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Posts Tagged ‘samples’

First samples: Nikon’s new Z 14-30mm F4 is shaping up nicely

13 Jan

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Photographer Jimmy McIntyre has been working with Nikon, shooting a pre-production sample of the new Z 14-30mm F4 S lens. This compact wideangle zoom weighs just 485g (17oz) and supports screw-in (82mm) filters, making this dust and moisture-sealed lens it a potentially useful addition to Z shooters’ kitbags when it becomes available later this year.

Jimmy took these photos using a Nikon Z7 and at Nikon’s request, we’re only showing out-of-the-camera JPEGs. Watch out for more samples from a production lens as soon as we can get our hands on one.

If you liked his shots, be sure to check out Jimmy’s photo tutorial website.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Z7 gallery updated with full-production samples

18 Sep

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Our updated gallery features a mix of full-production Nikon Z7 samples as well as pre-production shots from our initial launch coverage. Dive on in for a mix of out of camera JPEGs as well as Raw conversions. We’ll be updating this gallery frequently as our Nikon Z7 review comes together – so check back soon.

See our Nikon Z7 gallery update

Articles: Digital Photography Review (dpreview.com)

 
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Leica M10-P real-world samples gallery updated

04 Sep

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The new Leica M10-P updates the M10 with the addition of a touchscreen, electronic level and a quieter shutter. Image quality from the 24MP full-frame sensor and Maestro II processor is unchanged, but the somewhat more discreet ‘P’ variant could be more interesting to candid and street photographers than the stock M10.

We took the M10-P out for a weekend on the Washington coast, and we’ve just updated our previously-published gallery of sample images with a selection of images converted from Raw using ACR 11.

Learn more about the Leica M10-P

Articles: Digital Photography Review (dpreview.com)

 
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First samples: Leica Thambar-M 90mm F2.2

31 Oct

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Leica just announced a new lens – a redesigned version of the classic 90mm Thambar F2.2 from the 1930s. We’re working on a full gallery, but in the meantime, Leica has sent us some exclusive first samples.

Take a look at our exclusive Leica Thambar sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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More Nikon D850 samples images added

22 Oct

Our review process is based both on studio testing and real-world shooting. We make sure every camera goes through the hands of several photographers and is shot in a variety of circumstances, to give a broad representation of how the camera will perform.

All those images and experiences are considered as we draw our conclusions about a camera. So, even if you’ve looked through the D850 gallery before, you may well find there are shots you’ve not seen before. Take a look, and be sure to check out the full review if you haven’t already.

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Articles: Digital Photography Review (dpreview.com)

 
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Exclusive: Nikon D850 high res samples and pro shooting experience

26 Aug

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For the past two weeks, sports photographer Andrew Hancock has been shooting with a pre-production model of the Nikon D850, putting it through its paces to see if there was anything Nikon’s new DSLR couldn’t do. Lucky for us, he and Nikon agreed to share some of his sample images with DPReview exclusively, as well answer a few shooting experience questions about the D850.

Our short phone interview with Andrew has been edited for clarity.

How many generations of Nikon DSLRs have you used?

I actually switched over in 2010. The first Nikon I owned was the D3, which at the time for me was absolutely remarkable camera.

I had one D3, two D3s’s and a D3x to start me off. Since then I’ve owned most of the DSLRs Nikon has released. I have one D800 left (I used to have multiple, but this the one my only cover for Time was shot with it, so I’ve kept it on the shelf), three D810s which, surprisingly, see more action than anything else in my kit, two D5, one D500, one D750, one D4s, two D4’s, and a D300s converted to infrared.

What features of a DSLR do you use/value the most?

I love shooting athletes in motion, so it’s really portrait work at its core. It’s why I love the D810: the files that camera produces are so fantastic. So resolution is really important for me more-so than framerate, even when shooting sports.

When I do basketball, for example, I usually have strobes up in the catwalk and so you’re limited to one frame at a time. As important as 12fps is with the D5 (and I do use it regularly), even then I find my best pictures are the first or second frame in any sequence because that’s my initial reaction.

12-14fps is great, but I rarely ever pick any of the later frames. The D5 for me is killer for remote camera use (horseracing, basketball using available light, etc.) but the D850 was the perfect marriage of everything I needed. It’s hands down the most versatile camera I’ve ever handled. When I had the conference call with Nikon and they introduced it to me, telling me the specs, it was everything I had been hoping for and then some. When I had it in my hand for the first time, all those expectations were met… and when I saw the first RAW files, they were blown away.

What was your wishlist for a D810 replacement?

I was hoping to be in the range close to 50MP, which they did, and as far as frames per second I would have been happy with 6, so having 7 and the option of 9 with the grip was phenomenal.

More important than fps for me was going to be ISO performance though. I do so much work behind the scenes with teams and athletes, where you’re working with only available light. Having that high ISO performance I’m used to with the D5, I really wanted to see a camera that performed closer to that, definitely better than the D810. D850 definitely hit the mark.

Doing some testing in an alley with a bodybuilder, we shot portraits at ISO 5000 and they held up! It was really eye opening to see what we could do with that camera, and how well it was reading light and processing it. Every time I would try to push the camera to its limits, it kind of pushed me back. It’s a really fun situation to be in because up to this point in my career, I’ve made a habit of pushing my gear (cameras, lenses, lights) to their limits; this camera changed the equation for me because instead of me pushing it, the camera was pushing me.

We spent 2 weeks running around like crazy shooting whatever we wanted and having a blast.

What are the most significant upgrades in the D850 compared to previous Nikon DSLRs that you’ve used?

The things I was really impressed with (and wasn’t expecting) was the AF improvements for this compared to the D810. It’s dramatic. The fact that it could hold AF at 7-9fps… this camera is going to perform for you in any situation.

One of the most challenging situation I shoot is swimmers coming at me in butterfly. Since they’re constantly coming up and out of the water, it can be a real challenge for an AF system like you see on the D810. By comparison, the D850 performs incredibly well. In the past, the best focus was coming out of the flagship pro body; the D850 gets me that same system but at a pretty crazy price point.

Honestly, it’s tough to put into words. I was surprised by the frame rate they were able to get. And incredibly impressed by the high ISO performance. I was very happy to see the MP range they put it at. Every time I would look at a file I thought might be challenging, I came back with “wow.” It passed with flying colors. It was never, “it kind of let us down” here or there.

Is the D850’s AF performance on par with the D5? What’s your experience comparing the D850 to the Nikon flagship?

I’d put it on par. The D5 still has an edge, especially with how fast it can shoot, but I say that with the caveat that I haven’t used the D850 with the battery grip. So even shooting without the grip, it’s on par. I would have no reservations having it in my hand shooting a football or basketball game.

The real trade off between the two cameras is ISO. With the D5 you are going to be better at high ISOs because that’s what that camera was built for—you’ll sacrifice a little bit of that performance for the extra resolution. But that’s a sacrifice that I’m personally wiling to make. The D810 has been my workhorse for years, and now the D850 will be.

I think people are going to be really impressed by the dynamic range, the tonal range, the clarity… everything.

What kind of photographers do you think will most appreciate the D850/find it most useful?

I’m not really sure. I don’t think you can put this thing in just one segment because it’s kind of like a decathlete: itcan do anything. This is a camera that can perform well in any situation you put it in. From a sports perspective, I’ll use it like crazy without any reservations.

I’m most known for my sports work, but I shoot a lot of photojournalism and in that genre you have to be able to shoot and cover anything—from food photography, to landscape and portraiture. This camera can handle it all. I don’t see, like you do with some other bodies, that this is “geared” more towards this or that. This is geared towards photography.

You look for the weaknesses when you’re testing it, but with the experience I’ve had so far I have yet to find what application or genre it’s going to struggle with. It just keeps performing.

And that holds for the colleagues I’ve talked to who have used it. They all have great things to say about it. Photographers by nature complain about “X Y and Z “ on occasion and occasionally a lot, complaining about what we don’t have. But it’s hard to find something this camera doesn’t have, at least for me.

I put the D850 in as many situation as I could put it in and it performed… the real question is what can’t it do.

Is there anything you still want to see improved / added?

Not as far as performance, no, and I haven’t even shot with a grip yet. One of my favorite older bodies is the D3x, and I think having a camera with this kind of resolution in that package would be intriguing, but at the same time I like having a little more weight off my shoulders.

They’ve improved the ergonomics, it’s got a deeper grip which I really like, the new viewfinder is fantastic—there’s not a lot to complain about. Again, it would be interesting to see it in a full size body like the D5, but it’s not really necessary… I mean, there’s a reason why I’ve preordered three of these.

Articles: Digital Photography Review (dpreview.com)

 
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Full-res image samples from the 16-module Light L16 camera

02 Aug

The Light L16 camera has been in the works for years now. A 16-module camera that looks like a smartphone, it uses up to 10 camera modules at once to capture 52-megapixel (minimum) photographs, and promises to “DSLR quality in the palm of your hand.” Plenty of people are skeptical of that claim, but now that the L16 is finally shipping to pre-order customers, Light has released three high-resolution image samples for you to pour over and critique.

Admittedly, none of the three photographs pits the L16 agains what you might consider a challenging lighting scenario. There’s a portrait, a landscape photo taken at the Grand Canyon’s famous Horseshoe Bend, and a photograph of the iconic shipwreck at Point Reyes.

All three are taken when there was plenty of natural light around, and while the Point Reyes shot does contain some more intense contrast between the highlights and shadows we really wish Light had shared one or two low-light shots. Still, barring that, the photos will give you a good idea of what this diminutive little computational photography camera can do:

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The smallest of the three photos is 53.3MP, the largest a whopping 81MP, giving you some serious cropping power. Give our gallery a second to deal with the photos, especially if you’re using the 100% zoom feature… these files are nothing to scoff at.

To see more photos taken with the L16, or if you want to download these full-res samples for yourself, head over to the Light.co gallery. And once you do pixel peep these shots your heart’s content, let us know what you think of the L16 in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus TG-5 gallery updated with Raw samples

09 Jul

The Olympus TG-5 is one of our favorite cameras for hiking and days on the beach. And with the recent addition of preliminary Raw support, we’ve taken the opportunity to add some new pictures, and some Raw conversions to our gallery of sample images. Keep an eye out for more content (and more pictures) in the coming days.

View our updated gallery of samples from the Olympus TG-5

Articles: Digital Photography Review (dpreview.com)

 
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OnePlus 5 camera samples

20 Jun

Today OnePlus has launched its latest flagship smartphone, the OnePlus 5, which comes with a dual-camera setup that combines a main camera with a 1/2.8″ 16MP Sony IMX 398 sensor and F1.7 aperture with a 2x tele-lens that captures images on a 20MP 1/2.8″ Sony IMX 350 sensor features an F2.6 aperture.

We already have our hands on a production unit and our full camera review will be available in the near future. To shorten the wait until then we have posted a selection of sample images that were taken with both wide angle and tele lens in a variety of lighting situations in the gallery below.

Sample Gallery

There are 17 images in our OnePlus 5 samples gallery. Please do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review), we do so in good faith, please don’t abuse it.

Unless otherwise noted images taken with no particular settings at full resolution.

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Articles: Digital Photography Review (dpreview.com)

 
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Updated: Sony a9 samples with Raw support

07 May

Introduction

Out-of-camera JPEG Processed to taste from Adobe Camera Raw
We’ve found with some consistency that overall color rendition and auto white balance performance could stand to be improved on the Sony a9 for its out-of-camera files.

You’ve no doubt heard of the Sony a9 by now – indeed, we’ve been covering as many details as we responsibly can before having a final review unit of our own. But since we’ve just been given full support from Adobe, it’s time for a closer look at the a9’s image quality, but this time we can compare the Raw files to the out-of-camera JPEGs to see how they stack up.

To start, the Raw files from the Sony a9 are just what we’d expect from a latest-generation Sony sensor. Noise appears to be well-controlled, and they’re very malleable, even at the high ISO values we found ourselves shooting at. However, processing the Raws has also given me a greater perspective on both the strong and weak points of Sony’s JPEG engine.

The noise (or lack thereof)

Sony’s context-sensitive noise reduction works very well at keeping noise in check while retaining detail at its default settings. However, I found that the a9’s processing can at times look a little heavy-handed to me at its default settings, which we typically use. In processing out the Raws in Adobe Camera Raw, I ended up with an image that is technically noisier because its processing isn’t as sophisticated, but it comes with a little more ‘bite’ (though this may well be due to the increase in perceived sharpness that a bit of grain can provide).

At smaller viewing sizes, I found the Raw-processed images which have more visible grain to have just a bit more ‘bite,’ with the out-of-camera JPEG looking a little ‘waxy’ in comparison. That said, Sony’s algorithm does an outstanding job controlling distracting noise in the background and maintaining crisp edges, like along the athlete’s shirt and arm (and this is an ISO 8000 image).

It comes down to personal taste of course, but I personally don’t mind trading a little noise for a crisper image, and given the time, it’s likely I would be able to find a better balance of in-camera settings. If you’re going to be using the JPEGs from the a9, it’s worth spending some time with the a9’s noise reduction and sharpening settings to find what works best for you.

The noise reduction isn’t likely to be a deal breaker for a lot of people who need to shoot JPEGs for web viewing. No, the real trouble continues to lie in Sony’s color output.

The color

Out-of-camera JPEG Processed to taste from Adobe Camera Raw
The out-of-camera file shows a purple ping-pong table – it was not purple. It was a deep blue.

We’ve not been wild about Sony’s color for a while now, which generally skew towards greenish yellows and cool greens – for an example of the latter, simply look at the track in the background in the above image (and there’s many more examples in the gallery). And as we’ve seen from the noise example in the previous section, sophisticated sharpening algorithms are of more limited importance when viewing at small sizes on the web, while quality of color is arguably going to have more of an impact.

These issues with color are exacerbated with auto white balance that struggled under artificial light (see the skaters at the top of the page). Sure, it’s not difficult to dial in a custom white balance for a sideline photographer shooting under the same light all evening, but it’s something to note nonetheless as auto white balance can be valuable for fast-moving photographers in fast-changing situations.

Updated samples gallery

And that brings us to our samples gallery, which has been updated and re-ordered to make it easy to compare the out-of-camera images (which come first) and the JPEGs processed out from Raw files. 

Please do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review), we do so in good faith, please don’t abuse it.

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Sony a9 real world samples gallery

100 images • Posted on Apr 27, 2017 • View album
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Articles: Digital Photography Review (dpreview.com)

 
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