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Posts Tagged ‘Photo’

Google’s unlimited full-res photo storage for Pixel 2 owners ends in 2020

10 Oct

Google is offering Pixel 2 buyers a special perk that allows them to store an unlimited number of full-resolution photos and videos through Google Photos, but it comes with a catch. Fine print listed at the bottom of Google’s Pixel 2 product page notes that the free unlimited full-res storage is only available until 2020; at that point, the handsets will revert to Google Photos’ typical ‘high-quality’ unlimited storage option.

‘High-quality’ is the term Google uses to denote a 1080p video resolution and 16MP image resolution.

Google Photos allows any user to upload an unlimited number of photos and videos at up to this high-quality threshold; anything that exceeds it is compressed when uploaded and that compressed version is stored. The Pixel 2 will sidestep this restriction, but only for a couple years.

Non-Pixel phone users can upload full-resolution videos and images for free up to a 15GB threshold. Once that threshold is reached—or, for Pixel 2 owners, once 2020 arrives—additional storage space can be purchased starting at $ 2/month (depending on location).

Articles: Digital Photography Review (dpreview.com)

 
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Photo of the week: A heartbreaking photo of a bear in a landfill

08 Oct

I was in the region on an assignment unrelated to bears, but a friend in the area said we could check out the landfill as there may be bears there, so we went for a drive. When we arrived at the landfill there were bears everywhere, I believe 7 total. I was speechless, in complete shock of what I was seeing and I actually didn’t shoot any photographs.

That night I couldn’t shake the feeling about the bears in the landfill, and so the next day I asked my friend if we could go back. When we arrived the smokey pit was on fire with flames coming up taller than the bear. I immediately knew that, this time, I had to shoot.

When I finished making the photograph, the bear turned slowly and walked down into the smoking pit, disappearing from my sight. He never came back up during the rest of my time there.

It took me a very long time to process this photograph after, and I’m still not sure how I feel about it. All I know is that it’s the only photograph I’ve ever made that has made me tear up on multiple occasions. And I’m sure still has more to teach me.

I used a Nikon D810 and 35mm F1.8 lens. Exposure was F11 and 1/400 second, as I wanted as much detail as possible and didn’t expect the bear to be so still, so I chose a high shutter speed to ensure clarity in case the bear moved around. I got pretty lucky with the smoke and position of the sun—just one of those moments I believe come to us photographers, when everything aligns just right.


Troy Moth is an award-winning photographer based out of Sooke, British Columbia, Canada. His photography has been exhibited worldwide, and his work has appeared in Rolling Stone and Vogue among others. You can see more of his photos by visiting his website, or following him on Facebook.

Articles: Digital Photography Review (dpreview.com)

 
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On1 Photo RAW 2018 announced: Adds HDR processing, advanced masking and more

06 Oct

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On1 just released the newest version of its stand-alone RAW photo manager and non-destructive editor: On1 Photo RAW 2018. Put another way, there’s now yet another alternative to Lightroom out there, and with this new update the program is more capable than ever, adding features like HDR merge and panorama stitching, advanced masking capabilities, and more.

You can get a decent overview of the new features in the 2018 version in the video below:

The main additions to this version of On1 Photo RAW are On1 HDR, panorama stitching, new advanced masking options like Feather and Density that allow you to alter a mask globally, Color range masking, versioning, selective noise reduction, and an updated UI that On1 characterizes as “clean and modern.” There’s also a new “Paint with Color Brush” that allows you to either paint with a solid color or leave the luminosity of the underlying layer intact to change things like eye or hair color.

You can get a full breakdown of these and other new features on the On1 blog.

The app is being released as a free Beta on Friday, with an official release slated for the end of October. The full app—which promises ‘much more’ when it arrives after the beta period—will cost $ 120 for new users, while current On1 users will have the option to upgrade for a discounted price of just $ 80 (usually $ 100). Both the full version and upgrade package are already available for pre-order.

To learn more about the app or pre-order your copy, head over to the On1 blog by clicking here.

Articles: Digital Photography Review (dpreview.com)

 
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On1 Photo RAW 2018 announced: Adds HRD processing, advanced masking and more

04 Oct

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On1 just released the newest version of its stand-alone RAW photo manager and non-destructive editor: On1 Photo RAW 2018. Put another way, there’s now yet another alternative to Lightroom out there, and with this new update the program is more capable than ever, adding features like HDR merge and panorama stitching, advanced masking capabilities, and more.

You can get a decent overview of the new features in the 2018 version in the video below:

The main additions to this version of On1 Photo RAW are On1 HDR, panorama stitching, new advanced masking options like Feather and Density that allow you to alter a mask globally, Color range masking, versioning, selective noise reduction, and an updated UI that On1 characterizes as “clean and modern.” There’s also a new “Paint with Color Brush” that allows you to either paint with a solid color or leave the luminosity of the underlying layer intact to change things like eye or hair color.

You can get a full breakdown of these and other new features on the On1 blog.

The app is being released as a free Beta on Friday, with an official release slated for the end of October. The full app—which promises ‘much more’ when it arrives after the beta period—will cost $ 120 for new users, while current On1 users will have the option to upgrade for a discounted price of just $ 80 (usually $ 100). Both the full version and upgrade package are already available for pre-order.

To learn more about the app or pre-order your copy, head over to the On1 blog by clicking here.

Articles: Digital Photography Review (dpreview.com)

 
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Photo of the week: Colors of the Arctic

30 Sep

This image was taken while spending 2 nights in a remote island camp in Ataa Fjord, at the north of Disko Bay, Greenland. The camp was quite basic, especially compared to our luxurious hotel back in town, but the photographic opportunities were incredible. We basically had a huge island to ourselves, with a lake, kayaks, hills and huge icebergs floating all around.

In the 1-2 hours between sunset and sunrise, the colors were incredible. We set out on foot to climb a 130m hill close to camp, where we’d get a good vantage point of the icebergs, and indeed, we witnessed some incredible sights.

One of them was this beautiful iceberg, floating gracefully in the fjord’s clam, reflective waters, with an incredible colors gradient surrounding it.

The photograph was captured with my Canon 5D Mark III and Canon 70-300mm F4-5.6L IS lens.


Erez Marom is a professional nature photographer, photography guide and traveler based in Israel. You can follow Erez’s work on Instagram, Facebook and 500px, and subscribe to his mailing list for updates. Erez offers photo workshops worldwide.

Articles: Digital Photography Review (dpreview.com)

 
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Pumpkin Photo Stand DIY

29 Sep

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How to Speed Up Your Photo Editing with the Right Lightroom Workflow

29 Sep

Processing photos is fun for me. But as much as I like doing it, I like being out in the field making new photos even more. That’s why I’ve developed a Lightroom workflow that helps me get the job done as quickly as possible.

Following these steps, you’ll learn how to make adjustments to a whole batch of images and then apply image specific adjustments to bring out the best in each frame.

Before you begin, choose a batch of photos taken at the same time under similar lighting conditions. I usually go through and pick my favorite photos from a shoot first, and then work on those.

How to Speed Up Your Photo Editing with the Right Lightroom Workflow

Step 1: Make Global Adjustments to the First Photo

In the Develop Module, pick the first photo in your batch and make the following adjustments to make it look its best.

Remember there are no rules with the sliders other than a little goes a long way. Just go with your gut. And if you’re not sure what a slider does, just take it to one extreme and then the other and you’ll be able to see exactly what is going to happen.

Camera Calibration

You’ll find this at the bottom of the develop module on the right-hand panel. I like to set this first because it makes such a dramatic difference to the color and contrast in an image. Simply go through the drop down box and pick the one that looks the best.

White Balance

Next go up to the top of the develop module and start working your way down. The first slider is white balance and there you can choose from the items in the drop down box. Again, simply choose the one that looks best.

Highlights and Shadows

Try darkening the highlights by moving the slider to the left and lightening the shadows by moving the slider to the right. You don’t want to go so far that you’ve removed all contrast from the scene, just enough that you have more detail in the highlight and shadow areas.

Clarity

The clarity slider will add contrast to the edges of things making them appear more crisp. Try nudging it a bit to the right. On the other hand, if you want your image to be softer and dreamier, you can move the clarity slider to the left.

Vibrance

The vibrance slider is more subtle than saturation since it adds color to the parts of your image that are already less saturated.

Sharpening

Most photos need a little sharpening. In the Detail Panel, try moving the sharpening slider a bit to the right.

Vignette

In the Effects Panel, add a slight post-crop vignette to draw the eye into the frame by dragging the slider slightly to the left.

How to Speed Up Your Photo Editing with the Right Lightroom Workflow

Before any adjustments in Lightroom.

How to Speed Up Your Photo Editing with the Right Lightroom Workflow

After the basic adjustments have been applied in Lightroom.

Step 2: Sync Settings

In the Develop Module, select all the photos in your batch (including the one you just edited) from the filmstrip at the bottom of the screen. Then click the Sync button at the bottom of the develop panel.

How to Speed Up Your Photo Editing with the Right Lightroom Workflow

Voila! All the adjustments you made to your first image have now been applied to the whole group.

Step 3: Make Final Adjustments to Single Photos

The following adjustments need to be made to each photo individually since they are rarely the same in a batch.

Crop and Straighten

If necessary, use the crop tool to adjust the crop. Maintain the aspect ratio of your image by holding down the shift key on your keyboard while you crop. You can also use the angle tool located inside the crop tool to make sure any horizon or shore lines are straight by drawing a line from one side to the other.

How to Speed Up Your Photo Editing with the Right Lightroom Workflow

Don’t Miss a Dust Spot

Using the spot removal tool, check the box next to “Visualize Spots” below the image to help you see the dust spots more easily.

How to Speed Up Your Photo Editing with the Right Lightroom Workflow

Radial Filter

Use the radial filter tool to increase the exposure very slightly on your main subject which will help to draw the viewer’s eye to it. Remember to click the “invert mask” checkbox to affect the area inside the circle. Otherwise, the default is to affect the area outside the circle you draw.

How to Speed Up Your Photo Editing with the Right Lightroom Workflow

Radial Filter in Lightroom.

Summary

I find that processing photos is more fun when it doesn’t take forever! Now with time saved doing basic processing, you may choose to take your photo into another photo editor to add special effects. Or you can just call it done and get back out in the field doing what you love: making photographs.


Want more? Try Anne’s Lightroom video course: Launch Into Lightroom to learn everything you need to know to get started in just a couple of hours.

The post How to Speed Up Your Photo Editing with the Right Lightroom Workflow by Anne McKinnell appeared first on Digital Photography School.


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The 7 Commandments of Great Photo Walks

27 Sep

In the last year, I’ve probably walked over 2,000 miles with my camera. I love photo walks because they are so meditative. There is also great excitement when you get home to look at the photos, to see if you captured anything good. And finally, it adds a dimension of extra beauty and flow to your regular long walks.

The following are the seven most important lessons I have learned when it comes to getting the most enjoyment and best possible results from your photo walks.

1. You shall bring no other lenses, besides the one you pick

This one is not only about lenses, it applies to equipment in general. I always just bring one lens—the one on my camera.

I pick a lens that I feel would fit this particular day, and this particular photo walk. If it is a beautiful morning with a clear sky, where I can anticipate a sunrise, I would likely bring a wide angle lens. If I am out walking with my girlfriend, I might bring a portrait lens.

The point is that I try to minimize the weight and amount of stuff I bring, so that the camera gear never becomes a burden. You want to feel free and light during a photo walk.

2. You shall snap the first photo immediately

Have you noticed that, as you enter an IKEA store, you usually encounter a too-good-to-be-true deal in the first few minutes? Like, an insanely good deal? The reason is that they want you to take that deal and put it in your bag, as this will shift you into “shopping mode” early on in your visit.

Entering “shopping mode” is a threshold you must cross, where you make the decision that “today I am shopping.” And soon item number two and three goes into your bag as well. The sooner you go into shopping mode, the more money IKEA makes from your visit.

It is the same with photo walks. The sooner you take your camera out of the bag, turn it on, and take the first photo, the sooner you enter into photography mode, and the more photos (and hopefully good photos) you will come home with. As soon as you snap the first couple of photos, you enter a more creative mindset.

3. You shall introduce a constraint to boost creativity

This one seems unintuitive, I know, but the more constraints you have, the more creative you will get. A great first constraint that I always utilize is that I only bring one lens (see above), and that lens it is always a prime. But see what happens if you add even more constraints, such as only shooting in black and white, or only shooting in portrait orientation.

A constraint is particularly useful if you initially feel resistance towards it; stay determined to work your way through the initial resistance, and your creativity will spring into action.

4. You shall follow the good light

I find that the best results come from the photo walks where I allow myself to walk without a set plan. I go out exploring. Whenever you get a feeling that the light is particularly beautiful in a certain direction, or your intuition just tells you that you should go somewhere, go there.

I’m not giving you this advice because I necessarily believe our intuition can lead us to the best photos. I have simply found that following my intuition boosts my creativity, and the result of that is always better and more beautiful photos.

5. You shall honor your gut when it says a photo must be taken

This one is common to hear from street photographers, where the so-called decisive moment is everything, but I think it applies in all forms of photography. When your gut feeling says that you have an opportunity to take a great photo, go for it. Even if your camera is packed in the bottom of your bag. Even if you feel embarrassed to take a photo in the situation at hand for whatever reason. Even if you tell yourself you can come back later and take that photo.

Usually, you cannot come back later. Photos are unique moments that you freeze, and moments never come back. The exact same scene, with exactly the same light, will never come back. So always take the shot if your gut tells you to!

6. You shall review sharpness and composition before leaving the scene

Never just quickly glance at your camera’s screen and think to yourself “looks good, let’s move on.” Chances are, the photo isn’t really that good. It might be slightly out of focus. It might be a bit tilted. It might be overexposed.

Always make a habit of checking the composition, exposure and sharpness of your photo before leaving the scene. Otherwise you might be very disappointed when you bring up the photo on your computer screen only to discover that it wasn’t as good as you thought. If you check your photos in detail, by zooming in on details to check sharpness, you can always retake the photo while you’re still at the scene.

7. You shall always walk somewhere new

A final key to creativity is variation. Always walk to new places, because novelty triggers creativity. If you always walk the same path, on every photo walk, you will get increasingly bored and gradually lose inspiration. Walk new walks every time!


Micael Widell is a photography enthusiast based in Stockholm, Sweden. He loves photography, and runs a YouTube channel with tutorials, lens reviews and photography inspiration. You can also find him as @mwroll on Instagram and 500px.

This article was originally published on Micael’s blog, and is being republished in full with express permission.

Articles: Digital Photography Review (dpreview.com)

 
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Affinity Photo for iPad adds extremely useful drag-and-drop feature with iOS 11 update

22 Sep

One of the useful features added to the iPad with the update to iOS 11 this week was drag-and-drop between the operating system’s “Files” app and other applications on the tablet. And popular photo editor Affinity Photo has already updated its iPad app to take advantage of this really handy feature.

Now, if you want to edit a photograph in the Affinity Photo app, all you have to do is drag it from the files app into Affinity… that’s it. No need to get the image onto your iPad in some other, more convoluted way—as long as it’s accessible from your Files app (read: in a cloud-connected folder on your Apple computer) you can drag it into the app.

What’s more, you can drag multiple files in at once for HDR merging, panorama creation, and focus stacking. Here’s the description direct from Serif, the makers of Affinity Photo:

Thanks to iOS 11’s new Files app you can now drag and drop multiple images straight into Affinity Photo for iPad and start editing. This is tremendously useful when working with HDR merge, image stacking and panoramas and will provide an instant boost to your workflow. And if you ever receive images, or even PSD files, via email, you can now open and edit that file – with all layers intact – by simply dragging it in.

Affinity Photo made a big splash with their iPad release, calling it “the first full blown, truly professional photo editing tool to make its way onto the Apple tablet.” As Serif builds more and more functionality into the app, they’re hoping to close the gap between mobile and desktop editing. This represents a big step in that direction.

Learn more about Affinity Photo for iPad by clicking here. And if you’re more of a desktop editor sort of person, don’t forget to check out our review of Affinity Photo 1.5.2 posted this week!

Full Review: Affinity Photo 1.5.2 for Desktop

Articles: Digital Photography Review (dpreview.com)

 
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Review: Affinity Photo 1.5.2 for desktop

21 Sep

Affinity Photo for desktop (Mac + PC)
$ 50 | Affinity.Serif.com | Buy Now

Usually, the price of software comes at the end of the review, but with Affinity Photo 1.5, the image editor for Mac and Windows, the price is the starting point, along with a prominent qualifier from the product’s website: ‘No subscription.’

Key Features

  • Professional editing tools for almost anyone who needs to manipulate images
  • Edits are mostly non-destructive
  • Windows and Mac support
  • Inexpensive, with no subscription required
  • Batch processing

Affinity Photo’s developer, Serif, knows its audience. When Adobe shifted Photoshop and nearly all of its other products to a subscription model in 2013, it prompted an outcry from customers who didn’t want to be locked into a perpetual fee. Four years later, despite the move being apparently successful for Adobe, subscription pricing continues to be a point of contention for many people, turning into an opportunity for developers like Serif.

If you’re already familiar with Adobe’s flagship, it won’t take long to orient yourself in Affinity Photo.

However, simply offering a less expensive image editor isn’t enough. We’re beyond the point where photographers will put up with limited software to save a few bucks, and with Affinity Photo, we don’t have to. You won’t find some of the specialized features Photoshop includes, such as its 3D tools, but most everything else is there – sometimes to Affinity Photo’s detriment.

Getting Started

Affinity Photo’s personas break up the editing experience into five main categories.

Software should be evaluated on its own merits, and for the most part I’m looking at Affinity Photo through that lens. How does it perform for photographers? Does it get in the way when handling familiar operations? Does it improve the editing experience? Comparisons to Photoshop inevitably come up, and I’ll refer to them when needed, but this isn’t specifically a comparative review between Affinity Photo and Photoshop.

That said, if you’re already familiar with Adobe’s flagship, it won’t take long to orient yourself in Affinity Photo. If photo editing beyond the basics is new to you, it’s easy to pick up.

Working modes, aka ‘Personas’

Affinity Photo is built around four working modes, referred to as “personas,” each of which contains its own specialized tools. These personas include: Photo, Develop, Tone Mapping and Export.

The Photo persona is the main editing interface, with adjustments, layers, masks, and the like. The Liquify persona is a playground for distorting areas when retouching (creating an editable mesh of the entire image and then pushing and pulling the pixels to do things like make areas seem slimmer or to correct distortion). The Develop persona kicks in when opening a raw file for pre-processing, akin to Adobe Camera Raw. The Tone Mapping persona is exclusive for working with HDR (high dynamic range) effects, which can apply to single images as well as several merged shots. And lastly, the Export persona provides tools for creating versions of the image outside the application, from specifying file types and compression levels to preset slices.

You’ll also find tools for painting and drawing, including extensive controls for creating and manipulating brushes, but for the sake of brevity, I’m looking at the application in terms of editing photos.

Articles: Digital Photography Review (dpreview.com)

 
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