, but if the image is well done and we can’t tell kudos to the photographer.

    If you do any wildlife photography you’ll appreciate how difficult it is to get the perfect shot. So enjoy these and be inspired.

    Photograph ONCE in a LIFETIME by Marina Cano on 500px

    ONCE in a LIFETIME by Marina Cano on 500px

    Photograph beautiful dolphin jumping from shining water by Vitaliy Sokol on 500px

    beautiful dolphin jumping from shining water by Vitaliy Sokol on 500px

    Photograph Winter Ponder by Kyle Moffat on 500px

    Winter Ponder by Kyle Moffat on 500px

    Photograph Tiger C L A W S by yudi lim on 500px

    Tiger C L A W S by yudi lim on 500px

    Photograph Happy Fox by Roeselien Raimond on 500px

    Happy Fox by Roeselien Raimond on 500px

    Photograph Evil Dark Angel by Harry  Eggens on 500px

    Evil Dark Angel by Harry Eggens on 500px

    Photograph Norwegian Caribou by Ole C. Salomonsen on 500px

    Norwegian Caribou by Ole C. Salomonsen on 500px

    Photograph Baby owl by Limm yangmook on 500px

    Baby owl by Limm yangmook on 500px

    Photograph Swan on a Mission by Roeselien Raimond on 500px

    Swan on a Mission by Roeselien Raimond on 500px

    Photograph Let me have a Smell first by Julian Rad on 500px

    Let me have a Smell first by Julian Rad on 500px

    Photograph Thirsty Squirrel by Julian Rad on 500px

    Thirsty Squirrel by Julian Rad on 500px

    Photograph Surprise! by Simon Roy on 500px

    Surprise! by Simon Roy on 500px

    Photograph Bye Bye by Massimiliano Orpelli on 500px

    Bye Bye by Massimiliano Orpelli on 500px

    Photograph Dust by Chris Fischer on 500px

    Dust by Chris Fischer on 500px

    Photograph Beauty by Chris Fischer on 500px

    Beauty by Chris Fischer on 500px

    Photograph Awful Close by Chris Fischer on 500px

    Awful Close by Chris Fischer on 500px

    Photograph Bolivian Flamingos by Pedro Szekely on 500px

    Bolivian Flamingos by Pedro Szekely on 500px

    Photograph Wild sunset. by Patrick Galibert on 500px

    Wild sunset. by Patrick Galibert on 500px

    Photograph for you by Gabriele Tenhagen-Schmitz on 500px

    for you by Gabriele Tenhagen-Schmitz on 500px

    Photograph Golden eagle having a discussion with Red fox by Yves Adams on 500px

    Golden eagle having a discussion with Red fox by Yves Adams on 500px

    Photograph Midnight in Svalbard by Yves Adams on 500px

    Midnight in Svalbard by Yves Adams on 500px

    Photograph Vulnerable by Marina Cano on 500px

    Vulnerable by Marina Cano on 500px

    Photograph Arctic Fox (Vulpes lagopus fuliginosus) by Einar Gudmann on 500px

    Arctic Fox (Vulpes lagopus fuliginosus) by Einar Gudmann on 500px

    Photograph Csodaszarvas by Just Smile Photography on 500px

    Csodaszarvas by Just Smile Photography on 500px

    Photograph Skua by Einar Gudmann on 500px

    Skua by Einar Gudmann on 500px

    Photograph African Perforator by Marsel van Oosten on 500px

    African Perforator by Marsel van Oosten on 500px

    Photograph Facebook Update by Marsel van Oosten on 500px

    Facebook Update by Marsel van Oosten on 500px

    Photograph Run on the water by Marco Carmassi on 500px

    Run on the water by Marco Carmassi on 500px

    Photograph King Of The Night by Marsel van Oosten on 500px

    King Of The Night by Marsel van Oosten on 500px

    Photograph Midnight Shake by Marsel van Oosten on 500px

    Midnight Shake by Marsel van Oosten on 500px

    Photograph Lions, Masai mara by pekka Järventaus on 500px

    Lions, Masai mara by pekka Järventaus on 500px

    Photograph Morning Lion by Andrew Schoeman on 500px

    Morning Lion by Andrew Schoeman on 500px

    Photograph Serengeti Sunset by Brian Tarr on 500px

    Serengeti Sunset by Brian Tarr on 500px

    The post A Walk on the Wild Side: A Collection of Wildlife Photography by Darlene Hildebrandt appeared first on Digital Photography School.


    Digital Photography School

  • Exposing another side of Sochi

    RH110704_SP1302_Adler.jpg

    Hosting the 2014 Winter Olympics, Sochi has absorbed an influx of athletes, fans and media for two weeks of competition. What isn’t apparent from the coverage is what Sochi looks most of the rest of the year – a seaside, summer resort town. Since 2007 photographer Rob Hornstra and writer Arnold van Bruggen have been documenting Sochi as they saw it change from quiet summer getaway to a world stage. Take a look at a different Sochi, as seen through Hornstra’s lens. See gallery

    News: Digital Photography Review (dpreview.com)

  • Drop-Leaf Desk: Small Side Table Converts into Work Surface

    [ By WebUrbanist in Design & Furniture & Decor. ]

    small space modular desk

    Designed as carefully as it is hand-crafted, this Tablet Desk has a deceptively streamlined look that hides a series of modular features and space-saving strategies, all made with technology in mind.

    small desk close up

    small desk in context

    If setting aside a whole room for a home office is simply not an option, this dual-purpose wooden desk and end table lets you put work aside with relative ease, then flip out extra surface area supported with magnetized wooden legs.

    small desk magnet legs

    small digital work surface

    Both the original two-toned and the newer 2.0 version from UK design studio Bee9 combine efficient storage and work space with minimal materials. Each also has a small-as-possible physical footprint, all oriented toward digital-first and future-proof use cases.

    small desk hidden cords

    small desk tablet area

    Modular panels and other moving components acknowledge that users will have wants and needs that cannot be universally anticipated, including ways to route cords (and places to keep them out of the way) and vertical surfaces against which to lean tablets or other devices.

    The making-of video above shows the initial Tablet Design being carefully constructed – watching it reveals some of the subtle detailing and much of the behind-the-scenes effort required to integrate all of the necessary functionality.

    small desk modular panels

    small desk open design

    From the designers: “Deceptively simple and endlessly adaptable, the Bee9 tablet desk is designed to redefine where you can put a desk. Frugal in its use of material and space, the desk [plus] side table makes optimum use of limited space.”

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    [ By WebUrbanist in Design & Furniture & Decor. ]

    [ WebUrbanist | Archives | Galleries | Privacy | TOS ]


    WebUrbanist

  • The Sensitive Side of Newborn Photography

    By Annie Tao

    Sensitive Side of Newborn Photography

    There are many ways you can photograph newborns, but one thing is for certain: it takes a certain amount of finesse to photograph these tiny little creatures that is beyond an ability to operate a camera and knowledge of photography.
    ?If you’ve had a baby, then you probably know what I am talking about. Newborns are especially fragile with soft bones and unfused plates in their skull, so moving them around should be done carefully. In fact, I will ask the parents to handle the baby during my Newborn shoots, if I want the baby to be in a different place or position.

    Newborns are also only recently outside the protection of their mother’s womb, so they are more susceptible to disease, cold and stress than other people you will probably photograph.

    Here are 6 tips to the sensitive side of Newborn Photography.

    1. Avoid wearing fragrances

    Sensitive Side of Newborn Photography 4

    That includes perfumed soaps, lotions, perfumes/colognes, after shave, and hair styling products. Babies have sensitive noses. The last thing you’d want is to have your precious subject sneezing. If she (or he) is uncomfortable, then she will be restless and fussy.

    2. Wash hands before you begin

    Sensitive Side of Newborn Photography 2

    The first thing you should do when you enter the newborn’s environment is to wash your hands really well. Even if you don’t plan to touch the baby, you will most likely touch things that the baby has contact with, like the crib.

    3. Reduce the chance of bringing germs into the newborn’s environment

    Reschedule if you are ill.

    There is nothing more stressful than needing to care for a sick newborn. Their bodies are too young for medicine, so do the baby’s family (and the baby) a favor by rescheduling if you are sick – especially if you have a fever.

    4. Turn up the heat

    Sensitive Side of Newborn Photography 3

    Babies are happy and sleepy when they are warm, so turn up the heat, but do this safely. If you use a space heater, be careful not to place it too close to the baby or whatever the baby is on or in.

    For instance, if the heater is pointed lower than the baby itself, it can still endanger the baby by heating up the basket she is in.

    5. Use your client’s props, if you can

    Sensitive Side of Newborn Photography 1

    Blankets, hats, stuffed animals, shoes, baskets…they are all so cute to use during your Newborn session.

    If you use your client’s props, then the items in the photos will be more meaningful to them (ie, Aunt Mary crocheted the hat, the basket is from the parents’ wedding, the stuffed animal is the same one the dad had as a child).

    The photos will also be more unique than using the same props over and over.

    6. Don’t force a pose

    You or the parents of the baby may want to get a shot of the baby in a certain position or posed on a particular object. Please assert caution when attempting such feats.

    Newborns are great to photograph because they can be positioned for a photograph, but they are human beings, not dolls. Take precaution and remember that babies are delicate. If they appear uncomfortable or unhappy, call it quits and find an alternative shot.

    Sensitive Side of Newborn Photography 5

    Newborns should be comfortable and safe at all times. So do what you can as their photographer to keep them that way during their photography session.

    Annie Tao is a Professional Lifestyle Photographer in the San Francisco Bay Area who is best known for capturing genuine smiles, emotions and stories of her subjects.  You can visit annietaophotography.com for more tips or inspiration and stay connected with her at facebook.com/annietaophotography.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    The Sensitive Side of Newborn Photography

    The post The Sensitive Side of Newborn Photography by Guest Contributor appeared first on Digital Photography School.


    Digital Photography School

  • 12 September, 2013 – Won Over to The Cloudy Side

    Where do you stand on the cloud? I mean the Adobe Creative Cloud, which has been of considerable debate these past few months. Subscription-based software rental rather than a purchase and perpetual license. Not an easy decision, with pros and cons both ways.

    I’ve been quiet on the subject because I wasn’t sure what I would do, myself, but some recent developments have moved me toward subscribing. I discuss this is a new brief essay titled Won Over to The Cloudy Side.

    "Having been to Antarctica with Michael and Kevin, I would say after having traveled the world and shot nearly my entire life as an exhibiting photographer,  it was one of my highlights in my life and I talk about it, all the time.  The images and experience of seeing something visionary and nearly extinct from the world, to see and experience the wildlife and scenery that does not fear humans is amazing.  The images I shot there won me two Smithsonian awards and nearly 18 other international awards". – Tim Wolcott

     Find Out More Now
    These Expeditions Will Sell Out Quickly. They Always Do

     


    The Luminous Landscape – What’s New

  • Explore the Funnier Side of Mobile Photography with these Photo Apps for iPhone

    The huge strength of the Apple iTunes store is that it features a vast array of apps in virtually any category. Photography is one of the most popular iTunes categories, and with good reason. We’ve already done a very comprehensive post about some of the hottest photography apps on iTunes, but they were all mostly of a serious nature. That Continue Reading

    The post Explore the Funnier Side of Mobile Photography with these Photo Apps for iPhone appeared first on Photodoto.


    Photodoto

  • Coke Side of Life: Coca-Cola Art Remix

    A few nice visual art images I found:

    Coke Side of Life: Coca-Cola Art Remix
    visual art
    Image by Coca-Cola Art Gallery
    COCA-COLA ART GALLERY

    www.coca-cola-art.com

    “Here’s the way to feel refreshed” was a slogan that caught the eye from magazine readers in the 1940s. “Your thirst takes wings when you treat it with to an ice-cold Coca-Cola”. Even the busiest man in the world comes up smiling after ‘the pause that refreshes’.
    From the earliest days, ‘Coca-Cola’ has a very simple purpose, and that is to offer people of the world a moment out of the day to relax, to enjoy and to be refreshed.
    The feeling when you drink an ice-cold ‘Coke’ from that traditional curvy glass bottle on a steamy hot day is one of those things you never forget or fail to appreciate. Your whole body relaxes as that caramel-like sweetness hits your tongue and is followed by that wonderfully pleasant burn as it hits the back of your throat and is finally welcomed by your stomach as it quenches your thirst. That, my friends, is refreshment!

    ROCKANDROLL AGENCY is a full-cycle communication agency offering marketing services, strategic development and art direction. RockAndRoll Agency was founded in 2003 by Jean-Philippe Noterman and Wouter De Coster. Jean-Philippe studied philosophy/anthropology, Wouter has a background as fashion designer. Before starting RockAndRoll Agency, they worked already together for 5 years in the publishing and communication business.

    RockAndRoll Agency is dedicated to the production of visual identity design, graphic animation and websites. As art buyers and curators, RRA is always looking for artists with strong ideas and an individual voice. Contact: wdc@rockandrollagency.com

    Blog: www.coca-cola-art.com
    Official Website: www.coke-art.com
    YouTube Channel: www.youtube.com/cocacola86artgallery

  • Coke Side of Life: Coca-Cola Art Remix

    A few nice visual art images I found:

    Coke Side of Life: Coca-Cola Art Remix
    visual art
    Image by Coca-Cola Art Gallery
    COCA-COLA ART GALLERY

    www.coca-cola-art.com

    In 1906, the ‘Coca-Cola’ company hired William D’Arcy, who set the tone of Coke’s advertising for the coming decades. He held the view that "‘Coca-Cola’ advertising should create scenes that drew people in and made them part of the pleasant interludes of everyday life". D’Arcy showed pleasant people drinking ‘Coca-Cola’ while doing sociable activities such as shopping and playing games.

    In the 1920s, ‘Coca-Cola’’s advertising began to reflect the prosperity of the times. Advertisements depicted the rising middle class participating in activities once reserved for the elite in society. An advertising poster shows a couple of friends, chillin’ outside at a party. An other cardboard shows a young girl being pulled on a board behind a boat. The advertisements created images that people aspired to emulate. And with the growing prosperity, such a dream was within everyone’s reach.

    ROCKANDROLL AGENCY is a full-cycle communication agency offering marketing services, strategic development and art direction. RockAndRoll Agency was founded in 2003 by Jean-Philippe Noterman and Wouter De Coster. Jean-Philippe studied philosophy/anthropology, Wouter has a background as fashion designer. Before starting RockAndRoll Agency, they worked already together for 5 years in the publishing and communication business.
    RockAndRoll Agency is dedicated to the production of visual identity design, graphic animation and websites. As art buyers and curators, RRA is always looking for artists with strong ideas and an individual voice. Contact: wdc@rockandrollagency.com

    Blog: www.coca-cola-art.com
    Official Website: www.coke-art.com
    YouTube Channel: www.youtube.com/cocacola86artgallery

    Coke Side of Life: Coca-Cola Art Remix
    visual art
    Image by Coca-Cola Art Gallery
    COCA-COLA ART GALLERY

    www.coca-cola-art.com

    In 1906, the ‘Coca-Cola’ company hired William D’Arcy, who set the tone of Coke’s advertising for the coming decades. He held the view that "‘Coca-Cola’ advertising should create scenes that drew people in and made them part of the pleasant interludes of everyday life". D’Arcy showed pleasant people drinking ‘Coca-Cola’ while doing sociable activities such as shopping and playing games.

    In the 1920s, ‘Coca-Cola’’s advertising began to reflect the prosperity of the times. Advertisements depicted the rising middle class participating in activities once reserved for the elite in society. An advertising poster shows a couple of friends, chillin’ outside at a party. An other cardboard shows a young girl being pulled on a board behind a boat. The advertisements created images that people aspired to emulate. And with the growing prosperity, such a dream was within everyone’s reach.

    ROCKANDROLL AGENCY is a full-cycle communication agency offering marketing services, strategic development and art direction. RockAndRoll Agency was founded in 2003 by Jean-Philippe Noterman and Wouter De Coster. Jean-Philippe studied philosophy/anthropology, Wouter has a background as fashion designer. Before starting RockAndRoll Agency, they worked already together for 5 years in the publishing and communication business.
    RockAndRoll Agency is dedicated to the production of visual identity design, graphic animation and websites. As art buyers and curators, RRA is always looking for artists with strong ideas and an individual voice. Contact: wdc@rockandrollagency.com

    Blog: www.coca-cola-art.com
    Official Website: www.coke-art.com
    YouTube Channel: www.youtube.com/cocacola86artgallery

    “Happy Elephant”
    visual art
    Image by Original Bliss
    Moleskine Soul Journal Entry for Un-Blank the Page Project

    For More on this page visit:

    Original Bliss