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Posts Tagged ‘shares’

OnePlus shares official sample images from OnePlus 7 Pro’s triple camera system

04 May
OnePlus 7 Pro leak from @OnLeaks via PriceBaba

On May 14, Chinese smartphone company OnePlus will officially announce the anticipated OnePlus 7 Pro Android smartphone. Though many details are lacking at this time, the OnePlus 7 Pro previously leaked as featuring a rear three-camera system, something OnePlus confirmed on April 25, 2019. Following that confirmation, OnePlus has shared three official sample images captured with the the triple camera.

OnePlus shared three images captured with the OnePlus 7 Pro via Twitter on April 30. Though the company didn’t provide details on the device, the images seemingly confirm leaks that claim the model will feature both ultra-wide and zoom cameras in addition to the expected 48MP primary camera.

The OnePlus 7 Pro will allegedly feature a Snapdragon 855, 8GB of RAM, USB-C, a single speaker, notch-free display, and complete lack of a headphone jack. Official features will be revealed by OnePlus next month.

Articles: Digital Photography Review (dpreview.com)

 
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Video: COOPH shares 5 inexpensive ideas for macro photography

23 Apr

Cooperative of Photography (COOPH) has published a video on its YouTube channel that offers viewers five macro photography ideas. The video aims to demonstrate ways to capture striking images without investing in expensive equipment; one idea, for example, includes instructions on transforming an empty chips canister into a flash diffuser.

The video focuses on ordinary items and elements easily found in the home or office. COOPH demonstrates ways to capture unique textures using things like soap bubbles and sponges, as well as color patterns using prisms and macro still life using ordinary tiny objects like a pen spring. Below is a timestamped list of the specific ideas if you want to skip around.

0:06 – DIY Macro Diffuser
1:23 – Textures
1:52 – Depth of Field
2:44 – Macro Still Life
3:09 – Color Macro

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics shares details of upcoming zoom and prime cine lenses

07 Apr

Venus Optics is showing prototypes of its new Laowa cinema lenses at the NAB show in Las Vegas, and has released more details of their specification, what we should expect and a better idea of when they will be shipping. The lenses were first shown at Photokina in September, but in the meantime the company has confirmed more information regarding both models which were at a very early stage on their last outing.

The Laowa OOOM 25mm-100mm T2.9, it says, was designed with the aim of suppressing focus breathing, as well as distortion, chromatic aberrations, focus shift across the zoom range and variations in exposure – hence the fixed T2.9 aperture. The company also says that the OOOM name stands for ‘Out Of Our Minds’ and reflects the engineers ideology when it comes to lens design – meaning I suppose that the plans for the concept were ambitious. The lens has a 32mm covering circle which Venus Optics says makes it suitable for all Super 35mm aspect ratios. Using 20 elements in 16 groups the lens will have a closest focus position of 12.7in/32mm.

Venus Optics says we should expect delivery late this year at a price ‘well below USD $ 10,000’ – and that it is working on two more lenses to join it. One will be a wide angle zoom, and the other a telephoto model.

The company’s 12mm T2.9 Zero-D cine lens is also making progress, with details pointing to another late 2019 shipping date. New information on the specification shows the full frame lens will have a covering circle of 46.5mm and a 110mm filter thread. A 114mm step-up ring will be included for filmmakers to fit a rod-supported matte box onto the lens.

For more information see the Venus Optics website.

Press Release:

Laowa OOOM 25-100 t/2.9 and 12mm t/2.9 Zero-D will make their North America debut in NAB Las Vegas (Booth# C11738)

Venus Optics, the camera lenses manufacturer who had previously launched a number of unique Laowa camera lenses, is proud to display the new prototypes of Laowa OOOM 25-100mm t/2.9 and 12mm t/2.9 Zero-D in NAB Las Vegas show (Booth#C11738) and its the first time in America.

Laowa OOOM 25-100 t/2.9 Cine

Laowa OOOM 25-100 t/2.9 Cine is a high quality cinematic zoom lenses dedicated for PL/EF cameras with Super35-sized sensors. The name “OOOM” stands for “Out Of Our Minds” which properly describes our ideology of designing lenses. Unlike some other cine zooms in the market, the OOOM 25-100mm was designed with a goal to suppress focus breathing to the minimal at the beginning. Featuring a 32mm image coverage, the new OOOM lens covers a relatively bigger image than other S35 zoom lenses and should be able to cover most of the aspect ratios of cameras with Super35 sensors. The lens can focus up to 12.7” (32cm) away from the front element, which is comparatively closer than other lenses in the market with similar zoom factor. The 20 elements in 16 groups optics design successfully suppress distortion and chromatic aberration to the minimal and deliver outstanding resolution across the frame.

The 4X zoom factor provides a great deal of flexibility to shoot in most scenarios. This lens also has a par-focal and fixed t/2.9 aperture design that both the focus point & brightness will stay unchanged throughout the whole zoom range. The focus, aperture and zoom ring feature a cine-style 0.8 Mod gear teeth for fitting with focus units or motors. An industry standard 114mm front diameter is equipped for filmmakers to fit with their own matte boxes. A focus mark calibration mechanism is incorporated for filmmakers to micro-adjustment in case of front/back focusing. A user-interchangeable PL/EF mounts are available.

Venus Optics are currently preparing a similar cinematic zoom lens with wider focal length and the other one with a more telephoto perspective. The specifications will be announced in due course.

The retail selling price of the Laowa OOOM 25-100mm t/2.9 lens is not fixed yet but it will be well below USD 10,000. It will be available to ship from late 2019.

The lens will make its US debut in the coming NAB show in Las Vegas between 6-11 Apr in Venus Optics Booth (C11738).

Laowa 12mm t/2.9 Zero-D Cine

Laowa 12mm t/2.9 Zero-D Cine is one of the widest and fastest available lens for shooting with large format sensors. It is designed with a 46.5mm image circle, successfully covers both full frame and Vista Vision-sized sensors. Despite the ultra-wide 122° field of view, the image is perfectly rectilinear and features a close-to-zero distortion rate. The focus flow is extended to 270° for cinematographers to also take advantage of the 0.6 feet (18cm) closest focusing distance. The lens is super lightweight (650g, 1.4lbs) and comes with a 100mm front diameter. A 114mm step up ring is included for filmmakers to fit rod supported matte box onto the lens. Both EF and PL mount will be available.

The retail pricing of the 12mm t/2.9 Zero-D Cine is not ready yet and it will be ready to ship in around late 2019.

Articles: Digital Photography Review (dpreview.com)

 
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Video: ‘Process’ shares the thoughtful, methodical work of analogue photography

01 Apr

Director Will Campbell has shared Process, a three-minute short film that dives into the passionate work of Scott Folsom, a photographer Campbell says possess ‘a deep well of wisdom and knowledge when it comes to large format, analog photography and development processes.’

Throughout the video, we get an abstracted behind-the-scenes look at how Folsom goes about capturing and processing his slow, methodical work. It’s worth noting that despite the emphasis on large format photography in both the description and title of the film, this particular video shows Folsom is using a 612 panorama back on the rear of a 4×5 view camera.

‘The modern digital camera allows us to easily shoot hundreds of frames, edit them, and upload our favorites to the internet within minutes,’ says Campbell in the video’s description. ‘This is a very different experience to that of the large format photographer. For them the process is arduous, analog and anything but instant.’

Articles: Digital Photography Review (dpreview.com)

 
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Yongnuo shares more details about its upcoming YN450 Android-powered mirrorless camera

07 Mar

Last October, Yongnuo teased the impending launch of a 16-megapixel Android-based mirrorless camera it called the YN450. Since then, not much has been heard about the device, but Yongnuo made an appearance at CP+ and brought along the unreleased device to show off in more detail.

In the video above, Cinema5D takes a closer look at the unreleased device to see just what Yongnuo has managed to pack inside the YN450 and what their goal is with the unique device.

The camera uses a 4/3 sensor and relies on a Canon EF mount for lenses. It’s powered by Android 7.1, features an 8-core Qualcomm processor and includes a 5-inch 1080p multi-touch display. The secret weapon, however, is an integrated 4G SIM card slot that will ensure the camera is as connected as a smartphone would be, with Wi-Fi and GPS to boot.

Based on the current information available, the camera will have 32GB of internal memory as well as a MicroSD card slot. However, Cinema5D believes that slot could be limited to 32GB cards and won’t support SDXC cards.

In addition to 16MP stills, the camera will shoot 4K/30p video, but details on the codec and other information are still unannounced. There’s also a front-facing 8MP camera that’s hidden next to the display. The device will feature a removable 4,00 may battery that’s said to power the camera for up to 4 hours of continuous use.


Photos by Cinema5D shared with permission

Articles: Digital Photography Review (dpreview.com)

 
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DJI shares open letter regarding corruption allegations, asks media to ‘pay close attention to the facts’

04 Feb

Three weeks ago, DJI released a statement regarding its ongoing investigation into an alleged corruption scandal that could ultimately cost the Chinese drone manufacturer upwards of more than $ 150 million. Now, DJI has published an open letter on its website detailing more information and urging ‘the media to pay close attention to the facts [DJI has] presented.’

In its initial statement, DJI said that during its internal investigation regarding the alleged corruption, ‘DJI itself found some employees inflated the cost of parts and materials for certain products for personal financial gain […] DJI took swift action to address this issue, dismissed a number of employees who violated company policies, and contacted law enforcement officials.

Since the initial statement, DJI has published an open letter on its website that provides more details on the investigation, the events that led up to it and what it plans to do going forward.

As DJI embarked on a management reform effort last year, we discovered problems that had evolved during our period of high growth,‘ reads the letter. It later goes on to say ‘DJI has discovered instances of cost inefficiency, purchasing manipulations and outright theft. We cannot ignore these issues. Indeed, for the sake of the vast majority of our employees who work hard and honestly, we need to uncover and eliminate these problems.

Although it’s not a full-fledged apology to consumers and investors, DJI does accept blame for letting the corruption getting as bad as it did, saying ‘in the past emphasized corporate growth over new internal processes.

DJI says fostering better management will be the key to eliminating such corruption in the future and says ‘will now take a leading role in developing clear policies, procedures and expectations to address corner-cutting and employee theft‘ and calls upon other companies to implement similar processes.

The letter also implores the media to ‘pay close attention to the facts we have presented.’

DJI has been expected to file for IPO in 2019, so these statements and open letters appear to be a part of an intense effort to suppress the fallout from the corruption and its financial implications.

Articles: Digital Photography Review (dpreview.com)

 
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China shares the first photo captured on far side of the Moon

04 Jan
Photo captured and shared by the China National Space Administration (CNSA).

The China National Space Administration (CNSA) has landed its Chang’e 4 spacecraft on the far side of the moon and sent back a photo captured from the surface. This marks the first time any spacecraft has landed on the far side of the moon.

After touching down at 9:26 p.m. US eastern time, the spacecraft sent back a color photograph of its home inside the Von Kármán lunar crater, a formation on the southern pole of the moon that measures approximately 180 km in diameter.

Lunar Orbiter 5 image of the Von Kármán lunar crater.

Photographs of Von Kármán and the far side of the moon have been captured before, as seen in the above image captured bye Lunar Orbiter 5, but never from the surface of the moon.

One of the major hurdles of landing a spacecraft on the far side of the moon is communications. Normally, with the moon in the way, there’s no way for direct communication for the spacecraft. To get around this limitation, the CNSA is using the Queqiao satellite as a relay point about 65,000 km above the surface of the moon.

With the spacecraft now safely on the far side of the moon, it can begin its mission to take measurements in an effort to better determine the age and makeup of the Von Kármán lunar crater and southern pole of the moon.

Articles: Digital Photography Review (dpreview.com)

 
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NASA’s InSight lander shares its first photos from the surface of Mars

28 Nov
Photo via NASA/JPL-Caltech/Lockheed Martin, used under Public Domain

It took six months and more than 300 million miles, but NASA’s InSight lander is now safe and sound on the surface of Mars and transmitting back the first bits of data to scientists here on Earth.

Among the first observations sent back to Earth from Mars is a collection of 1-megapixel photos captured with its onboard Instrument Deployment Camera (IDC). The images, which were transmitted by relaying the data to NASA’s Odyssey orbiter that’s currently orbiting Mars before being sent back down to NASA’s Jet Propulsion Laboratory in Pasadena, California, are the first of many that will be transmitted back to Earth during InSight’s two-year mission to study the interior of Mars.

The first publicly-shared photo sent back was one captured before the lens cap was removed from the camera, as evident from the dust covering the image.

The second image shared by NASA shows off a bit of the spacecraft itself with Elysium Planitia, a large plain on the equator of Mars that’s located in the Elysium and Aeolis quadrangles, in the background.

The landing site, which is approximately 370 miles north of where NASA’s Curiosity rover is rolling around the Martian surface, will now be scanned and covered with various scientific instruments as part of InSight’s mission to ‘probe the mysteries of Mars’s deep interior and help answer geophysical questions about the planet’s structure, composition and how it formed,’ as noted by The New York Times.

To keep up with the InSight mission, visit NASA’s InSight mission page and follow the verified InSight Twitter account.

Articles: Digital Photography Review (dpreview.com)

 
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NASA shares high-resolution satellite images of California’s Camp wildfire

15 Nov

NASA has shared images of the California Camp Fire as seen from space. The wildfire started on November 8 and quickly spread, ultimately destroying nearly 8,000 buildings and burning 135,000 acres, according to Cal Fire, as well as claiming at least 50 lives.

Some of the images were captured using the Moderate Resolution Imaging Spectrometer on NASA’s Terra satellite, according to the space agency, which says the images show natural colors. Unlike images from the ground, NASA’s aerial snapshots reveal the sheer scale of the blaze and how far its smoke has dispersed westward across the state and over the ocean.

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NASA is home to its Earth Observing System Data and Information System (EOSDIS) Worldview, a platform that provides access to high-resolution images from more than 700 satellites. The images in this application are updated within three hours of being captured, according to NASA, providing a near-real time look at every corner of the planet. Imagery of the Camp Fire, as well as other California wildfires, can be accessed through the platform.

Articles: Digital Photography Review (dpreview.com)

 
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NASA shares the first 8K footage from space, shot aboard the International Space Station

07 Nov

NASA has published the first 8K footage from space on its YouTube channel.

The three minute video, filmed aboard the International Space Station, details “the in-space experience and see how the international partnership-powered human spaceflight is improving lives on Earth, while enabling humanity to explore the universe.”

Throughout the video, more than a dozen experiments and devices are shown, each of which are listed and timestamped in the video’s description on YouTube. There’s even a glimpse or two of Nikon D5 cameras and Manfrotto mounting equipment.

In order to view the video in full resolution, you’ll need to either stream it on Google’s Chrome browser or download the 3GB MP4 video directly from NASA’s Image and Video Library website.

Of course, in order to watch it in all its glory, you’re going to need a display capable of showing off 8K footage — something you might not have sitting around the house or office — so keep that in mind.

NASA specifically thanks the European Space Agency, the ISS National Lab, and astronauts Alexander Gerst, Serena Auñón-Chancellor, Ricky Arnold and Drew Feustel for their efforts in the making of the video.

Articles: Digital Photography Review (dpreview.com)

 
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