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Posts Tagged ‘sample’

Leica APO-Summicron-SL 75mm F2 ASPH sample gallery

26 Jul

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The Leica SL 75mm F2 was launched alongside the SL 90mm F2 earlier this year, and the pair of lenses share identical dimensions. The 75mm F2 is ever-so-slightly cheaper than its 90mm counterpart, but still impressively sharp on the SL’s 24MP full-frame sensor. We’ve been shooting with Leica’s latest short telephoto prime for a little while, and we’ve put together a gallery of real-world samples.

To get a sense of its performance, we hauled the 75mm F2 from sea-level urban portrait sessions all the way up to 6400 ft in Mt. Rainier National Park.

Articles: Digital Photography Review (dpreview.com)

 
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Leica X-U (Typ 113) Sample Gallery

19 Jul

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The Leica X-U (Typ 113) inherits the 16MP APS-C sensor and 35mm-equivalent, F1.7 lens from the company’s ‘X’ compact camera into a waterproof, ruggedized, go-anywhere body. Although the X-U was released in early 2016, our recent experience with waterproof compact cameras got us thinking – how much more performance would $ 3000 extra buy us? We’ve been putting the X-U through its paces, from lakes in the foothills of the Cascade Mountains all the way to the 1950m / 6400ft Sunrise viewpoint in Mount Rainier National Park.

Click through our sample gallery to see the sorts of images the Leica X-U is capable of, and keep an eye out for our more detailed impressions in the coming weeks.

Articles: Digital Photography Review (dpreview.com)

 
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Leica Noctilux-M 75mm F1.25 ASPH sample gallery

16 Jul

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The Leica Noctilux-M 75mm F1.25 ASPH is a fast, high-quality and decidedly heavyweight short telephoto prime lens, designed for use with Leica’s digital M-series rangefinders. A companion to the company’s existing 50mm Noctilux-M 50mm 0.95, the new 75mm is better suited to classic portraiture. Its nine-element, six-group construction is comprised exclusively of high anomalous partial dispersion and low chromatic dispersion glass, and contains two aspherical elements.

The incredibly shallow depth of field at F1.25 (not to mention its sheer size) make it tough to shoot with a conventional optical rangefinder

As you might expect, as well as being very pricey the 75mm F1.25 is also quite a handful, with a 67mm filter thread and weighing in at a total weight of 1055g (2.3 lb). While natively an M-mount lens, the incredibly shallow depth of field at F1.25 (not to mention its sheer size) make the 75mm Noct very tough to shoot with a conventional optical rangefinder. As such, we’ve mostly been shooting it on an M10 coupled with Leica’s Visoflex electronic viewfinder, and on an SL via an adapter.

We’ve been grappling with the 75mm F1.25 for a little while, and we’re working on a short shooting experience article. In the meantime, take a look at our sample images and let us know what you think.

Articles: Digital Photography Review (dpreview.com)

 
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Sony Cyber-shot RX100 VI sample gallery updated

07 Jul

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With enough reach to land itself in ‘travel zoom’ territory, the Sony RX100 VI is well suited for a wide range of shooting situations. We’ve tested the 1″ compact with a 24-200mm equiv. zoom both in the office and out on summertime excursions, and our full review is imminent. In the meantime, take a look at our expanded gallery – now with converted Raw files.

Articles: Digital Photography Review (dpreview.com)

 
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Leica APO-Summicron-SL 90mm F2 ASPH sample gallery

05 Jul

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The Leica APO-Summicron-SL 90mm F2 ASPH is a high-quality short telephoto prime lens for the company’s full-frame SL mirrorless interchangeable lens camera. Part of a growing range of premium full-frame optics for the L-mount, the 90mm F2 functions as an attractive prime lens for portraiture and available light shooting.

We’ve been shooting with this luxurious prime for a few days, to see what it can do. Check out our full gallery, and you’ll also find a link to our detailed review of the SL below.

Read our review of the Leica SL (Feb 2017)

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X-T100 sample gallery

02 Jul

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The Fujifilm X-T100 sits between the entry-level X-A5 and midrange X-T20 and features a 24MP APS-C sensor, eye-catching design and a unique articulating LCD. Our sample gallery was shot with a number of lenses, including the 15-45mm equiv. kit lens and several primes.

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS Rebel T7 sample gallery

29 Jun

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The Canon T7/2000D is about as affordable as DSLRs come – the 24MP camera goes for €470 with a kit lens in Europe and $ 500 in the US (from Canon directly only at the moment). We’ve been out shooting it with both the 18-55mm F4-5.6 IS STM and the compact 24mm F2.8 STM for good measure – take a look.

Articles: Digital Photography Review (dpreview.com)

 
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Sample gallery: Sony FE 400mm F2.8 GM OSS

28 Jun

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We first heard about Sony’s pro-level FE 400mm F2.8 GM OSS lens back in the winter. This past weekend we finally had the chance to put this impressive sports/wildlife lens to the test at a professional soccer match – read our first impressions. We even had the chance to toss on the Sony 1.4x teleconverter for some shots at an 560mm equiv. field of view. Have a look for yourself at the results.

Articles: Digital Photography Review (dpreview.com)

 
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Leica SL 16-35mm F3.5-4.5 sample gallery

26 Jun

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The 16-35mm F3.5-4.5 is currently the widest lens in Leica’s full-frame SL system, and it’s one that the company hopes will cover a lot of use-cases for SL owners. With a loaner lens in hand and plenty of daylight hours to burn, we’ve been out shooting with the 16-35mm long enough to determine that it’s very, very sharp. It’s no lightweight of course, and feels every bit as solid as its 990g / 2.2lb suggests. Take a look through our sample images and see what it can do.

Articles: Digital Photography Review (dpreview.com)

 
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Kamlan 28mm F1.4 for APS-C sample gallery

21 Jun

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The Kamlan 28mm F1.4 is an all-manual prime lens for APS-C (and Micro Four Thirds) mirrorless cameras. Following a successful Kickstarter campaign, it’ll go on sale to the public for $ 200, and after a bit of shooting we’d say that’s not a bad deal. It boasts a solid feel, and rings are smooth to turn and feel well-damped. A lack of optical coatings creates some unusual effects when shooting into the sun, and the lens provides no electronic communication with the attached camera body. That said, it’s hard to argue with a $ 200 price tag.

Take a look through our gallery to see what this budget-priced prime can do on Fujifilm and Sony bodies.

See our Kamlan 28mm F1.4 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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