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Posts Tagged ‘Scenes’

Iconic scenes in The Mandalorian were filmed using a Canon 5D Mark III and Nikon lens

31 Oct

The second season of the hit Disney+ series The Mandalorian premiered today and there is fascinating photography associated with the production of the Star Wars spinoff show. For starters, some scenes in the show were shot using the Canon EOS 5D Mark III DSLR camera.

As Digital Camera World points out, not only were scenes shot using the Canon 5D Mark III, but an adapted Nikon 28mm lens was used and the camera operator was John Knoll, co-creator of Photoshop and current effects supervisor and chief creative officer at Industrial Light and Magic (ILM).

If you watched the first season of The Mandalorian and felt like scenes were reminiscent in overall appearance to the original trilogy of Star Wars movies, there’s a good reason for that. While modern technology and computer-generated imagery plays a large role in the production of The Mandalorian, showrunner and series creator Jon Favreau wanted to retain the look and feel of classic Star Wars films. As fans of the franchise are likely aware, the original Star Wars trilogy relied heavily upon physical models to film many of its iconic scenes.

Here you can see the Canon 5D Mark III camera mounted on a rail toward the right edge of the frame. The model of the Razor Crest ship is surrounded by foam board and desert imagery is being projected onto the board.

To recapture the spirit of the older Star Wars movies with The Mandalorian, Industrial Light and Magic created the titular character’s spacecraft, the Razor Crest, in its studio. John Goodson, a longtime ILM model maker created the ship using a 3D printer and tinfoil and Knoll built a 50-foot motion control rig.

In the video above, you can follow along with the team at ILM as they created the Razor Crest ship. This includes its beginnings as concept art to it being physically built and filmed as a practical miniature. We also see Knoll at work filming the first motion control shots at ILM in 15 years. It’s a fascinating look at how iconic objects, such as a protagonist’s ship in a Star Wars series, are created and brought to life.

Of creating the Razor Crest model for filming as a practical miniature, Knoll says that it’s important to strike a balance with the size of the model. You want it large enough that its details hold up when close to the camera, but not so large that it’s difficult to create a dynamic motion shot when running it along a rigged track. Ultimately, the team settled on a model around 24″ long.

The team used a Nikon 28mm lens on the Canon camera. And the man behind the controls? The creator of Photoshop. The production is a blend of photographic history.

Goodson remarked that one of the biggest differences between scenes shot using computer generated graphics versus a scene shot using miniatures is that when using a physical model, you are limited by the availability of mounting points for objects. There are certain angles and shots you simply can’t achieve when using models. However, that look and certain types of motion are also ingrained in people’s memories of older Star Wars movies. The team at ILM worked very hard to make sure that shots of the Razor Crest model evoked that same look as old shots. From the perspective of this Star Wars fan, they nailed it.

(Via Digital Camera World)

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Behind the scenes – telling a better story through cinematography

16 May

This week, Jordan takes us behind the scenes of his short feature film, A Walk Down to Water. He and director Levi Holwell discuss the gear they chose for the production, as well as the importance of camera movement in storytelling.

Want to see the entire film? You can watch it here.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Jordan needs a haircut
  • Introducing Director Levi Holwell
  • Lenses we used
  • Cameras we used
  • Lighting techniques
  • Camera movement
  • Thanks
  • Support your local independent theater!

Watch the film: A Walk Down to Water

Articles: Digital Photography Review (dpreview.com)

 
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Frozen soap bubbles create scenes from a fantasy world

25 Mar

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In a recent episode of DPReview TV, new host (and mad scientist) Don Komarechka introduced us to the magical world of frozen soap bubbles. Take a look at some of the fantastical images he captured.

View the frozen soap bubble sample gallery

This was a really fun video, so if you missed it you’ll want to give it a watch. You can see it below or watch it on YouTube.

Articles: Digital Photography Review (dpreview.com)

 
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Important Things to Consider When Photographing Winter Scenes

08 Dec

The post Important Things to Consider When Photographing Winter Scenes appeared first on Digital Photography School. It was authored by Jeremy Flint.

photographing-winter-scenes

Winter is a great season for photography and a magical time of year to be outdoors. Photographing winter scenes can be an exciting opportunity to capture some unique and wonderful images, particularly when a familiar scene is covered in a blanket of snow and takes on an entirely different perspective. Here are some considerations on how to photograph winter scenes:

1. Make the most of winter’s longer dusks and dawns

In spite of the colder temperatures, one of the joys of winter is that the sun tends to linger longer at dusk and dawn. It also remains lower in the sky throughout the day, providing great light.

If you can brave the elements and venture outside to capture these magical moments during the winter, you are more likely to have a productive shoot and be rewarded for your efforts. One advantage of photographing at dusk and dawn in the winter is that sunrise is much later than in the summer, and sunset is earlier.

photographing-winter-scenes-01

Winter landscape, Oxfordshire

2. Find contrast

When photographing winter scenes such as snow, there are usually displays of strong contrast between subjects and colors that can make for striking images. For example, the whiteness of snow stands out really well against the darkness of a tree silhouette and combines beautifully with a colorful sun.

Alternatively, warm winter skies work really well with the cooler tones of snow. Look to find and photograph these types of contrast in your images, and the results will be more visually stunning.

photographing-winter-scenes-02

Oxfordshire, England

3. Shoot bright and colorful scenes

Make the most of the winter light and shoot brightly-lit scenes. The bright white snow adds a certain beauty to a winter scene and can make a dull subject more interesting. A great time to shoot colorful winter scenes is when the sun is shining.

Image: Yosemite, USA

Yosemite, USA

Seek out colorful vistas that may include an animal, a tree, people, a house, a building, or even a snowman. Capture their warm colors in the glowing light. You may find you will need to overexpose a touch if your pictures are coming out slightly dark to make your images slightly lighter.

photographing-winter-scenes-04

Iceland

4. Bring plenty of batteries

Batteries tend to lose power and run out faster in colder weather, especially when photographing winter scenes.

Be sure to fully charge them before you set off to maximize your shooting time and keep spares in a warm place, such as an inner pocket.

5. Keep warm

One of the most important challenges with photographing winter scenes is keeping warm. It is amazing how quickly your body temperature can fall when standing still photographing in the cold.

Wear layers to keep the heat in (thermal and wool base layers work really well). Wrap up warm with gloves and a hat and consider hand (heat) warmers. These are great for heating your hands after they have exposed them to the elements, especially if you have to remove your gloves to navigate the camera buttons when taking photos.

There are winter gloves designed specifically for photographers. The thumb and forefinger flip back so you can keep your hands warm while photographing. Consider investing in a pair if you will be in snow and cold a lot.

Also, bring snacks and water to stay energized and hydrated.

6. How to photograph snow:

Snow brightens the landscape and makes everything outdoors look amazing. However, photographing snow does come with its challenges. Here are some useful tips worth considering when photographing snow:

  • Setting White Balance to “Cloudy White Balance” or setting your Kelvins to the warmer spectrum will help to make up for the bluish-tinge snow gets. This is particularly evident on overcast or cloudy days when you may get a blue cast to the snow in your images.
photographing-winter-scenes-05

Iceland

  • Overexpose when shooting snow so that the snow is white rather than “grey”.

Snow can trick your camera meter into underexposing when using your camera’s automatic metering system.

In order to achieve the correct exposure, you will need to compensate for this by adding positive exposure compensation (overexposure) of 1 to 2 stops. The raised exposure value (EV) will help the snow to appear whiter rather than a dull grey. Then your images will be more accurate and a better representation of the snow-covered scene that you see as a result of this.

This applies whether you are capturing falling snow or after it has settled on the ground.

Also, consider using a polarizer filter – this can cut glare and reflections off the snow when it is sunny. It can also help you to see through streams of water better because it cuts through the reflections on top of the water.

Image: Yellowstone, USA

Yellowstone, USA

Conclusion

Winter can be a brilliant season for photography, whether you are capturing photos close to home or at more distant exotic locations. Don’t be deterred by the challenges faced when photographing winter scenes. Get out there and have some fun with your camera this winter, and use these tips to capture some great photos you can be proud of.

Share your winter images with us below and any further tips you may have.

 

 

The post Important Things to Consider When Photographing Winter Scenes appeared first on Digital Photography School. It was authored by Jeremy Flint.


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Panasonic Lumix S1/S1R studio scenes with high-res mode published

24 Apr

We’ve been working through our full review of Panasonic’s high-megapixel, full-frame flagship, the Lumix S1R and its lower-resolution S1 sibling, and have published our studio test scene images from them – including the 187MP high-res mode. It’s, well, quite something. Take a look for yourself and prepare to get well acquainted with every detail of our studio test scene.

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Articles: Digital Photography Review (dpreview.com)

 
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Video: Behind the scenes at CP+

07 Mar

Over the past few days we’ve been sharing news and interesting products from the annual CP+ trade show in Yokohama, Japan. However, there’s also a lot that goes on behind the scenes at a show like CP+. We’ve put together a short video that lets you join us here – at least in a virtual sense.

Articles: Digital Photography Review (dpreview.com)

 
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6 Ways to Capture Coastal Scenes to add Impact to Your Photos

04 Dec

The post 6 Ways to Capture Coastal Scenes to add Impact to Your Photos appeared first on Digital Photography School. It was authored by Jeremy Flint.

1 - 6 Ways to Capture Coastal Scenes to add Impact to Your Photos

Myrtos beach, Kefalonia. © Jeremy Flint

Coastal photography is a popular genre and provides a plethora of photographic opportunities. At the same time, it is an enjoyable experience being by the sea. Whether you are visiting the seaside on a day trip or as part of a holiday, or are lucky enough to live near the coast, the fresh sea air is a refreshing draw while the coastline can be incredibly scenic.

Here are 6 tips to help you capture coastal scenes with impact and take your photos to the next level:

1. Colors of the Seashore

You don’t need to be taking a vacation on a paradise island to capture a beautiful beach shot. Light and water always make an inspiring subject. Captured in the right light, which may only last minutes, a pebbly or sandy beach can become transformed into a strikingly colorful image. With careful framing and the right conditions, a color in the sea in good light and with waves can add impact to your images.

Look at the beach in different ways. Close-ups of vibrant textures in the sand or sea make for great abstract pictures. Alternatively, add contrast to a scene. You can achieve contrast by adding another element such as the sky or white foam in the water.

2 - 6 Ways to Capture Coastal Scenes to add Impact to Your Photos

© Jeremy Flint

2. Crashing Waves

Have you ever been on the coast and enjoyed seeing the dramatic effects of a rough sea and crashing waves? Capture one of the cycles of waves when the next big swell hits. It may take a few attempts to get a picture that is pleasing.

3 - 6 Ways to Capture Coastal Scenes to add Impact to Your Photos

Dunseverick Falls, County Antrim, Northern Ireland © Jeremy Flint.

Be careful to position yourself in an area that is out of danger, so you don’t end up wet. Some coastlines can produce unusually large waves so stay at a safe distance. Use a zoom lens to capture the action and avoid being too close to the sea if the conditions are hazardous.

3. Fast-Flowing Water – Sea Shot

Fast-flowing water can be a challenge to photograph well. There is often a sharp contrast between the dark shadows and the brightness of the water. In bright sunlight, there is the added disparity of light and shade. Take some test shots and adjust the shutter times for creative effects. If you want to record sharper images of the moving sea water, use shorter shutter speeds, or use a longer exposure to give a milky effect. Try different settings and see which effect you prefer.

4 - 6 Ways to Capture Coastal Scenes to add Impact to Your Photos

La Digue, the Seychelles © Jeremy Flint.

4. A Tranquil Scene

Idyllic, peaceful seascapes are great subjects to photograph by the coast.

So how do you capture a tranquil scene well? Some things you should consider are location, tone, and color. Select a suitable location, use gradients of tone to draw the eye into the picture and use color to suggest movement. Capturing a serene and calming scene can be very inspiring and great for the soul.

5 - 6 Ways to Capture Coastal Scenes to add Impact to Your Photos

The Giants Causeway, Antrim Coast, Northern Ireland © Jeremy Flint.

5. The Colors of Sunset

Who doesn’t love witnessing a spectacular sunset by the sea? Photographs of this spectacle can often be underwhelming but vastly improve when vivid skies shine brightly overhead. Aim to arrive early to capture the sunset and be in a position to capture the last rays of light on the ocean.

6 - 6 Ways to Capture Coastal Scenes to add Impact to Your Photos

© Jeremy Flint

Don’t forget to turn around and capture the sky and landscape opposite the sunset which gets bathed in beautiful light.

Take in and photograph the warm yellows and deep blues as the sun reaches the horizon before dipping below.

For subtle or dramatic tones, shoot the palette of colors left in the sky after the sun sets.

7 - 6 Ways to Capture Coastal Scenes to add Impact to Your Photos

© Jeremy Flint

6. Cloud Formations

Magnificent cloud formations are always worth photographing and help take your coastal images to the next level. If you look up from the shoreline, you can see clouds change constantly. They often take on wonderful shapes and patterns that encompass great colors interacting with the seascape.

You can create a fabulous picture of cloudy seascapes just by capturing these changes and shifts of light.

Watch for low clouds in the sky too, which can produce a magical spectacle.

8 - 6 Ways to Capture Coastal Scenes to add Impact to Your Photos

Durdledoor, Jurassic coast, Dorset © Jeremy Flint.

Conclusion

In summary, photographing the coast can be a great experience and a brilliant opportunity to capture coastal scenes beautifully. Crashing waves, fast-flowing water, tranquil scenes, clouds, and colors can all be utilized to create images with impact. Once you capture coastal scenes near you, please share your images with us below.

The post 6 Ways to Capture Coastal Scenes to add Impact to Your Photos appeared first on Digital Photography School. It was authored by Jeremy Flint.


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Friday Feature: Framing, timing bring juxtaposed beach scenes to life

10 Nov

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Three Men © Moises Levy

Framing and composition are two of the most basic tools in every photographers arsenal, but they can also be some of the most powerful.

In his recent of photographs, Mexico City photographer Moises Levy shows how simple black and white photographs on the beach can be turned into wonderfully juxtaposed images with the help of perfect timing, great composition, and clever framing.

In speaking with DPReview about the ongoing series, Levy said “Human condition is the main subject of my photography. I use several resources to express my ideas in photography like perspective and scale. My images are intimate too — I believe being close to my subject helps me to create powerful images.”

Levy says he works with only one camera and one lens at a time — either his Leica or Fujifilm with a 28mm r 35mm lens.

“I prefer to create anonymous subjects and for that I like to work with backlight to create high contrast black and white images in a more graphic sense,” Levy tells DPReview. “I also like to shoot very minimal and clean images and for that I use very low angles in places with almost no distractions, like beaches and open spaces.”

You can keep up with Levy’s work by checking out his website or following him on Instagram, Flickr, and Facebook.


Photographs by Moises Levy, used with permission.

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

5 Guys © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Action 5 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Action 8 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Action 11 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Arch © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Ave en tres palos © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Beer Man © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Chapuzon © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Communication © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Fisherman Net © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Fly © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Ghost © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Giraffes 1 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Horses 2 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Horses 1 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Jump 1 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Jump 2 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Kid © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Kiss © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Looking For Turtles © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

My Dog And I © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

On Place 1 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Perro Garza Y Hombre © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Play © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Resting © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Running 1 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Shadow And Fisherman © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Soul © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Trapped 2 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Volley © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Ball Head © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Game 1 © Moises Levy

Articles: Digital Photography Review (dpreview.com)

 
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6 Tips For Photographing Better City Scenes

01 Nov

6 Tips For Photographing Better City Scenes 1

Towns and cities can be noisy, busy, stressful and congested but provide excellent subjects for photography. Taking great photographs of cities is not easy so here are six ideas to help you capture city scenes:

1) City Skyscrapers

Urban photography offers a great opportunity to document a cities environment.

On a sunny day, most photographers choose to head out into nature, where the coast or a rolling landscape is usually only a short drive away.

However, if you opt for urban landscapes, there are a whole manner of worthwhile subjects where you can point your lens. Skylines, architecture, famous landmarks and bridges are all beautiful examples of city elements worth capturing.

Cities dominated by skyscrapers are visually exciting and provide a wealth of interesting buildings to view and photograph. You could find strong patterns, symmetry, dramatic lighting and different textures amongst high-rise buildings.

Look for architectural or urban features that create interest and use a wide angle of view to convey a grander sense of the scene.

6 Tips For Photographing Better City Scenes 2

Shanghai, China

2) A Nocturnal Cityscape

Cities are becoming more popular as destinations for short breaks. Overnight stays in cities provide an opportunity to photograph a nocturnal cityscape.

One key advantage of shooting a city at night is you can work in all kinds of weather such as rain, snow or light fog.

It is possible to do this because you are mainly focusing on elements that are characterized by darker tones with a few spots of color and light.

When capturing cities in the dark, you don’t need to concentrate on the usual shadows and tonal gradations that are relevant in the daytime. You work purely with light.

I suggest that you set yourself up before it gets dark so you can see what you’re doing and experiment with the changing light as it shifts from light to dark.

6 Tips For Photographing Better City Scenes 3

MILLENIUM BRIDGE, London

3) Reflected City

Many buildings and city landmarks are so photogenic that they can be too familiar a subject to photograph.

Instead of shooting the usual perspective of just buildings, concentrate on reflective surfaces that mirror back the surrounding architecture.

You can find reflections in a pool of water, a polished surface or shiny glass (reflecting abstract patterns) and the bonnet of a car parked on a rooftop.

6 Tips For Photographing Better City Scenes 4

Photographs of reflections are visually pleasing when executed correctly. To be most effective, select the maximum depth of field and aim to achieve an image that’s as sharp as possible.

4) City Scenes by Night

City centers become great light shows at night.

They give an array of color from buildings to lights of passing cars. One tip I recommend is you capture the energy and excitement of a nighttime scene by including a human element.

Doing so will make your images more dynamic and dramatic.

6 Tips For Photographing Better City Scenes 5

Radcliffe Camera

If you are shooting at night, you will need a slower shutter speed to capture the scene. Use this to your advantage by recording flowing traffic such as buses and taxis or colorful clouds.

These can add motion to your city scenes or a splash of color to supplement the buildings in the background.

6 Tips For Photographing Better City Scenes 6

Piran, Slovenia

5) An Urban Landscape – Day Shots of the City

Another way you can capture striking images of cities is to photograph the urban landscape.

Perspectives can be obtained from ground level or by capturing the city from above. Overlook a city from a tower or a rooftop. Find interesting patterns, contrasting buildings or views of street life to photograph.

6 Tips For Photographing Better City Scenes 7

University Church of Saint Mary the Virgin viewpoint

When shooting from high elevations, if you have to lean out for your shot, make sure it is safe to do so. Secure your camera strap around your hand or neck to keep it safe.

6) City Streets or Cityscapes From Afar

6 Tips For Photographing Better City Scenes 8

City streets provide intriguing and picturesque subjects such as human interest and variable light.

You may find yourself walking past a location every day and not realize its potential. Until striking shadows from the sun transform it into a great composition that brings it to life.

You don’t have to take pictures of city scenes only from close range. Take a step back and capture a wide shot of the urban landscape from afar. Seek out a viewpoint that allows you to obtain more context from an unusual angle.

Conclusion

Use these tips to go out and capture your best shots of city scenes and share your images in the comments below.

The post 6 Tips For Photographing Better City Scenes appeared first on Digital Photography School.


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Behind the scenes of Drew Gardner’s gigapixel shot of British royal family

16 Jun
Drew’s 2.3 gigapixel image is made up of more than 100 50MP files, shot with the Fujifilm GFX 50S. Click the thumbnail to launch the interactive image at www.telegraph.co.uk

Photographer Drew Gardner has been a photographer for more than 30 years, and since 1999 he’s worked mostly in the commercial world. Following a recent move into 360-degree imaging, he accepted a commission from British newspaper The Telegraph to shoot a gigapixel image of the queen’s birthday parade. Earlier this week we spoke to Drew to learn more about how the project came together.


Following a career working in local and national press, I decided to move away from newspapers and into commercial and advertising photography, in 1999. These days I shoot extensively for magazines around the world, so the commission has to be something really special to entice me to work with newspapers again.

When I was asked to shoot a gigapixel photo for the Daily Telegraph, it was a trip down memory lane for me in many ways, but with the latest technology so I leapt at the chance. I was approached about two weeks before the event, and I spent many hours working out the sequence of events and the best position to place the camera.

I work with a wide variety of gear but this occasion seemed a perfect opportunity for a medium format camera, where ultimate resolution would be very useful.

‘The final image doesn’t represent one moment, but rather many different moments’

I like shooting gigapixel photos to record events. The final image doesn’t represent one moment, but rather many different moments. This provides a better overall feel of what it was like to be there. When I say many different moments, the final gigapixel image is made up of more than 110 50 megapixel images, shot on a Fujifilm GFX 50s with a 250mm F4 lens. The result is a 2.3 gigapixel file.

Drew Gardner has been a professional photographer since 1979. Based in the UK, Drew’s work spans local and national press, and commercial photography for clients including Manfrotto and Suzuki Motor Corporation.

Check out more of Drew’s work at his website, drewgardner.com

I love the Fujifilm GFX 50S. It really suits the way I shoot medium format camera, and it weighs less than most DSLRs. Image quality is stunning and it has proven very reliable.

What I really like about the GFX is its high ISO performance. Even though the light was excellent I shot at ISO 1600 to allow me to stop down to F11-16 for better depth-of-field. To move the camera I used a Seitz VR drive motorized head – the same head that I use for all my 360 degree still images, too.

I’m a huge fan of Brian Storm of Mediastorm who is a great advocate of the use of audio and this was the perfect occasion to record ambient audio of the event with a Zoom H2N audio recorder. Audio is all too often overlooked and yet it is a very easy way of adding another valuable dimension to a gigapixel or 360 panorama image.

View the final gigapixel image at www.telegraph.co.uk

Articles: Digital Photography Review (dpreview.com)

 
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