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Slideshow: Winners and finalists of Smithsonian Magazine’s 17th Annual Photo Contest

02 May

Winners and finalists of Smithsonian Magazine’s 17th Annual Photo Contest

Smithsonian Magazine recently announced the winners and finalists of their 17th Annual Photo Contest. Over 36,000 images were submitted by more than 10,000 photographers from 145 countries. A judging panel consisting of the magazine’s photo editors selected 60 images across 6 categories: Natural World, The American Experience, Travel, People, Altered Images, and Mobile.

London-based photographer Jon Enoch’s ‘Hanoi Fish Man,’ captured in Vietnam’s capital city, depicting a biker lugging around massive loads of live fish contained in plastic bags, is the Grand Prize winner. If this image looks familiar, it was shortlisted earlier this year by Sony’s annual World Photography Awards.

All 60 finalist images can be viewed here. Smithsonian Magazine is currently accepting entries for their 18th Annual Photo Contest. For more inspiration, you can follow along on Instagram, Facebook, and Twitter.

Reader’s Choice, American Experience: ‘Home Survives Direct Hit From Tornado’ by Matt Gillespie (United States)

© Matt Gillespie. All rights reserved.

Photo Location: Ellerslie, Georgia, United States

Artist Statement: This home was in the direct line of a tornado that hit Ellerslie, Georgia. Most of the trees on the property had fallen, but the house stood with minimal damage.

Winner, Natural World: ‘Adélie Penguin on an Iceberg’ by Conor Ryan (United Kingdom)

© Conor Ryan. All rights reserved.

Photo Location: Antarctica

Artist Statement: Ice-dependent animals are in perilous danger of losing their habitat. This photo shows an Adélie penguin standing on an iceberg off Devil Island, Antarctica. I like how the half-lit, sea-eroded iceberg gives the scene a sense of dichotomy. Perhaps the penguin’s indecision on which way to go, or perhaps ours.

Finalist, Natural World: ‘Tender Eyes’ by Tamara Maria Blazquez Haik (Mexico)

© Tamara Maria Blazquez Haik. All rights reserved.

Photo Location: Monfragüe National Park, Spain

Artist Statement: A gorgeous griffon vulture is seen soaring the skies in Monfragüe National Park in Spain. How can anyone say vultures bring bad omens while looking at such tenderness in this griffon vulture’s eyes? Vultures are important members of the environment, as they take care of recycling dead matter. When looking at them flying, we should feel humbled and admire them.

Winner, The American Experience: ‘Shields Strikes Back’ by Terrell Groggins (United States)

© ?Terrell Groggins. All rights reserved.

Photo Location: Detroit, Michigan, United States

Artist Statement: Olympic champion Claressa Shields (right) meets Hanna Gabriels in a boxing match at the Masonic Temple in Detroit, Michigan on June 22, 2018. Shields suffered a first-round knock-down by Gabriels—the first time that had happened in Shields’ career—but went on to win the match by unanimous decision. Shields is the first American woman to win an Olympic gold medal in boxing, and the first (male or female) to win a gold back-to-back in successive Olympic Games.

Finalist, The American Experience: ‘Playground Landscape’ by Juan Osorio (United States)

© Juan Osorio. All rights reserved.

Photo Location: Verona, New Jersey, United States

Artist Statement: This series documents the interaction of the shapes, colors and functionality of playgrounds and the people who use them with an emphasis in the color contrast between the outfits and the environment.

Winner, Travel: ‘Iceberg Tower’ by Natnattcha Chaturapitamorn (Thailand)

© Natnattcha Chaturapitamorn. All rights reserved.

Photo Location: Ilulissat, Greenland

Artist Statement: Sunset over an iceberg tower in Disko Bay.

Finalist, Travel: ‘Blooming’ by Thien Nguyen (Vietnam)

© Thien Nguyen. All rights reserved.

Photo Location: Phu Yen, Vietnam

Artist Statement: A fishing net moving underneath the water’s surface. Many local fisherman families along the coastline of Phú Yên province in Vietnam will follow the near-shore currents to catch the anchovy during peak season.

Only a small proportion of the entire catch is sold fresh, with most of it being dried or salted. Salted anchovy is the most important raw material to create traditional fish sauce; the humble anchovy becomes the spirit of Vietnamese cuisine.

Finalist, Travel: ‘Larung Gar Buddhist Academy’ by Attila Balogh (Hungary)

© Attila Balogh. All rights reserved.

Photo Location: China

Artist Statement: The world’s biggest Tibetan Buddhist institute.

Winner, People: ‘Dungan Wedding’ by Yam G-Jun (Malaysia)

© Yam G-Jun. All rights reserved

Photo Location: Bishkek, Kyrgyzstan

Artist Statement: Madina, 20, an ethnic Dungan, is covered by a red veil before she leaves for the groom’s house during wedding ceremony in Milyanfan, Kyrgyzstan. Dungans wear traditional Chinese-influenced wedding gowns, follow traditional Hui Chinese wedding ceremonies from the 19th century and practice endogamy, but due to shrinking population size, they have stopped the practice and allowed Dungans to marry other ethnicities.

Finalist, People: ‘Portrait of Endurance Athlete Anders Hofman’ by Jesper Gronnemark (Denmark)

© Jesper Gronnemark. All rights reserved.

Photo Location: Copenhagen, Denmark

Artist Statement: Portrait of endurance athlete Anders Hofman before his attempt to complete a triathlon at Antarctica.

Finalist, People: ‘The Young Dreamers’ by Sujan Sarkar (India)

© Sujan Sarkar. All rights reserved.

Photo Location: India

Artist Statement: Childhood, youth, old age. Among the three, the childhood is the most beautiful part of our life…It must be enjoyed to the fullest.

Finalist, Altered Images: ‘Follow the Herd’ by Tuan Nguyen Tan (Vietnam)

© Tuan Nguyen Tan. All rights reserved.

Photo Location: Vietnam

Artist Statement: The buffalo follow each other to new food sources at Dau Tieng Lake, Vietnam.

Winner, Mobile: ‘At Sunset’ by Victoria Gorelchenko (Russia)

© Victoria Gorelchenko. All rights reserved.

Photo Location: Moscow, Russia

Artist Statement: I was waiting for my husband in the parking lot and noticed this beautiful light.

Finalist, Mobile: ‘Loneliness in Capital’ by Farnaz Damnabi (Iran)

© Farnaz Damnabi. All rights reserved.

Photo Location: Tehran, Iran

Artist Statement: When I was going back home from work, this scene—women taking naps on public transportation— attracted my attention.

Articles: Digital Photography Review (dpreview.com)

 
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10 Creative DIY Photo IDEAS when Stuck at Home (video)

25 Apr

The post 10 Creative DIY Photo IDEAS when Stuck at Home (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video from Nicolas Doretti, he gives you 10 creative DIY photo ideas for when you are stuck at home. They are fun, interesting, and best of all, they may teach you some new techniques you hadn’t thought to try.

So try some of these ideas out, and share your results with us in the comments section!

10 Creative DIY Photo IDEAS when Stuck at Home

DIY photo idea – woman floating above a bed
  1. Use everyday props to play with the light while making portraits. Play with colanders, cut shapes into cardboard, or use pieces of material to filter the window light or other artificial lighting.
  2. Use glass and ice as a foreground for some cool portraits.
  3. Use fairy lights for some great portrait effects, or if you have no model, just photograph the lights themselves and create bokeh.
  4. Do some food photography. Make a seamless DIY backdrop using a pillowcase or similar.
  5. Do some Ninja photos using oranges or similar. Cut them in half and use skewers to make them look like they are floating. Photograph yourself making a Ninja move, so it looks like you have just cut it in half. Or, if you don’t want to be in the photo, simply make them look like they are floating.
  6. Duplicate yourself in photos by placing your camera on a tripod and taking multiple photos of yourself in different positions. Then composite the photos together in a program such as Photoshop by using Layer Masks.
  7. Try levitation photography. Use masks again to remove your chair (or whatever you have used to make it look like you or the person you are photographing are levitating).
  8. Try some birds eye photography by attaching your phone to the ceiling and taking some shots of the room below.
  9. Make some cool lighting effects using reflections! Or shoot using objects that refract or diffract the light, such as reading glasses, crystal, drinking glasses, CDs, or knives.
  10. Create your own neon background. Do a search for colorful or neon backgrounds, and place the image on your TV or screen. Then photograph your subject in front of it.
DIY photo idea – multiple images of same person in one composition
DIY photo idea – photograph of woman with interesting lighting
10 Creative DIY Photo IDEAS when Stuck at Home (video)

You may also like:

  • The dPS At-Home 7-Day Photography Challenge – Week One
  • Next-Level Selfies – 7 Tips for Creative Self-Portraits (video)
  • How to Make a Cool Double Exposure Effect Using Photoshop (video)
  • How to Create Dramatic Portraits with Shadow Photography
  • 5 Ways to Use a Piece of Glass for Unique Portraits
  • How to Take Floating Photos – Levitation Photography
  • Challenge Yourself by Photographing One Object
  • Easy to Create Fake Underwater Photography Hack

The post 10 Creative DIY Photo IDEAS when Stuck at Home (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


Digital Photography School

 
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Epson announces new and improved 13″ SureColor P700, 17″ P900 photo printers

22 Apr

Epson has announced a pair of new SureColor photo printers, the SureColor P700 and the SureColor P900. These printers print up to 13″ and 17″ wide respectively and are replacing the SureColor P600 and P800 printers in Epson’s lineup.

The P700 and P900 introduce a variety of new features, some of which were introduced in the large format SureColor P7570 and P9570 printers Epson announced last October. Like these larger printers, the P700 and P900 include a new internal light for checking on your prints as they’re being made and a 4.3″ touch screen control panel. While the P700 and P900 do not have the 12 channel print head of their larger siblings, they do include a new 10 channel MicroPiezo AMC Print Head which features dedicated channels for Matte Black and Photo Black ink. This is a big deal for Epson printers as previous generations of printers required time-consuming (and ink-consuming) black ink switching when moving from glossy to matte photo paper.

Shown here is the ink set for the Epson SureColor P700 printer. These cartridges are 25mL each. The cartridges for the P900 are larger and are 50mL each. Image credit: Epson

The SureColor P700 and P900 printers include a new set of Epson UltraChrome PRO10 inks. Epson states that the new inks deliver up to a 6 percent wider color gamut than the P600 and P800 printers. Further, they include a new violet ink channel, which will improve the appearance of blues, violets and purples in your prints. Epson is known for their industry-leading print permanence, and the new ink set continues this trend, promising longevity up to 200 years for color prints and 400 years for black and white prints.

Speaking of black and white prints, the Epson P700 and P900 include a new Carbon Black printing mode, which increases the DMAX by up to 11 percent versus the SureColor P800. The special driver mode is optimized for glossy and metallic glossy media and produces what Epson calls a “rich, ‘wet’ looking black.” This mode uses the existing Light Gray ink channel and does not require a dedicated ink channel, such as Canon’s Chroma Optimizer.

Epson SureColor P900 printer. Image credit: Epson

Considering the printers themselves, let’s look at the new 4.3″ touchscreen user interface. This new control panel is user customizable, including in terms of color and the information displayed. The panel can also show a live preview of the image you are printing. Settings shown on the touchscreen panel include the internal light option, network settings, errors and warnings, print job status and remaining time, media type and loading options, ink levels and more. Regarding network settings, the SureColor P700 and P900 printers include new 2.4 and 5 GHz wireless functionality.

The SureColor P700 and P900 printers are also much more compact than their predecessors. They are up to 30 percent smaller than the printers they are replacing. In fact, the new SureColor P900, despite printing up to 17″ wide rather than 13″ wide, is the same size as the outgoing SureColor P600. Specifically, the P700 is 20″ wide and the P900 is 24″ wide. They have respective minimum depths of 20.8″ and 23.1″.

Epson SureColor P700 and P900 printer dimensions. Click to enlarge the image. Image credit: Epson

As mentioned, the SureColor P700 supports 13″ wide media. Core media up to 2″ is supported. The P700 includes an include rear roll media feed, allowing for roll printing up to 10 ft. long. When loading sheet media from the top, the P700 can hold between 10 and 30 sheets at a time. There is also no need for a second Fine Art tray anymore; you can load all accepted paper via the single top load tray. The printer can accept media up to 1.5mm thick.

The SureColor P900 accepts 17″ wide media and supports both 2″ and 3″ cored roll media via an optional enclosed roll media adapter. Like the P700, there is a single top lead sheet tray now, which can accept between 10 and 30 sheets of paper and papers up to 1.5mm thick. In the case of both the P700 and P900, there is no built-in cutter.

To summarize, the key features of the new Epson SureColor P700 and P900 printers are as follows:

  • UltraChrome PRO10 10-color ink technology with up to a 6 percent wider color gamut than the SureColor P600 and P800 printers.
  • New MicroPiezo AMC print head with dedicated channels for photo black and matte black. This means no more black ink switching when changing paper types.
  • Carbon Black Overcoat technology results in improved black density on glossy media.
  • Dramatically smaller physical size compared to the P600 and P800 printers.
  • New 4.3″ touchscreen control panel.
  • Improved media feeding options.

The Epson SureColor P700 and P900 printers are now available to order with shipment expected to begin in early May. The estimated MSRP for the new P700 and P900 printers are $ 799 and $ 1,195 respectively.

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: 2020 World Press Photo contest winners

17 Apr

2020 World Press Photo contest winners

The World Press Photo Foundation recently announced the results of its 63rd annual World Press Photo Contest. World Press Photo of the Year, Story of the Year, plus winners across all 8 categories were included in Thursday evening’s announcement. Nearly 74,000 images were submitted by 4,282 photographers. 44 winners, 30 which are recognized for the first time, hail from 24 countries.

The jury, consisting of 17 professionals from 6 continents, selected ‘Straight Voice’ by Yasuyoshi Chiba (which was featured in our nominee coverage a few months back) as Photo of the Year. ‘This moment was the only peaceful group protest I encountered during my stay. I felt their undefeated solidarity like burning embers that remain to flare up again,’ says Chiba of his winning photo.

‘Kho, the Genesis of a Revolt’ by Romain Laurendeau, which documented the unease of Algerian youth that led to the biggest protest in decades, was selected as World Press Photo Story of the Year. ‘It was impossible for a part of me not to recognize myself in these young people. They are young but they are tired of this situation and they just want to live like everyone else,’ explains Laurendeau.

Elsewhere, fans of the Tiger King docuseries on Netflix will recognize Kevin Antle in Steve Winter’s ‘The Tiger Next Door’ image, which won Second Prize in the Contemporary Issues – Stories category. All digital storytelling contest winners can be viewed on the World Press Photo homepage.

Winning photographs and multimedia will be on display during year-long worldwide exhibition, which premieres every year in Amsterdam. The launch date has been postponed due to the current pandemic. Those interested in attending events can check in with the World Press Photo event calendar.

World Press Photo Story of the Year: ‘Kho, the Genesis of a Revolt’ by Romain Laurendeau (France)

Caption: Football fans gather in the street and sing during a match that is taking place behind closed doors due to violence, in Algiers, Algeria, on 22 November 2014.

Story: Young people make up more than half of Algeria’s population, and according to a UNESCO report 72% of people under 30 in Algeria are unemployed. Pivotal moments in Algerian history, such as the ‘Black October’ revolt of 1988, have had angry youth at their core. Black October was harshly suppressed—more than 500 people were killed in five days—and was followed by a ‘black decade’ of violence and unrest.

Thirty years on, the effects of that decade are still present. In a traumatized country, high unemployment leads to boredom and frustration in everyday life and many young people feel disassociated from the state and its institutions. In neglected working-class neighborhoods such as Bab el-Oued in Algiers, young people often seek refuge in diki—private places that are ‘bubbles of freedom’ away from the gaze of society and from conservative social values. But the sense of community and solidarity is often not enough to erase the trials of poor living conditions.

In February 2019, the United States of young people from working-class neighborhoods again took to the streets in what became a nationwide challenge to the reign of long-time president Abdelaziz Bouteflika.

Kho (the word means ‘brother’ in colloquial North-African Arabic) is about the genesis of a revolt. It is the story of the deep unease of youth, who, by daring to challenge authority, inspired the rest of the population to join their action, giving birth to the largest protest movement in Algeria in decades.

World Press Photo Story of the Year Nominee: ‘Ethiopian Airlines Flight 302 Crash Site’ by Mulugeta Ayene (Ethiopia)

Caption: Onlookers inspect debris at the crash site of Ethiopian Airlines Flight ET302, near Addis Ababa, Ethiopia, on 11 March 2019.

Story: On 10 March, Ethiopian Airlines Flight ET302, a Boeing 737 MAX, disappeared from the radar six minutes after take-off from Addis Ababa airport and crashed into a field, killing all 157 people on board. The impact was so great that both engines were buried in a crater 10 meters deep.

A week after the crash, empty coffins were buried at a ceremony at the Holy Trinity Cathedral in Addis Ababa, as victims were unable to be identified. Officials gave relatives bags of earth from the crash site. On 14 November, eight months after the crash, the site of the impact was covered and the unidentified remains of victims buried in rows of identical coffins.

Comparisons were made with the crash of a Lion Air aircraft, also a 737 MAX, 12 minutes after take-off from Jakarta in October 2018. Countries across the world, initially with the exception of the US, grounded the 737 MAX. First reports showed that pilots had been unable to prevent the plane repeatedly nosediving, despite following procedures recommended by Boeing.

It appeared that in both cases pilots were struggling to deal with an automated safety system designed to prevent stalling, which was repeatedly pushing the nose of the plane down. It seemed that the system was being activated, possibly due to a faulty sensor, even though nothing was wrong.

It later emerged that American Airlines pilots had confronted Boeing about potential safety issues with the MAX. Boeing had resisted their calls but promised a software fix, which had not been done by the time Flight ET302 crashed. Planes remained grounded into 2020.

Contemporary Issues – First Prize, Stories: ‘The Longest War’ by Lorenzo Tugnoli (Italy) for The Washington Post

Caption: An Afghan National Defense and Security Forces (ANDSF) anti-mine team detonate an improvised explosive device (IED) found on the Ghazni-Kandahar highway in eastern Afghanistan, on 2 December 2019. IEDs are one of the leading causes of casualties among civilians and members of the ANDSF.

Story: The Taliban made significant territorial gains and increased their influence in Afghanistan in 2019. Eighteen years after the US invasion, and five years since the Afghan National Defense and Security Forces (ANDSF) have been responsible for securing Afghanistan, the Taliban control or contest around half the country, in some districts acting as a shadow government.

Peace talks began in January appeared to be nearing agreement in August, but were scuppered by US president Donald Trump in September. Fighting escalated during talks as both sides tried to gain leverage, while on the ground the talks provided the Taliban with increasing political legitimacy. The frequency and spread of Taliban violence left the ANDSF overstretched and in some cases overwhelmed, with a high casualty rate.

The escalation of the conflict also severely impacted the civilian population, resulting in high casualties, forced displacement, extreme insecurity, lack of access to education and a weakened public health system. A report published in June 2019 by the Institute for Peace and Economics named Afghanistan as the world’s “least peaceful” country, replacing Syria, though by early 2020 it seemed that a peace agreement was once again a possibility.

Contemporary Issues – Second Prize, Stories: ‘The Tigers Next Door’ by Steve Winter (United States) for National Geographic

Caption: Kevin Antle poses with his staff in a swimming pool they use in a tiger show, at his Myrtle Beach Safari entertainment facility in South Carolina, United States, on 30 April 2019. Tourists pay upwards of USD $ 399 each to join a morning tour, during which they play and are photographed with cubs.

Story: Between 5,000 and 10,000 tigers live in captivity in the US. Roadside zoos and other businesses breed tigers and charge guests to pet and pose with them. Individuals also keep tigers as pets. By contrast, there are only 3,900 wild tigers in Asia and 1,659 in accredited zoos worldwide.

Many of America’s exotic pets are not covered by the 1973 Endangered Species Act, which applies only to those taken from the wild, not those bred in captivity. Four US states have no laws on keeping big cats as pets, and in ten others, although a permit is required, once secured for a small pet it can be used to acquire a larger animal such as a tiger.

By the time cubs bought as pets are four months old they become too large and dangerous to keep domestically, and are sold on, opening concerns that this feeds the highly lucrative illegal international trade in tiger parts. Investigations by the US Department of Agriculture (USDA), which is tasked with enforcing the Animal Welfare Act, dropped by 92% between 2016 and 2018.

In June, the US House of Representatives reprimanded the USDA for redirecting its focus from active enforcement to providing ‘teachable moment’ interactions with the public. A federal Big Cat Public Safety Act has now been proposed. It will address the gap in state laws and prohibit the private ownership of big cats, and ensure that if they cannot be returned to the wild, they can be transferred to accredited sanctuaries.

Contemporary Issues – Third Prize, Stories: ‘Exodus’ by Nicolò Filippo Rosso (Italy)

Caption: Migrants crowd onto a truck near the Colombia-Venezuela border, in La Guajira, Colombia, on 6 July 2018.

Story: A political and socio-economic crisis in Venezuela, from 2016 onwards, led to an increasing outflow of migrants from the country. Venezuelans said they were compelled to leave for reasons of insecurity and violence, lack of access to food, medicine and essential services, and loss of income due to the political situation. Colombia feels the impact of this exodus most keenly.

According to the UNHCR, by October 2019 approximately 4.5 million Venezuelans had left the country, of which 1.6 million were in Colombia. Others had moved through Colombia before going on to surrounding countries. Even though Venezuela officially closed its land border with Colombia in February, around 300 clandestine crossing points remained active. More than half of Venezuelan migrants in Colombia lacked regular status, and so had no access to health, education or legal employment.

Charity organizations and NGOs helped supply people with medical attention and food, but many ended up in informal settlements or living on the streets. Early in 2020, the Colombian government announced two new Special Stay Permits that would allow more than 100,000 Venezuelans to stay and work in the country, and ruled that children born in the country to Venezuelan parents could acquire Colombian nationality, but vast numbers of people remain dispossessed.

Environment – Second Prize, Stories: ‘Fading Flamingos’ by Maximilian Mann (Germany)

Caption: Farmers harvest apples near Lake Urmia, Iran, on 14 September 2018. The region is known for its apple production.

Story: Lake Urmia, in northwest Iran, once one of the largest salt lakes in the world, is drying up. In the 1990s, it was twice the size of Luxembourg, but intensified droughts and elevated summer temperatures have sped up evaporation. In addition, illegal wells together with a proliferation of dams and irrigation projects along the lake’s tributaries have diverted water to farm fields.

Research by an international group of scientists conducted in 2014 showed that the lake had shrunk to about 12% of its size in the 1970s. In addition, environmentalists argue that a 15-kilometer-long causeway that cuts the lake in two, built in 2008, contributes to the drying as it inhibits water flow between the two sides.

The exposed lakebed forms a vast salt desert that cannot support agriculture and is susceptible to salt storms which adversely affect surrounding agriculture, and cause eye, skin and lung disorders. Residents in the area, for whom the lake was once a leisure spot, are moving away. The desiccation also affects food sources for migratory birds such as flamingos, ducks and egrets.

President Hassan Rouhani of Iran has pledged US$ 5 billion over ten years to revive Urmia, and the United Nations Development Programme is working with farmers to introduce more sustainable working practices.

General News – Second Prize, Stories: ‘Chile: The Rebellion Against Neoliberalism’ by Fabio Bucciarelli (Italy) for L’Espresso

Caption: Demonstrators resist water-cannon jets during clashes in Santiago, Chile, on 28 November 2019.

Story: In the most extensive civil unrest in Chile’s recent history, people rose throughout the year in protest against economic inequality. Despite being one of the region’s most prosperous nations, Chile is the most unequal country in the OECD group of nations, according to a United Nations report. Just 1% of its population controls 33% of its wealth.

The trigger for the unrest was an increase in subway fares instigated by President Sebastián Piñera on 18 October. A peaceful rally in the capital Santiago sparked further protests leading to a nationwide uprising. Demands grew to include comprehensive economic reform and the replacement of the constitution, which was drawn up during the reign of Augusto Pinochet in the 1980s and which created a legal basis for a market-driven economy and privatized pensions, health and education.

Demonstrations grew in size—the largest comprising more than one million people on 25 October—and became increasingly violent. According to Human Rights Watch, the authorities used excessive force against demonstrators, including pellet shotguns that caused numerous eye injuries, and were accused of abuse, including rape, of people in detention.

Women played a prominent role in the demonstrations, particularly after reports of human-rights and sexual offenses against female protesters by security forces. On 15 November President Piñera announced a referendum on a new constitution to be held in 2020, but unrest continued with demands for an inquiry into human rights violations during the protests and an immediate overhaul of the pension, health and education systems.

General News – Third Prize, Stories: ‘ISIS and its Aftermath in Syria’ by Ivor Prickett (Ireland) for The New York Times

Caption: Two men walk through a destroyed neighborhood in Raqqa, northern Syria, on 4 April 2019. Very few families returned to live in Raqqa after the city’s liberation from IS.

Story: By early 2019, the territory held by the Islamic State group (IS) in Syria had reduced to a four-square-kilometer patch in the southeast, centered on the village of Baghuz. The IS retreat from northern Syria took place under the onslaught of the combined militias of the Syrian Democratic Forces (SDF), led by the Kurdish People’s Protection Units (YPG) and supported by an international coalition of primarily US troops.

As IS drew back, tens of thousands of people emerged from the enclave, many of them the wives and children of foreign IS fighters. Numerous IS fighters themselves surrendered or were captured. The Kurds were left with the conundrum of what to do with so many prisoners, many of them under 18 and orphaned or separated from their families. Then, at the beginning of October, US president Donald Trump ordered US troops out of northern Syria.

On 9 October, Turkey—which regarded Kurdish forces on its border as a security threat, given the decades-long Kurdish insurgency against Turkey—invaded northern Syria, aiming to end Kurdish control over the territory. As Kurdish forces refocused their attention on a new opponent, the fate of the many thousands of prisoners grew even more uncertain.

Long-term Projects, Second Prize: ‘Haf?z: Guardians of the Qur’an’ by Sabiha Çimen (Turkey)

Caption: Students sing religious farewell songs, at their graduation ceremony from a Qur’an school in Istanbul, Turkey, on 23 April 2017.

Story: Muslims who completely memorize the Qur’an are allowed to use the title ‘Haf?z’ before their names. They believe that whoever memorizes the holy book and follows its teachings will be rewarded by Allah and will rise in status in Paradise.

The practice dates back to the days when illiteracy was widespread and paper and vellum were prohibitively expensive, so haf?zes were seen as guardians of the holy word, keeping it alive for future generations. The Qur’an has 6,236 verses, and memorizing is usually achieved by repetition and recitation.

In Turkey, thousands of Qur’an schools exist for the purpose and many are attended by girls. Ranging in age from eight to 17 years old, most take three or four years to complete a task that requires discipline, devotion and focus. After graduating, most of these girls marry and have families but still retain the holy text word for word.

The photographer attended a Qur’an school with her twin sister when they were 12, and so is able to reveal a world unknown to many. Her project follows the daily lives of boarders at Qur’an schools and shows not only their emotions as they try to memorize the sacred texts, but how they retain the dreams of young women their age, as well as the rule-breaking practices and fun of school life when they are not studying.

Nature – Second Prize, Stories: ‘Pangolins in Crisis’ by Brent Stirton (South Africa) for National Geographic

Caption: A man reaches for a pangolin that is about to be slaughtered and prepared for a meal in a restaurant on the outskirts of Guangzhou, China, on 4 January 2019. Pangolin meat at the restaurant sells for around US $ 376 per kilogram.

Story: Pangolins are scaly-skinned mammals, and while sometimes mistaken for reptiles, they are more closely related to dogs and bears than anteaters or armadillos. They range through Asia and parts of Africa, and vary from the size of a domestic cat to over a meter long. They are solitary animals, meeting only to mate and produce a litter of one to three offspring, which are raised for around two years.

Pangolin scales are highly prized in some parts of Asia for traditional medicine, and the meat is considered a delicacy. A 2017 report by Traffic, the wildlife trade monitoring network, states that pangolins are currently the most illegally traded animals in the world, with at least one million estimated to have been poached in the last ten years. All eight pangolin species are protected under national and international laws, and two are officially listed as critically endangered.

Portraits – Second Prize, Stories: ‘Between Right and Shame’ by Tatsiana Tkachova (Belarus)

Caption: Natalia (62) was pregnant at the time of the explosion at the Chernobyl nuclear power plant. Although the baby was born healthy, she didn’t dare risk another pregnancy as she feared the effects of radiation. She also felt she could not cope with two children, so had an abortion the second time she conceived. Taken 22 April, 2018.

Story: Belarus abortion laws allow termination on request up to 12 weeks of pregnancy, and in certain medical or social circumstances up to 28 weeks, which places them among the most liberal in Europe. Nevertheless, abortion is still a taboo for many women, and many are reluctant to admit they have had a termination. ‘No abortion week’ campaigns are held annually, and the decision to have a termination is often accompanied by a sense of shame.

In this project, Belarusian women who have considered or undergone abortion tell their stories. The women had a range of concerns behind their decisions surrounding abortion—from contamination after the Chernobyl nuclear disaster to fear of poverty, not wanting to be a single parent, or a background of sexual abuse. As their decisions were often made with difficulty, in this story they did not want to show their faces and their names have been changed.

Sports – Second Prize, Stories: ‘The Gouandé Gazelles’ by Olivier Papegnies (Belgium)

Caption: Bélassé Tchari (left), in Gouandé, Benin, gets up every morning to work in her field to feed her seven children. She works hard to put Virginie and her two sisters through secondary school and encourages their footballing ambitions. Taken 21 February, 2019.

Story: The Gazelles de Gouandé from Gouandé village in northern Benin is one of 16 football teams set up across the country with the aim of giving young women more control over their futures through sport. The project, established by the Plan International organization, aims to empower women by promoting self-confidence, widening educational opportunities, and through advocacy against early marriage.

Following the 2019 Women’s World Cup, there was an international surge of interest in women’s football, and projects like the one in Benin can be seen as part of a wider view of the power of sport to unify and spread social awareness. In January 2019, Benin hosted a delegation from FIFA, football’s international governing body, aimed at supporting a new sports strategy in schools, and Beninese president Patrice Talon announced plans for four new football schools, including one for women.

Spot News – Second Prize, Singles: ‘Nairobi DusitD2 Hotel Attack’ by Dai Kurokawa (Japan)

Caption: Women are evacuated as security forces look out for perpetrators of an attack on the DusitD2 luxury hotel and business compound, in Nairobi, Kenya, on 15 January 2019.

Story: Five attackers threw bombs at vehicles in the parking area before entering the hotel lobby, where one staged a suicide bombing. At least 700 people were evacuated from the complex, with 21 killed and 28 wounded. The Somalia-based Islamist extremist group al-Shabab claimed responsibility for the attack, releasing a statement that called it a response to US president Donald Trump’s decision to recognize Jerusalem as the capital of Israel.

The DusitD2 complex houses a number of international companies, and is frequented by government officials and foreign visitors, making it a target that would draw media attention. The attack and subsequent security operation lasted 20 hours, and ended with all five attackers being killed.

Spot News – Second Prize, Stories: ‘Australia’s Bushfire Crisis’ by Matthew Abbott (Australia) for The New York Times

Caption: Aluminum, which melts at 660.3ºC, has streamed from a burning car in Conjola Park, a town where bushfires razed more than 89 properties, in New South Wales, Australia, on 31 December 2019.

Story: The annual fire season in Australia began early and was exceptionally severe—following months of record-breaking drought and fanned by strong winds. Far stronger wildfires than usual, mostly battled by volunteer firefighters, raged through New South Wales and Victoria as well as areas in South Australia and Queensland, laying waste to bushland and rainforest and destroying homes.

By the end of January 2020, more than 30 people had been killed, 3,000 homes lost, and around 12.6 million hectares of land burned (nearly three times the size of the Netherlands). Wildlife was harshly hit. Local scientists estimated that up to one billion animals perished, and more than 50% of the Gondwana rainforest traversing New South Wales and Queensland was burned.

In December, while the intensity and speed at which many bushfires were spreading increased, Australian prime minister Scott Morrison went on holiday to Hawaii, and was prompted to return only after the death of two volunteer firefighters. He continued to champion a pro-fossil-fuel policy and held back from linking the fires to the climate crisis.

Articles: Digital Photography Review (dpreview.com)

 
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Photo Hacks to Make Your Canvas Print a Showstopper

16 Apr

The post Photo Hacks to Make Your Canvas Print a Showstopper appeared first on Digital Photography School. It was authored by Gvido Grube.

Canvas Printing Tips featured image

Taking perfectly decent photos isn’t rocket science. And once you’ve taken them, it’s also not hard to turn them into perfectly decent photo canvas prints. But what if you’re striving for something more, something exceptional? What if you want your canvas print to be a real showstopper?

Well, there are a few hacks you can use that should get you instant results. And the photo printing experts at CanvasDiscount.com are here to talk you through these canvas printing tips.

Read on.

Stick with the basics of composition

canvas printing tips - printed canvas sitting on a desk.
Photo by Roger Erdvig – Unsplash

It sounds counterintuitive to play it safe when you want your photo to stir things up. But some rules really are best left unbroken. Using the Rule of Thirds, Fibonacci Spiral or Phi Grid might sound basic if you’re a battle-hardened professional. And yet these lie behind pretty much every successful photo ever taken.

And there’s another factor in play here.

It’s worth noting that after you print a photo on canvas, the canvas is stretched over a wooden frame and attached at the back. This means that some of the image detail – the very margins of the original photo – appear on the sides of the frame.

For those “playing it safe,” this shouldn’t have much impact, as the position of the subject, the focal points, and lines of perspective will all stay roughly the same.

But for those who take risks with the classic conventions of photography, the opposite can be true.

If your subject, or the center of the “action,” are too close to the edge of your image, there’s a risk that these will be obscured on the finished product.

Aim for scale and movement

Drone photography often makes for superb photo canvas prints. And close-up photos of fabric and plant textures can also look fantastic when printed on canvas. In fact, though it might seem paradoxical, there are certain similarities between these two kinds of shots.

Canvas printing tips – 3 photos with beach scenes framed on a wall
Photos by Adam Gonzales, Ryan Wilson and Bharath g s – Unsplash

Both allow you to take certain liberties with the rules of composition, as the focus here is on a sense of scale.

Repetitive patterns and an emphasis on texture also help to make aerial photos and close-up shots visually effective.

But there are many other ways to give your prints more impact.

Use the leading lines cleverly

Photo Hacks to Make Your Canvas Print a Showstopper
Photo by Mak – Unsplash

The most common way to create dynamism in photos is to use the leading lines. These are lines that draw the viewer’s attention to the subject of the photo. Usually produced by lighting conditions (light/shadow relationships) or geometrical patterns in the photo, leading lines can also be formed by the contours of buildings, handrails of a staircase, or any physical object close to the main subject.

When you’re framing your shot, just make sure these lines lead to your subject.

Go to the extremes

Many readers will be familiar with the terms “negative space” and “positive space.” The former denotes the areas surrounding the main subject of your photo, while the latter denotes the main subject/object. Of course, “negative space” shouldn’t be taken as implying any sense of inferiority!

Canvas printing tips – 5 black and white minimalist images printed on canvas and hanging on a wall
Photos by Adam Birket, Michel Paz, Trevor Mckinnon – Unsplash; Serhii and Besjunior – Adobe Stock

Negative space serves to highlight positive space. In fact, you could say that one relies on the other to make an impact. But it’s possible to compose an image so that negative space becomes the main subject of the photo. This can work to amazing artistic effect, challenging traditional ideas about composition.

Meanwhile, keeping your focus on positive space but taking it to audacious extremes is another example of how you can break the rules and still get great results.

So what do we mean when we talk about extreme positive space?

Canvas printing tips – photos of busy urban architecture framed and hanging on a all.
Photos by Red Ana & Pavel – Unsplash

A photo with extreme positive space usually features little or no negative space. The whole photo, from top to bottom, is buzzing with noise, movement, lines, and patterns, produced by multiple competing subjects. Done right, this can lead to an appealing sense of artistic chaos.

Photos of crowds, building blocks, lush woodlands, or mountain ranges lined up one behind the other – these are examples of subjects that can use extreme positive space to great effect.

And any successful photo using positive space in this way is sure to make for a successful canvas print too.

Photo Hacks to Make Your Canvas Print a Showstopper
Photos by Rodion Kutsaev and Janita Sumeiko – Unsplash

You can try going extreme in negative space too. In fact, extreme negative space often gives photos a sophisticated fine-art appeal. So push minimalism as far as you dare, and there’s every chance your photo will make for a wonderfully striking print on canvas.

Blur up the background

Is background clutter distracting from the subjects in the foreground of your photo? Shallow depth of field is a common way to emphasize the subjects in focus, effectively reducing the “noise” in the background. This simple trick works exceptionally well with still-life photos, as it accentuates nuanced details. It also produces the much-valued bokeh effect, as well as some specular reflections and blurred light sources.

Photo Hacks to Make Your Canvas Print a Showstopper
Photo by Yeshi Kangrang – Unsplash

One might argue the effect is somewhat overused these days, but there’s no denying it can look amazing. Frankly, we’d recommend jumping on the bandwagon at this point.

You can get the effect by using your camera’s macro settings or shooting in aperture priority mode. Choose the former, and you just need to switch to macro mode, turn off flash and zoom in before you shoot.

For the latter, you’ll need to switch to aperture priority mode and aim for the lowest f-value available – then just zoom in again and take the photo.

The two methods should give you near-identical results.

Use layers

Note that this has nothing to do with manipulations in Adobe Photoshop. Layering is a technique that’s commonly used to give your photo a depth effect. In practice, it means producing a photo composed of multiple layered elements at a range of distances from the lens. Using varying tones and textures will enhance the effect, making the photo appear more immersive.

Photo Hacks to Make Your Canvas Print a Showstopper
Photos by Jordan Steranka and Nathan Anderson – Unsplash

Creative use of these layers can produce a striking three-dimensional effect – which should work just as well once you print the image on canvas.

To get the best results, try to keep a clear distinction between the foreground, middle ground, and background of your image.

The many aspects of motion

Movement is one of the cornerstones of photography. Whether you capture a single instant of action using lightning-fast shutter speed or create motion blur with an epic long-exposure shot, movement creates visual tension. It makes your subject stand out from the background action.

This hack is not so much about creating a sense of motion as about where to position your moving subject in your photo. Get that part right, and your image can produce a spectacular impact.

Photo Hacks to Make Your Canvas Print a Showstopper
Photos by Rémi Jacquaint – Unsplash, Fannyes, and 75tiks – Adobe Stock

The trick involves leaving a space between the object in motion and the opposite side of the photo. The subject should occupy roughly one-third to two-thirds of the photo, with the remainder taken up by negative space.

This will suggest a direction in which the subject is heading and make your photo more dynamic.

Many great sporting photographs owe a lot of their power to this technique.

Trust your instinct

While the hacks listed above will help you shoot professional, well-balanced photos, the key to getting exceptional results is to go with your gut feeling. If you remember that not everyone agrees with even the most conventional ideas of beauty, you’ll feel free to do things your way.

Photo Hacks to Make Your Canvas Print a Showstopper
Photo by Roger Erdvig – Unsplash

There’s no universal formula for taking an excellent photo. No image, however highly acclaimed, is going to appeal to everyone. So when in doubt, trust your instinct, and there’s every chance it will lead you to your perfect photo.

Do you already have a photo with showstopper potential? Think it would look amazing hung on your wall? We can help! In collaboration with CanvasDiscount.com, we’ve prepared a special purchase offer exclusively for the readers of Digital Photography School. Head to CanvasDiscount.com and use the code DIGITALCANVAS15 to get 15% OFF all canvas prints! This is one you don’t want to miss!

CanvasDiscount is a paid dPS partner.

The post Photo Hacks to Make Your Canvas Print a Showstopper appeared first on Digital Photography School. It was authored by Gvido Grube.


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How to Convert a Photo to a Drawing in Photoshop

12 Apr

The post How to Convert a Photo to a Drawing in Photoshop appeared first on Digital Photography School. It was authored by Mark C Hughes.

How to Convert a Photo to a Drawing in Photoshop

If you are anything like me, your artistic skills with a pencil are not great. I can, however, take pretty good photographs. So, this technique will show you how to convert a photo to a drawing in Photoshop.

The steps aren’t complicated, but we will use smart objects, filters and blend modes. If you are not familiar with these, check out the related links to learn more about them.

You will need to use Adobe Photoshop for this particular technique and I will be using the current 2020 CC version of Photoshop. Different versions of Photoshop may require slightly different approaches, particularly as it applies to smart objects.

Start with a portrait

To convert a photo to a drawing in Photoshop, I will start with a portrait of a writer I know, Jane Marshall. I photographed this during a recent portrait session. My version of Photoshop is windows-based, but the commands apply to Mac too.

Make sure you are working with an 8-bit image, or some of the filters will not be visible within Photoshop.

Converting a photo into a pencil sketch
Start with the image you want to convert into a pencil sketch

We will be converting the layers into Smart Objects. Converting them into a smart object will allow you to make modifications to each layer.

Before you do this, use the Quick Select tool on the left side. With that highlighted, you can look across the top of the bar (on Adobe Photoshop CC) and use the Select Subject.

How to Convert a Photo to a Drawing in Photoshop
How to Convert a Photo to a Drawing in Photoshop

This uses Adobe’s Sensei AI technology and selects the subject for you. It generally does a pretty good job.

Mask out the subject

How to Convert a Photo to a Drawing in Photoshop
Create a layer mask so you are only working on the portrait

Create a layer mask so that you are only working on the portrait.

To do this, with your selection still made, go to Layer > Layer Mask > Reveal Selection. Alternatively, select the little layer mask icon in the Layer palette.

Clean up the mask by either using a black brush on the layer mask or use the Select and Mask tool. The Select and Mask tool is similar to the prior versions Refine Mask function, but works much better now. Fundamentally, the mask doesn’t need to be perfect, just smooth.

Remember when working on the mask, white reveals and black conceals.

How to Convert a Photo to a Drawing in Photoshop
Refine the mask

Once you are happy with the mask, we need to invert the selection, so press Ctrl I or Command I (Windows/Mac) and select the background.

Press Delete and the background will disappear. We will proceed to convert the layer into a Smart Object by clicking on the layer. You can also do this from the Edit menu.

Convert the base image into a Smart Object

How to convert a photo into a pencil sketch
You can convert the image into a Smart Object by right-clicking on the layer or going to the edit menu

Duplicate the layers and rename the new layers.

Because the layer was already a smart image, all the duplicates will also be smart images and will be tied to the original layer (more about that later).

There will be four layers above the original layer.

The original layer should be called Original (it will change from “Background” when you convert it into a Smart Object). We will leave that one alone and only work on the layers above it.

Title the layer above the original “Base.” We can call the layer above Base, “Pencil Outline.” The layer above that, call “Shading” and the Layer above that, call “Lines” or “Edges.”

Naming layers makes adjustments easier to keep track of. Smart objects will make the files larger, but will make all the changes non-destructive and editable.

Create multiple Smart Object layers

How to convert a photo into a pencil sketch
Once you create the first Smart Object layer, you can create all the additional layers we will need. Turn off all the layers above the one you are working on at the time.

Create the Pencil Outline layer

Turn off all the layers bar the layer you are working on using the Eye icon next to the name of each layer in the Layers palette. In this case, we will start on the Pencil Outline layer. To start the conversion, press Ctrl I or Command I to invert the layer.

How to convert a photo into a pencil sketch
Only the layer we are working on should be visible and we need to invert it to create the initial colored pencil effect

Once you have inverted the image, we are going to use the blend mode, “Color Dodge” to create the initial colored pencil outline effect.

How to convert a photo into a pencil sketch
The blend mode has created the initial effect, but it is not strong enough

Add a Gaussian Blur

The next thing we need to do to convert a photo to a drawing in Photoshop is to add a Gaussian Blur. We will do this to improve the appearance of the initial colored pencil effect.

Select Gaussian Blur from the Menu bar, by going to Filter > Blur > Gaussian Blur. The amount of blur you add will affect how much of the underlying image appears.

How to convert a photo into a pencil sketch
Adding the Gaussian Blur creates the amount of the image that will be visible

Adjust the amount of Gaussian Blur you want, and a color version of the pencil sketch will start to appear.

However, we can improve the image by creating shading and emphasizing some lines.

Adjust the amount of Gaussian Blur to an amount you like, but you want to clearly see your subject.

How to convert a photo into a pencil sketch
With an appropriate amount of blur (the amount will vary depending upon your image and image size), the base becomes visible

Make the image black and white

While on the Pencil Outline layer, add a new Black and White Adjustment Layer from the Adjustments Panel. This will add a layer above the Pencil Outline layer.

If you cannot find your Adjustments Panel, go to the menu bar and select Window > Adjustments. You will then see the panel open. The Black and White Adjustment icon is a box with a positive and negative rectangle inside.

Remember that if you have the layers above the one you are working on turned on, you will not see any changes. So make sure only the layer you are working on and the ones below are turned on.

You don’t need to change anything from the default settings for the black and white adjustment layer for the purposes of this exercise.

How to convert a photo into a pencil sketch
A black and white adjustment layer creates the pencil image effect

Working on the shading

When you are converting a photo to a drawing in Photoshop, you want some shading to give depth. However, pencils are usually shaded with texture and blending.

You can create this appearance in Photoshop.

Select your Shading layer.

To improve the effect, we are going to change your brush color from pure black to a dark grey and leave the white as white. You want the foreground color to be the dark grey and the background to be white.

How to convert a photo into a pencil sketch
As this will be a pencil effect, we are looking for the pencil color to not be 100% black

With the shading layer selected, go to the Filter Gallery (Menu > Filter > Filter Gallery) and choose the Charcoal Filter under the Sketch Group. Set the Charcoal thickness to 1, Detail to 5 and Light/Dark balance to 50.

How to convert a photo into a pencil sketch
At 100% this become the new layer. But we want a pencil effect, not a charcoal effect.

On the Shading Layer, change the blend mode to “Multiply.” This allows the underlying layer to merge with the shading layer, creating some detail and some shading.

How to convert a photo into a pencil sketch
The multiply blend mode combines the two main layers

Change the Opacity

Change the Opacity of the Shading layer to a pleasing amount. This will add texture to the image and make it look a lot more like a pencil drawing with shading. For this example, I used 62% opacity for the shading layer. This allows the underlying layer to start showing through. Choose an amount that works for your image

How to convert a photo into a pencil sketch
Balance the shading and the pencil outlines

Improve the outer edges

Most pencil drawings have stronger edges emphasized. Because we are converting a photo to a drawing in Photoshop, the photograph has lots of details but the edges aren’t pronounced. To do this, we are going to work off the Lines layer (this is the top layer we created earlier).

How to convert a photo into a pencil sketch
Work on the Top Layer

Invert the image by pressing Ctrl I or Command I.

How to convert a photo into a pencil sketch
To get stronger edges we need to invert the image again

Once the image has been inverted, we need to go to Menu > Filter > Filter Gallery and chose “Glowing Edges.”

How to convert a photo into a pencil sketch
Use the Filter Gallery to Access the Glowing Edges Filter

With Glowing Edges chosen under the Stylize Folder, use this to create the lines. Don’t worry that they are color – we are just looking for stronger edges like an artist would draw.

How to convert a photo into a pencil sketch
Glowing Edges makes the image strong

Change the blending mode to “Multiply.”

How to convert a photo into a pencil sketch
Use the blend mode to enhance the edges

Convert it to black and white

This time, instead of adding another layer, we can convert this layer to black and white. Do this by going to Menu > Image > Adjustments > Black and White.

How to convert a photo into a pencil sketch
Convert this last layer to Black and White for finished effect

Any filter effects below other filter effects will not show up live until you move to a different layer (no live preview as you change).

How to convert a photo into a pencil sketch
The finished effect can be tweaked because each smart object can be re-edited

Because each layer is a Smart Object, you can go back and adjust each layer’s filter settings to your liking. Essentially, everything is non-destructive. You can even replace the original image and apply the same settings (but that is a more advanced topic).

The finished look

How to convert a photo into a pencil sketch
The Final Portrait

In conclusion, by following all these steps you get a lovely pencil drawing image with shading and definition all starting from a color portrait photo.

There are other ways to accomplish converting a photo to a drawing in Photoshop, but I like how this technique adds subtle shading. This is how a sketch artist would convert a photo into a pencil drawing sketch.

Try converting a photo to a drawing in Photoshop yourself at home, and share your results in the comments section!

The post How to Convert a Photo to a Drawing in Photoshop appeared first on Digital Photography School. It was authored by Mark C Hughes.


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Pixelmator Photo 1.2 update adds cursor support, ML Color Match, Split View and more

10 Apr

Pixelmator has released a 1.2 update for its powerful iPad photo editing app Pixelmator Photo that adds cursor support, an improved Split View mode, a Match Colors tool, a new copy/paste function and much more.

The update comes on the heels of Apple’s new iPad Pro models and accompany Magic Keyboards, which offer not only a tactile typing experience, but also an integrated trackpad that works alongside iPadOS 13.4 to bring mouse-like support to iPadOS apps. By adding support for the new cursor functionality, Pixelmator Photo adds yet another means of input for editing photos on the go (it works with third-party Bluetooth cursors and trackpads as well).

Also new is Split View support, which lets you use Pixelmator Photo alongside another app without interrupting your workflow, as well as a new ML Match Colors function, which allows you to ‘match the look and feel of one photo to another’ thanks to machine-learning. Pixelmator has also added a new intensity slider for color adjustments and presets and the ability to share images directly from the Photos browser within the app without opening each image individually.

Other improvements and fixes addressed in the 1.2 update include improved screenshot capture, new default color adjustment options, a collection of user interface changes and a handful of bug fixes to smooth out the overall experience.

Pixelmator Photo 1.2 is available to download in the iOS App Store for $ 4.99.

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: PDNedu Student Photo Contest 2020 winners and finalists

10 Apr

PDNedu Student Photo Contest 2020 winners and finalists

The annual PDNedu Student Photo contest gives professional exposure to students currently enrolled in university/college, high school, or a certificate program. This year’s winners and honorable mentions will be published in the Spring 2020 issue of PDNedu – a publication that reaches over 50,000 educators and students. Images and multimedia will also be featured on PDN’s social accounts that boast over 500,000 followers.

Nikon is the main sponsor for the contest that awards the best student images across 7 categories: Fashion & Portraiture, Documentary, Still Life, Travel & Landscape, Fine Art & Personal Work, Multimedia & Video, and High School (Any Subject). Academy of Art student, and third-generation photographer Pratik Parulekar, won both the Grand Prize and Honorable Mention in the Still Life Category.

Grand Prize winners will receive the latest Nikon gear and lenses. Multimedia Grand Prize winner, Zuzanna Rabikowska, will also receive $ 1,500 cash. Other contests, plus conferences, can be viewed here.

Grand Prize, Documentary & Photojournalism: ‘Faith, Custom, Home’ by Arne Piepke

Artist Statement: Every year, from May to September, marksmen’s festivals are held in the Sauerland in Germany. The three-day festivals consist of Marches through villages, church processions, as well as dances and honors. The highlight of each festival is a shooting competition to determine the new annual King.

The origin of these marksmen’s clubs goes back to the civil defense in the Middle Ages and their motto, ‘for faith, custom and home,’ is still written on their flags today. With few exceptions, most of these clubs and brotherhoods have strict rules, do not allow women as members and represent conservative Christian values. The citizens of small villages in Germany have a strong sense of community and a deep attachment to their home, which is shaped mainly by cultivating this tradition and their regional customs.

Growing up in one of these small villages and visiting the local marksmen’s festivals from childhood on has led me to reflect on my personal experiences with this tradition. From 2015 on, I visited 31 festivals in order to use photography to question the contemporary exercise of the tradition and to examine the theatre like procedure of the fest.

Grand Prize, Fashion & Portraiture: ‘Untitled’ by Angel Chai Arviv

Artist Statement: I was born in 1989, in Pardes Hana in the north of Israel. Today I am based in Tel Aviv. I love it here; this place keeps me grounded. I’m into photography since early years and it’s been a long journey which started with taking simple sketches of everyday life and continued with fashion projects.

I’ve tried many genres – from documentary photography to product or travel photography. Finally I found myself in fashion photography where my passions for photographing ‘real people,’ and for storytelling and aesthetics, became the most inspiring combination. Today I am in the last year of my degree at Bezalel Academy of Art and Design in Jerusalem, and I aspire to be a professional photographer.

In my work I remember all the time that everyone is important, and everyone wants their fifteen minutes of fame. It doesn’t matter if the subject is a model or not, everyone wants to be remembered. When the subjects are looking at you in my photographs, I think you can see yourself in them.

Many times I find myself questioning photographic norms, whether or not it’s
acceptable to talk about the concept of masculinity in our time, and pushing boundaries. My work continues to document the perception of the human body as a machine of passion and sculpture in human matter.

Honorable Mention, Fashion & Portraiture: ‘Under the Veil’ by Ney Mila

Artist statement: Fashion photo shoots I created and directed in 2019.

Honorable Mention, Fashion & Portraiture: ‘Under the Veil’ by Ney Mila

Artist statement: Fashion photo shoots I created and directed in 2019.

Grand Prize, Fine Art & Personal Work: ‘#Metoo’ by Carol Record

Artist Statement: The #MeToo movement, which went viral in October 2017, prompted me to reexamine and reprocess my own personal history with sexual assault and harassment.

From 1996 to 1998, between the ages of 13 and 15, I was raped and manipulated by my stepfather, a man I had grown to love and trust like my own father. This series revisits family photographs from this time period, documenting my turbulent state of mind and expressing what I was unable to fully process in the moment. Through the addition and subtraction of various elements, the images reveal the extent of the trauma and begin to more accurately illustrate my life and psyche during this chaotic nightmare.

Working both digitally and physically allows me to create layers of separation and an emotional buffer between myself and the memories. Using the laptopogram process, family photos, legal documents and diary entries were scanned, digitally manipulated, and then exposed to silver gelatin paper via a laptop monitor in the darkroom. The resulting images were then developed and rescanned to create new images that could not have been made through digital means alone.

This workflow allows me to both mentally and physically process my thoughts, exorcising the demons from my past by physically channeling long-held feelings of anger, grief and frustration into the development of the image. The solitude and focus during the practice allow me to reflect upon this turbulent period of my life now that I am no longer inside it.

Honorable Mention, Fine Art & Personal Work: ‘Untangle’ by Sadie Cook

Artist Statement: I want to hold onto my body. I want to understand all its sides and parts. I’m just starting to understand how tangled up desire and photography and power and gender are. Figuring out how to negotiate this tangle, especially as a young, queer girl, feels urgent and exciting and frightening. I take pictures incessantly. I photograph the women around me and the act of touch and myself.

I think about language a lot. I want looking at my photographs to feel like when an acquaintance stops me on the street to say hi and ask how I am doing, and I take a deep breath and I say everything I?m really feeling and thinking with all the stammers and stutters and half-said sentences.

Grand Prize, High School (Any Subject): ‘Above the Rim’ by Losany Doumbouya

About this photo: From a teacher submitting on behalf of Losany Doumbouya, a junior at Ypsilanti Community High School: ‘This photo represents the stereotype that athletics, specifically basketball, are the only way for African American students to get ahead. The idea was Losany’s as well as the composition and camera settings, while his classmate, Jessie Jones, took the photo so Losany himself could be in it.’

Honorable Mention, High School (Any Subject): ‘BW Surf’ by Jack Bober

Artist Statement: My idea behind this series was to create a unique view of surf and waves. By making them black and white, it adds a certain mood that adds solitude and feeling to the ocean.

Grand Prize, Still Life: ‘How Many’ by Pratik Parulekar

Artist Statement: A photographic solution to a curious question.

Honorable Mention, Still Life: ‘Monochromatic Food’ by Pratik Parulekar

Artist Statement: A self-promotion project about Japanese food in the contexts of design, color and minimalism.

Grand Prize, Travel & Landscape: ‘Vacated Vacation’ by Itamar Dotan Katz

Artist Statement: Whether it was caused by the wave of terror attacks (2004), the Tahrir Square uprising (2011), or various economic considerations, this once-promising tourist area has turned into a graveyard of hotels. These enormous monuments have been abandoned and now stand as silent memorials to what might have been.

The South-side of the Sinai peninsula is beautiful, unlike any other landscape, as unique and as barren as Luke Skywalker’s home planet. Its dramatic red mountains tumble down into a turquoise ocean, which is filled with colorful aquatic life. Scattered on the beach are some very low-cost guest houses in the form of straw huts. Only a handful are occupied by those “brave” enough to visit Sinai.

The land itself is inhabited mostly by Bedouin tribes and the Egyptian army. But what looks like a heavenly resort area is almost completely deserted, filled only with traces of humans. Some of those resorts are in a fully operational state, with beds in the rooms and running water in the sink; others are in different stages of construction—but all are empty.

Over the past three years I have been documenting these resorts to show the wastefulness of men, the consequences of conflict and economy, and how present humans can be without being present at all. This is an ongoing project and the aim is to present it as a mock ‘travel guide to abandoned hotels.’

Honorable Mention, Travel & Landscape: ‘A Salted Land’ by Beihua Guo

Artist Statement: ‘A Salted Land’ explores the escalating environmental disasters triggered by human activities at the Salton Sea. Located in Southern California, the Salton Sea was accidentally created by engineering failures and was once a popular tourist destination. However, agricultural runoff and other pollutants resulted in fish and bird die-offs as well as rapidly increasing salinity, destroying homes and resorts.

Articles: Digital Photography Review (dpreview.com)

 
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Affinity Photo is Available for a Three Month Free Trial

28 Mar

The post Affinity Photo is Available for a Three Month Free Trial appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Affinity Photo is Available for a Three Month Free Trial featured image

As coronavirus continues to take its toll on artists and designers everywhere, Serif has decided to act.

The company announced that their software, including Affinity Photo, will sell with a steep 50% discount, taking the normally inexpensive programs down to bargain-cheap levels:

$ 24.99 USD for Affinity Photo on desktop (either Mac or Windows), and just $ 9.99 USD for Affinity Photo on iPad.

And that’s not all:

Serif has also announced a 90 day free trial on all Affinity software. This means that anyone struggling to afford editing software during the coronavirus pandemic can use Affinity Photo for free. There’s no catch; you can try the software, with all features included, for the next three months.

Affinity Photo is currently on sale

As the Serif Managing Director explained, “[H]opefully these things will make life a little easier for people who rely on creative software to make a living but may be stuck at home without access to their usual tools, or for students who might suddenly be without access to their Affinity apps on their personal devices.”

For those of you unfamiliar with Affinity Photo, it’s one of the most popular Photoshop alternatives around. It’s known for its full-featured, layer-based software, sleek interface, and excellent price.

In fact, plenty of creatives have abandoned Adobe for Serif, given that the Serif program is comparable in its features and noticeably cheaper.

In some ways, the standard Affinity price (and the current, even lower, price) is unbelievable, because Affinity Photo just offers so much. The software comes with basic adjustment capabilities, but you also get advanced features such as focus stacking and HDR merging, plus a useful in-built RAW editor.

So if you’re someone who’s struggling to pay for your current software, or you’re looking for a way out of Adobe’s subscription model, or you just want to take advantage of a tremendous deal, then I recommend you head over to the Affinity website now.

Chances are that you’ll love Affinity Photo.

Now over to you:

Are there any other Photoshop alternatives that you’d recommend? If you’ve already started using Affinity Photo, what do you think of it?

Share your thoughts in the comments!

The post Affinity Photo is Available for a Three Month Free Trial appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Slideshow: Nikon Australia Announces 2020 Surf Photo of the Year finalists

26 Mar

Slideshow: Nikon Australia Announces 2020 Surf Photo of the Year finalists

Nikon Australia has announced the finalists for its 8th annual Nikon Surf Photo and Video of the Year Awards. The leading optics and imaging company partnered with Surfing Australia to invite photographers and videographers of all skill levels to enter the competition. 20 images were selected along with three videos for consideration.

‘The Awards are a hugely important event on our calendar because they give the Australian surfing community a chance to honour our best, whether it be in the water competing or behind a lens. Inducting our latest Hall of Fame member is always a massive moment we cherish,’ says Chris Mater, CEO of Surfing Australia.

Images and videos were selected from a panel of 10 judges in the surfing industry, including seven-time World Surfing Champion and Nikon Brand Ambassador, Stephanie Gilmore. Entries were judged on the following criteria:

  • Innovation and creativity
  • Dramatic effect and sensory impact
  • Uniqueness
  • Composition of the panel

All finalist images and videos can be viewed here. Winners will be announced March 25th on what Nikon deems ‘an exciting new television format.’

Finalist: ‘Warrior’ by Greg Rugli

About this photo: ‘Motion blur photo of a surfer riding a large wave at sunset, Bronte Beach, Sydney, Australia.’

Finalist: ‘Portugal Sunset’ by Peter ‘JOLI’ Wilson

About this photo: ‘Post surf catch up after a late session near Peniche.’

Finalist: ‘Duck Dive’ by Matt Dunbar

About this photo: ‘This is from my first trip to Tahiti I really wanted to walk away with a shot that was different. I was swimming with a big dome port to try and shoot “over unders.” The water clarity was a dream and I got lucky to shoot back as a surfer duck dived. Easily the favourite swim of my life.’

Finalist: ‘The Right’ by Ren McGann

About this photo: ‘No matter how many trips you do, some waves always stand out amongst the rest.’

Finalist: ‘Froth Monster’ by Travis Johnson

About this photo: ‘I was shooting little Harry at a bit of a secret spot the groms love to frequent on the Gold Coast for shallow little drainers and close out barrels. As he took off I moved across the front of him and heard him yelling out as the barrel began to encase him, his eyes wide and looking up at the roof of the wave almost in awe. As I passed through the wave my only thought was “did he make it?” I surfaced on the other side I heard an ecstatic voice yell out “I made it! I made it!’

Finalist: ‘No Looking Back’ by Peter Jovic

About this photo: ‘Some heavy water during a solid Indian Ocean swell and an unnamed local charger racing the gauntlet as the sun begins to set in the west. There’s no helicopters, no fanfare. Just an individual dealing with what mother nature has put in front of him…or behind him. The prospect is (apart from drowning) a long swim in waters that are very lively with large marine creatures.’

Finalist: ‘Cascade’ by Ray Collins

About this photo: ‘Flowing with great rapidity and force.’

Finalist: ‘Jack in the Box’ by Tom Pearsall

About this photo: ‘Jack Robinson gritting his teeth and holding his line through a deadly section in remote Western Australia. Shot at f/3.2, a 16 thousand of a second and 160mm creates a frozen moment that in real time was violently fast, with an interesting depth of field. As the wave roared past it almost grabbed me and my housing and ground us into the reef.’

Finalist: ‘The Big Bang’ by Ray Collins

About this photo: A violent ignition of hydrogen and oxygen.’

Finalist: ‘Danny Sunset Stern’ by Stu Gibson

About this photo: ‘Picture perfect arvo at Shippies.’

Finalist: ‘Breathing. Surfer Scott Whip Dennis’ by Simon Punch

About this photo: ‘A perspective from deep behind the surfer riding the barrel as the wave breathes back before spitting.’

Finalist: ‘Gun Barrel Highway’ by Peter Jovic

About this photo: ‘This is an image of local shredder, Kael Walsh shot in the South West of W.A. I was really lucky to have someone who’s so unflappable in challenging conditions taking aim straight into the barrel and seemingly doing it with complete disregard for their own well being. It’s always a really good feeling when shots like this come off.’

Finalist: ‘Flume’ by Paul Smith

About this photo: ‘Taken at Sunshine Beach on the Sunshine Coast while most people were still sleeping. It was one of those perfect swells, and all the elements lined-up wave size, an offshore wind, and just enough light to illuminate the sea spray.’

Articles: Digital Photography Review (dpreview.com)

 
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