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Posts Tagged ‘PowerShot’

Gear of the Year: Carey’s choice – Canon PowerShot G9 X

05 Dec

Introduction

I remember very clearly when the Canon PowerShot G9 X arrived in the DPReview offices. I was a fairly recent hire, and myself and another recent hire took the G9 X and the G5 X out to shoot some samples. As a person who still clings to old full frame DSLRs, I got along with the G5 X much more so than with the G9 X. It had way more controls, a good viewfinder, a brighter zoom lens and a real grip. I really liked that camera (and my first field test was done with one), but never really felt any sort of pull toward its smaller sibling. Until recently.

Typical Tuesday. Processed to taste in Adobe Camera Raw. 28mm equiv., ISO 125, 1/500 sec, F4. Photo by Carey Rose

It’s so darn tiny

It was the recent review of the Sony RX100 V which really helped me appreciate the value of having one of these 1″-sensor cameras always in your pocket. I have a lot of respect for folks who can create beautiful and impactful work using a cellphone, but personally, I still like the idea of using a dedicated device. (Of course, this may change in the future – after all, I don’t carry my iPod Classic with me everywhere anymore).

When it comes to skinny jeans, this is a mighty big difference. Though this is an RX100 IV, it is identical to the V in terms of width.

So while the RX100 V was incredibly powerful, I started to wonder whether there was something that could get me close to that level of stills image quality but was even smaller – like, ‘not worry about slipping it into the back pocket of my skinny jeans’ smaller. And then it hit me – the Canon G9 X.

The G9 X is 10mm thinner than the RX100 V (and IV), which doesn’t sound like a ton until you realize that it’s close to a 25% difference. By contrast, my Ricoh GR slides into a pants pocket much easier than the RX100 V, and it splits the difference in width between the two. The Ricoh GR is also within 1mm of width of the original RX100, as well.

Macro performance is pretty good – but it’s best to stop down a bit. Processed to taste in Adobe Camera Raw. 28mm equiv., ISO 125, 1/640, F2.8. Photo by Carey Rose

Most impressive to me? The G9 X is just a couple of milimeters thicker than a PowerShot S95, and that camera’s sensor was pretty tiny in comparison. Technological progress is great.

In any case – when you’re talking about cameras and pockets, every little bit counts.

The interface is well thought out

One thing that has been near-universally covered and largely condemned across the internet is the G9 X’s heavy dependence on its touch interface. There’s only one dial, which is around the lens (and it’s clicked! Thank the maker!), and there’s not even a four-way control pad on the rear. I read time and time again how the interface works out okay, and the screen is of good quality, but that it can be fiddly in menus, playback and for fine adjustment of controls. However, almost everyone missed something incredibly crucial.

JPEGs can be pretty nice out of the G9 X, after you’ve taken time to set them up. I’m not so big a fan of them at defaults. Out-of-camera JPEG with custom color settings and noise reduction set to minimum. 54mm equiv., ISO 800, 1/125, F4.5. Photo by Carey Rose

The G9 X, despite having one less control dial than the RX100 series, is more responsive to set up in actual use. That’s because you can use the zoom toggle, lens control ring and ‘Set’ button to navigate the menus sans-touchscreen. It’s brilliant, fast and once you realize it’s there, easy. There’s another review erroneously stating that you can’t delete an image without using the touchscreen – also wrong. Just hit the ‘Set’ button in playback, hit it again, and use the front ring to confirm deletion. Sweet.

Swipe functions in playback work great, but again, you can use the control ring for that. While you’re shooting, the control ring manipulates the setting that makes the most sense at the time – in aperture-and-shutter priority, it controls those respective values. In Program Auto, it controls exposure compensation. Admittedly, in full manual, it defaults to aperture, which is fine, and though you can add an on-screen soft button to have the ring cycle through other controls, that just means you do have to use the touchscreen to manipulate other values. So it’s not perfect.

Obligatory sunstar photo, processed to taste in Adobe Camera Raw. 28mm equiv., ISO 125, 1/400 sec, F9. Photo by Carey Rose

The ‘slow’ lens isn’t that slow

Okay, well, it sort of is. I mean, it’s a 28-84mm (focal length equivalent) F2.0-4.9 lens, making it slower on the wide end than the first two RX100’s, and on par with them on the long end, but with less reach. But a fun fact – the newest RX100 models with 24-70mm equivalent lenses are slower than this model by the time they’ve zoomed from 24-28mm (they reach F2.5 by 28mm). Of course, if you need 24mm, then this isn’t quite so valuable. I personally find that 28mm is usually wide enough for a walk-around camera, and I actually appreciate the small amount of additional reach (versus a 70mm limit) on the long end more than I expected.

I tried getting an angle to keep that tree from poking out of the top of the house, but obviously I failed. Processed to taste in Adobe Camera Raw. 84mm equiv., ISO 125, 1/640 sec, F4.9. Photo by Carey Rose

Also, I can’t get too upset about this, because I fully expect the ‘slowness’ of the lens is what really makes the G9 X so much thinner than the competition.

The rest

The image quality is predictably good. It uses the same (or very similar) sensor as the RX100 III. It has typically good Canon color response, and though the noise reduction in JPEGs is pretty sloppy, once you crank it down to its lowest setting, it’s not too bad.

The auto white balance is a bit off here, but the tap-to-focus worked great. Out-of-camera JPEG, 28mm equiv., ISO 320, 1/60 sec, F2. Photo by Carey Rose

The built-in pop-up flash is slick and handy, and operationally, the camera feels much snappier than any RX100 – except, of course, burst shooting, but that shouldn’t be a surprise (it manages less than 1fps in Raw). Despite it being the second-cheapest 1″-sensor compact out there (the original RX100, still available new, takes that crown), it feels very well-built and if it matters to you, the red-and-silver design accents around the dials add ‘a touch of class.’ There’s even the lovely detail of having a tripod thread in-line with the center of the lens.

This isn’t a class-leading video camera by any stretch of the imagination, but Canon’s 1080/60p video with optical and digital stabilization continues to impress, though the fact that the control ring can’t be de-clicked limits its application somewhat (albeit the touchscreen allows silent manipulation of some controls). But here’s one thing this camera can do that the Sony can’t – accurate and easy touch-to-focus-and-track in video, even with a ‘lowly’ contrast-detect only system. 

That’s a wrap

Here’s hoping the sun doesn’t set on the smallest member of Canon’s revamped G-series. Processed and cropped to taste in Adobe Camera Raw. 28mm equiv., ISO 125, 1/125 sec, F4. Photo by Carey Rose

I continue to be a fan of the G7 X Mark II, and I hope that Canon will bring the improvements seen in that model to the G5 X and G9 X as well. If they can shoehorn 4K video and maybe even better burst performance into those as well, the whole RX100 line will have even more competition – which is never a bad thing.

Updated Sample Gallery

Please do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review), we do so in good faith, please don’t abuse it.

Unless otherwise noted images taken with no particular settings at full resolution. Because our review images are now hosted on the ‘galleries’ section of dpreview.com, you can enjoy all of the new galleries functionality when browsing these samples.

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Articles: Digital Photography Review (dpreview.com)

 
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Throwback Thursday: Canon PowerShot Pro70

16 Sep

You have to scroll a long way down the list of DPReview’s camera reviews to find the Canon PowerShot Pro70 – all the way to the very bottom, in fact. The Pro70 was the first review ever published to the site, authored by site founder Phil Askey.

The Pro70 made its debut in early 1999, at a time when digital cameras were just beginning to enter the consumer mainstream. In fact, the Pro70’s SLR-like shape prompted some onlookers to ask where the film went. Of course, there was no film – but here’s what the Pro70 did offer:

  • 1.68MP 1/2″ CCD (CYGM!) sensor
  • 28-70mm equivalent lens
  • F2-2.4 lens
  • Flip out / swivel 2″ LCD
  • 3fps burst at 768 x 512
  • Hotshoe
  • ISO 100, 200 (400 in low resolution)
  • Not one, but TWO CF card slots

All for the very reasonable price of $ 1200. Naturally, an 18-year-old piece of technology is going to look wildly underpowered by modern standards, but in its time the Pro70 offered a lot to the amateur photographer looking to embrace digital. Here’s a closer look at some of its notable features.

A crazy little thing called Raw

Part of the review was dedicated to describing a radical and innovative feature called ‘CCD RAW mode’, which was actually just a Raw file as we know it now. At the time this was a much-welcome alternative to saving bulky TIFF files to your CF card, but added the complication of needing your PC to interpret the recorded file. This was done using Canon’s included TWAIN driver (in the days before Adobe Camera Raw, you accessed Raw files through the same system often used for communicating with scanners), which Phil noted was ‘a little slow’ and prone to color shifts.

Aperture control and not much else

It’s amazing what you find packed into a modern enthusiast camera. Full manual exposure controls are a given, and though you may be changing multiple settings with a single rear dial, even the smallest compact targeted at enthusiast shooters will allow you to change your shutter speed.

Not so with the Pro70. It offered manual aperture control, including an option to enable a built-in ND filter to darken things below F8 without inducing additional diffraction. But what an aperture: before compact cameras got caught in a race to be cheapest, manufacturers offered cameras with bright lenses. F2-2.4 might only by F9.3-11 in full-frame terms, but the Pro70 existed a whole seven years before full frame digital became anything like accessible and would have helped get the most out of that 1/2″ sensor.

It was enough to prompt Imaging Resource to say: ‘…the combination of unusually wide-angle lens, exceptional low-light capability, and wonderful external-flash integration make for a superlative “indoor” camera!

Everything else is handled by the camera, though if you switched to the its lower-res 2fps mode you unlocked ISO 400 and shutter speeds up to 1/8000s. Remember that the next time you change the shutter speed on your smartphone camera.

Top notch image quality

Phil rated the image quality from the Pro70 as ‘superb’ in the review’s conclusion. Someone deleted the sample gallery a while ago so we can’t show you the proof, but it certainly impressed the reviewer We just rescued the sample gallery from the depths of some forgotten hard drive, so you can see for yourself what the Pro70 was capable of. Given that you couldn’t change white balance, metering mode or most of the exposure parameters, it’s a good thing that OOC JPEGS ended up looking nice. 

Tilting LCD for selfies (or something like that)

The Pro70 offered a flip-out, fully articulated LCD, a feature that persists today in many enthusiast cameras with more or less the same implementation. Sure, the 2″ display is only slightly bigger than your typical smart watch these days, but in the Pro70 it was an innovative and welcome feature.

Another welcome design choice was the use of Compact Flash cards. Our Throwback Thursday features have often seen us running into problems finding the right connectors, recording media and floppy drives required to get images from the camera, even with models as little as ten years old. Not a problem for the Pro70: the camera is happy to work with whatever size and speed of CF card you slot into it, even if modern, multi GB cards to promise the ability to store near-infinite numbers of 1.68MP JPEGs.

Technology has obviously marched quite far forward since the Pro70, but the camera will still hold a special distinction around here for a long time to come.

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Articles: Digital Photography Review (dpreview.com)

 
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Second Time Around: Canon PowerShot G7 X Mark II Review

20 Jul

Key Features

  • 20MP 1″-type BSI CMOS sensor
  • 24-100mm F1.8-F2.8 lens
  • 3″ tilting touchscreen LCD
  • Click/click-less front dial
  • 8 fps continuous shooting
  • 1080/60p video capture

For nearly two and a half years, Sony had the 1″-type sensor compact camera segment all to itself with its RX100 series. While Canon had its PowerShot G1 X (and the Mark II that followed), they were anything but pocketable. In September 2014 Canon joined Sony, offering up its PowerShot G7 X. From a pure specifications point of view, the G7 X was toe-to-toe with the Sony RX100 II and RX100 III (the current models at the time it was announced) in most respects, especially in terms of focal range and usability.

Despite being so promising on paper, the G7 X proved a disappointment in a few areas. Performance in Raw mode was sluggish, battery life wasn’t great and, its lens wasn’t as good as those on some of its competitors. Canon has addressed most of those problems on the Mark II, due in large part to its Digic 7 processor, which makes its debut in the G7 X II.

From a performance perspective, the Mark II has faster burst shooting, especially when shooting Raw files, which was a big disappointment on the original model. Where the Mark I shot continuous Raw bursts at just 1 fps, the Mark II can now shoot Raws, JPEGs or both at 8 fps. Canon also claims improvements in subject recognition and tracking, which wasn’t a strong point of the original model, either.

The G7 X II offers what Canon calls ‘Dual Sensing IS’, which uses data from the image sensor (in addition to gyro-scoping sensors) to reduce blur caused by camera shake. The company claims that this system is more effective than on the G7 X, with the ability to reduce shake by four stops. There’s also a new panning IS mode that will adjust the shutter speed to ensure that your subject is ‘frozen.’

In the image quality department, the Digic 7 processor brings improved sharpening and high ISO noise reduction algorithms. We’ll see the results of that later in the review.

Perhaps the G7 X’s biggest problem was battery life, which has been boosted by 25% to 265 shots per charge (CIPA standard). Even with that increase, though, the Canon still lags behind the Sony RX100s and Panasonic Lumix ZS100/TZ100.

The G7 X II uses the same lens and 1″-type sensor as its predecessor.  As you can see, the main difference on the front is a much-needed grip. It’s also slightly ‘chunkier’ in general.
Canon has moved the display hinge from the top to the bottom, which allows the screen to tilt downward by 45 degrees, something that the original G7 X could not do.

Cosmetically, the Mark II boasts three major changes. First is the addition of a much-needed grip, as the finish on the camera is quite slippery. Second, while it’s a bit subtle, Canon has moved the hinge on the tilting LCD to the bottom, which allows the screen to tilt downward, itself of just up. Finally, those who can’t decide whether they want the control ring around the lens to be ‘clicky’ or ‘smooth’ can now have both via a toggle switch to the lower-right of the lens.

Spec Comparison

Below is a look at how the key specs vary between the PowerShot G7 X I and II as well as the Sony Cyber-shot DSC-RX100 III, which is arguably the Mk II’s closest competitor.

   Canon G7 X  Canon G7 X II  Sony RX100 III
Sensor 20MP 1″-type BSI CMOS 20MP 1″-type BSI CMOS 20MP 1″-type BSI CMOS
Lens focal range 24-100mm equiv. 24-100mm equiv. 24-70mm equiv.
Max aperture F1.8 – F2.8 F1.8 – F2.8 F1.8 – F2.8
LCD size/type 3″ tilting (180° up) 3″ tilting (180° up, 45° down) 3″ tilting (180° up, 45° down)
Touchscreen Yes Yes No
Built-in EVF No No Yes
Max burst rate
(w/AF lock)
6.5 fps JPEG
1 fps Raw 
8 fps JPEG/Raw 10 fps JPEG
6.5 fps Raw
Video 1080/60p/30p

1080/60p/30p/24p

1080/60p/30p/24p
In-camera Raw conversion No Yes No
Battery life (CIPA) 210 shots 265 shots 320 shots
In-camera charging No Yes Yes
Dimensions 103 x 60 x 40mm 106 x 61 x 42mm  102 x 58 x 41mm
Weight (CIPA) 304 g 319 g 290 g

As you can see, lens focal range, touchscreen and battery life are what separate the G7 X II from its competition.

Lens Comparison

The chart below breaks down the equivalent aperture for each camera, as you work your way through the zoom range. Our article here explains the concept of equivalence, but at a high level all you need to know is that the lower the line is on the graph below, the blurrier the backgrounds you’ll be able to get and, typically, the better the overall low-light performance.

As you can see, the G7 X II and RX100 III start off at the same spot, but up until about 50mm the former has a slight equivalent aperture advantage. The two cameras are matched until the RX100 III’s focal range ends up 70mm. The G7 X continues on to 100mm at F2.8 (~F7.6 equiv.), which is one of its big selling points.

Articles: Digital Photography Review (dpreview.com)

 
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Canon PowerShot SX620 HS brings 25x optical zoom to pocketable form

11 May

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Canon has announced a refresh to its compact superzoom lineup in the form of the PowerShot SX620 HS. It offers a 25x optical zoom covering an equivalent 25-625mm range, outdoing the 25-450mm equiv. range of its SX610 predecessor. The SX620 maintains a 20.2MP sensor, 3″ 922k-dot LCD, Intelligent image stabilization and built-in Wi-Fi with NFC.

The Canon PowerShot SX620 HS will be offered in your choice of black, red or silver for $ 279.99 and will be available later this month.


Press release:

SHARE MEMORIES ON THE GO WITH NEW COMPACT, CONNECTED POWERSHOT SX620 HS DIGITAL CAMERA

Latest Canon PowerShot Digital Camera Provides Impressive Image Quality and Zoom Range in a Compact Size 

MELVILLE, N.Y., May 11, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, introduced today the new Canon PowerShot SX620 HS digital camera – ideal for individuals looking for a convenient, easy-to-carry compact digital camera capable of producing high-quality photos and videos. This new camera boasts a 20.2 Megapixel* CMOS imaging sensor and a powerful 25X Optical Zoom lens (25-625mm equivalent) in a form factor that will easily fit in a pocket or purse, making it an ideal camera for those passionate about photography to capture gorgeous imagery no matter where they are. 

The camera’s built-in wireless capabilities make it convenient to share images and videos on the go, and its powerful 25X optical zoom lens makes it ideal for those wanting to zoom in and out of the action. The Canon PowerShot SX620 HS digital camera is a great companion for those looking to visually document their daily adventures and easily share their experiences as they explore new places and do new things. 

As the successor to Canon’s PowerShot SX610 HS digital compact camera, the Canon PowerShot SX620 HS digital camera also features:

  • An Intelligent Image Stabilizer (IS) that helps optimize image stabilization for virtually shake-free images in a variety of shooting conditions
  • Built-in Wi-Fi®** and Near Field Communication (NFC™)***  to allow for easy sharing and transferring of images and videos to a personal computer or other compatible devices such as the Canon Connect Station CS 100
  • 20.2 megapixel* CMOS sensor with DIGIC 4+ Image Processor to help deliver stunning image quality, even in low light
  • The ability to capture spectacular 1080p Full HD video
  • Large 3.0-inch (approximately 922,000 dots) LCD to allow for easy viewing, even from a wide angle
  • Hybrid Auto mode that allows for recording up to four seconds of video before each image that is captured, then automatically combines each clip and still into a quick video recap of the day
  • Smart AUTO mode which intelligently selects the proper settings for the camera based on pre-defined shooting situations to help create the best possible image
  • Creative Shot mode that uses composition, color and lighting from an original image to create unique images with an artistic flair
  • An Auto Zoom feature that, when enabled, makes the camera automatically zoom in on subjects and help keep them in focus

Canon’s PowerShot SX620 HS digital camera, available in black, red and silver, is scheduled to be available in May 2016 for an estimated retail price of $ 279.991

1 Availability, pricing and specifications are subject to change without notice.  Actual prices are set by individual dealers and may vary.

* Image processing may cause a decrease in the number of pixels.

** Compatible with iOS® versions 7.1/8.4/9.0, Android™ smartphone and tablet versions  4.0/4.1/4.2/4.3/4.4/5.0/5.1.  Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

*** Compatible with Android smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1.

Canon PowerShot SX620 HS specifications

Price
MSRP $ 279
Body type
Body type Compact
Sensor
Max resolution 5184 x 3888
Other resolutions 4:3 (5184 x 3888, 3648 x 2736, 2048 x 1536, 640 x 480), 16:9 (5184 x 2912, 3648 x 2048, 1920 x 1080, 640 x 360), 3:2 (5184 x 3456, 3648 x 2432, 2048 x 1368, 640 x 424), 1:1 (3888 x 3888, 2736 x 2736, 1536 x 1536, 480 x 480)
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 21 megapixels
Sensor size 1/2.3" (6.17 x 4.55 mm)
Sensor type BSI-CMOS
Processor DIGIC 4+
Color space sRGB
Color filter array Primary color filter
Image
ISO Auto, 80-3200
White balance presets 5
Custom white balance Yes
Image stabilization Optical
Image stabilization notes Intelligent IS
Uncompressed format No
JPEG quality levels Superfine, fine
File format
  • JPEG (Exif v2.3)
Optics & Focus
Focal length (equiv.) 25–625 mm
Optical zoom 25×
Maximum aperture F3.2–6.6
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (4X)
Manual focus Yes
Normal focus range 5 cm (1.97)
Macro focus range 1 cm (0.39)
Number of focus points 9
Screen / viewfinder
Articulated LCD Fixed
Screen size 3
Screen dots 922,000
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type None
Photography features
Minimum shutter speed 15 sec
Maximum shutter speed 1/2000 sec
Exposure modes
  • Hybrid Auto
  • Creative Shot
  • Scene
  • Program
Scene modes
  • Portrait
  • Smile
  • Wink Self-timer
  • Face Self-timer
  • High-speed Burst
  • Handheld Night Scene
  • Low Light
  • Fireworks
  • Long Shutter
Built-in flash Yes
Flash range 4.00 m (with Auto ISO)
External flash No
Flash modes Auto, on, slow synchro, off
Drive modes
  • Single
  • Continuous
  • Self-timer
Continuous drive 2.5 fps
Self-timer Yes (2 or 10 secs, custom)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±2 (at 1/3 EV steps)
Videography features
Resolutions 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30 fps)
Format MPEG-4, H.264
Microphone Mono
Speaker Mono
Storage
Storage types SD/SDHC/SDXC card
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n with NFC
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NB-13L lithium-ion battery & charger
Battery Life (CIPA) 295
Weight (inc. batteries) 182 g (0.40 lb / 6.42 oz)
Dimensions 97 x 57 x 28 mm (3.81 x 2.24 x 1.1)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Let’s take a look: Canon PowerShot G16 iFixit disassembly guide

30 Apr

Canon PowerShot G16 iFixit disassembly guide

Before Sony ever put a 1″-type sensor in a compact, there was the Canon PowerShot G series. If you wanted extensive controls without all the weight of a DSLR, the G-series compacts were where you looked. The PowerShot G16 was the last in that line, sporting a 12MP 1/1.7″ sensor before Canon ushered in a series of 1″ compacts with a similar form factor.

The G16 may be gone from retailer’s shelves, but it is not forgotten. It’s also the subject of a recently published iFixit disassembly guide. The good people at iFixit publish product-specific disassembly guides, written to help common folk make simple repairs to their own electronic devices. They’re also an easy way to peek inside a modern digital camera without voiding your warranty. This week, we look inside the Canon PowerShot G16.

Canon PowerShot G16 iFixit disassembly guide

The first disassembly step (after taking the battery out, of course) is an easy one. The G16 offers an accessory attachment point around the lens, which is covered when not in use by a metal ring. Pressing the button on the front panel next to the lens frees the ring.

Canon PowerShot G16 iFixit disassembly guide

Next comes the removal of the screws. Many screws. Including this one hiding next to the viewfinder…

Canon PowerShot G16 iFixit disassembly guide

…And another tucked next to the ports. 

Canon PowerShot G16 iFixit disassembly guide

With the first round of screws removed the back chassis can be removed from the body, revealing just a peek at the motherboard. 

Canon PowerShot G16 iFixit disassembly guide

The front panel can also be carefully removed…

Canon PowerShot G16 iFixit disassembly guide

…And after removing another screw, the port cover is ready to go.

Canon PowerShot G16 iFixit disassembly guide

This ribbon cable on the back panel connects the buttons to the motherboard, and can be carefully removed.

Canon PowerShot G16 iFixit disassembly guide

The button circuit board comes free with the removal of a couple of tiny screws, revealing a cable connecting the motherboard to the LCD. Got your spudger handy?

Canon PowerShot G16 iFixit disassembly guide

In order to free the cables you’ll need to lift this little tab. A spudger is just the tool for the job.

Canon PowerShot G16 iFixit disassembly guide

And with that, the LCD is free.

Canon PowerShot G16 iFixit disassembly guide

The copper shield (likely for heat dissipation) can be removed. 

Canon PowerShot G16 iFixit disassembly guide

More screws are removed, freeing the viewfinder casing.

Canon PowerShot G16 iFixit disassembly guide

With the metal shield removed, the network of cables underneath is revealed. The ribbon highlighted here connects the top panel with the motherboard and will need to be removed from the motherboard with the trusty ol’ spudger.

Canon PowerShot G16 iFixit disassembly guide

The top panel is ready to go once it’s free of its connections to the motherboard. 

Canon PowerShot G16 iFixit disassembly guide

Lose a few more cable connections and the motherboard is ready for removal.

Canon PowerShot G16 iFixit disassembly guide

The front lens covering is next to go after the five screws connecting it to the front plate are removed.

Canon PowerShot G16 iFixit disassembly guide

At this point there’t not much camera left, and the lens module can be removed from the rest of the housing with one last screw removed.

Canon PowerShot G16 iFixit disassembly guide

But why stop at removing the lens? The viewfinder can be taken right off the top of the lens assembly.

Canon PowerShot G16 iFixit disassembly guide

A few more odd screws removed and that’s it – the Canon PowerShot G16 is reduced to its bare bones. 

Articles: Digital Photography Review (dpreview.com)

 
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Break it down: iFixit disassembles the Canon PowerShot G1 X Mark II

02 Apr

iFixit disassembles the Canon PowerShot G1 X Mark II

Taking apart a camera isn’t for the faint of heart, but if you’ve chosen to do so you don’t have to go alone. Our friends at iFixit publish disassembly guides to empower owners of electronic devices to make some fixes themselves. And who hasn’t wanted to see what’s underneath the plastic shell of Canon’s top-of-the-line compact camera? Take a look at what lies beneath the surface of the Canon PowerShot G1 X Mark II.

iFixit disassembles the Canon PowerShot G1 X Mark II

As always, the first and most important step – remove the battery from the camera. 


All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

With the battery safely set aside, you’re free to go about the business of taking your camera apart. 


All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

After removing the screws on the left, right and bottom of the camera, there are four more to remove under the flip-up LCD.


All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

Now that those pesky screws are out of the way, the back panel comes right off, though be sure to disconnect the ribbon cable attaching it to the body before pulling too hard.


All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

Unsurprisingly there are additional screws to remove, this time for this copper plate (possibly used to dissipate heat). Underneath that there’s yet another plate, this one silver.


All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

With those plates off there are three ribbon cables to remove with your trusty spudger.


All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

After removing a screw behind the pop-up flash and another on the front just below the Canon logo, you can ‘pop the top’ on the G1 X Mark II.


All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

Once you’re removed even more screws, you can spudge the left side of the camera right off.


All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

Finally, after much spudging of ribbon cables, you can remove the front panel of the camera. The round thing toward the right is the G1 X II’s speaker.


All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

Two screws must go in order to remove the metal plate surrounding the I/O ports. There are ports for HDMI and USB output as well as a wired remote.


All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

With the back and side plates of the camera removed, the time has come to take off the front panel…


All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

… and the lens has been liberated from the rest of the camera. That’s the capacitor for the flash on the right – definitely not something you want to handle.


All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

After the removal of countless screws and ribbon cables, here’s Canon’s flaghsip compact camera, the PowerShot G1 X Mark II, in pieces.


All images courtesy of iFixit

Articles: Digital Photography Review (dpreview.com)

 
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Field Test: Canon PowerShot G5 X on the Olympic Peninsula

16 Mar

The Olympic Peninsula is a year-round destination, as its lakes, rivers and temperate rain forests attract hikers and wildlife enthusiasts even in the winter months. It’s just the kind of place you’d expect to find someone like Kyle Johnson, a freelance photographer and avid fly fisherman. Hoping to give the local Steelhead population a run for its money and to try out the Canon PowerShot G5 X in the wild, DPR staffer Carey Rose joined Kyle at Lake Quinalt for our latest field test. 


This is sponsored content, created with the support of Canon. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
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Canon PowerShot SX720 HS boasts new 40x zoom lens with a compact form factor

20 Feb

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Canon has released a new long-zoom compact dubbed the PowerShot SX720 HS. New for this model is a lens with a wider zoom range compared to its predecessor, offering a 35mm-equivalent of 24-960mm at F3.3-6.9. The sensor remains a 20.3MP 1/2.3″ BSI CMOS unit with a DIGIC 6 image processor.

In addition to the new lens, the SX720 HS has a redesigned grip, and battery life has increased to a CIPA-rated 250 shots (355 in ECO mode). Photos can be composed on a 3″ LCD display with 922k dots. The camera carries over Canon’s Zoom Framing Assist system to automatically zoom in or out to follow subject movement and more accurately keep focus, and also comes with the Story Highlight feature to automatically compile images and videos from a day or event into a highlight reel with music and effects. Speaking of video, the SX720 can capture 1080/60p clips with stereo sound.

The SX720 HS will be available in March 2016 with an MSRP of $ 379.99.

Press release:

TAKE THAT CAMERA TO GO!  CANON U.S.A LAUNCHES COMPACT POWERSHOT G7 X MARK II AND POWERSHOT SX720 HS DIGITAL CAMERAS

Newest Canon PowerShot Digital Cameras Offer Outstanding Quality in Convenient Compact Size 

MELVILLE, N.Y., February 17, 2016 – Ideal for both advanced amateur and pro photographers looking for a convenient, high performance compact camera with the ability to connect to compatible digital devices, Canon U.S.A. Inc., a leader in digital imaging solutions, proudly introduces the compact PowerShot G7 X Mark II1 and lightweight PowerShot SX720 HS digital cameras.

Canon’s new PowerShot G7 X Mark II digital camera pairs a 1.0-inch, 20.1 Megapixel* CMOS sensor with Canon’s new DIGIC 7 Image Processor to help reduce noise and deliver outstanding image quality, even in low light shooting situations. The PowerShot SX720HS digital camera boasts a new 40x Optical Zoom lens (equivalent to 24-960mm), providing outstanding performance, reach and resolution for everyday use and when shooting memorable family events, while easily slipping into a pocket or purse.

“In today’s world, compact cameras must work well with other devices and still offer superb quality. The PowerShot G7 X Mark II and PowerShot SX720 HS cameras both provide outstanding image quality with amazing optical zoom lenses and they easily connect with compatible phones, tablets and other smart devices so great images can be shared and enjoyed” stated Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.  

Sleek and Sophisticated 
The first Canon camera to feature Canon’s new high-speed DIGIC 7 Image Processor, the 

PowerShot G7 X Mark II digital camera is a model of compact sophistication and speed with a high-quality sleek body and optimum comfort grip. Building on the success of Canon’s PowerShot G7 X digital camera, the PowerShot G7 X Mark II digital camera features a fast startup and improved RAW continuous shooting speed of up to eight frames per second (fps) with short intervals between shots. Additional features include: 

  • Bright f/1.8 (W) – f/2.8 (T), 4.2x (24–100mm equivalent) optical zoom lens with Canon’s Intelligent Image Stabilizer (IS) and a 9-blade iris diaphragm;
  • Multi-angle 3.0-inch capacitive touch panel LCD with a screen resolution of 1.04 million dots and tilt options of 180° up and 45° down;
  • Ability to capture 1080p Full HD video in MP4 format with stereo sound;
  • Built-in Wi-Fi®** and Near Field Communications (NFC™)*** capability with a dedicated Wi-Fi button for easy sharing and transferring of images and videos;
  • Picture Style function that offers superb command of in-camera color, contrast, and sharpness;
  • In-camera RAW conversion, making it possible to preview customized image processing modifications on the camera, without the use of a computer;
  • Convenient control ring lever that enables users to quickly switch between stepped and continuous ring movement; 
  • Time-Lapse Movie feature to help capture images at preset intervals and combine them to create a short movie clip;
  • Panning feature that allows the camera to lock onto the main subject using Canon’s Intelligent IS technology to automatically adjust the shutter speed for beautiful background blur.

The Canon PowerShot G7 X Mark II digital camera is currently scheduled to be available in May 2016 for an estimated retail price of $ 699.992.

Powerful Zoom Delivers Virtually Shake-Free Images
The Canon PowerShot SX720 HS digital camera is equipped with a new powerful zoom lens and is the ideal choice for amateur photographers looking to take a step up from a smartphone or entry-level digital camera to a lightweight, compact camera. The PowerShot SX720 HS digital camera’s new 40x Optical Zoom lens (24-960mm equivalent focal length range) uses one Hi-UD, three UD and three aspheric lens elements to help achieve high image quality and high magnification, while also utilizing Canon’s Intelligent Imaging Stabilizing (IS) technology for greater optical performance. 

As the successor to Canon’s PowerShot SX710 HS digital compact camera, the PowerShot SX720 HS digital camera features increases its zoom range while maintaining compact size for maximum convenience. Additional features include:

  • A dedicated Wi-Fi® button for easy sharing and transferring of images and videos utilizing the camera’s built-in WiFi and NFCtechnology;
  • 20.3 Megapixel* CMOS sensor with Canon’s DIGIC 6 Image Processor to help deliver outstanding image quality, even in low light;
  • 1080p/60 Full HD video capture with stereo sound;
  • 3.0-inch LCD (approx. 922,000 dots) to allow for easy viewing, even from a wide angle;
  • Zoom Framing Assist that allows the lens to automatically zoom in or out while the camera follows subject movement  and helps keep it in focus;
  • Story Highlight feature that enables the camera to automatically compile images and videos3 from a certain day or event into a mini-highlight reel with music and effects;
  • Creative Shot mode that uses composition, color and lighting from an original image to create artistic images.
  • Canon’s PowerShot SX720 HS digital camera is currently scheduled to be available in March 2016 for an estimated retail price of $ 379.992.  

1 This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.

2 Availability, pricing and specifications are subject to change without notice.  Actual prices are set by individual dealers and may vary.

3 Videos must be shot in Hybrid Auto or Short Clip.

* Image processing may cause a decrease in the number of pixels.

** Compatible with iOS® versions 7.1/8.4/9.0, AndroidTM smartphone and tablet versions  4.0/4.1/4.2/4.3/4.4/5.0/5.1.  Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

*** Compatible with Android smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1.

Canon PowerShot SX720 HS specifications

Price
MSRP $ 379
Body type
Body type Compact
Sensor
Max resolution 5184 x 3888
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 21 megapixels
Sensor size 1/2.3" (6.17 x 4.55 mm)
Sensor type BSI-CMOS
Processor DIGIC 6
Color space sRGB
Color filter array Primary color filter
Image
ISO Auto, 100-3200
White balance presets 5
Custom white balance Yes
Image stabilization Optical
Uncompressed format No
JPEG quality levels Superfine, fine
File format
  • JPEG (Exif v2.3)
Optics & Focus
Focal length (equiv.) 24–960 mm
Optical zoom 40×
Maximum aperture F3.3 – F6.9
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (4X)
Manual focus Yes
Normal focus range 5 cm (1.97)
Macro focus range 1 cm (0.39)
Number of focus points 9
Screen / viewfinder
Articulated LCD Fixed
Screen size 3
Screen dots 922,000
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type None
Photography features
Minimum shutter speed 15 sec
Maximum shutter speed 1/3200 sec
Exposure modes
  • Hybrid Auto
  • Auto
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Scene modes
  • Sports
  • Portrait
  • Smile
  • Wink Self-Timer
  • Face Self-Timer
  • Handheld Night Scene
  • Low Light
  • Fireworks
Built-in flash Yes
Flash range 4.00 m
External flash No
Flash modes Auto, on, off, slow synchro
Continuous drive 5.9 fps
Self-timer Yes (2 or 10 secs, custom)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±2 (at 1/3 EV steps)
Videography features
Resolutions 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30 fps)
Format MPEG-4, H.264
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC card
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n with NFC
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NB-13L lithium-ion battery & charger
Battery Life (CIPA) 250
Weight (inc. batteries) 270 g (0.60 lb / 9.52 oz)
Dimensions 110 x 64 x 36 mm (4.33 x 2.52 x 1.42)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Canon PowerShot G7 X Mark II boasts faster performance and improved ergonomics

19 Feb

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Canon has introduced the PowerShot G7 X Mark II with a new DIGIC 7 processor, bringing much-needed improvements to camera performance. Maintaining its predecessor’s 20.1MP 1″-type CMOS sensor and 24-100mm equiv. F1.8-2.8 lens, the G7 X II brings some updates to the camera’s exterior as well, with a re-designed grip, bottom-hinged 3″ 1.04M-dot LCD and a front control dial that can switch between clicking or smooth-turning operation.

The new processor allows for face registration and better subject detection in scenes of low saturation or similar colors. In addition, it dramatically speeds up camera performance, with Canon claiming continuous 8 fps Raw shooting. Battery life is also 25% better than the original G7 X, with a CIPA-rated number of 265 shots per charge.

Full 1080/60p HD video is offered, as in its predecessor, along with Wi-Fi and NFC. The G7 X II provides Picture Style processing modes borrowed from the EOS DSLR line, and time-lapse movie mode is included.

The Canon PowerShot G7 X Mark II will be offered for $ 699 with availability in May.

Press release:

TAKE THAT CAMERA TO GO!  CANON U.S.A LAUNCHES COMPACT POWERSHOT G7 X MARK II AND POWERSHOT SX720 HS DIGITAL CAMERAS

Newest Canon PowerShot Digital Cameras Offer Outstanding Quality in Convenient Compact Size 

MELVILLE, N.Y., February 17, 2016 – Ideal for both advanced amateur and pro photographers looking for a convenient, high performance compact camera with the ability to connect to compatible digital devices, Canon U.S.A. Inc., a leader in digital imaging solutions, proudly introduces the compact PowerShot G7 X Mark II1 and lightweight PowerShot SX720 HS digital cameras.

Canon’s new PowerShot G7 X Mark II digital camera pairs a 1.0-inch, 20.1 Megapixel* CMOS sensor with Canon’s new DIGIC 7 Image Processor to help reduce noise and deliver outstanding image quality, even in low light shooting situations. The PowerShot SX720HS digital camera boasts a new 40x Optical Zoom lens (equivalent to 24-960mm), providing outstanding performance, reach and resolution for everyday use and when shooting memorable family events, while easily slipping into a pocket or purse.

“In today’s world, compact cameras must work well with other devices and still offer superb quality. The PowerShot G7 X Mark II and PowerShot SX720 HS cameras both provide outstanding image quality with amazing optical zoom lenses and they easily connect with compatible phones, tablets and other smart devices so great images can be shared and enjoyed” stated Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.  

Sleek and Sophisticated 
The first Canon camera to feature Canon’s new high-speed DIGIC 7 Image Processor, the PowerShot G7 X Mark II digital camera is a model of compact sophistication and speed with a high-quality sleek body and optimum comfort grip. Building on the success of Canon’s PowerShot G7 X digital camera, the PowerShot G7 X Mark II digital camera features a fast startup and improved RAW continuous shooting speed of up to eight frames per second (fps) with short intervals between shots. Additional features include: 

  • Bright f/1.8 (W) – f/2.8 (T), 4.2x (24–100mm equivalent) optical zoom lens with Canon’s Intelligent Image Stabilizer (IS) and a 9-blade iris diaphragm;
  • Multi-angle 3.0-inch capacitive touch panel LCD with a screen resolution of 1.04 million dots and tilt options of 180° up and 45° down;
  • Ability to capture 1080p Full HD video in MP4 format with stereo sound;
  • Built-in Wi-Fi®** and Near Field Communications (NFC™)*** capability with a dedicated Wi-Fi button for easy sharing and transferring of images and videos;
  • Picture Style function that offers superb command of in-camera color, contrast, and sharpness;
  • In-camera RAW conversion, making it possible to preview customized image processing modifications on the camera, without the use of a computer;
  • Convenient control ring lever that enables users to quickly switch between stepped and continuous ring movement; 
  • Time-Lapse Movie feature to help capture images at preset intervals and combine them to create a short movie clip;
  • Panning feature that allows the camera to lock onto the main subject using Canon’s Intelligent IS technology to automatically adjust the shutter speed for beautiful background blur.

The Canon PowerShot G7 X Mark II digital camera is currently scheduled to be available in May 2016 for an estimated retail price of $ 699.992.

Powerful Zoom Delivers Virtually Shake-Free Images
The Canon PowerShot SX720 HS digital camera is equipped with a new powerful zoom lens and is the ideal choice for amateur photographers looking to take a step up from a smartphone or entry-level digital camera to a lightweight, compact camera. The PowerShot SX720 HS digital camera’s new 40x Optical Zoom lens (24-960mm equivalent focal length range) uses one Hi-UD, three UD and three aspheric lens elements to help achieve high image quality and high magnification, while also utilizing Canon’s Intelligent Imaging Stabilizing (IS) technology for greater optical performance. 

As the successor to Canon’s PowerShot SX710 HS digital compact camera, the PowerShot SX720 HS digital camera features increases its zoom range while maintaining compact size for maximum convenience. Additional features include:

  • A dedicated Wi-Fi® button for easy sharing and transferring of images and videos utilizing the camera’s built-in WiFi and NFCtechnology;
  • 20.3 Megapixel* CMOS sensor with Canon’s DIGIC 6 Image Processor to help deliver outstanding image quality, even in low light;
  • 1080p/60 Full HD video capture with stereo sound;
  • 3.0-inch LCD (approx. 922,000 dots) to allow for easy viewing, even from a wide angle;
  • Zoom Framing Assist that allows the lens to automatically zoom in or out while the camera follows subject movement  and helps keep it in focus;
  • Story Highlight feature that enables the camera to automatically compile images and videos3 from a certain day or event into a mini-highlight reel with music and effects;
  • Creative Shot mode that uses composition, color and lighting from an original image to create artistic images.
  • Canon’s PowerShot SX720 HS digital camera is currently scheduled to be available in March 2016 for an estimated retail price of $ 379.992.  

1 This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.

2 Availability, pricing and specifications are subject to change without notice.  Actual prices are set by individual dealers and may vary.

3 Videos must be shot in Hybrid Auto or Short Clip.

* Image processing may cause a decrease in the number of pixels.

** Compatible with iOS® versions 7.1/8.4/9.0, AndroidTM smartphone and tablet versions  4.0/4.1/4.2/4.3/4.4/5.0/5.1.  Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

*** Compatible with Android smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1.

PowerShot G7 X Mark II specifications

Price
MSRP $ 699
Body type
Body type Compact
Sensor
Max resolution 5472 x 3648
Other resolutions 5472 x 3080, 4864 x 3648, 4320 x 2880, 4320 x 2432, 3840 x 2880, 2304 x 1536, 2048 x 1536, 1920 x 1080, 720 x 480, 720 x 408, 640 x 480
Image ratio w:h 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 21 megapixels
Sensor size 1″ (13.2 x 8.8 mm)
Sensor type BSI-CMOS
Processor DIGIC 7
Color space sRGB
Color filter array Primary color filter
Image
ISO Auto, 125-12800 (expandable to 25600)
Boosted ISO (maximum) 25600
White balance presets 8
Custom white balance Yes
Image stabilization Optical
Uncompressed format RAW
JPEG quality levels Super fine, fine
File format
  • JPEG (EXIF v2.3)
  • Raw (Canon CR2, 12-bit)
Optics & Focus
Focal length (equiv.) 24–100 mm
Optical zoom 4.2×
Maximum aperture F1.8 – F2.8
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (4x)
Manual focus Yes
Normal focus range 5 cm (1.97)
Macro focus range 5 cm (1.97)
Number of focus points 31
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type None
Photography features
Minimum shutter speed 15 sec
Maximum shutter speed 1/2000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
  • Custom
Scene modes
  • Self Portrait
  • Portrait
  • Panning
  • Star Portrait
  • Star Nightscape
  • Star Trails
  • Star Time-Lapse Movie
  • Handheld Night Scene
  • High Dynamic Range
  • Underwater
  • Fireworks
Built-in flash Yes
Flash range 7.00 m
External flash No
Flash modes Auto, on, slow synchro, off
Continuous drive 8.0 fps
Self-timer Yes (2 0r 10 secs, custom)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±3 (at 1/3 EV steps)
AE Bracketing ±3 (3 frames at 1/3 EV steps)
Videography features
Resolutions 1920 x 1080 (60p, 30p, 24p), 1280 x 720 (30p), 640 x 480 (30p)
Format MPEG-4, H.264
Videography notes Also has time-lapse (normal and star), miniature effect, and digest modes
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (UHS-I compatible)
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n with NFC
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NB-13L lithium-ion battery and charger
Battery Life (CIPA) 265
Weight (inc. batteries) 319 g (0.70 lb / 11.25 oz)
Dimensions 106 x 61 x 42 mm (4.17 x 2.4 x 1.65)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Inching forward? Canon PowerShot G5 X review posted

24 Dec

Canon PowerShot G5 X Review

Key Features

  • 20.2MP 1″-type BSI CMOS sensor
  • DIGIC 6 processor
  • F1.8-2.8, 24-100mm equiv. lens
  • Optical image stabilization
  • Built-in ND filter
  • 3″ fully articulating touchscreen LCD
  • 2.36M-dot electronic viewfinder
  • 1080/60p video
  • Wi-Fi with NFC

The PowerShot G5 X is one of the latest members of Canon’s 1″-type sensor family, which began with the G7 X in 2014. It takes what made that camera appealing – namely its sensor, lens, and direct controls, and puts them into a body that adds an electronic viewfinder, fully articulating touchscreen LCD, hot shoe, and additional control dial – all without a large increase in size.

The G5 X’s 20.2MP 1″-type BSI CMOS sensor – designed by Sony and first used in its RX100 II and III – performs very well and, given that the image pipeline on the G5 X is the same as its predecessor’s, should continue to do so. The 24-100mm F1.8-2.8 optically stabilized lens is also the same as on the G7 X, so there shouldn’t be any surprises there, either.

From a feature standpoint, the G5 X is essentially the same as the G7 X. You’ve got your manual exposure controls, customizable buttons and dials, built-in neutral density filter, Raw support, 6 fps continuous shooting (JPEG only), a fun star trail mode, 1080/60p video recording and Wi-Fi with NFC. 

Sadly, two of the G7 X’s most disappointing traits have carried over to the G5 X, namely sluggish Raw shooting performance and lackluster battery life. 

Meet the Family

From left to right: the PowerShot G1 X Mark II, G3 X, G5 X, G7 X, and G9 X

There are now five members in Canon’s premium compact’ family: the G1 X Mark II, G3 X, G5 X, G7 X and G9 X. The G1 X Mark II is the flagship model, using a considerably larger 1.5″-type sensor instead of the 1″-types used by the rest of the group. 

The G7 X is Canon’s original 1″-type sensor camera, and the models that have followed are a variation on the same theme. The G3 X is the long zoom model, the G5 X is for the EVF crowd, and the G9 X is an ultra-compact model with a shorter, slower lens. 

Here’s a quick table to help you sort out the differences between the five models:

  G1 X Mark II G3 X G5 X G7 X G9 X
MSRP $ 799 $ 999 $ 799 $ 699 $ 529
Sensor 12.8MP 1.5″-type CMOS 20.2MP 1″-type BSI CMOS
Lens (equiv.) 24-120mm
F2.0-3.9
24-600mm
F2.8-5.6
24-100mm F1.8-2.8 28-84mm
F2.0-4.9
LCD size/type 3″ tilting touch 3.2″ tilting touch 3″ rotating touch 3″ tilting touch 3″ fixed touch
EVF Optional Yes No
Hot shoe Yes No
JPEG burst 5.2 fps 5.9 fps 6.5 fps 6.0 fps
Video 1080/30p 1080/60p
Audio in/out No Yes No
Battery life (CIPA) 240 shots 300 shots 210 shots 210 shots 220 shots
Dimensions 116 x 74 x 66mm 123 x 77 x 105mm 112 x 76 x 44mm 103 x 60 x 40mm 98 x 58 x 31mm
Weight 553g 733g 377g 304g 185g

That’ll do it for comparisons – let’s dive into the world of the PowerShot G5 X now.

Articles: Digital Photography Review (dpreview.com)

 
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