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Posts Tagged ‘Photo’

Pulitzer-winning photographer uses Volvo SUV’s built-in camera to shoot photo exhibit

13 Jul

Consumer vehicles are increasingly built with integrated cameras as part of safety systems, and the Volvo XC60 is no exception. The only difference? Volvo is using their car cam to capture a unique brand of photography.

Volvo recently tapped Pulitzer Prize-winning photographer Barbara Davidson and Swedish agency Forsman & Bodenfors to create a first-of-its-kind photography exhibit called ‘Moments’ that features images taken by Davidson using the SUV’s built-in camera. “Through art we’re connecting [viewers] with really important technology that saves lives,” Davidson explains in a video from Volvo Cars, “and I think we’re bringing the technical world and the artistic world together.”

Pulling photos out of the car’s video feed, Davidson managed to create a unique set of photographs using the Volvo.

Davidson staged the shots, a process highlighted in Volvo’s video. Talking about this, Davidson explained, “I’m really using the car as a camera, and I’m framing it as I would frame with my 35mm camera. So it’s very similar to how I would work as a photojournalist.”

Volvo premiered the ‘Moments’ project on July 4th in London, and will be showcasing it in various parts of the world throughout 2017.

Articles: Digital Photography Review (dpreview.com)

 
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You can deliver prints on-demand with Citizen’s new CY-02 dye sub photo printer

12 Jul

Printer manufacturer Citizen claims its new CY-02 dye sublimation printer offers event photographers and enprint producers a quick, low-cost way to print out photos on-demand.

The relatively small and portable new printer can output a 6x4in print in less than 15 seconds in high-speed mode with a media cost of just 7.2p (approx $ 0.09) per print. Fed with a roll of 6in paper, the CY-02 can turn out either 6x4in, 7x5in or 8x6in pictures, and users can switch between gloss and matte finishes without changing the paper.

In high speed print mode, the printer uses a resolution of 300x300dpi, which is increased to 300x600dpi in high resolution mode. In high resolution mode a 6x4in print takes less than 20 seconds to produce, while a 7x5in print takes less than 31 seconds and an 8x6in print less than 35 seconds. In other words: no matter what mode you’re using, this is a fast printer.

Citizen says the CY-02 is designed to deliver profit and that its media costs less than that of any other dye sublimation machine. Media packs consist of two rolls of paper and a pair of YMC-plus-overcoat ribbons designed for specific print sizes. Each 6x4in roll creates 700 prints while rolls for 7x5in or 8x6in prints create 350 each.

The CY-02 measures 322 x 351 x 281mm or 12.67 x 13.82 x 11.06in and weighs 18kg or about 40lbs fully loaded. It costs £660/€799, or approximately $ 710 USD, and media packs start at £108.90/€137.45, or approximately $ 117 USD.

For more information, see the Citizen website.

Press release

{PressRelease}

Citizen Photo Announces the CY- 02 Photo Printer

Citizen Photo, manufacturers of market-leading dye sublimation (dye sub) printers and media for the event photography and retail photo-finishing markets, has announced the latest photo printer in their trusted line up; the CY-02, and whilst stocks last, a FREE, high quality Citizen branded carry bag, worth €100.

Developed as an extension of the hugely popular Citizen CY printer, itself a high capacity, reliable, robust, simple to use, tried & tested photo printer; the new CY-02 offers improved output speeds.

Improved output speed

The improved speed of the new CY-02 will be most noticeable for those printing high volumes of 6×8” prints who can now print 3 prints per minute, compared to 2 prints per minute that can be expected from the standard CY photo printer.

The large media capacity and exceptional ease of use make the CY-02 the perfect dye sublimation photo printer for applications where infrequent media replenishment is a priority, such as retail outlets, event photographers and photobooth operators and amusement parks. With more prints possible due to the media capacity and easy media changing, the robust CY-02 printer ensures users spend less time servicing the printer and more time focusing on their customers.

The CY-02 produces 700 4×6” (10x15cm) or 350 6×8” (15x20cm) prints per roll while monitoring tools and drivers ensure users are in complete control of all printer functions at all times.

Gary Andrews, EMEA Business Manager, Photo Printers, Citizen Systems Europe, said:
“The arrival of the CY-02 photo printer is significant for those whose business requires both speed and a large media capacity. The CY-02 not only delivers on these promises, it offers excellent print quality and reliability too”.

Manufacturing excellence
Being a Citizen Photo product, users can be assured of market-leading levels of technological and engineering excellence.

With almost 100 years of experience, Citizen has a rich heritage in precision engineering across many markets. Once such market, and perhaps the most familiar in the consumer market, is the watch division. What is less familiar to those working in the photo sector is that the same precision engineering approach that is adopted for watch design and manufacture, is also applied to the mechanics of the internal systems in Citizen Photo printers. Something that really sets the brand apart from the competition with regards to reliability and quality.

CY-02 key features
Larger media capacity: up to 700 prints per roll
User-friendly: simple set up and quick and easy media changing
Two finishing options: choose between a glossy or matte surface finish

Operating Systems: Windows XP, Vista, 7 and 8, Mac OS, (including Mac and PC drivers supporting all latest OS versions).

Connectivity: USB 2.0

Availability and FREE travel case
The new CY-02 Photo Printer is available across Europe from the 1st July 2017 and orders will come complete with a FREE high quality Citizen branded carry bag worth €100 whilst stocks last.

{/PressRelease}

Articles: Digital Photography Review (dpreview.com)

 
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What makes a great photo: Wise words from a veteran photographer

09 Jul

What makes a ‘great’ photo? The question keeps professionals and weekend warriors alike busy arguing, practicing and learning. In this video, one photography veteran shares his insights into that question, born of decades immersed in the world of photography.

The video is, first and foremost, a tribute created by photographer Jesse James Allen for and about his mentor Charlie Howse.

“This is a tribute my mentor, who in 2007 showed me how to create an image before the shutter was ever pressed,” writes Allen in the video’s description. “His time and teachings greatly influenced my career.”

But throughout the video the same theme comes up over and over again: what makes a ‘great’ photograph?

Howse touches on several different aspects of ‘great’ photography. He starts with the personal impact of an image—a photograph that’s indelibly tied to what you were feeling and thinking at the moment you pressed the shutter—before moving on to a common debate topic: technology vs art.

“For far too long, I thought that in order to have a great image, it has to be technically a great image,” says Howse. “And I’m coming to realize that the technical aspect of an image is less important than the artistic or the compositional aspect of an image, or the interestingness of the subject matter.”

More important by far than the best gear, says Howse, is knowing how to ‘make an image’ rather than simply ‘take a picture.’ How to pose. How to compose. How to connect.

What we’ve written above just barely scratches the surface of the full video. Howse goes on to talk about the difference between a snapshot and a portrait, about why he chooses to shoot large format, and about the next generation of photographers and what they should focus on.

Maybe it’s too much to hope that a five minute video can shape the way you look at the world and capture a photograph. Then again… what do you have to lose? Click play up top and let us know what you think of Howse’s advice in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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Photo of the week: The Shining

09 Jul

This morning was the second of my stay in Torres Base camp (Torres Del Paine NP, Chilean Patagonia) with my Patagonia workshop group earlier this year. The day before we had shot an amazing sunrise from down at the lagoon, and our sights were fixed on something different for this morning.

I asked Erik, our guide, to take us to the top of the Moraine surrounding the lagoon at the base of the Torres. After waking up at 4:30 a.m., we had a filling breakfast and started the 1 hour climb to the viewpoint. Getting up the moraine took about 20 additional minutes, some of them traversing loose rock, but we were in good hands and had plenty of time to arrive safely.

Upon arrival, we took some night shots of the Torres and waited for sunrise. Conditions looked good, but I began worrying that a large mass of clouds to the northeast might block the first rays of sunlight from hitting the Torres. I was proven right, and I was beginning to think we came all this way for nothing until about half an hour into the sunrise, when a small crack between the clouds allowed a projector-like orange beam of light to hit these beautiful, iconic towers of rock.

The color was incredible. The opening was so small, even the clouds above the Torres were left in the dark, which looked quite strange and made the mountains stand out even more.

This image is almost untouched when it comes to post processing, but due to the large range of distances to the different components, I had to focus-stack it from 3 shots, one focused on the Torres, one on the foreground rock and one in-between.

It was captured using my Canon 5D Mark IV and Canon 16-35mm F2.8L Mark III.


Erez Marom is a professional nature photographer, photography guide and traveler based in Israel. You can follow Erez’s work on Instagram, Facebook and 500px, and subscribe to his mailing list for updates. Erez offers photo workshops worldwide.

Articles: Digital Photography Review (dpreview.com)

 
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Pixel Peeper can now show you what Lightroom preset was used on a photo

08 Jul

Last month, a website called Pixel Peeper launched with the ability to determine which Lightroom edits were made to an image. Thanks to a recent update, users can now also use Pixel Peeper to determine which Lightroom preset was applied to an image.

The Preset Finder feature requires users to upload their previously-used Lightroom presets. Once uploaded, the system will identify which preset was applied to any image uploaded to Pixel Peeper. This feature only works with presets the user has already purchased and uploaded, however—it doesn’t identify presets that haven’t been uploaded to the system.

The new feature is limited to 10 presets that expire after 30 minutes for free users, but it’s unlimited for premium users who pay the $ 25/year fee.

In addition to finding presets, Pixel Peeper retains its original ability to figure out which Lightroom settings were used to edit an image, something it presents using a series of sliders for settings like exposure, tint, clarity, and more. The tool also displays EXIF data when possible, including the camera model and lens used to take the image, shutter speed, aperture, ISO, and more.

Articles: Digital Photography Review (dpreview.com)

 
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Photo Editing Alternative – An Overview of ACDSee Ultimate 10

07 Jul

As more and more people take up digital photography and want to get started editing, many are asking the question, are Adobe’s Lightroom and Photoshop my only options? ­­­At ACD Systems, they have their own editing software called ACDSee Ultimate 10, which allows you to do many of the same functions as the former.

Adobe’s subscription model—membership and monthly payments—is a big turn off to many, particularly because if the price becomes too high, it will become unattainable, and then they will be left with nothing. We have already seen some price hikes recently. ACDSee Ultimate 10 could be perfect for those looking for an alternative to what Adobe offers.

ACDSee Ultimate 10

Starting Up ACDSee Ultimate 10

Without a doubt, you will scratch your head as you try to work out how to do things in ACDSee Ultimate 10, but this can be said for any new software you try. If you have used Lightroom, then much of it should be easy to work out, and there are a lot of similarities. If you have not used it or any other photo editing programs, then you will find a wide range of videos on their website to take you through how to use ACDSee Ultimate 10 and understand it.

One of the biggest problems with Lightroom is how you must import your photos into it. With Ultimate 10, there is no need to import your photos as they are read directly off of your hard drive and displayed in the exact same folder structure you see in Windows Explorer (or Mac Finder). This saves you one step altogether, however, there is also an import function available, which you can use to apply some batch functions, such as renaming while extracting the photos off of your device.

ACDSee Ultimate 10

What Manage Mode first looks like when you open ACDSee Ultimate 10.

Parametric Processing

As you work your way through the videos, you will hear a lot about parametric processing. If you are like me, you have never heard the term before. It is another way of saying non-destructive, or in easy terms, you can save all your layers so you can go back to it and work on it some more, later.

Using ACDSee Ultimate 10

There are obvious differences between ACDSee Ultimate 10 and Lightroom, but you are also going to find a lot that is similar—perhaps even better. When you open it up, you can see in the top right corner the different modes that are available: Manage, Photos, View, Develop, and Edit. We will take a look at each mode and see how they compare with Lightroom and a little of Photoshop.

It is fair to say that Photoshop does offer a lot more than this program. However, as many people prefer using Lightroom, this could be a really good alternative for them. You can certainly do all the same edits that you can do with Lightroom. However, it’s when you start getting into the more advanced image manipulating where you would normally use Photoshop that you may find limitations withACDSee Ultimate 10.

See a feature comparison between Lightroom and ACDSee Ultimate here.

Manage Mode

The Manage Mode is very similar to the first window you find when you open Lightroom, the Library Module. On the left, you see a column with all of the folders on your computer. It displays the folder structure you have on your hard drive, so there is no searching through unfamiliar territory. The way Lightroom does this can be confusing and it can be hard to find directories.

ACDSee Ultimate 10 - manage mode

Taking a look around to see what is in Manage Mode.

Underneath the above, you will find details about the selected image, such as the camera model, the size of the image, and what your settings were. Then under that, you will find a histogram of the image.

The middle section is where you see the contents of the selected folder and any subdirectories that may be in it. Each thumbnail indicates what type of file it is, RAW, PSD, etc. It is still possible to put ratings and labels and such on your images. There are categories and keywords that Lightroom users will be familiar with, which can be used the same way in Ultimate 10. This section works like a proofing sheet, which allows you to see all of the images in the folder.

In Lightroom, you can get a preview of the image by pressing the spacebar, however, in Ultimate 10 you use View mode to get a larger view of your images. To get there you can double click or press enter with the desired image selected. In the right-hand column, all the EXIF data that is available in the image is found there. There is the same additional information that you find available in Lightroom.

Photos Mode

In this mode, you will get a small preview of every image that you have on your computer. It is almost like a list, in order. The images will be sorted by the date they were taken, and you can do rearrange to sort by day, month, or year. It is a great way to help you find photos when you can’t remember where you put them, especially if you’re like me and don’t use categories or keywords.

04-leannecole-acdsee-software-review

How Photo Mode appears.

In Lightroom, you could only do this with the photos that you have imported. In Ultimate 10, it doesn’t matter; it will show every image that is on your computer.

View Mode

In View Mode, you will get a larger view of the selected image. Underneath the image, there is a filmstrip with all the photos in the selected folder so that you can navigate between them. There are also some basic functions you can apply to the image if you want to make some changes. However, this mode is more for viewing your photos and figuring out which ones you might want to work on.

ACDSee Ultimate 10

Opening View Mode.

In this mode, you can add ratings, labels, and set your categories. To rate an image, click Ctrl/Cmd plus the number you want to assign to it, or to label an image press Alt/Option then the number according to the color you want to apply. You can do many other things to the image as well. There is a small menu on the left just above the filmstrip, or you can right-click on the image to get options as well.

06-leannecole-acdsee-software-review

Some of the functions you can do in View Mode.

Develop Mode

This is the mode that seems to most resemble Lightroom and is your workspace. It is laid out differently and you will find all the adjustments in the left-hand column. Many of them are the same, though to get to each of the sections you will find these modes; Tune, Detail, Geometry, and Repair near the top that you click for various adjustments. Each one of those modes have different tools you can use to make the various changes to your images.

ACDSee Ultimate 10

Opening an image in Develop Mode.

A lot of the processes are set out differently, but they often have the same names. There are titles for each one which, like Lightroom, are menus and when you click on them new adjustments can be accessed. The plus sign means it is closed and when it’s opened, it turns into to a minus sign.

ACDSee Ultimate 10

Looking around Develop Mode and the Tune Mode.

ACDSee Ultimate 10

What is available in Detail Mode.

ACDSee Ultimate 10

What you can do in Geometry Mode.

ACDSee Ultimate 10

A quick look at Repair Mode.

Develop Presets

In ACDSee Ultimate 10, you can save your develop settings as presets, either globally by mode (Tune, Detail, Geometry, Repair) or by tool group.  You can then apply saved presets to a single image, or a batch of images in Manage Mode.

Develop Brush, Linear Gradient, and Radial Gradient

These three tools similar to Lightroom’s Adjustment Brush, Graduated Filter, and Radial Filter. They can seem a little strange at first if you are used to Lightroom. The Develop Brush doesn’t have an erase button, so how do you remove the parts you did by mistake? By right clicking and going over the part you no longer want. This is actually much better, and makes your workflow much faster.

In Lightroom, when you want to use the Graduated and Radial filters, you click on them and then draw a line on your image. With Ultimate 10, once you click the Gradient button, the Gradient will appear on your image, and then you move it, enlarge or shrink it, or rotate it to where you want. There are specific places on the gradient to do that. The cross in the middle is used to move it, the hook from the cross rotates it, and the squares on the dotted lines are used to resize it. It is different but doesn’t take long to get used to. If you want more than one gradient, you will find a section with the icon and a blank square above it. To apply another brush, just enable the next checkbox.

ACDSee Ultimate 10

How the Graduated Filter works.

ACDSee Ultimate 10

How the Radial Filter works.

To make them disappear once you are done, click on the icon for the tool and the program will unselect it.

Edit Mode

Edit Mode is very similar to Photoshop, however, again, it is set out a bit differently. In this mode, you can do a lot of fine-tuning. You can use layers and make adjustments.

The tools are along the top under the menu bar, and the edits that are available are down the left side. On the right, you will find your layers panel, and the layered adjustments are down the bottom of that panel. Underneath those, you will find where you can add new layers, masks, or duplicate layers.

ACDSee Ultimate 10

Opening up into Edit Mode.

When you have different layers, you will also find the rubbish (trash) button will appear there. Highlight the layer you want to delete, and press the button. Though you could simply press delete on your keyboard as well.

The feathering option is different and you don’t set how much you want to feather until you have added the mask. You press the mask button and the settings for it will appear at the bottom of the layers panel.

ACDSee Ultimate 10

Adding layers in Edit Mode.

Edit Presets/Actions

While you can also save presets in Edit mode, perhaps even more useful is the tool they developed to address the general limitations of batch editing. ACDSee Actions allow you to “record” any and all adjustments you make in Edit mode, and then to apply them to other images, (individually or to a batch), by “playing” them back (like Actions in Photoshop). It’s as simple as pressing a Record button before you start editing, pressing Stop when you’re done, and then choosing a name to save the action under.

If you forgot to begin recording before you started editing, you can simply use the Undo button, press Record, and then press the Redo button. You can even preview the effect that an action is going to have on an image before applying it. This really speeds things up and ensures that you can apply anything in a batch.

ACDSee Ultimate 10

Using Actions.

Overall Impressions of ACDSee Ultimate 10

Without a doubt, ACDSee Ultimate 10 is a good alternative to Lightroom. It has a lot of similar functions, and many of the things that you do in the first, you can do in the second. How you use it is always going to be different and finding your way around the settings and functions will take time, but that is the same with any software.

If you are someone that doesn’t use Photoshop but you would like to start working with layers, then Ultimate 10 could be a good way to start.

ACDSee Ultimate 10

The final image.

Owning or Renting

With the latest release of Lightroom, everyone was told that it would be the final one that you would be able to buy outright. All future releases will come under the Creative Cloud subscription plans. This has made a lot of people nervous. Meanwhile, many are frustrated that while they have purchased it, there are still functions that are only available if you subscribe to Adobe.

At ACD Systems, they understand this frustration, and you can buy all their products so you own them. Or, if you want the benefit of getting updates and having the latest version, you can also subscribe. The choice is yours.

If you are unsure of what to do, their Live Chat is available, along with email and phone numbers for you to call as well. To take a look at the Ultimate 10 follow this link, ACDSee Ultimate 10.

ACDSee Ultimate 10

A quick look at the website where you can find videos.

Finally

ACDSee Ultimate 10 is a great program for anyone who wants to get into photo editing. While there is a learning curve, that is true for any other editing software that is available. For most photographers, Ultimate 10 will have everything they need to do the image adjustments they would like. Give it a try and tell us what you think.

Disclaimer: ACD Systems is a paid partner of dPS

The post Photo Editing Alternative – An Overview of ACDSee Ultimate 10 by Leanne Cole appeared first on Digital Photography School.


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Photo of the week: Shooting the northern lights in Norway

02 Jul

This image was taken in Skagsanden beach is—my favorite location in the Lofoten Islands—with one of my Lofoten workshop groups earlier this year. The Northern Lights were dancing wildly all over the sky, and I arrived at the beach after having shot another location earlier that night.

This time around, I decided to try and shoot the Aurora with this beautiful stream and its black & white sand patterns in the foreground. Luckily, the lights were reflecting on the stream, emphasizing those patterns.

To get the whole scene in the frame, I used the Canon EF 11-24mm F4L, one of my favorite lenses. Even though the lens is only an F4, the Aurora was very bright and there was some moonlight as well, both of which gave me enough light for a decent exposure.

The final image above was focus stacked from two shots, both taken at 11mm and F4, with my Canon 5D Mark IV set to 8 seconds and ISO3200.


Erez Marom is a professional nature photographer, photography guide and traveler based in Israel. You can follow Erez’s work on Instagram, Facebook and 500px, and subscribe to his mailing list for updates.

Articles: Digital Photography Review (dpreview.com)

 
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Metal Photo Print Stress Test

30 Jun

It turns out the Metal Prints we make from your photos over at Parabo Press are just too blessed to be stressed.

We put them up against water, fire, dirt, feet and A CAR.

Read along to see who won each match up.

Or, make a Metal Print of your very own.
(…)
Read the rest of Metal Photo Print Stress Test (276 words)


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How To Shoot A Compelling Photo Essay

28 Jun

I frequently encourage people who attend my photography workshops to approach the day as though they have been assigned to shoot for a magazine editor and need to provide a strong series of images for a photo essay. One of the locations we visit is the local fresh market here in Chiang Mai, Thailand, so I’ll use images from this market to illustrate the point in this article.

How To Shoot A Compelling Photo Essay

The time it takes you to create a photo essay may be determined somewhat by your chosen subject. If you’re photographing your child’s birthday party, a social gathering at work, or a football match, you will have time constraints. With other subjects, you may have the luxury of being able to return many times over a period of days, weeks, or months to continue building your pictorial story. Whatever you choose as your subject you will be able to apply the points in this article to help you produce a strong series of photographs that a picture editor would welcome.

Approach to making photo essay

There are two main ways of approaching a photo essay – thematically or narratively.

How To Shoot A Compelling Photo Essay

I’ve chosen a series of images for my photo essay here with a thematic structure, showing the market as the overall theme. You may like to choose a narrative structure and tell a story with a beginning, middle, and end. To follow a narrative storyline at the markets I could choose to follow someone who arrives to do the buying for their restaurant, follow one of the porters who haul produce for shoppers or spend time with a vendor documenting their daily routine.

Whether you take a thematic or narrative approach, applying some basic guidelines to the way you shoot and how you make your final selection of photos will result in a strong series of images.

You want to look for three types of images; wide, medium, and close-up. By shooting these three image types you will build up a broader perspective on your subject.

Wide Shots

Photo essay tips 01

At a market, I’m always looking to capture a great wide shot showing the lively hustle and bustle and feel of the overall vibe of the market. This is difficult to capture because I have no control over what’s happening. It’s important in situations like this to take your time. Find a good location where the lighting and background are pleasing and you will not be obstructing anyone, and shoot a lot. Be observant.

Watch and see the flow of what’s happening and anticipate the best time to shoot. If your chosen subject is more static you might want to include a single prominent feature in some of your wide shots. For example, if you are making a photo essay of your local park, try including one of the park benches, a drinking fountain, or a flowerbed in your wide compositions rather than taking just a wide shot with no main focus.

Medium Shots

Medium shots are best composed with one main subject as the focus, and including relevant aspects of the location as well. These shots will show a more intimate view of your subject, draw the viewer deeper in, and help them connect with your story.

At the markets, I like to shoot environmental portraits, often of the people who work there. Including some of their surroundings supports the theme by developing the context of my story.

How To Shoot A Compelling Photo Essay

Showing the mango vendor with her cart, produce, scales, and umbrella helps build the essay more than if I was to crop in tight and to make a portrait of only her.

How To Shoot A Compelling Photo Essay

Including some action in these shots makes for interesting photos too, as with this photo (above) of the butcher sharpening his knife. Neither of these photos was posed, but sometimes it’s a good idea to take a little control of the situation and ask someone to pause so you can make a portrait.

How To Shoot A Compelling Photo Essay

I asked this fishmonger with the lovely smile tray of smoked mackerel to pose for me.

Close-Up Shots

Coming in close to capture the details will definitely add depth to your photo essay. Look for elements to include in your close-up compositions that others may overlook. Single colors, patterns, and textures all work well as close up shots.

How To Shoot A Compelling Photo Essay

How To Shoot A Compelling Photo Essay

How To Shoot A Compelling Photo Essay

How To Shoot A Compelling Photo Essay

The neatly stacked fish in the blue plastic tub, the basket of (live) frogs, the bundle of soup ingredients for 5 baht and the bunch of flowers made from pandan leaves all add variety and interest to my market photo essay.

If you’re photographing a birthday party your close-up shots may be of the detail on the cake, some of the wrapped or unwrapped gifts, or tightly cropped happy children’s faces. Look for detail shots which fit in with the overall feel of your photo essay.

Other Considerations

As you are shooting, consider how your images will fit in with your overall story. Think about the five “W” questions – who, what, where, when, and why. Answering them with your photos will build up a very good impression for someone viewing your photo essay or picture story.

How To Shoot A Compelling Photo Essay

How To Shoot A Compelling Photo Essay

Traditionally, this market is where the people of Chiang Mai have gotten food. The market is over 160 years old, so it has real character.

When you’re shooting your photo essay be aware of the overall tone and feeling of the situation you are photographing. Become a part of it, not an outsider with a camera, and you will produce more intimate, interesting photographs. If you have time on your side, even consider visiting the location where you’ll make your photo essay without a camera. Doing this will give you a different perspective and may help you connect with your subject more easily.

Choosing Your Photos

Once you’ve completed your shoot and have downloaded the photos to your computer, begin by discarding any that are technically inferior. You don’t want to include shots which are out of focus, poorly exposed, or your timing was off. Remember, you are aiming to please the photo editor of a magazine (just pretend this is the case, even if you are shooting just for yourself, it will help you to have this mindset) and they will reject any images not up to their technical standards.

Photo essay tips 13

Photo essay tips 14

Take your time to look over your photos. Grouping them into the three types, wide, medium and close-up will help your decision-making process. Compare your photos within these groups and look for the strongest pictures that support your overall story. Think about how they might be laid out on the pages of a magazine and what they will communicate to someone viewing them that is not familiar with the subject of your photo essay. Finally, you will want to choose one main shot to be the feature image. The one you are most happy with that best conveys your feeling for the story you are telling.

Conclusion

So even if you have no aspirations to shoot for a magazine, this is a good exercise to help you put together a better photo essay. Consider printing a book or your completed project for yourself or to share with friends or fellow travelers.

Please put your comments and questions in the space below, and share your photo essay images.

 

The post How To Shoot A Compelling Photo Essay by Kevin Landwer-Johan appeared first on Digital Photography School.


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Facebook testing ‘profile picture guard’ feature that prevents sleazy photo theft

24 Jun

Facebook’s new ‘Profile Picture Guard’ feature makes your profile photos much harder to steal. Photo courtesy of Facebook

Photo theft is a big problem on Facebook, and the social network is finally doing a little something to combat it. Starting with its users in India, the Silicon Valley company is testing a feature called ‘Profile Picture Guard,’ which prevents other people from saving or even taking a screenshot of your profile pic.

As the headline suggests, Profile Picture Guard is still in the testing phase. In fact, it’s currently only available to users in India, the country that Facebook says inspired the feature.

‘In our research with people and safety organizations in India, we’ve heard that some women choose not to share profile pictures that include their faces anywhere on the internet because they’re concerned about what may happen to their photos,’ explains Facebook. So they designed a little peace of mind.

Here’s a look at how it works:

As you can see, the feature works in four ways. (1) It prevents people from saving, sharing, or (Android only for now) taking a screenshot of your photo. (2) It allows only you and your Facebook friends to tag the photo. (3) It adds a blue border and shield icon to your photo, indicating it’s ‘protected.’ And (4) if you so choose, you can overlay a watermark design across the entire shot.

Combine all 4 deterrents, and its far less likely you’ll find your profile pic on some random website. How much less likely? Facebook did some testing:

‘Based on preliminary tests, we’ve learned that when someone adds an extra design layer to their profile picture, other people are at least 75% less likely to copy that picture.’

Facebook ‘hopes’ to expand the feature to other countries soon. For our part, we hope they expand its scope even sooner. Protecting your profile picture from saving, sharing, and screenshots is a great first step; however, for the photographers out there, this kind of universal feature for all of their photos at once – or perhaps available for individual albums – would be a game-changer.

The ease with which photo thieves can filch photos off of social media sites like Facebook is one of the main reasons photographers choose to stay away. Profile Picture Guard is a small step in the right direction; a broader Picture Guard would be a giant leap.

Articles: Digital Photography Review (dpreview.com)

 
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