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Posts Tagged ‘releases’

Fujifilm releases major firmware update for X-T30, minor updates for X-T3, 16-80mm F4 lens

27 Mar

Fujifilm has released firmware updates for its X-T30 and X-T3 camera systems, as well as its XF 16–80mm F4 R OIS WR lens. While the updates for the X-T3 and XF 16–80mm F4 are extremely minor, the X-T30 gains a number of much-anticipated features.

Starting out with the smaller updates, firmware version 3.21 for the X-T3 and firmware version 1.03 for the XF 16–80mm F4 both address minor bugs. No specific bugs are mentioned and no other information is given about the updates.

Moving onto firmware version 1.20 for the X-T30, Fujifilm has added a list of new features and functionality. First and foremost, Fujifilm has added improved autofocus performance. According to Fujifilm, the tracking performance of the eye AF frame has been improved, the face-detection has been improved when there are different-sized faces in the same frame and autofocus on foreground subjects has been improved when there is a mix of foreground and background subjects in an image.

Fujifilm has also improved gimbal and drone support when the X-T30 is used with supported rigs over USB. Specifically, firmware version 1.20 adds functions for starting and stopping video recording, adjusting exposure settings for video and adjusting manual focus for video.

Also added is the ability to save up to 9,999 photos into a single folder on an SD card; previously the X-T30 was limited to only 999 shots per folder.

You can download the latest updates for the X-T30 (version 1.20), X-T3 (version 3.21) and the XF 16–80mm F4 lens (version 1.03) on Fujifilm’s respective support pages.

Articles: Digital Photography Review (dpreview.com)

 
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Skylum releases Luminar 4.2, includes AI Augmented Sky and new portrait enhancements

19 Mar

Skylum has announced a new version of its Luminar 4 software, Luminar 4.2. The free update includes a major new feature, AI Augmented Sky. The new AI Augmented Sky feature allows photographers to place various objects directly into the sky, leading to new ways to create digital art. In addition to AI Augmented Sky, Luminar 4.2 includes new portrait tools and general performance improvements.

The new AI Augmented Sky feature can be found in Luminar 4’s Creative tab. This tool allows users to select objects from Luminar’s database or import their own. The included objects are: Aurora, Balloons, Birds (three choices), Clouds (six), Eagle, Fireworks (three), Lightning (two), Moon (two), Mountains (four), Plane (two), Planet (four) and Rainbow (two).

Luminar leverages its artificial intelligence to automatically detect the sky in a selected image and place the chosen object, including creating masks for foreground objects such as trees or buildings. Luminar also includes content-aware technologies, allowing the object and overall image to blend together naturally.

In the before and after comparison above, my original image had a completely bare sky. Using Luminar 4.2’s new AI Augmented Sky functionality, I added clouds and mountains to the image. The software did a good job masking out the trees along the horizon and matching the clouds and mountains to the existing scene.

You have control over the placement and size of the chosen object. You can also adjust its opacity, the color temperature and the strength of the software’s blending tools. If you have any issues with the automatic masking, you can also customize the mask manually with brush, radial, gradient and luminosity mask tools. The mask refinement strength and defocus can be adjusted as well through sliders.

In this before (top) and after (bottom) comparison, you can see that I added clouds and an additional hot air balloon to my image. I resized the added hot air balloon and placed it where I wanted for my preferred composition. When adding the clouds, the software identified the blue panel on the balloon as sky, which resulted in clouds appearing on the balloon. This was easily addressed by manually erasing that part of the balloon using the mask brush tool.

During my time with the software ahead of its public release, I experienced varying levels of success using the AI Augmented Sky feature. In some cases, the feature worked well, especially for adding clouds to an otherwise bland sky. Even when working around trees and other fine details, the software did well, especially when working with a blue sky. Around very fine branches, even when adjusting the strength of the mask, there were some occasional problems. I experienced less success when working with darker skies, including dark gray skies. Also, the software doesn’t automatically detect and mirror objects for reflections in water, which can make it difficult to create a convincing image in some cases.

Of the new AI Augmented Sky feature, Co-Founder and Chief Product Officer of Skylum, Dima Sytnyk, said, “We’re really excited to see how photographers use the AI Augmented Sky to create digital works of art. AI Augmented Sky can be used to make everything from subtle tweaks, like moving the moon in the sky, or to totally transform the world around us. The possibilities are endless!”

In addition to AI Augmented Sky, Luminar 4.2 includes enhancements to its built-in portrait tools. The software includes new architecture for the Face Features Detection Neural Network, which allows for the software to better detect different faces in multiple positions, bad or mixed lighting and faces with heavy makeup. Luminar 4.2 can also detect multiple faces in a group photo. By utilizing the software’s improved face detection technology, Luminar 4.2 can now help users restore skin in overly shiny areas and slim faces via a slider adjustment.

In this before (top) and after (bottom) comparison, you can see the impact of the new Shine Removal tool inside Luminar 4.2’s AI Skin Enhancer. The result was subtle in each image I processed.

These portrait enhancement tools join existing tools such as AI Skin Enhancer, face lighting, eye whitening, eye enhancement, dark circles remover, eye enlargement, eyebrow improvement, lip saturation, lip redness, lip darkening and teeth whitening. As with the AI Augmented Sky feature, the shine removal and Slim Face 2.0 features have automatic masks but can be manually edited.

The new shine removal tool can be found in the AI Skin Enhancer section of the Portrait tab in Luminar 4.2 and works on a 0-100 slider scale. The tool works well on different skin types and in my experience, did a good job of convincingly reducing the shine without adversely affecting texture or color balance in the image. It works better than simply reducing highlights in an image.

In this before (left) and after (right) example, I utilized the new Slim Face 2.0 tool. Even using 100 percent slimming, the final result is quite subtle. In this example, I was particularly impressed by how the software handled the model’s hand against her face and her hair partially obscuring her right eye. The face detection technology is highly impressive.

The new Slim Face 2.0 adjustment is found in the AI Portrait Enhancer section and is also a 0-100 sliding scale. While I’m unlikely to use this feature when processing portraits, its implementation is very good. The software does an excellent job of convincingly slimming a face while keeping proportions looking natural and maintaining the overall quality of the image file. I tried it on a variety of portraits and found it to do a good job in every instance. Alongside the existing AI Portrait Enhancer tools, the new Slim Face 2.0 function fits in nicely.

In addition to the key new features of Luminar 4.2, the software includes various upgrades and other enhancements. The Relight Scene technology in the AI Sky Replacement tool has been improved, providing better and more natural colors. There are also improvements to the ML Cache, which will increase the speed of interaction with the machine’s processor. Windows users will find faster previews on multi-core systems and third-party plugin implementation to be able to use plugins such as Aurora HDR, DxO Nik Collection and Topaz plugins inside Luminar 4.2. Luminar 4.2 also includes a new user manual, making it easier for users to find information on the software’s included tools and functionality.

In Luminar 4.2, the Relight Scene technology has been reworked, resulting in more natural colors. In the example above, I replaced the original sky with a very different sky and the software did a nice job changing the overall image to represent the change. It’s impressive how Luminar 4.2 is able to deal with not only the objects in the scene, but the reflection as well, including the ripples in the water.

Luminar 4.2 is available now as a free update for existing Luminar 4 users. If you are interested in trying Luminar 4 for the first time, you can download a free trial from Skylum. For a limited time, if you purchase Luminar 4 for $ 89 USD, you will also receive the Inspiration Looks pack, a $ 49 value, free of charge. You can also upgrade to the Plus Edition, which includes the Inspiration Looks pack and the California Sunset skies for $ 99. There is also a bundle with Luminar 4 (with bonuses) plus Aurora HDR 2019 for $ 169. You can learn more by visiting Skylum.

Articles: Digital Photography Review (dpreview.com)

 
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C-4 Precision Optics releases $39,000 4.9mm F3.5 Hyper Fisheye lens for Sony E mount

13 Mar

For $ 39,000 USD, you can now purchase a 4.9mm F3.5 Hyper Fisheye lens for Sony’s full-frame E mount. This wild lens offers a 270-degree field of view, meaning that it can photograph the area behind the focal plane. For the curious photographers and videographers without nearly $ 40,000 burning a hole in their pocket, the lens can be rented from Lensrentals for around $ 1,250 a week.

The 4.9mm F3.5 Hyper Fisheye lens has unique origins. Back in 2015, Roger Cicala and the Lensrentals team announced the launch of C-4 Precision Optics as an April Fools’ Day prank of sorts. There were various lenses discussed in the article, including a 66.6mm F0.666 Micro Four Thirds lens, a 150mm F1.0 full-frame prime lens and a full-frame 4.9mm F3.5 270-degree fisheye lens.

The lattermost lens was nicknamed ‘The Light Bender’ by Cicala and the C-4 Precision Optics team. Unlike most April Fools’ Day pranks, however, this one is no longer a laughing matter. Of the lens, Cicala wrote on the Lensrentals blog, “That means this lens not only shows everything from one side to the other (for the mathematically challenged among you, that would be 180 degrees), it actually shows stuff that’s behind you.”

In February 2019, Cicala and the Lensrentals team including Aaron Closz, Brian Caldwell and Wilfried Bittner, assembled a prototype version of the fisheye lens. You can see a video of this process below.

The lens is now out of prototype stage and available for preorder and rental. This specialty manual lens for Sony E mount delivers a 270-degree field of view and weighs a hefty 12.97 kilograms (28.6 pounds). Optically, it includes five extra-low dispersion lens elements. To help put into perspective what a 270-degree field of view looks like, you can see a sample image via Lensrentals below.

Sample image captured using the C-4 Precision Optics 4.9mm F3.5 Hyper Fisheye lens. Image credit: Lensrentals.

Comparing the 4.9mm F3.5 Hyper Fisheye lens to other fisheye lenses, Cicala says it most closely resembles Nikon’s legendary Nikkor 6mm F2.8 fisheye, which is very rare and can sell for upwards of six figures (USD). The Nikon lens captures images with a 220-degree field of view.

Physically, the lens is very different from most other lenses. It includes built-in extendable tripod legs and you mount the camera to the lens inside the tripod array. The lens has been designed with immersive video applications and specialty applications in mind. Accordingly, it cannot be set up and used as simply as other more traditional fisheye lenses.

The C-4 Precision Optics 4.9mm F3.5 Hyper Fisheye lens shown with an attached Sony mirrorless camera. As you can see, the camera mount to the lens inside of the built-in extendable tripod legs. Image credit: LensAuthority.

For those interested in learning more about the lens, we recommend heading to Lensrentals to read a full recap of the prototype assembly process, which includes dozens of detailed images. It’s very neat to see a hand-built lens come to life.

The C-4 Precision Optics 4.9mm F3.5 Hyper Fisheye lens is available for Sony E mount and can be ordered via LensAuthority for $ 39,000 USD. You can also rent the lens from Lensrentals. This will cost $ 1,246 USD for a week.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon releases N-Log 3D LUT for its D780 DSLR

11 Mar

Nikon has released an N-Log 3D lookup table (LUT) for use when color grading footage captured with N-Log gamma on its D780 DSLR.

The updated download is version 1.01, an update from version 1.00, which only offered the N-Log 3D LUT for Nikon’s Z6 and Z7 mirrorless camera systems. Version 1.01 includes the original Z6 and Z7 3D LUT files as well as the new cube-format 3D LUT file for the Nikon D780.

Nikon says it’s tested the 3D LUT files in Adobe Premiere Pro CC, Apple Final Cut Pro X and Blackmagic Design DaVinci Resolve 16, but compatibility isn’t limited to those editing programs.

You can find out more information and download the file for macOS and Windows computers on Nikon’s download page.

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Metabones releases Nikon F-mount to Fujifilm G-mount adapter with 1.26x magnifaction

24 Feb

Metabones has announced the release of the NF – GFX mount Expander 1.26x, a new adapter that allows Nikon G-mount lenses to be mounted to Fuji G-mount (GFX) camera systems while also magnifying the image circle by 1.26x, making it so the lenses retain their native diagonal field of view across formats.

The adapter, which is constructed of an aluminum alloy and chromium-plated brass, features a detachable Arca-Type tripod foot and is comprised of five optical elements in three groups, including elements made of ‘ultra-high index Lanthanum-based optical glass as well as one element made of fused silica.’ The adapter uses Metabones’ manual G aperture adjustment, which uses ‘the same angular throw distance as earlier Nikon Ai/AiS lenses, which features a linearized f-stop adjustment as a function of aperture ring adjustment angle.’ The mechanism is also clickless for convenience when using it for cinematography.

Using examples provided by Metabones, the NF – GFX mount Expander 1.26x would effectively turn a a 24–70mm F2.8 lens into a 30–88mm F3.5 lens, and a 70–200mm F2.8 lens into an 88–252mm F3.5 lens. Since this is only a focal extender and not a speedbooster, the lenses will lose 2/3 a stop of light, meaning F1.4 lenses drop to F1.8 and F2.8 drop to F3.5.

In addition to Nikkor DX lenses and third-party APS-C lenses will likely have strong vignetting with using them with the adapter and a number of other lenses have limitations, as noted by Metabones in the below graphic:

The NF – GFX mount Expander 1.26x is available now for $ 519. Metabones is also selling a straight NF — GFX adapter without the optical elements for $ 179.

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Lomography releases Simple Use Camera preloaded with LomoChrome Metropolis film

20 Feb

Lomography’s latest Simple Use Camera, the LomoChrome Metropolis, is now available to purchase from the company’s online store. The camera is loaded with Lomography’s LomoChrome Metropolis ISO 100-400 film, operates off a single AA battery and features a built-in flash. The Simple Use Camera is reloadable, as well.

According to Lomography, its Simple Use Camera loaded with LomoChrome Metropolis film can be used to capture ‘grungy shots with muted colors and distinctive shadows.’ The camera includes three Color Gel flash filters (yellow, magenta and cyan), a built-in frame counter, direct optical viewfinder, 31mm F9 lens and 1/120 shutter speed.

In addition to the LomoChrome Metropolis ISO 100 – 400 film, the Simple Use Camera is also available with Black & White ISO 400, LomoChrome Purple ISO 400 and Color Negative ISO 400 film. The camera is available from Lomography now for $ 22.90 each.

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Adobe releases substantial update to the desktop and mobile versions of Photoshop for its 30th birthday

20 Feb

Today, on the 30th anniversary of Adobe Photoshop launching, Adobe has released an update for its desktop and iPad app, bringing substantial improvements to a few key features, as noted in its announcement blog post.

Adobe Photoshop CC 2020 (Desktop)

Adobe kicked off the updates with an impressive improvement to its desktop iteration of Photoshop with an improved Content-Aware Fill workspace, updates to the Lens Blur tool, a slightly updated UI and a number of bug fixes. We’ll take a look at the details of the updates in the sections below.

Content-Aware Fill

Previously, if you needed to make multiple Content-Aware Fill edits, Photoshop required you to make the edits one at a time. Now, with this new update, you can make multiple selections and apply multiple fills within the Content-Aware Fill workspace without needing to exit every time. This not only reduces the number of clicks, it also allows you to preview edits in real-time when more complicated scenes require multiple edits at once.

Lens Blur

Another major improvement in this update is to the Lens Blur tool, which now relies on the GPU of your computer, rather than the CPU. As seen in the comparison images below, offloading the processing of the Lens Blur tool to the GPU dramatically improves the realism of the edit through more refined edges, more accurate bokeh (thanks to specular highlights) and an overall sharper image that looks more pleasing than edits process with the CPU.

Lens Blur tool processed using CPU Lens Blur tool processed using GPU

‘The results are created by an algorithm the [Photoshop engineering] team built by studying first the principles of physics and how light interacts with objects in the real world,’ says Photoshop Project Manager Pam Clark in the announcement post. ‘It is carefully tuned to simulate a 3D environment to create the most realistic results possible, while also consuming the least amount of computing power so you don’t burn up your machine.’

UI and Performance

Adobe has also added support for the new dark mode in macOS Catalina, with all of the new system dialogs matching the light/dark mode settings you have turned on at the system level.

Other improvements throughout Photoshop CC 2020 include improved mouse control, with better responsiveness when panning and zooming across an image, particularly with larger documents.

Photoshop for iPad

Moving onto the more mobile version of Photoshop, Adobe has brought its Object Selection tool and improved Text settings to Photoshop for iPad. Above is a quick promo video shared by Adobe alongside the update.

Object Selection

The Object Selection tool, which was first released for the desktop version of Photoshop, makes it easier to select multiple objects within an image to isolate them. Unlike the Select Subject tool, which is meant for images where there is a single, large subject, Object Selection is refined for more precise edits where multiple, smaller objects need to be isolated.

Type settings

Adobe has also updated the Type settings within Photoshop for iPad, bringing a number of controls over from the desktop version. Specifically, Adobe has added type layer, character and options properties within the Type settings. ‘This includes tracking, leading, scaling, and formatting things like all/small caps, super/subscript,’ reads the announcement. Adobe says Kerning will ship in a future update.

The updated versions of Photoshop should be live for Creative Cloud subscribers. If you’re not seeing the updates, try restarting your device and checking for updates again within the Creative Cloud app or iOS App Store.

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PolarPro releases ‘LiteChaser Pro,’ a mobile filter system for the iPhone 11

19 Feb

PolarPro has released LiteChaser Pro, a mobile filter system for Apple’s latest iPhone devices. The kits, designed for compatibility with the iPhone 11, 11 Pro, and 11 Pro Max, offer a range of products that includes a line of neutralizing and polarizing filters, a filter and grip.

‘Since the launch of Apple’s iPhone 11 in September 2019, the goal was to develop a
complete creative system worthy of replacing your DSLR/Mirrorless camera and help
transform your iPhone 11 into the ‘A’ camera. Whether vlogging your travels or even
producing your own short film; and PolarPro met that goal with the introduction of the
LiteChaser Pro system,’ said Jeff Overall, Founder and CEO of, PolarPro ‘In the end,
the outcome is a complete creative system built specifically for mobile filmmakers and
photographers to deliver shots never before possible on iPhone.’

These are the filters created for the LightChaser Pro system:

ND8 (3-Stop) & ND64 (6-Stop)

These filters were designed to ensure you have the correct shutter speed to achieve more
cinematic looking footage.

Variable (3-5 stop)

This aluminum-framed variable neutral density filter is engineered specifically for mobile
filmmakers to lower shutter speeds to cinematic levels. Laser-etched stop indicators inform you of how much light you are reducing within the preset 3-5 range. The controlled stop range reduces cross-polarization on the two longer lenses.

Circular Polarizer

This filter helps capture deeper colors and reduce glare, reflections, and haze from your photos. Rotatable so you can control its effect based on your composition.

The LiteChaser Pro Case is made of rubber, has a reinforced frame, and an aluminum filter mount that is compatible with the range of circular, variable, and neutral density filters listed above. The Grip includes two 1?4”-20 thread mounts for a mobile tripod mount with features that allow you to add a light or mic. A rail system includes two 1?4”-20 thread mounts for a mobile tripod mount with features that allow you to add a light or mic. The rail system also adjusts to hand sizes and allows switches between landscape and portrait modes.

Launch pricing for kits is available for a limited time.

Kits
Photography Kit (Case, Grip, CP) Reg. – $ 119.99 | Launch – $ 99
Filmmaker Kit (Case, Grip, VND) Reg. – $ 149.99 | Launch – $ 119
Essential Kit (Case, Grip) Reg. – $ 69.99 | Launch $ 59
Filters
Circular Polarizer – $ 49.99
Variable ND 3-5 Stop – $ 89.99
Pre-orders are open now and shipping begins on March 28th.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon releases major firmware updates for its Z6 and Z7 cameras, minor update for the Z50

18 Feb

Nikon has released a trio of firmware updates for its Z6, Z7 and Z50 mirrorless cameras. Aside from the Z50, the Z6 and Z7 updates bring a number of major new and improved features, including expanded CFexpress, animal-detection autofocus (AF) and more.

Firmware version 3.00 for both the Nikon Z6 and Z7 are identical across the board in the new features and functionality they bring to the camera systems. First, Nikon has added support for ProGrade and Lexar CFexpress (Type B) memory cards. Nikon has also added a new animal-detection AF, meaning the Z6 and Z7 ‘can now detect and focus on the faces and eyes of dogs and cats,’ even in movie capture mode.

Subject-tracking AF has also been improved, with the ability to activate it using the Fn1 or Fn2 buttons on the camera body or barrel of the lens when using compatible Z-mount lenses. Nikon has also changed the behavior of the camera when subject-tracking AF to make it more resemble the experience of shooting with Nikon’s signature 3D-tracking options found on Nikon’s DSLRs. In Nikon’s own words:

‘Subject tracking for still shooting in AF-C mode has been modified to provide a more familiar operational feel similar to that of 3D-tracking feature built into Nikon DSLR cameras. To enable the feature, users can hold the AF-ON button or half-press the shutter-release button to initiate. Subject tracking disengages when users take their finger off the button, causing the camera to switch back to the original focus point before subject tracking began. Additionally, the transition from the Auto-area AF display to the subject selection display can be assigned to a custom control button, allowing for a more customized user-experience.’

Other changes include a new custom settings, support for the focus limit switch on select Z-mount lenses (only the Nikkor Z 70–200mm F2.8 VR S offers it at this time), and improved responsiveness when switching to manual focus ‘when the focus or control ring on a Z mount lens is rotated during autofocus.’ Fixes have also been made for viewfinder brightness issues, Bluetooth connection issues on iOS and a rare phenomenon wherein horizontal lines could appear across photographs captured with the device.

Moving onto firmware version 1.10 for the Z50 mirrorless camera, Nikon has added the same focus limit switch option as it did on the Z6 and Z7, and movies shot in self-portrait mode are now filmed using full-time autofocus (AF-F), regardless of what option is selected for the current autofocus mode.

You can download the latest firmware updates for the Z6, Z7 and Z50 on Nikon’s website.

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Adobe releases February update for its suite of photography-centric applications

12 Feb

Adobe has announced the release of its February updates for its collection of photography programs, including Adobe Camera Raw, Lightroom Classic and Lightroom for macOS, Windows, iOS, iPadOS, Android and ChromeOS.

Adobe Camera Raw and Lightroom Classic

Starting with Adobe Camera Raw and Lightroom Classic, Adobe has improved the Raw Default setting. Specifically, Adobe has made it easier to configure the default develop settings within the ‘Preferences -> Presets’ submenu. The default options can be applied universally or customized based on the camera model and serial number.

In a similar vein, Adobe has made it easier to use the picture styles or profile settings within your camera when editing images, rather than using the Adobe Color profile that was previously standard. Adobe says ‘With the new raw default settings, you can now use Camera Settings as the default to preserve the “as shot” look and reduce your edit time.’

Both Adobe Camera Raw and Lightroom Classic have also received performance improvements. Now, both programs have full GPU acceleration for Lens Correction and Transform adjustments, and Enhance Details can now make use of external GPUs (eGPUs) on macOS 10.15 ‘Catalina.’

Lightroom Classic has also added support for PSB files. Starting with this update, you can import, catalog and edit Large Document Format (.psb) files within Lightroom Classic. Other improvements specific to Lightroom Classic include improved secondary display selection tools, auto-sync improvements and the ability to import Photoshop Elements 2020 catalogs into Lightroom Classic.

Lightroom for Mac, Windows, Android, iOS, iPadOS, and ChromeOS

Moving onto Lightroom for Mac, Windows, Android, iOS, iPadOS, and ChromeOS, Adobe has brought a number of features to various platforms and overall improved the performance across nearly all devices.

Now, on Lightroom for Mac and Windows, you can export images in the DNG format. Previously, this functionality was limited to Lightroom on Android and iOS. Lightroom for Mac and Windows also receives improved Shared Albums support, which allows you to control what metadata is shared when uploading photos to other shared albums and allows you to export photos from other contributors who have uploaded photos to a specific shared album.

Other changes to Lightroom for Mac and Windows include dedicated shortcuts for creating HDR (Ctrl + Shift + H) and Panorama (Ctrl + Shift + M) images via Photo Merge and improve importing options that include the ability to import to a specific album using drag-and-drop functionality.

Moving onto mobile, Lightroom for Android and iOS have an improved ‘Learn and Discover Content’ views that make it easier to browse through various artwork. Lightroom for Android has also gained the ability to import presets and profiles; Adobe says Lightroom for iOS will gain this functionality ‘soon.’

Lightroom for iPadOS has also gained support for split-screen view that makes it possible to browse, sort, edit and export photos while also having another application open on the screen of your iPad.

You can read more about all of the updates on Adobe’s blog post. The updates should be available through the Creative Cloud desktop app and the respective app stores for Android and iOS.

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