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Posts Tagged ‘Series’

US journalist wins Anja Niedringhaus Award for Sudan conflict series

12 May

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The Anja Niedringhaus award for Courage in Photojournalism has gone to Kenya-based photographer Adriane Ohanesian for her ongoing coverage of the conflicts in Sudan and South Sudan and their impact on the civilian population. The award was made by the International Women’s Media Foundation and is given for the second year in memory of Anja Niedringhaus, a photographer who was killed in Afghanistan in 2014. The award is given in recognition of courage and dedication while bringing ‘vital stories from countries and communities around the world through pictures.’

This year’s winner is an American photographer who has based herself in Kenya, from where she covers the wars in neighboring South Sudan and Sudan, as well as in Somalia and Burundi. Her pictures focus on the soldiers as much as on the civilians who get caught up in the conflicts who are often displaced and injured. Honorable mentions went to Lynsey Addario and Paula Bronstein, also Americans, for their work covering crisis around the world.

There will be an awards ceremony in Washington, hosted by the German ambassador, in June. The winner will receive a $ 20,000 prize, to help support future work, from a fund set-up with a $ 1M donation from the Howard G Buffett Foundation.

For more information on the awards and the winners, and to see more of the winning photographs, visit the IWMF website.


Press release:

IWMF Names Adriane Ohanesian Winner of the Second Annual Anja Niedringhaus Courage in Photojournalism Award

Lynsey Addario and Paula Bronstein Receive Honorable Mentions
 
May 10, 2016 – Washington, DC — The International Women’s Media Foundation (IWMF) is pleased to announce Adriane Ohanesian as the winner of the 2016 Anja Niedringhaus Courage in Photojournalism Award. The award recognizes the exemplary work of women photojournalists who overcome extraordinary challenges to bring us images of pressing global issues.

Now in its second year, the award was created through a generous grant from the Howard G. Buffett Foundation to pay tribute to the strength and dedication of Pulitzer Prize-winning Associated Press photographer Anja Niedringhaus, who was tragically killed while reporting in Afghanistan in 2014. Niedringhaus received the IWMF Courage in Journalism Award in 2005.

Lynsey Addario and Paula Bronstein received honorable mentions for the 2016 award. All three women will be recognized at a reception in Washington, DC on Thursday, June 9, 2016.

“We are proud to recognize this year’s Award honorees, who are a credit to their profession and to Anja’s legacy,” said IWMF Executive Director Elisa Lees Muñoz. “These remarkable and brave women are revealing difficult truths around the world through their pictures, and the Niedringhaus Award celebrates that service.”

Ohanesian is a freelance photojournalist based in Nairobi, Kenya. She has been reporting primarily in Africa since 2010 and has documented the civil war in South Sudan, the border demarcation between Sudan and South Sudan, the fighting in the Nuba Mountains of South Kordofan, and most recently the conflict in Darfur. Her photographs have been published by Al Jazeera, The Wall Street Journal, National Geographic, and TIME.

 “At the end of the day it’s not about me; it’s about the lives of the people in the pictures,” Ohanesian said. “My photographs document what I’ve seen in isolated areas of the world. I hope the people I photograph feel that these photos communicate their circumstances to the outside world. It takes a massive amount of trust on the part of my subjects to know that I’m accurately representing them and their story.”

The Award jury, comprised of leading photo editors from The Associated Press, The New York Times, and VII Photo, gave Ohanesian the top prize for her “evocative images and tenacious dedication to documenting the effects of conflict on citizens in perilous regions.” They continued, “her perceptive, compassionate eye offers an extraordinarily personal glimpse into places the global community may not otherwise see.” The Anja Niedringhaus Award winner receives a $ 20,000 prize to support her ongoing work thanks to the support of the Howard G. Buffett Foundation.

Honorable mention London-based Lynsey Addario, who won a Pulitzer Prize in 2009 as part of a team at the New York Times and has covered the Syrian crisis for the past four years, was recognized by the jury for her portfolio of powerful images documenting humanitarian crises in Afghanistan, Iraq, Italy, the Philippines, South Sudan, Uganda, and Ukraine. Bangkok-based veteran Paula Bronstein, whose accolades include a World Press Photo award and Pulitzer nomination, was acknowledged with an honorable mention for her coverage of refugees, natural disasters, and political protests in Thailand, Afghanistan, Greece, Hong Kong, and Nepal.

This year’s Anja Niedringhaus Award event and reception will be hosted by German Ambassador to the U.S. Peter Wittig and Mrs. Huberta von Voss-Wittig at the German Embassy and residence. The event program will feature leading international journalists, including Ann Curry, Katty Kay, Ines Pohl, and Judy Woodruff.

For more information about the IWMF, follow us on social media (@IWMF on Twitter, @IWMFpage on Facebook, @TheIWMF on Instagram). Follow awardees on Instagram: Adriane Ohanesian @adrianeohanesian, Lynsey Addario @lynseyaddario, and Paula Bronstein @pbbphoto.

About the IWMF:
The IWMF is dedicated to strengthening the role of women journalists worldwide. The media is not truly free and representative without the equal voice of women. Since 1990, we have celebrated the courage of women journalists who overcome threats and oppression to report and bear witness to global issues. Through our programs and grants we empower women journalists with the training, opportunities, and support to become leaders in the news industry.

Articles: Digital Photography Review (dpreview.com)

 
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Learning curve: LensRentals examines a series of linear focus motors

21 Apr

To the point…

Quick and to the point: that’s the reasoning behind the use of linear focus motors, but it’s less true of the latest blog post on the subject, over on LensRentals.com. That’s what we love about the crew’s in-depth teardowns. In their latest post they tear apart a series of linear drive lenses and discuss the various designs they’ve encountered. Some are pretty robust and others, well, take a look for yourself…

The need for new designs

The ring-type focus motors [pictured above] that were traditionally the default choice for high-end DSLR lenses are not especially well suited to the needs of mirrorless cameras or video shooting. Contrast detection autofocus requires not just being able to move a focus group quickly but also the ability to stop it, then drive it back in the other direction, all with high precision. Video requires silent and carefully-controlled focus drive, to allow smooth refocusing while the camera is recording. These different requirements have prompted the adoption of new types of focus motors.

Linear electromagnetic motors

Among the more popular alternatives to ring-type drive is the linear motor, which features a permanent magnet and a coil of wire that, when electricity is run through it, slides along a bar parallel with the magnet. In principle these fulfill the things demanded of them: fast, precise and quiet (we’ve been very impressed by how fast some of the linear motor lenses we’ve used can be).

Surprisingly, the internet has very few good diagrams of these designs, but you can sometimes recognize lenses that use this type of motor because the focus element rattles around when the camera is switched off. This is because in many linear motor lenses the focus element is only held in position when power is being provided to the focus coil – the rest of the time, the focus carriage can just slide up and down its rails. This isn’t true of the Sony and Zeiss designs that much of the blog post discusses – these appear to have some sort of brake to stop this disconcerting behavior.

Rattle and, er, break

Generally we don’t worry too much about this rattling, but perhaps we should. LensRental’s experience with large numbers of hard-worked lenses reveals that not all linear motor designs are the same. Early Sony motors attach the moving coil to the focus element carriage with just a single blob of glue. Oddly enough, this can fail; leaving the coil racing up and down the rail but with the focus element uncoupled. Later designs do a better job of securing the moving coil to the carriage, prompting Roger Cicala to define two categories within lenses of this kind: Type 1 motors and Type 1a designs that are very similar but don’t break so readily.

No right answer

As well as highlighting a failure mechanism of poor designs, Cicala and Co’s teardowns hint at a fundamental shortcoming of linear motor’s capabilities. Fujifilm’s use of two, three and four linear motors in some lens designs suggests that they struggle to move large, heavy lens elements quickly, taking a brute-force approach.

This is also likely to explain why Sony adopted three different focus drive technologies (linear electromagnetic motor, piezoelectric direct drive and ring-type motors, sometimes in combination) in its recently-announced GM series of lenses: because there isn’t yet a single technology that provides all the necessary characteristics in a way that works for all lens designs.

Results, not technologies

Like LensRentals, we’ve seen very different results between the best and the worst examples of each lens motor type, which is why we try to concentrate on performance, rather than technology, when we write about lenses. We’ve also been lucky not to experience any of the motor failures (perhaps better described as motor detachments), that LensRentals has seen, but it’s interesting to see the designs of lenses improve as manufacturers become more experienced at using each technology. Or, as in the case of the Sony 70-200mm F2.8 pictured here, a mixture of technologies.

We also hope Cicala makes good on his promise to look at other emerging focus technologies, and the ways in which they’re developing, in the coming weeks.

Articles: Digital Photography Review (dpreview.com)

 
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Sekonic expands LiteMaster Pro meter series for wireless control of Elinchrom and Phottix flashes

10 Feb

Japanese light and color meter manufacturer Sekonic has introduced a pair of new ambient and flash light meters to the L-478 series that are dedicated to use with Elinchrom and Phottix flash units. The Sekonic LiteMaster Pro L-478DR-U-EL is designed to be used with Skyport-equipped Elinchrom heads, while the LiteMaster Pro L-478DR-U-PX is aimed at users of Phottix Indra studio heads, Mitros+ hotshoe flash guns, the Strato and Strato II receivers and the Atlas II transceiver.

From the new meters Elinchrom users will be able to adjust flash output in 1/10th stops across four lighting groups, and the meter is capable of triggering and measuring individual groups as well as all the flashes as a whole. Photographers using the Phottix system will be able to make adjustments in 1/3rd stop steps, and can trigger individual or collections of groups at one time. Although the meters are primarily intended for wireless radio triggering they also support standard flash cables. 

The LiteMaster Pro L-478 meters use a color touch-screen interface, and are designed to be used for still and motion picture work. These new models include an ISO 850 setting to suit users of the Canon cinema cameras, and have had their filter compensation factor increased from 5EV to 12EV for people using high-value neutral density filters. These features will be added to the current L-478D-U and L-478DR-U (PocketWizard) models via a firmware update in the near future. 

An interesting feature of the series is the ability to store the dynamic range profile of ten camera/lens combinations so that you can ensure that your lighting set-ups don’t create burnt-out highlights or blocked shadows. 

The new LiteMaster Pro L-478 meters will cost $ 400/£400. For more information visit the Sekonic website.

Articles: Digital Photography Review (dpreview.com)

 
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Tamrac launches Hoodoo series with two camera bags

23 Jan

Tamrac has introduced two camera bags as part of its new Hoodoo product lineup. The Hoodoo 18 and Hoodoo 20 packs are described as being ‘minimal and lightweight’ with features including a water-resistant waxed canvas exterior, PU coated ripstop fabrics, and selective padding for comfort.

These two new Tamrac bags are designed for use in the great outdoors, and come in two different sizes, with the Hoodoo 18 bag being the smaller of the two. The Hoodoo 18 bag can carry a mirrorless camera or DSLR as well as one or two lenses and a 13-inch laptop. The camera compartment is separate from the bag’s main compartment.

The Hoodoo 20, meanwhile, is described as ‘three packs in one,’ able to serve as a camera shoulder bag, day pack, or protective camera backpack, depending on the need. Customizable interior dividers can be adjusted to accommodate a mirrorless system or DSLR, while the upper portion includes space for personal gear and a 15-inch laptop.

Both bags are available now in ‘ocean,’ ‘kiwi,’ and ‘pumpkin’ colors. The Hoodoo 18 is priced at $ 89.95 USD, and the Hoodoo 20 at $ 129.95 USD.

Articles: Digital Photography Review (dpreview.com)

 
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Crazy Combo Compositions: Photo Series Contrasts the Unexpected

12 Jan

[ By Steph in Art & Photography & Video. ]

Skiers land jumps on ice cream cones, construction equipment struggles to transport oversized hot dogs and jet-powered seagulls zoom through the sky in a series of surreal photographic collages by Stephen McMennamy. Creative director of the advertising agency BBDO, McMennamy takes original photos of everything from meatballs to hand grenades and puts them together in unexpected ways, calling the results ‘combophotos.’

combo photo 2

combo photo 3

combo photo 4

Inspired by the plethora of talent and creativity that can be found on Instagram, the photographer set out to pair things you’d never imagine together. Rather than seamlessly blending the photos in Photoshop so they appear to be a single composition, McMennamy simply matches up the contours of each subject, leaving behind the demarcation lines.

combo photo 5

combo photo 6

combo photo 7

This technique results in images that tell an entirely different story than each of the originals, turning what would be highly ordinary, stock-photo-type images into something else altogether. McMennamy’s curiosity was initially piqued by photo apps that let you layer photos into collage compositions, and then he tried connecting images for a more fluid effect.

Processed with VSCOcam with se3 preset

Processed with VSCOcam with se3 preset

combo photo 12

combo photo 13

“The whole thing is one big scavenger hunt,” says the artist. “Sometimes it’s as simple as playing with scale and other times there’s a more meaningful message being told, like the cigarettes and French fries image but for the most part it’s just visual fun, like a truck with skateboard wheels.”

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[ By Steph in Art & Photography & Video. ]

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Hoya uses antistatic coating to repel dust and water for new Fusion series

14 Dec

Japanese glass manufacturer Hoya says it has created a new coating that prevents dust, water and fingerprints from sticking to the surface of its filters. The company claims the coating acts like a ‘force field’ around its new Fusion series of filters, protecting them from stains as well as scratches. The idea of the coating is to make the filters easy to clean and to reduce the chance of damage while in use or storage. 

The coating is said to consist of nine layers that work to reduce reflections from the surfaces of the glass and which aim to allow as much light through to the lens as possible. Hoya says the coating has ‘virtually no effect’ on the color balance, contrast, clarity or exposure of the final image. 

The first Fusion filters will be for cutting UV, a circular polarizer and a plain protector glass. They are available in screw-in sizes from 37mm to 105mm (to 82mm in the UK) and come mounted in slim low-profile frames that are said to avoid interfering with the corners of images shot with wide angle lenses. 

Prices start from £26.99 for a 37mm protector filter. For more information visit the Hoya website. 


Press release:

Hoya introduces Fusion Filters

9 layers of Super Multi-coating make Hoya Fusion filters antistatic, waterproof, stain proof, scratch resistant and very easy to clean!

Hoya engineers have developed a new ANTISTATIC coating that acts like a force field around the filter to repel dust. Perfect for environments where dust is common, these filters require less frequent cleaning and maintenance than traditional filters. Additionally, the hardened, antistatic top-layer is water repellent, stain and scratch resistant and cleans easily when smudges or fingerprints are introduced to the surface. 

The new FUSION Antistatic professional filters are made in Japan using hand selected silicates that are carefully smelted and blended to yield high performance optical glass. Hoya then uses extreme care and precision to apply a new 9-layer Super Multi-coating formula that greatly reduces or eliminates reflections on the surface of the glass and yields very high light transmission rates. This means the filter has virtually no effect on the colour balance, contrast, or clarity of the final image. 

The filters feature a lightweight, low-profile aluminium frame to house the glass. The low-profile frame eliminates vignetting when used on ultra-wide-angle lenses. 

Fusion filters are available in UV, Circular Polariser and Protector and in sizes from 37mm through to 82mm. Prices start from £26.99 for a 37mm protector filter.

  • NEW Antistatic coating repels dust 
  • Scratch resistant – Hardened coating protects against everyday wear 
  • Stain resistant – Protects against exposure to ink, markers etc. 
  • Water repellent – Water beads up and wipes away easily 
  • Fingerprints and smudges wipe away cleanly 
  • Hoya’s Professional-grade optical glass

Articles: Digital Photography Review (dpreview.com)

 
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Tamrac retires Gura Gear brand, introduces G-Elite Series camera bags

17 Nov

In June 2014, Gura Gear acquired the Tamrac brand and assets as part of the latter company’s bankruptcy proceedings. Now, more than a year later, it has been announced that the two brands have been consolidated under the Tamrac label, as the Gura Gear brand is retired. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Manfrotto introduces BeFree One, the smallest in the series

04 Nov

Manfrotto has announced a new travel tripod in the BeFree series. Only the second BeFree model, the BeFree One is designed to fold away into a compact form and to be lightweight for easy transportation. The aluminum model uses 4-section legs to collapse to just 32cm/12.6in from a maximum height of 130cm/51.18in. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Think Tank launches Lily Deanne series of shoulder bags for female photographers

24 Oct

Think Tank has launched the Lily Deanne, its first series of photo bags designed specifically with women in mind. The shoulder bag is available in three sizes, each designed to accommodate pro-sized camera bodies and lenses. Read more

Articles: Digital Photography Review (dpreview.com)

 
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ZEISS announces Otus 1.4/28, third lens for Otus series

14 Oct

German optical manufacturer Zeiss has announced it is to introduce a wide angle to its Otus family of lenses designed for full frame SLR cameras. The Zeiss Otus 1.4/28 is a 28mm lens with a maximum aperture of f/1.4, and will be available with ZE and ZF.2 mounts for Canon EOS and Nikon F cameras. Read more

Articles: Digital Photography Review (dpreview.com)

 
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