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A Still Image from the Movie “The Night Porter“

SO much is going on that I barely have time for anything other than taking care of what’s right in front of me. David had surgery last week, all is good there, he’s recovering nicely. We’re packing up our house, downsizing for the move to NYC! You never realize how much stuff you accumulate until you move! We’ve got a lot of exciting things going on with the Blog that I can’t exactly share just yet, but I think you’ll all be pretty stoked when the news breaks! And I have been working: I shot an ad campaign last month for some nice $$. I shot another Harper’s Bazaar Arabia editorial, this time I shot the cover too! Have an editorial coming out in KURV Magazine in Australia that I’ll blog about once that hits the newsstands and my portfolio now officially is in NYC full time and won’t come be in my possession again until I’m living there! It’s been called in about once a week to various advertising clients and magazines. The transition is going smoothly but it’s non-stop work! AND, we’ll be back in NYC this weekend for our first ever NYC Seminar! We’re shooting at Drive In Studios in Chelsea and we have a great group of people coming that I’m really excited to meet and work with! Damian Monzillo, my brother from another mother, soul friend and hair stylist extraordinaire will be doing the hair for the seminar! He rocks the Universe with his hair, he’s that good! And he’s MY official hair stylist, giving me those razor sharp bangs, my signature trademark. One thing that makes me so happy to be moving to NYC is that Damian lives there! We have such a passion for inspiring work and we love collaborating so  my excitement for the move is doubled by knowing Damian will be along side me on the crazy ride that NY surely will be!

Inspiration! I get asked what inspires me almost every day! Most people ask what blogs I follow and they’re disappointed to find out that I don’t really follow any other photographer’s blogs. I follow fashion blogs like Fashionista but I don’t subscribe to any photographer’s blogs. I don’t really check out too much photography either because I get my inspiration from my life experience much of the time. I know I have to keep current with the trends, fashion moves forward with every season and keeping up to date with what’s NOW is really important. Even fashion photography has it’s trends and of course I have to keep up to date with those trends as well. But I don’t sit on other photographer’s blogs reading about photography. If I really am honest here, and I know you appreciate this blog because I’m honest,  I get my lighting inspiration from movies. I learn lighting from watching cinematography. I found the cinema before I found the camera. And I was completely hooked  from a young age.

A Still Image from the Movie “Chinatown“

My parents were one of the first in our neighborhood to get cable TV. Yeah, way back in the day! We had ON TV. It was one of the first cable TV providers. ON TV had foreign films on it, late at night of course because they were “risque”. I was about 15 years old and couldn’t sleep one night so I was up watching cable and this film came on by Bernardo Bertolucci called La Luna. The story line was pretty racy: a mother and son’s  “distorted” relationship involving heroin and opera! Epic drama! But the lighting! I could’ve watched this film with the sound turned off because the visual imagery was so moving. Vittorio Storaro was the cinematographer on La Luna and his work has since then captivated me. He’s lit such other epic films as “Reds“, “The Conformist“, “Last Tango in Paris“, and my personal favorite, “Apocalypse Now“. Who can forget the richness of lighting in that film?? The Robert Duvall scene where he made his troops go surfing during a bombing. Or the deleted scene where Martin Sheen has an affair with the French opium addict. The lighting in the bedroom of that scene sits in the archives in my brain as “go-to” lighting monumental moments!

Shortly after I was transfixed by Bertolucci and his beloved Storaro, I saw a picture in the LA Times advertising a film by Francois Truffaut: “Small Change“. I fell in the love with the picture in the ad and begged my mom to drop me off at the local Landmark theater in Pasadena, The Rialto. The Rialto played all the foreign films on the big screen. I went by myself and sat and watched “Small Change” and “The 400 Blows” by Truffaut. And I was hooked. I went as often as my mom would drop me off to that little theater on Fair Oaks. I soaked it in. I was 16 when I first saw “Last Tango in Paris” and I nearly fell out of my chair. Ha!! But it was the lighting, mainly, in these films that really moved me. And it’s the lighting that still does really move me when I watch a film. And to be even more honest, I can forgive a movie for it’s weak story line or tepid characters if the lighting is profound. In other words, I will watch a movie deemed by the critics as “bad” if the lighting is interesting.

Still Image from the Movie “A Very Long Engagement“

Below is a SMALL list of the 10 movies that have made an impact on me as a photographer. This list is small because there are 100′s of movies that have inspired me. They’ve inspired my lighting, my aesthetic, my sensibility, my eye. Some of them have even inspired me in the way I shoot fashion. I’d love to hear what movies have inspired you as photographers. If I haven’t seen it yet, I will check it out because I am always looking for movies that help direct and guide me on my path of learning and growing as a photographer. ?

1. The Night Porter: This film will always be controversial. You have to see it to understand why.  But for me,  the lighting in it was amazing. It’s such a twisted dark story but even the main female character, Lucia, who’s name means “light” and her leading man’s guilt complex being afraid of the light just adds so much more intrigue for me as well. I have watched this movie so many times and I always see something new every time I see it. Alfio Contini lit this dark story beautifully.




2. Apocalypse Now: I mentioned this film earlier and have to mention it again. Although the story carries the film itself and Francis Ford Coppola is truly a genius, the lighting is equally brilliant and so strong that it made you feel like you were really there with the gang on their journey to find Colonel Kurtz. I mentioned a few scenes that stand out to me but I’ll mention another one; the final chapter where Martin Sheen confronts Marlon Brando! I mean, the lighting in that scene is so incredible. I’m getting goosebumps now just writing about it. If you haven’t seen this movie, it’s just simply a must.




3. The Godfather: Again, Francis Ford Coppola’s epic film will remain one of the top films ever made. The story, the actors, the art direction, they’re all amazing in this movie. But the lighting was impeccable.  I remember the first time I saw this movie. The first scene had me. The lighting had me. Gordon Willis has always been one of my favorite cinematographers. He also lit my favorite Woody Allen movies, “Manhattan” and “Annie Hall”. AND he lit one of my all time favorite movies ever: “Klute”. I put Klute on as background when I’m in bed working on my computer.




4. Don’t Look Now: Anthony B. Richmond: Genius!!! He also did The Pianist which is phenomenally lit. I go back to “Don’t Look Now” about once a year and watch this movie. Again, it’s a disturbing tale but the lighting informs us that we want to have sympathy for these characters and the grief they’re feeling with the loss of their daughter. It’s just a must-see for the whole entire movie.




5. Days of Heaven: Nestor Almendros and Haskell Wexler did such an amazing job on this film that it won an Academy Award, as did a lot of the movies I have mentioned so far. I was basically unconcerned with the story and can’t even remember the plot line too well but I could talk about the cinematography for hours. Nestor Almendros also did “Sophie’s Choice”, another beautifully lit movie.




6. “Chinatown“: John A. Alonzo lit this tragic story in the harsh Los Angeles sun thus informing the viewer that a film noir doesn’tand “The Pianist”. He’s a genius and he chooses genius cinematographers. Watch all of his films. He just proves that film noir does nothave to be shot in black and white to convey the heaviness of a story. Roman Polanski directed this film and he really is one of my favorite directors. He also directed “Repulsion” and “Rosemary’s Baby”




7. Strangers on a Train: We can’t leave Hitchcock. And there is so much to learn about photography and film making by watching his movies. I listed Stranger’s on a Train here but Robert Burks, Hitchcock’s premier cinematogapher also was the cinematographer on “Vertigo”, “Birds”, “North by Northwest”, “To catch a thief”, etc. etc. And there is much to learn from all of these films. When 4 of the films I just mentioned either won an Oscar or was nominated for one, you have to study the cinematographer earning that kind of respect. And while I don’t watch Hitchcock’s films on a regular basis, I did when I was going to Art Center and learning about lighting for the first time.




8. “Out of Africa“: David Watkin’s lighting was so moving that I literally was choked up throughout the entire film. I saw this at the Graumann’s Chinese Theater on Hollywood Blvd in 1985 and my first husband was so mad at me because I couldn’t stop crying. Ha! Just see if you haven’t. But watch it alone. ; )




9. “Se7en“: Darius Khondji’s lighting in Se7en is magnificent and flawless. He was also the cinematographer on “Stealing Beauty” which isn’t one of my favorite movies but the lighting was gorgeous! I study Darius’s lighting for Se7en a lot and it’s another movie I will keep on as background. Brilliant!!




10. “A Very Long Engagement“: Another one of those movies that had me choked up the whole time because of the lighting. Bruno Delbonnel’s lighting in this sad little love story is so over the top beautiful that I immediately watched, back to back, every one of his movies after seeing “A Very Long Engagement”. Delbonnel is probably more famous for “Amelie” but I prefer “A Very Long Engagement”. Maybe it was Gaspard Ulliel who starred as the lost lover in this film that has me won over the other movie. He’s been someone I’ve wanted to photograph for a very long time!

I had to keep this list short! There isn’t enough room or time (or memory in my own mind) to create a list of every movie that has ever moved me. But the above list is a start. Now I want to hear what films have inspired YOU!

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