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Posts Tagged ‘Show’

Pixel Peeper can now show you what Lightroom preset was used on a photo

08 Jul

Last month, a website called Pixel Peeper launched with the ability to determine which Lightroom edits were made to an image. Thanks to a recent update, users can now also use Pixel Peeper to determine which Lightroom preset was applied to an image.

The Preset Finder feature requires users to upload their previously-used Lightroom presets. Once uploaded, the system will identify which preset was applied to any image uploaded to Pixel Peeper. This feature only works with presets the user has already purchased and uploaded, however—it doesn’t identify presets that haven’t been uploaded to the system.

The new feature is limited to 10 presets that expire after 30 minutes for free users, but it’s unlimited for premium users who pay the $ 25/year fee.

In addition to finding presets, Pixel Peeper retains its original ability to figure out which Lightroom settings were used to edit an image, something it presents using a series of sliders for settings like exposure, tint, clarity, and more. The tool also displays EXIF data when possible, including the camera model and lens used to take the image, shutter speed, aperture, ISO, and more.

Articles: Digital Photography Review (dpreview.com)

 
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CIPA figures for May show more good news for camera makers

07 Jul

The number of cameras made and shipped by manufacturers continues to grow, spelling some positive news for the photo industry. Although the total number of digital still cameras produced in May by members of the Camera and Imaging Products Association was only up by 4.1% in April, the difference over May 2016 was an impressive 42.2%—and by value 38.9%.

Compact camera and interchangeable lens camera shipments grew by much the same amount, but within the interchangeable lens sector almost two and a half times more mirrorless cameras were produced than last May, while DSLRs grew by only 12.1%.

By value, production of DSLRs was flat on last year and mirrorless up by 160%, but the number of DSLRs produced is still well ahead of compact system cameras—628,336 units as compared to just 387,287.

May 2017 figures still fell short of 2015 (the dotted purple line), but far outpaced May of 2016 (the solid black line).

The association’s figures show that the value of cameras shipped in May was up by 54.5% on the same month last year, with the compact system sector growing by over 200%. While the number of units shipped has also grown, these figures demonstrate a (predictable) movement towards higher priced cameras across the whole industry, and particularly in the mirrorless category.

The mirrorless bug seems to be quickly catching on in the USA, with the region showing value growth of 390%, but the actual number of models shipped still lags behind Europe and Asia. America seems to have a taste for the more expensive mirrorless models though, with a mean pre-tax price of around $ 720 per camera compared to $ 480 in Europe, $ 500 in Japan and $ 470 in Asia.

For more information see the CIPA website and our report on April 2017 figures.

Articles: Digital Photography Review (dpreview.com)

 
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21 Images That Show a Trip to the Market

15 Jun

Markets the world over are fascinating places. A photographer’s paradise, with a cornucopia of things to aim the camera at. Here are 18 images from a trip to the market:

By Carsten ten Brink

By Roberto Verzo

By David Stanley

By jpellgen

By Brook Ward

By Bud Ellison

By swong95765

By sara marlowe

By Rod Waddington

By Vanila Balaji

By aotaro

By David Guyler

By Neil Howard

By Leticia Roncero

By eugenuity

By James Merhebi

By Ryan Bodenstein

By Grant Matthews

By sdosani

By Carla Cometto

By Didier Baertschiger

The post 21 Images That Show a Trip to the Market by Darlene Hildebrandt appeared first on Digital Photography School.


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Photographer captures Miami Beach air show with Nikon 800mm and custom rig

07 Jun
Jim Winters with his TRIAXEZ rig. Photo by Pete Boden

The AF-S Nikkor 800mm F5.6 VR is an absolute beast of a lens. Shooting handheld with it for more than a few seconds is pretty much unbearable unless you’re a champion bodybuilder. Wanting it utilize it for aviation photography, Jim Winters built a rig to accommodate the lens and a camera body that he can use for hours.

His ‘triple axis’ TRIAXEZ rig includes a counterweight and 12V battery. The battery provides additional counterweight to balance the rig – an earlier evolution used lead pellets as counterweights – and also provides charge to the camera for long shooting sessions. Winters says he can even use it to charge his phone. The whole thing is easily transported to and from shooting locations thanks to a pair of wheels.

It’s a pretty clever piece of engineering, and the proof is in the images below, shot at the National Salute to America’s Heroes in Miami Beach over Memorial weekend.

Photo by Jim Winters
Photo by Jim Winters
Photo by Jim Winters

It looks like the rig is working well for Winters, but he’s envisioning ways to improve it. ‘Due to the weight of the rig assembled with lens and counterweight, I was experimenting with a single shoulder mounted rig. You would look through a POV set of glasses so that you don’t have to look through the camera body, nullifying the need for a counterweight.’ That’s a pretty enticing solution, but in the meantime, we think he’s done an excellent job of adapting his equipment to his needs.

See all of his photos from the Miami Beach show at his Team Nikon Miami website.

Articles: Digital Photography Review (dpreview.com)

 
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New images of Jupiter’s pole show enormous, gorgeous storms

29 May

Enormous cyclones rage on Jupiter’s south pole, in an image created by NASA’s Juno spacecraft.

Credit: NASA/JPL-Caltech/SwRI/MSSS/Betsy Asher Hall/Gervasio Robles

NASA’s ‘Juno’ spacecraft was launched in 2011 and entered Jupiter’s orbit in July 2016. Tasked with studying the gas giant, early data from Juno suggest that among other insights, scientists had underestimated the intensity of Jupiter’s ‘mammoth, lumpy’ magnetic field.

Juno is on a polar orbit around Jupiter, passing close to the surface every 53 days. Each time it makes a pass, it collects data using various instruments, including its ‘Junocam’ camera. It takes around one and a half days to send back 6MB of data. 

Taken in Jovian orbit from a height of 32,000 miles, this image show huge earth-sized storms raging on Jupiter’s south pole. Each storm is made up of cyclones that measure 600 miles in diameter.

And we thought Seattle’s weather was bad…

Read more about the Juno mission at NASA.com

Articles: Digital Photography Review (dpreview.com)

 
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Beautiful photos from 1942 show the making of the New York Times

11 May

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Publishing has come a long way since the mid twentieth century. What was once a herculean task putting together each individual page of a newspaper has largely been replaced by click-and-save web publishing.

So when we came across a curated set of images on Mashable, pulled from the Library of Congress, we were instantly mesmerized by the beauty and complexity of a daily paper’s production. These images were all shot during the course of one night of production in the New York Times’ Manhattan office in the Fall of 1942. The photographer, Marjory Collins, worked for the War Information office.

What’s particularly interesting about these images, aside from the daunting physical labor required to publish, is the stories of the day. September 1942 was smack in the middle of World War II and news in that day’s paper focused on fighting in both Europe and the Pacific.

See all the full gallery of images here.

Articles: Digital Photography Review (dpreview.com)

 
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Filmmaker and photographer collaborate to show natural beauty of ocean waves

10 May
 

How do you capture the beauty of an ocean wave with a single still image? You turn it into a cinemagraph, of course.

After discovering the potential of the Puppet Warp tool in Adobe effects, Dutch cinematographer Armand Dijcks started to experiment with creating ‘cinemagraphs’ of images of moving water, using Flixel Cinemagraph Pro to create the infinitely looping animations.

After perfecting the technique, Dijcks reached out to Australian ocean photographer Ray Collins for source images. Their collaboration, titled ‘The Infinite Now’ can be viewed above.

Read more about the process of creating ‘The Infinite Now’

Articles: Digital Photography Review (dpreview.com)

 
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The Human Footprint: Aerial Photos Show How Industry Changes the Land

06 May

[ By SA Rogers in Art & Photography & Video. ]

The toll exacted from the earth for human progress is rarely more dramatically visible than from overhead, looking down onto the mines, oil fields, salt flats, recycling yards and other artificial landscapes we’ve created to maintain a population that has exploded since the 1950s. Photographer Edward Burtynsky, who has been flying all over the world capturing aerial images of these scenes since long before the arrival of Google Earth, now sees human activity as expanding “like a rogue species… stretching the boundaries and limits of what we can do in nature.”

How have we changed the shape of the Earth since the dawn of the industrial age? The human population on Earth has expanded by nearly a billion every decade, and in our constant quest for lives of comfort and plenty, we ravenously consume natural resources and radically alter the landscapes we depend on for our own survival. Burtynsky has produced a series of photo collections in 11 categories like water, oil, mines, ship breaking, tailings and quarries to show that our appetites have put our own future in jeopardy.

Accepting his 2005 TED Prize for his stunning work, Burtynsky said he hopes that these images will help persuade millions of people around the world to join a global conversation on sustainability.

“These images are meant as metaphors to the dilemma of our modern existence; they search for a dialogue between attraction and repulsion, seduction and fear. We are drawn by desire – a chance at good living, yet we are consciously or unconsciously aware that the world is suffering for our success. Our dependence on nature to provide the materials for our consumption and our concern for the health of our planet sets us into an uneasy contradiction. For me, these images function as reflecting pools of our times.”

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[ By SA Rogers in Art & Photography & Video. ]

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Posted in Creativity

 

CP+ 2017: a taste of the show

02 Mar

It’s a bird! It’s a camera! It’s actually both and it’s really giving us the creeps. Camera pigeons and other odds and ends we found at CP+ 2017 are all highlighted here for your amusement.

Check out all of our CP+ 2017 coverage

Articles: Digital Photography Review (dpreview.com)

 
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EHang uses 1000 GhostDrone 2.0 drones for massive light show in China

25 Feb

Just a few days after Intel wowed audiences with a 300-drone aerial light show at the Super Bowl, Chinese drone company EHang raised the bar with a 1000-drone light show for audiences in China.

EHang performed its ‘Meteor Sky’ show in the city of Guangzhou in celebration of the traditional Chinese Lantern Festival on February 11. To create the spectacle, the company used 1000 of its GhostDrone 2.0 drones configured with color changing lights.

A long exposure captures the drone show near Guangzhou’s Canton Tower.

Putting on a show of this scale requires some impressive logistics. Just arranging the drones prior to flight required an area 290m long by 19m wide, and over 30 EHang engineers and staff put in thousands of hours to develop, choreograph and test the show. The company also developed an advanced communication network and safety system which maintained a minimum 1.5m distance between drones during flight. Despite the complexity, the entire show was controlled by a single computer on the ground.

EHang staff arrange drones in preparation for its ‘Meteor Sky’ light show. The entire staging area was 290m x 19m in size.

EHang notes that the show also served as a trial to see if drones could provide an environmentally friendly alternative to fireworks.

What do you think about drone light shows? Tell us in the comments!

Articles: Digital Photography Review (dpreview.com)

 
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