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Posts Tagged ‘Report’

Photokina 2016: Nikon stand report video

21 Sep

Nikon may have introduced the D5 and D500 many months ago in anticipation of the 2016 Olympic Games in Rio, but that doesn’t mean they’re out of new releases for Photokina 2016. The ambitious KeyMission lineup shows that Nikon is taking the 360 and action camera market awfully seriously, while the D3400 should continue to offer entry-level DSLR users impressive image quality. Lastly, the Nikkor AF-S 105mm F1.4 is a gorgeous piece of glass that we can’t wait to get out into the real world with.

Watch as DPReview’s Barney Britton talks with Steve Heiner, Nikon’s senior technical manager, about these new products (and even a new market segment) from Nikon.

Articles: Digital Photography Review (dpreview.com)

 
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iPhone 7 Plus dual-cam only offers stabilization in wide-anlge lens, report says

12 Sep

According to a report by Ming-Chi Kuo of analyst firm KGI that was obtained by MacRumors, the iPhone 7 Plus dual-camera is equipped with optical image stabilization in the 28mm equiv. wide-angle lens, but not in its longer 56mm equiv. lens. In the report, KGI claims that optical image stabilization will likely make it into the tele lens with the next upgrade of the device in 2017 via a ‘voice coil motor’ upgrade:

“Note that for the dual-camera of iPhone 7 Plus, wide-angle CCM is equipped with optical image stabilization (OIS) VCM, while telephoto CCM only comes with general VCM. We believe the focus of the dual-camera upgrade will be equipping telephoto CCM with OIS CCM, so as to significantly enhance optical and digital zoom quality.”

In the same report KGI predicts that for the foreseeable future the dual-camera feature will remain exclusive to the larger iPhone Plus model which is expected to represent 30-40% of all iPhone sales. 

Apple limiting certain camera features to the larger model is not without precedent. In the iPhone 6 and 6s generations only the Plus devices were equipped with optical image stabilization. With the 7th generation this has now trickled down to the standard model and we would expect the same thing to happen with the dual-camera at some point in the future. 

During the launch presentation Apple did not mention a lack of OIS in the tele lens. In practical terms this would mean that, when shooting with the tele module,  the camera has to use higher ISO values in lower light to avoid camera shake. That said, we’ll have to wait for a review model to find what this means for image quality.

Articles: Digital Photography Review (dpreview.com)

 
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DxOMark Mobile Report added to our LG G5 review

15 Jun

We have added DxOMark’s Mobile Report to our camera review of the LG G5. The report includes DxO Lab’s usual industrial-quality scientific measurements. Its imaging experts have analyzed 14 aspects of mobile imaging including detailed image quality assessment, flash performance, autofocus reliability and more to calculate a final score. Click below to read our LG G5 review and go to page 9 for the DxO Mark mobile report.

Articles: Digital Photography Review (dpreview.com)

 
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DxOMark Mobile Report: Lenovo Moto G Plus

17 May

DxOMark Mobile Report: Lenovo Moto G Plus

Summary

The Moto G Plus is the newest arrival in the Moto G series of mid-range smartphones. With a 1/2.4-inch Omnivsion OV16860 16MP sensor with a large pixel size of 1.34um, F2.0 aperture, on-sensor phase detection and laser-assisted AF the camera specification would look right at home on a high-end device. You can read our first impressions review of the Moto G Plus here.

In its DxOMark test the Moto G Plus scores 84 points, which puts it on the same level as current flagship phones, such as the Apple iPhone 6s Plus, Google Nexus 6P or Motorola/Lenovo’s own Droid Turbo 2/Moto X Force. When shooting still images the testers liked the “very good detail preservation” in bright light, the “fast and accurate autofocus” and “good noise reduction in outdoor conditions”. They also noted the colors, which are “vivid and pleasant” in daylight and the good white balance in low and artificial light. On the downside, outdoor images show “some loss of detail in the shadow areas”, a “slightly bluish cast is sometimes visible in outdoor scenes” and “some irregularities in HDR activation and white balance are visible”. Some outdoor images also showed a “cyan shift close to sky saturation”.

In video mode the DxOMark team liked the “good stabilization both in bright light and indoor conditions, good color rendering and white balance, fast autofocus convergence and good noise reduction in outdoor conditions”. However, they also found that “from macro to infinity, some steps during the autofocus convergence are visible” and saw “occasional autofocus inaccuracies in low light”. “In low light some detail is lost and luminance noise is visible” and there are “visible steps in exposure adaptation”.

Still Photography

Color, Exposure and Contrast

The DxOMark team found the Lenovo Moto G Plus images to show “vivid and pleasant color”, with good white balance and without any color shading. Target exposure is generally good. However, in difficult light situations highlights are occasionally clipped, “some irregularities in HDR activation are visible” and a “slightly bluish cast” sometimes appears in daylight images. In low light “very slight color shading is visible.”

Overall DxOMark awarded the Lenovo Moto G Plus scores of:

  • 4.4 out of 5 for Exposure
  • 4.5 out of 5 for White Balance accuracy
  • 3.9 out of 5 for Color shading in low light*
  • 4.5 out of 5 for Color shading in bright light*
  • 3.0 out of 5 for Color Rendering in low light
  • 4.5 out of 5 for Color Rendering in bright light

*Color Shading is the nasty habit cellphone cameras have of rendering different areas of the frame with different color shifts, resulting in pictures with, for example, pinkish centers and greenish corners.

Noise and Details

DxOMark’s engineers reported that the Lenovo Moto G Plus images show “very good detail and good noise reduction in outdoor conditions”. However, there is also “some luminance noise and some loss of detail in low light”.

Texture Acutance

Texture acutance is a way of measuring the ability of a camera to capture images that preserve fine details, particularly the kind of low contrast detail (such as fine foliage, hair or fur) that can be blurred away by noise reduction or obliterated by excessive sharpening.

Sharpness is an important part of the quality of an image, but while it’s easy to look at an image and decide visually whether it’s sharp or not, the objective measurement of sharpness is less straightforward.

An image can be defined as ‘sharp’ if edges are sharp and if fine details are visible. In-camera processing means that it’s possible to have one of these (sharp edges) but not the other (fine details). Conventional MTF measurements tell us how sharp an edge is, but have drawbacks when it comes to measuring fine detail preservation. Image processing algorithms can detect edges and enhance their sharpness, but they can also find homogeneous areas and smooth them out to reduce noise.

Texture acutance, on the other hand, can qualify sharpness in terms of preservation of fine details, without being fooled by edge enhancement algorithms.

A dead leaf pattern is designed to measure texture acutance. It’s obtained by drawing random shapes that occlude each other in the plane, like dead leaves falling from a tree. The statistics of this model follow the distribution statistics in natural images.

In this example from a DSLR without edge enhancement, sharpness seems equal on edge and on texture. Many details are visible in the texture.

In this second example, edges have been digitally enhanced, and the edge looks over sharp, with visible processing halos (‘ringing’). On the texture part, many details have disappeared.

At first sight, the images from these two cameras may appear equally sharp. A sharpness measurement on edges will indeed confirm this impression, and will even show that the second camera is sharper. But a closer examination of low contrasted textures shows that the first camera has better preservation of fine details than the second. The purpose of the texture acutance measurement is to qualify this difference.

Note: Acutance is a single value metric calculated from a MTF result. Acutance is used to assess the sharpness of an image as viewed by the human visual system, and is dependent on the viewing conditions (size of image, size of screen or print, viewing distance). Only the values of texture acutance are given here. The measurements are expressed as a percentage of the theoretical maximum for the chosen viewing condition. The higher the score, the more details can be seen in an image. 
 
For all DxOMark Mobile data presented on connect.dpreview.com we’re only showing 8MP equivalent values, which gives us a level playing field for comparison between smartphone cameras with different megapixel values by normalizing all to 8MP (suitable for fairly large prints). DxOMark also offers this data for lower resolution use-cases (web and onscreen). For more information on DxOMark’s testing methodology and acutance measurements please visit the website at www.dxomark.com.
 Texture acutance is a touch higher under daylight than tungsten light. 
In bright light the Moto G Plus is up with the best but drops off a little at lower light levels.

Edge Acutance

Edge acutance is a measure of edge sharpness in images captured by the phone’s camera. Again we’re only looking at the most demanding of the three viewing conditions that DxOMark reports on – the 8MP equivalent.
 In terms of edge acutance the Moto G Plus is performing on flagship level. 
 Edge acutance is very consistent across all light levels. 

Visual Noise

Visual noise is a value designed to assess the noise in an image as perceived by the human visual system, depending on the viewing condition (size of image, size of screen or print, viewing distance). The measurements have no units and can be simply viewed as the weighted average of noise standard deviation for each channel in the CIE L*a*b* color space. The lower the measurement, the less noise in the image.

 The Moto G Plus noise levels compare well to the competition at all light levels
 Measured noise levels only increase moderately in lower light.

Noise and Detail Perceptual scoring

DxOMark engineers don’t just point camera phones at charts, they also take and analyze plenty of real-world shots and score them accordingly. Their findings for the Lenovo Moto G Plus are:

Natural scene

  • Texture (bright light): 4.8 out of 5
  • Texture (low light): 3.7 out of 5
  • Noise (bright light): 4.1 out of 5
  • Noise (low light) 3.9 out of 5
 Bright light sample shot
 100% crop: good noise reduction  100% crop: good detail preservation
 Low light (20 Lux) studio shot
100% crop: some luminance noise in areas of plain color 100% crop: some very fine detail is being lost

Artifacts

Phone cameras, like entry-level compact cameras, tend to suffer from artifacts such as sharpening halos, color fringing, vignetting (shading) and distortion, which can have an impact on the visual appeal of the end result. DxOMark engineers measure and analyze a range of artifacts. Their findings after testing the Lenovo Moto G Plus are shown below:

  • Cyan shift close to sky saturation visible in outdoor shots
  • Some color fringing noticeable in backlit scenes
  • Moiré is occasionally visible

Perceptual Scores

  • Sharpness 4.5 out of 5
  • Color fringing 3.6 out of 5

Measured findings

  • Ringing center 7.6%
  • Ringing corner 4.9%
  • Max geometric distortion -0.4%
  • Luminance shading 9.4%

Distortion and Chromatic Aberrations

The graph shows the magnification from center to edge (with the center normalized to 1). The Lenovo Moto G Plus shows a very slight pincushion distortion, which you are not going to notice in normal photography.
 Chromatic aberrations are well under control.

Autofocus

DxOMark also tests autofocus accuracy and reliability by measuring how much the acutance – or sharpness – varies with each shot over a series of 30 exposures (defocusing then using the autofocus for each one). As with other tests these results are dependent on the viewing conditions (a little bit out of focus matters a lot less with a small web image than a full 8MP shot viewed at 100%). Using the 8MP equivalent setting, the Lenovo Moto G Plus performs very well in all light conditions. The overall score is 95/100 in bright light and 87/100 in low light.

Pros: 

  • Accurate and repeatable autofocus in all conditions

Cons:

  • Strong instabilities and overshoots in preview mode, particularly in low light
  • Slow convergence, particularly in low light
Autofocus repeatability – average acutance difference with best focus: low light 3.26%, bright light 1.63%

Flash

The Lenovo Moto G Plus offers a dual-LED flash for illumination in very low light. DxOMark scored the camera a 77/100 overall for its flash performance. 

Pros: 

  • Good exposure and vivid colors
  • Pleasant colors when flash is mixed with tungsten light

Cons:

  • Some focus and exposure irregularities
  • Noticeable hue non-uniformity in the field
  • Noise and attenuation visible in the corners

Overall DxOMark Mobile Score for Photo: 84 / 100


Video Capture

DxOMark engineers put phone cameras through a similarly grueling set of video tests, and you can read their full findings on the DxOMark website here. Overall, DxOMark found the Lenovo Moto G Plus video mode to perform very well, with fast autofocus, good stabilization and good color. On the downside, some stepping can be visible when the AF is adjusting and luminance noise is visible in low light footage.

Pros: 

  • Good stabilization
  • Good color rendering and white balance
  • Fast autofocus convergence
  • Good noise reduction in outdoor conditions

Cons: 

  • Some steps are visible during autofocus convergence in bright light
  • Occasional autofocus inaccuracies in low light
  • In low light some detail is lost and luminance noise is visible
  • Visible steps in exposure adaptation

Overall DxOMark Mobile Score for Video: 81 / 100

DXOMark Mobile Score
84

DXOMark Image Quality Assessment

With a DxOMark Mobile score of 84 the Lenovo Moto G Plus performs on the same level as flagship models, such as the Apple iPhone 6s Plus, Google Nexus 6P or Motorola’s own Moto X Force / Droid Turbo 2, in the DxOMark smartphone rankings.  The test team liked the good detail in bright light, good color, low noise levels and reliable AF in bright light. However, they also found some loss of detail in the shadows and an occasional slightly cool color cast.  

In video mode the Moto G Plus has efficient stabilization, good color and very decent noise reduction in bright light. However, testers also found some AF inaccuracies and luminance noise in low light. For a more detailed analysis, visit www.dxomark.com.

Photo Mobile Score 85   Video Mobile Score 81
Exposure and Contrast 84   Exposure and Contrast 84
Color 85   Color 81
Autofocus 91   Autofocus 75
Texture 85   Texture 83
Noise 86   Noise 85
Photo Artifacts 85   Video Artifacts 80
Flash 77   Stabilization 81

Articles: Digital Photography Review (dpreview.com)

 
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Sony posts significant imaging division income gains in 2015 financial year-end report

03 May

There’s plenty of bad news going around the camera industry lately. Companies once flush with cash from compact camera sales are now struggling to keep sales even. But despite the downward trend on a lot of camera manufacturers’ books, Sony is coming through with some positive numbers. In its latest year-end financial report, the company boasts a 30.4 billion yen increase in operating income for its imaging products division, despite a 1.7% year-on-year decrease in sales.

It’s a familiar story – Sony attributes the gain in income to a more favorable mix of high-value products, no doubt including its full-frame mirrorless line and premium RX-series compacts. Cost-reduction measures are also cited as contributing to the income gains. And though the upward trend is no doubt good for Sony, those numbers aren’t quite as impressive as they seem at first glance. The imaging division’s 2014 figures were hit by significant restructuring charges, bringing down the bottom line by 7.3 billion yen by the end of the year.

Even taking into account last year’s mark-down, Sony has put up some very strong numbers for its imaging products in 2015’s financial year.

Articles: Digital Photography Review (dpreview.com)

 
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DxOMark Mobile report: Nextbit Robin

26 Apr

The Nextbit Robin looks like your standard smartphone, but its cool blue exterior houses the first real cloud-based phone. It’s an innovative device, but unfortunately its camera falls short of the best in its class. DxOMark has put the Robin through its standard mobile tests, awarding it 81 points and putting it in 18th place in DxO’s mobile rankings. While image testers liked the Robin’s good detail preservation and fast AF, unusually high noise levels kept NextBit’s smartphone out of the higher echelon’s of the DxO rankings.

Articles: Digital Photography Review (dpreview.com)

 
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DxOMark Mobile report: Nextbit Robin

22 Apr

The Nextbit Robin looks like your standard smartphone, but its cool blue exterior houses the first real cloud-based phone. It’s an innovative device, but unfortunately its camera falls short of the best in its class. DxOMark has put the Robin through its standard mobile tests, awarding it 81 points and putting it in 18th place in DxO’s mobile rankings. While image testers liked the Robin’s good detail preservation and fast AF, unusually high noise levels kept NextBit’s smartphone out of the higher echelon’s of the DxO rankings.

Articles: Digital Photography Review (dpreview.com)

 
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DxOMark Mobile report: HTC 10 rises to the top

15 Apr

Announced earlier this week, the HTC 10 is the Taiwanese manufacturer’s latest flagship model and comes with a top-end camera specification. A 1/2.3-inch 12MP sensor is combined with a fast F1.8 aperture and optical image stabilization. The attention to camera spec detail has evidently served the device well, as it shoots to the top of DxOMark’s mobile rankings to share the first spot with the Samsung Galaxy S7 edge.

Articles: Digital Photography Review (dpreview.com)

 
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Studio report: Nikon D5 has lowest base ISO dynamic range of any current FF Nikon DSLR

29 Mar

When the Nikon D5 arrived in our office on Friday we immediately wanted to answer a few questions: How is the low light performance? How good is the autofocus? How is the Raw dynamic range? After running our Exposure Latitude and ISO Invariance tests we’ve found that while the D5’s sensor is clearly optimised for low-light image making, it represents a rather surprising – and disappointing – step backwards in terms of base ISO dynamic range.

Let’s take a closer look, starting with our Exposure Latitude test scene. There are two pages in this article, so don’t miss page 2, where we’ll look at ISO invariance. 

Exposure Latitude

In this test we look to see how tolerant of pushing exposure the D5’s Raw files are. We’ve done this by exposing our scene with increasingly lower exposures, then pushed them back to the correct brightness using Adobe Camera Raw. Examining what happens in the shadows allows you to assess the exposure latitude (essentially the dynamic range) of the Raw files.

Because the changes in this test noise are primarily caused by shot noise and this is mainly determined by the amount of light the camera has had access to, the results are only directly comparable between cameras of the same sensor size. However, this will also be the case in real-world shooting if you’re limited by what shutter speed you can keep steady, so this test gives you an idea of the amount of processing latitude different formats give.

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Even at a modest 3 stop push, we see the D5 has already contributed a considerable amount of noise to its low ISO images compared to the 24MP D750. After a 5 stop push the gap widens, with the D750’s 5 stop file looking more like the 3 stop file from the D5. In fact, the D5’s performance closely resembles the performance seen from the Canon 6D$ (document).ready(function() { $ (“#imageComparisonLink2279”).click(function() { ImageComparisonWidgetLink(2279); }); }), with just a bit more color noise showing in the 6D’s file.

After very aggressive pushes, an interesting series of bands appears at the top and bottom of the image. We don’t know what’s causing this additional noise (which appears to be confined to specific read-out rows) but it’s interesting to note.

Articles: Digital Photography Review (dpreview.com)

 
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DxOMark Mobile report: Sony Xperia M5

16 Feb

In terms of processing power, look and feel the Sony Xperia M5 is categorized below Sony’s Xperia Z flagship line of smartphones. However, like the Z-models it’s dustproof, waterproof and has a lot to offer in the photography department. The rear camera offers a 21.5MP Sony Exmor sensor with on-chip phase detection combined with an F2.2. lens, as well as 4K video recording. Scoring 79 in DxOMark’s Mobile testing, it sets the bar as the best mid-range device in DxO’s rankings – on par with previous-generation flagships like the Samsung Galaxy S5.

Articles: Digital Photography Review (dpreview.com)

 
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