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Panasonic G9 offers pro-level features, 20 fps bursts, huge EVF and class-leading image stabilization

08 Nov

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Panasonic’s new Lumix DC-G9 is the company’s first mirrorless camera aimed specifically at professional stills photographers. Geared for high-speed capture at up to 20fps, the G9 offers the same 20MP Four Thirds sensor as the video-centric GH5, but with tweaked image processing for better JPEG image quality. If 20 Megapixels isn’t enough for you, the G9 is able to shift its sensor (more on that below) eight times to create an 80MP Raw image with ultra-high resolution.

The G9’s image stabilization is as good as you’ll find on any interchangeable lens cameras, capable of reducing shake by up to 6.5 stops. Panasonic claims that this system still offers that level of stabilization at wider focal lengths when using non-stabilized lenses, and maintains it at longer focal lengths with those with built-in IS, where it can use ‘Dual I.S. 2.’

There’s a refined ‘Depth from Defocus’ AF system on the G9, which offers 225 selectable points and improvements in both speed and subject tracking. The camera is capable of shooting bursts at 20 fps with continuous autofocus using its electronic shutter (9 fps with mechanical) and 60 fps with single AF (12 fps with mechanical). The buffer allows for up to 50 Raw images to be captured in a single burst.

The G9 samples the full width of the sensor for all resolutions, which means no crop and higher quality.

The G9 has a sturdy metal body that’s sealed against the elements and freezeproof to -10C/+14F. Direct controls include a lockable mode dial with a sub-dial for drive mode, an AF-point selection joystick and function switch for quickly swapping settings, similar to what’s found on some Olympus cameras. The OLED electronic viewfinder is downright enormous, with a maximum magnification of 0.83x equivalent and a resolution of 3.68 million dots. A 3″ fully articulating touchscreen LCD is also available. The camera has two SD memory card slots, both of which support UHS-II media. Ports include HDMI, microphone, headphone, flash sync, USB 3.0 (Micro B) and wired remote.

On the video front, the G9 can capture UHD 4K video at up to 60 fps, with a maximum bitrate of 150Mbps. It samples the full width of the sensor for all resolutions, which means no crop and higher quality. You can shoot slo-mo video at up to 60 fps in 4K and 180 fps at Full HD. The G9 can use its video capabilities to capture both 6K and 4K stills.

The G9 is powered by the same DMW-BLF19 battery as the GH5 with a CIPA rating of up to 400 shots per charge. A ‘power save LVF’ mode puts the camera into sleep mode when the EVF is not in use, and the camera turns on instantly when the shutter release is half-pressed. This mode improves battery life by roughly 2.3x. An optional battery grip holds an additional DMW-BLF19, bringing the CIPA number up to 800 shots. The G9 can be charged over USB.

Lastly, connectivity. While most cameras are still using 802.11b/g/n, the G9 uses the modern 802.11ac standard. Using the Panasonic Image App you can remotely control the camera, automatically transfer photos and copy settings from one G9 to another. Bluetooth 4.2 LE maintains a constant connection between the camera and smartphone and a basic app can be used as a remote shutter release.

The DC-G9 will ship in January 2018 for $ 1699 body only. The DMW-BGG9 grip will arrive at the same time for $ 349.

Press Release

Panasonic LUMIX G9 – The Ultimate Photo Shooting Camera

Featuring High Picture Quality, an 80-megapixel High Resolution Mode and 6.5-stops of compensation with or without Dual I.S. 2.0 compatible LUMIX lenses

November 8, 2017 (Newark, NJ) – Panasonic Consumer Electronics Company is proud to introduce a new flagship Digital Single Lens Mirrorless camera, the LUMIX G9 that boasts outstanding mobility with ultra-high-speed response. Evolving from the GH5’s high performance, the LUMIX G9 achieves the highest-ever image quality in photo shooting by elevating resolution, gradation and color reproduction with its 20.3-megapixel Digital Live MOS Sensor without a low-pass filter. A High Resolution mode is also added that provides 80-megapixel equivalent images in JPEG /RAW formats produced in-camera.

The Body I.S. (Image Stabilizer) in the LUMIX G9 is dramatically improved, making it possible to use 6.5 stops of compensation with or without Dual I.S.2.0 compatible Lumix lenses. This is achieved by a more accurate calculation of shake in various shooting conditions, utilizing information of angular velocity and motion vector acquired not only from the gyro sensor but also from the image sensor and accelerometer sensor.

The high-speed, high-precision AF with DFD technology achieves the world’s fastest*1AF speed of 0.04 sec*2. With its high tracking performance to the subject, the LUMIX G9 does not lose the target subject.

The LUMIX G9 also boasts the fastest-in-class*3 20 fps (AFC) / 60 fps (AFS) in 20.3-megapixel full resolution to capture those unmissable moments. Complying with 6K/4K PHOTO, users can choose the most suitable burst shooting mode in addition to the regular consecutive shooting mode and new Pre-burst shooting mode depending on the situation.?
The LUMIX G9 has the largest-in-class*1 LVF (Live View Finder) with a stunningly high magnification ratio of approx.1.66x / 0.83x (35mm camera equivalent). No blackouts occur even in high-speed burst shooting*4. Night mode and an AF Point Scope function is also integrated.

To withstand heavy field use, the LUMIX G9 is composed of a magnesium alloy full die-cast front / rear frame and is not only splash proof*5 and dustproof but also freeze proof down to -10 degrees centigrade. The largest-in-class Status LCD on the top of the camera makes shooting even easier and more comfortable. For the rear monitor, a 3.0-inch free-angle LCD in 3:2 aspect ratio with 1,040K-dot high resolution is equipped. The G9 has a double SD Memory Card slot, compatible with the high-speed, high-capacity UHS-II.

The LUMIX G9 includes Bluetooth and Wi-Fi® connectivity to offer a more flexible shooting experience and instant image sharing with easy operation. Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone or tablet with minimum power consumption. For Wi-Fi, 5GHz (IEEE802.11ac) can be selected in addition to the conventional 2.4GHz (IEEE 802.11b/g/n) for an even more secure and stable connection.
*1 As a Digital Single Lens Mirrorless camera, as of November 8, 2017
*2 In 1-Area AF, at wide-end with H-ES12060 (CIPA) in LVF120 fps setting.
*3 With H-ES12060, as a Digital Single Lens Mirrorless camera, as of November 8, 2017
*4 In AFC 20 fps/ AFS 60 fps setting
*5 Splash Proof is a term used to describe an extra level of protection this camera offers against exposure to a minimal amount of moisture, water or dust. Splash Proof does not guarantee that damage will not occur if this camera is subjected to direct contact with water.

1. Highest picture quality in the history of LUMIX cameras
Evolving even further from the performance of the LUMIX GH5, the LUMIX G9 achieves the highest image quality in the history of all LUMIX G Digital Single Lens Mirrorless cameras. The 20.3-megapixel Digital Live MOS Sensor without low-pass filter drives the maximum performance of the lens and the Venus Engine 10 rendering high-precision yet natural images with its Multipixel Luminance Generation and Intelligent Detail Processing. An optimum gradation setting according to the characteristics of the sensor provides a wider dynamic range for smoother gradation. Plus, an AR coating on the sensor minimizes ghosts and flaring even in backlighting. A Tuned Three-dimensional Color Control detects not only hue and saturation but also brightness, and applies optimal control according to the value of each factor. This achieves rich color reproduction from dark to bright parts of the image, which especially improves the expression of skies or human skin. A Tuned High Precision Multi Process NR boasts high noise identification accuracy and preserves details even after the noise reduction process, which results in natural textures and precise detail especially in middle to high sensitivity image recording.

The new High Resolution mode produces an 80-megapixel equivalent (10368 x 7776) image by synthesizing 8 consecutively shot images while shifting the sensor. Not only JPEG but also RAW can be produced in the camera, without the need for software processing. This magnificently high resolution photo is ideal for landscape and product photography using a tripod.

2. Advanced Body I.S. (Image Stabilizer) and Dual I.S.
To achieve stable handheld shooting even in slower shutter speed, the Body I.S. (Image Stabilizer) in the LUMIX G9 is further advanced. Panasonic adopted a newly developed algorithm that precisely calculates shake information acquired not only from a gyro sensor, but also from the image sensor and accelerometer sensor. This enables more accurate shake detection and compensation, making it possible to use a 6.5-stop slower shutter speeds*1. Notably, movement with characteristically low-frequency is suppressed more effectively to use slower shutter speeds.. With its high mobility achieved by the compact, lightweight design and powerful Body I.S., this LUMIX G Digital Single Lens Mirrorless Camera makes previously impossible shooting, such as handheld 800mm (35mm camera equivalent) ultra-telephoto shooting possible.

Combining an this B.I.S.(Body Image Stabilizer, 5-axis) and O.I.S.(Optical Image Stabilizer, 2-axis), the 5-axis Dual I.S. (Image Stabilizer) 2*2 in the LUMIX G9 compensates for larger movements that were conventionally uncontrollable. Maximizing both O.I.S and B.I.S. is highly beneficial in telephoto shots and in adverse situations, such as at night or with one-handed shooting with a 6.5-stop slower shutter speed*3.

The 5-axis Dual I.S. 2.0 works for both photo and motion picture recording, including 4K video. Panasonic LUMIX G DSLM Cameras offer a wide variety of digital interchangeable lenses and most of them support the 5-axis Dual I.S. in the LUMIX G9. The B.I.S. compensates for camera movement even when a lens without O.I.S. (e.g. a cine lens) is used.
*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm film camera equivalent f=120mm), when H-ES12060 is used.
*2 5-Axis Dual I.S.2 can be used with the following lenses as of November 8, 2017: H-HSA12035, H-ES12060, H-FS14140, H-HSA35100, H-FSA45200, H-FSA100300, H-RS100400 and H-ES200. Firmware update is required for some lenses.
*3 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm), when H-FS14140 is used

3. Outstanding tracking performance and high-speed, high-precision AF
The DFD (Depth From Defocus) technology*1 calculates the distance to the subject by evaluating two images with different sharpness levels while instantly consulting the optical characteristics data of the current lens. Panasonic’s combination of the Contrast AF with DFD technology was further advanced in the LUMIX G9 together with the speed of the sensor drive during auto focusing in photo shooting, which achieves 480 fps. Consequently, the LUMIX G9 realizes an ultra-high-speed AF of approximately 0.04 sec*2 and 60 (AFS) / 20(AFC) fps high-speed burst shooting using an electronic shutter at full resolution.

Thanks to the high processing performance of the Venus Engine 10, the LUMIX G9 incorporates Deep Learning technology that detects a human body in addition to the conventional face and eye detection. The AF Point Scope function is also new on the LUMIX G9. It magnifies subjects that are far away to capture them in clear focus.

For more precise focusing, the focus areas are increased from 49 to 225-areas in addition to the conventional Face/Eye Recognition, Tracking AF, 1-area AF and Pinpoint AF. Users can make a group of 225 focus areas and move or change the size of it as they like according to the composition. All focusing operations are easily controlled with the newly adopted joystick located on the thumb position without taking the eyes off of the subject even when using an LVF or releasing the finger from the shutter button. The LUMIX G9 is equipped with AF Custom Settings with which users can set AF Sensitivity, AF Area Switching Sensitivity and Moving Object Prediction Level. Four patterns of presets are also available for frequently used situations.
*1 Contrast AF with DFD Technology works only with Panasonic Micro Four Thirds lenses.
*2 In 1-Area AF, at wide-end with H-ES12060 (CIPA) in LVF120 fps setting.

4. High mobility for agile field shooting
The LUMIX G9 boasts outstanding performance to achieve the fastest-in-class*1 20 fps (AFC) / 60 fps (AFS) at 20.3-megapixel full resolution. Taking advantage of its blackout-free LVF (Live View Finder), it is the best mirrorless camera for capturing moving subjects in sharp focus. With its high tracking performance to the subject, the LUMIX G9 doesn’t loses the target subject. Pre-burst shooting is also new on LUMIX G9, which starts shooting 0.4 sec in advance to releasing the shutter.?

For more continuous burst shooting, the 6K PHOTO*2 makes it possible to capture the unmissable moments at 30 fps by extracting the frame with the best timing out of a 6K burst file (in 4:3 or 3:2 aspect) to save as an approx.18-megapixel equivalent high resolution photo. The 4K PHOTO is also upgraded to enable 60 fps high-speed capture in approx.8-megapixel equivalent resolution. In 6K PHOTO /4K PHOTO, three exclusive modes can be chosen from depending on the situation; 6K Burst / 4K Burst, 6K Burst (Start/Stop) / 4K Burst (Start/Stop) and 6K Pre-burst / 4K Pre-burst. Users can choose the most suitable burst shooting mode in addition to the regular consecutive shooting mode in full resolution depending on the situation.

The new High Sensitivity MOS Sensor helps to suppress the rolling shutter effect. Plus, the Venus Engine 10 makes it possible to apply Post Recording Refinement over the pictures to correct distortion and reduce noise when playing back or cutting images out of the 6K burst file / 4K burst file by compensating the signal information between the consecutive frames. As a result, the picture quality of 6K PHOTO /4K PHOTO shot at high shutter speed in high sensitivity or those shot when panning are dramatically improved.
*1 ‘As a Digital Single Lens Mirrorless Camera, as of November 8, 2017.
*2 ‘6K PHOTO’ is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx.18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages.

5. Innovative LVF (Live View Finder) with high magnification ratio and excellent performance
The LVF (Live View Finder) is the key factor for completing the ultra-high-speed response of the camera. The LUMIX G9 has the largest-in-class LVF with a stunningly high magnification ratio of approx.1.66x / 0.83x (35mm camera equivalent). The magnification ratio can be switched among 0.7x, 0.77x and 0.83x according to the shooting situation. High-precision, high-speed OLED (Organic Light-Emitting Diode) display features 3,680K-dot high resolution and 100% field of view. Adoption of OLED for the LVF achieves smooth display at 120 fps and high speed response with minimum time lag of less than 0.005 sec as well as 10,000:1 high contrast for exceptional visibility. No blackout occurs even in high speed burst shooting, so as not to lose sight of the subject. With an eye point of approximately 21 mm, it offers high visibility with comfort for users wearing glasses. It is always sharp and clear from the center all the way to the corners. The LUMIX G9 incorporates Night mode which provides mild backlighting. It lets the user watch the subject comfortably immediately after viewing the monitor while in a dark situation for a long period of time.

6. Optimal design for Intuitive control and operation
The LUMIX G9 includes a largest-in-class Status LCD on the top, allowing users to check the settings at a glance.

The Fn lever makes it possible to change the setting quickly once frequently-used settings are assigned. The LUMIX G9 also comes with a joystick at the optimal position to achieve intuitive focus area control without taking the eyes off of the viewfinder, together with a focus lever and AF mode button. Dials on the grip and Fn buttons are also located in the best position to operate unseen.

7. High mobility and rugged design for heavy field use
To be tough enough to withstand even heavy field use, the main structure is composed of a magnesium alloy full die-cast front/rear frame. Secure construction and a sealing for every joint, dial, and button make the LUMIX G9 not only splash proof and dustproof but also freeze proof down to 14°F (-10 degrees Celsius).

The LUMIX G9 is equipped with a double SD Memory Card slot compatible with high-speed, high capacity UHS-II. Users can flexibly choose the recording method from Relay Recording, Backup Recording or Allocation Recording. In Relay Recording, the data will be written on the SD Memory Card in the second slot when the SD Memory Card in the first slot is full. The content will be written in both SD Memory Cards in the first and second slot simultaneously in Backup Recording. In Allocation Recording, data is automatically allocated to the SD Memory Card in the designated slot by the type of content – RAW, JPEG, 6K PHOTO / 4K PHOTO, or 4K video data. For example, users can store only photos on the SD Memory Card in slot 1 and videos in slot 2. Moreover, both slots are equipped with access lamps so users can tell which SD Memory Card is under writing and which can be ejected at a glance.
The LUMIX G9 enables not only power charging but also power feeding via USB, which enhances extended shooting time.

8. Other Features
?3.0″1040k-dot Free-angle Monitor
Adopting a static-type touch control system, the 3.0-inch free-angle rear monitor in 3:2 aspect with 1,040K-dot high resolution features approx.100% field of view. It uses a pixel structure of RGB (Red / Green / Blue) and White to feature even higher visibility in sunny outdoor scenes. It tilts up and down by approx.270-degree which makes shooting at either high or low angles even easier. Night mode can also be applied to the display on the rear monitor.
?Bluetooth 4.2 and Wi-Fi 5GHz (IEEE802.11ac) / 2.4GHz (IEEE802.11b/g/n)
The LUMIX G9 integrates Bluetooth and Wi-Fi® connectivity to offer a more flexible shooting experience and instant image sharing with easy operation. Once the camera is connected to a smartphone or tablet installed with Panasonic’s dedicated application software Image App for iOS / Android, users can shoot, browse and share images remotely. Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. This enables the camera to activate by simply using a smartphone/tablet or to add GPS geotag on the photos automatically. Furthermore, the settings of a LUMIX G9 camera can also be copied and transmitted wirelessly to other G9 cameras when using multiple G9 cameras.

For the Wi-Fi, 5GHz (IEEE802.11ac) is effective in addition to the conventional 2.4GHz (IEEE802.11b/g/n. This provides even secure and stable connection not only with a smartphone/tablet but also with other devices on location for smooth remote control. Transmission speed of photo/video data is also increased up by using the 5GHz-band*.
* 5 GHz Wi-Fi is not available in some countries.

9. Optional Accessories Specially Designed for LUMIX G9
?Battery Grip DMW-BGG9
The LUMIX G9 is compatible with the new Battery Grip DMW-BGG9. By using two batteries, one in the camera and the other in the grip, the DMW-BGG9 extends the battery life for longer shooting time. It also makes handling more comfortable even in vertical angle shooting. The DMW-BGG9 also provides intuitive operation with a joystick. Exclusively designed for the LUMIX G9, the DMW-BGG9 perfectly matches the camera, boasting a rugged, splash proof, dustproof and freeze proof design.
-Eye Cup DMW-EC4
The Eye Cup DMW-EC4 makes it even more comfortable to see the high-performance LVF of the G9.
-Battery Charger DMW-BTC13
The Battery Charger DMW-BTC13 enables quick charging of the Battery Pack DMW-BLF19 from an AC outlet using the bundled AC adopter.
-Shoulder Strap DMW-SSTG9
The Shoulder Strap DMW-SSTG9 is a length-adjustable shoulder strap. The camera can be detached or replaced quickly to prepare for the next photo opportunity in various shooting situations.

The new G9 and all accessories will be available in early January 2018. The G9 (body only) MSRP will be $ 1699.99 and the Battery Grip $ 349.99.

Panasonic Lumix DC-G9 specifications

Price
MSRP $ 1699 (body only)
Body type
Body type SLR-like (bridge)
Body material Magnesium alloy
Sensor
Max resolution 5184 x 3888
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 22 megapixels
Sensor size Four Thirds (17.3 x 13 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 200-25600 (expands to 100-25600)
Boosted ISO (minimum) 100
White balance presets 5
Custom white balance Yes (4 slots)
Image stabilization Sensor-shift
CIPA image stabilization rating 6.5 stop(s)
Uncompressed format RAW
JPEG quality levels Fine, standard
File format
  • JPEG (Exif v2.31)
  • Raw (Panasonic 12-bit RW2)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (2x-4x)
Manual focus Yes
Number of focus points 225
Lens mount Micro Four Thirds
Focal length multiplier 2×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 1.66× (0.83× 35mm equiv.)
Viewfinder resolution 3,680,000
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • iAuto
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync port)
Flash modes Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off
Flash X sync speed 1/250 sec
Drive modes
  • Single
  • Continuous I/II
  • 6K Photo
  • Post Focus
  • Self-timer
  • TIme-lapse
Continuous drive 20.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±3 (3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, AVCHD, H.264
Modes
  • 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC
  • 3840 x 2160 @ 23.98p / 100 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 30p / 20 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 23.98p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
Microphone Stereo
Speaker Mono
Storage
Storage types Dual SD/SDHC/SDXC slots (UHS-II supported)
Connectivity
USB USB 3.0 (5 GBit/sec)
USB charging Yes
HDMI Yes
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac + Bluetooth
Remote control Yes (wired or via smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description DMW-BTC13 lithium-ion battery & USB charger
Battery Life (CIPA) 400
Weight (inc. batteries) 658 g (1.45 lb / 23.21 oz)
Dimensions 137 x 97 x 92 mm (5.39 x 3.82 x 3.62)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Google taught an AI to create pro-level photos from Street View imagery

18 Jul

Google is in possession of vast amounts of Earth imagery via its Street View product, and now it is testing machine learning as a way to harvest ‘professional-level photographs’ from that imagery. As detailed in a newly-published study, Google researchers created an experimental deep-learning system that trawls Street View landscapes in search of high-quality compositions.

Machine learning, while capable at tasks that involve ‘well defined goals,’ struggles in the face of subjective concepts such as determining whether a photograph has high aesthetic value. Google developed this latest deep-learning system as a way to explore how artificial intelligence can learn subjective concepts such as photography—training the system using professional photographs taken by humans.

Compositions identified by the AI from the Street View imagery were then automatically improved using an editing tool called ‘dramatic mask’ that enhances an image’s lighting.

Here are a few examples from the Google Research Blog:

“Using our system, we mimic the workflow of a landscape photographer,” the researchers explain. “From framing for the best composition to carrying out various post-processing operations.”

To test the quality of its AI-generated photos, Google asked professional photographers to blindly rate a collection of photos from various sources, including its Street View photos. The team’s conclusion from those ratings is that, “a portion of our robot’s creation can be confused with professional work.”

Articles: Digital Photography Review (dpreview.com)

 
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Sony a9 offers powerful pro-level customization

02 May

Sony has certainly rippled some tides with the announcement of its a9, which we got a first look at hands-on in NYC. We’ve been thoroughly analyzing its capability, which you can follow in our updated First Impression Review, and if you’re an a7R II owner, check out our ‘what’s better?’ slideshow here.

But perhaps as, or more, important as all its technical capability is that the a9 comes with some serious ergonomic improvements that change everything for fast-paced shooters. Features we’ve been asking for a long time now. And Sony listens. Not just to us but to the requests of many of its direct users. And we can all agree direct access to certain camera features is a huge plus, as opposed to menu-diving.

We can all agree direct access to certain camera features is a huge plus, vs. menu-diving. That’s exactly what Sony has given us.

So that’s exactly what Sony has given us. Instant camera overrides at the press of a button. With one simple button press you can switch the camera from Aperture Priority with 1/125s minimum shutter speed in Auto ISO to Shutter Priority with 1/2000s shutter speed to freeze the action. This can allow you to instantly switch from panning shots to ‘freezing the motion’ shots – with one button press.

Sports/action shooters should take note, but we’re particularly excited because the ability to assign different autofocus area modes plus autofocus activation (among other options) to different custom buttons, just like you can on a Nikon D5 (and to a limited degree on a Canon 1D X II), has changed the way I personally shoot. I can instantly adapt to changing scenarios, much like with the Nikon D5 here, with a simple button press – potentially rescuing shots I’d have otherwise missed diving into settings to change AF modes. Watch our video below to see the implementation on the a9:

On the a9, what allows one to quickly activate any AF mode is not just Sony’s dedicated function to do so (called ‘Registered AF func.’ – which only recalls one AF area mode) but, instead, ‘Recall Custom hold’. This function instantly overrides a number of camera settings, including: Shoot Mode, Aperture, Shutter Speed, Drive Mode, Exposure Comp., ISO, Metering Mode, Focus Mode, Focus Area, and AF On (whether or not to engage AF). This is very similar to Canon’s ‘Register/recall shooting func’, but with the added benefit that there are 3 such banks, while Canon only offers 1. That means that on Canon DSLRs, you can only ever recall one set of overrides (even if you assign this function to multiple buttons, they all do the same thing). Nikon only allows certain settings to be overridden – like AF area and metering mode – but at least allows any number of buttons to be assigned arbitrarily to any AF/metering mode.

So what Sony allows via ‘Recall Custom hold’ is a sort of best-of-both-worlds: marrying Canon’s flexibility to override multiple settings with Nikon’s ability to assign any button to a number of AF/metering options, not just one particular bank. Canon’s custom controls are so complex and inflexible that you can only assign a button to change and activate an AF mode via ‘Metering and AF start’ or ‘Recall shooting func’, which are themselves only available to two buttons: AF-ON and AEL. That’s it. Read more about it in our 5D IV review covering all this in detail.

Sony: you’ve one-upped Canon and Nikon – in an ergonomic regard no less.

The Sony a9, on the other hand, simply affords you 3 banks to allow to quickly switch between 3 different commonly accessed operating modes with utmost ease. Kudos, Sony: you’ve one-upped Canon and Nikon – in an ergonomic regard no less.

Settings you do with override to change you check with a checkmark in the checkbox; if you don’t want that particular mode to change (like Shoot mode or exposure settings if you’re simply trying to change AF mode): just uncheck it.

This is a powerful feature that allows me, for example, to instantaneously switch between subject tracking AF, complete auto AF when the former fails, Eye AF for portraits, or good old center-focus-and-recompose when everything intelligent fails. All with one button press. That can be the difference between nailing the shot, and missing it.

Memory Recall

But that’s not all that’s different about the a9. Memory Recall functions have been extended to be far more like the Custom modes Canon, Panasonic and Olympus allow – instantly changing most/all camera settings with one switch of the mode dial.

Memory Recall modes on Sony cameras are like ‘Custom’ Modes on Canon, Panasonic, and Olympus cameras – they recall many cameras functions simply by switching to that mode. Sadly, in the past, Sony’s M modes have not been very comprehensive (they don’t remember custom button assignments, e.g.), but the a9 remembers more settings. And while it doesn’t remember button assignments – a shame since the features I wish to access in video are different than the features I wish to access in stills – it’s a step in the right direction. Still, Sony really needs to introduce proper C modes that remember all camera settings – including button assignments.

Memory Recall now remembers far more features than in previous Sony cameras. Ideally, it’d remember all of them – including button customizations – so as to recall the state of a camera precisely, immediately. Sadly, this not yet the case, but the extended set of settings Memory Recall now remembers is welcome and significant. We’ll outline the additional features remembered vs. the a7R II below, shortly, so stay tuned.

That means keep hitting that ‘Refresh’ button. 🙂*


* It’s late, and I promise to update this article with a full set of Memory Recall functions/differentiators in the morning, after I get (I hope) at least 4 hours of sleep. Thank you for your patience!

Articles: Digital Photography Review (dpreview.com)

 
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Win a Pro-Level Portfolio Website CMS for FREE

15 Feb

In this giveaway you can win one of 5 great prizes provided by our friends at MotoCMS. Whether you’re professionally into photography or you just plan to start making money out of your photos, you probably know by now that a good website managing software is a gold find for your business. Something that would have a lot of design Continue Reading

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