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Posts Tagged ‘Performance’

Apple acquires Spectral Edge to boost iPhone camera performance

13 Dec

It looks like Apple might have just made another move to improve image quality on its iPhone camera. Bloomberg reports that according to filings made public in the U.K. on Thursday, Apple has acquired the Cambridge, U.K.-based startup Spectral Edge Ltd..

Spectral Edge has developed a technology that can improve detail and color on digital cameras by taking an infrared picture and merging it with a conventional color photo using machine learning. Apple is already using AI in some of its camera algorithms, for example to improve low light images, so using AI to improve other aspects of image quality would fit nicely into the concept.

The Spectral Edge technology can be applied via software or baked into hardware which would allow Apple to integrate it into a custom image signal processor.

No purchase price has been reported but last year Spectral Edge said it raised more than $ 5 million in funding.

We should not expect the technology to be integrated in the next iPhone generation but in the medium and long term it will be interesting to see if Spectral Edge can help improve smartphone imaging.

Articles: Digital Photography Review (dpreview.com)

 
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AMD teases huge Adobe performance boost with new 3rd-gen Ryzen ‘Threadripper’ CPUs

12 Nov

American semiconductor company AMD has taken the wraps off its new 3rd-generation Ryzen Threadripper processors. The product line is comprised of the 24-core 3960X and the 32-core 3970x models featuring the company’s 7nm ‘Zen 2’ core architecture, 140/144MB cache, and up 88 PCIe 4.0 lanes.

In its announcement on Monday, AMD provided some examples of the performance increases consumers can expect from its new Threadrippers, including up to a 47% performance boost in Adobe Premiere. That’s with the 3970X processor model in comparison to the market’s ‘top-end HEDT processor,’ according to AMD.

The company offers a more detailed look at the technical aspects of its 3rd-generation processors in the video above. Both models will be available to purchase globally starting on November 25. The 3rd-gen Ryzen Threadripper 3960X will be priced at $ 1,399 USD and the 3970X at $ 1,999 USD.

Articles: Digital Photography Review (dpreview.com)

 
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Final Cut Pro X 10.4.7 arrives with major performance boosts, GPU selection and Pro Display XDR support

09 Oct

Apple has released Final Cut Pro X version 10.4.7, adding a new Metal-based processing engine designed to speed up various graphics tasks and improve content playback. In addition, the update boosts performance for a number of GPU models, adds support for the new 32″ Retina 6K Pro Display XDR, and more.

According to Apple, users can expect to see performance improvements across ‘a wide range of Mac systems.’ The company’s new Mac Pro in particular offers ‘unprecedented power’ when paired with the software, Apple says. Final Cut Pro X v10.4.7 brings support for up to 28 CPU cores and multiple GPUs, including ‘enhanced performance’ for the Radeon Pro Vega II Duo and Pro Vega II GPUs found on the Mac Pro.

When compared to the previous Mac Pro generation, the new Mac Pro offers up to 3.2 times faster transcoding and 2.9 times faster rendering in Final Cut Pro, plus there’s support for the Mac Pro’s Afterburner card for accelerating ProRes and ProRes RAW playback.

The 15in MacBook Pro is the most commonly used model by video editors, according to Apple. These customers can expect up to 20% faster performance. iMac Pro users, meanwhile, will see a performance boost up to 35% compared to the previous version.

In addition, the new Final Cut Pro X adds support for macOS Catalina’s Sidecar, a new feature that enables Mac users to extend their device’s display to an iPad. Other changes include the ability to choose with external or internal GPU will be used for accelerating graphics processing, the ability to grade HDR videos with ‘enhanced color mask and range isolation tools’ and support for viewing HDR videos tone-mapped to standard dynamic range displays on macOS Catalina.

Existing Final Cut Pro X users can download the new update for free. New customers can purchase the software from the App Store for $ 299.99 USD. In addition, existing Compressor and Motion customers can update to versions 4.4.5 and 5.4.4, respectively, for free; new customers will need to pay $ 49.99 each.

Articles: Digital Photography Review (dpreview.com)

 
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Canon’s new EOS R, RP firmware updates improve AF accuracy, performance and more

27 Sep

Today, Canon published the latest firmware updates for its EOS R and EOS RP camera systems. Firmware version 1.4.0 and firmware version 1.3.0 improve the autofocus capabilities fo the EOS R and EOS RP, respectively.

Below is the changelog for the firmware version 1.4.0 update for the Canon EOS R:

Firmware Version 1.3.0 incorporates the following enhancement:
1. Enhances eye detection Auto Focus (AF) for improved face and eye recognition at greater distances.
2. Improved Auto Focus (AF) performance helps the camera to focus on and track smaller subjects.
3. Reduces lag time between the actual Auto Focus (AF) and the AF frame display for images in the viewfinder or on the LCD.
4. Fixes a phenomenon in which the AF frame size cannot be changed in the Servo AF setting.
5. Fixes PTP communication vulnerability.

The changelog for the firmware version 1.3.0 update for the Canon EOS RP reads the same with the exception of bullet point number four which instead reads:

Fixes a phenomenon in which main dial icon may not appear when magnify/reduce button is pressed during the image playback.

The two updates are currently available to download from Canon USA (EOS R, EOS RP).

Articles: Digital Photography Review (dpreview.com)

 
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Firmware update for Panasonic S1/S1R improves image stabilization and AF performance

01 Jul

Panasonic is releasing a firmware update for its Lumix DC-S1 and S1R full-frame mirrorless cameras, which will be available on July 9th. The new firmware (version 1.1) addresses the following:

Improved image stabilization performance: Panasonic claims that with firmware v1.1, the in-body IS system will reduce shake by an additional 1/2-stop, for a total of 6 stops with non-stabilized lenses and 6.5 stops with Dual IS-compatible glass.

Improved AF performance: Panasonic claims that tracking performance live view display will be improved, and new AF-on options have been added.

  • Tracking performance during video recording has been improved
  • Live view display during autofocusing is now ‘easier to see’
  • A new AF-ON: Near Shift biases toward close subjects, while Far Shift does the opposite

Two smaller changes: An ‘activate’ option has been added to the S1, for entering the key for the optional DMW-SFU2 video feature update. ‘Operational stability’ when using XQD cards should also be improved on both the S1 and S1R.

The firmware will be available for download on Panasonic’s website on the 9th.


On the same day, firmware updates will be made available for six Micro Four Thirds cameras: the Lumix GH5, GH5S, G9, G90/G91/G95, G80/G81/G85 and GX9.

The new firmware addresses various things across those cameras, but the one thing they have in common is adding support for smooth aperture control during video capture when using the Panasonic Leica 10-25mm F1.7 lens. Users can also toggle the aperture ring between ‘smooth’ and 1/3EV. The minor camera-specific changes can be found in the press release below.

Press Release

Panasonic Releases Firmware Update Programs for the LUMIX S1R, S1, GH5, GH5S, G9, G90/G91/G95, G80/G81/G85 and GX9

Newark, NJ (July 1, 2019) – Panasonic has announced that the company will release the firmware update programs for the LUMIX Digital Single Lens Mirrorless cameras to enhance the functions and usability. All programs will be available at LUMIX Global Customer Support website https://av.jpn.support.panasonic.com/support/global/cs/dsc/ at UTC 1:00 on July 9, 2019.

The cameras and the programs to be updated are as follows:

Full-frame Mirrorless Camera

LUMIX S1R Firmware Version 1.1

1. Improved performance of the Body Image Stabilizer

  • The correction performance of the Body Image Stabilizer has been improved from a maximum of 5.5 stops to a maximum of 6.0 stops.*1
  • The correction performance of the Dual I.S.2 has been improved from 6.0 stops to 6.5 stops.*2

*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=50mm, when S-X50 is used.]

*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=105mm, when S-R24105 is used.]

Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when S-R70200 is used.]

2. Improved AF performance

  • [AF-ON: Near Shift] and [AF-ON: Far Shift] functions have been added. [AF-ON: Near Shift] preferably focuses on a subject nearby while [AF-ON: Far Shift] preferably focuses on a subject far away.
  • The tracking performance when using [Tracking] AF mode in video recording has been improved.
  • Live view display during auto focusing is now easier to see.

3. Improved operational stability

  • Operational stability when using an XQD memory card has been improved.

LUMIX S1 Firmware Version 1.1

1. Improved performance of the Body Image Stabilizer

  • The correction performance of the Body Image Stabilizer has been improved from a maximum of 5.5 stops to a maximum of 6.0 stops.*1
  • The correction performance of the Dual I.S.2 has been improved from 6.0 stops to 6.5 stops.*2

*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=50mm, when S-X50 is used.]

*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=105mm, when S-R24105 is used.]

Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when S-R70200 is used.]

2. Improved AF performance

  • [AF-ON: Near Shift] and [AF-ON: Far Shift] functions have been added. [AF-ON: Near Shift] preferably focuses on a subject nearby while [AF-ON: Far Shift] preferably focuses on a subject far away.
  • The tracking performance when using [Tracking] AF mode in video recording has been improved.
  • Live view display during auto focusing is now easier to see.

3. Function Enhancement with Upgrade Software Key DMW-SFU2

An [Activate] function has been added which enables the use of extended functions using the Upgrade Software Key DMW-SFU2. The following functions will be added by activating the Upgrade Software Key.

  • The video recording modes [MOV]

4K

60p/50p*

4:2:0

8bit

LongGOP

150Mbps

LPCM

30p/25p*

4:2:2

10bit

LongGOP

150Mbps

LPCM

24p

4:2:2

10bit

LongGOP

100Mbps

LPCM

FHD

60p/50p*

4:2:2

10bit

LongGOP

100Mbps

LPCM

30p/25p*

4:2:2

10bit

LongGOP

100Mbps

LPCM

* PAL area only.

?HDMI 4K60p/50p* 4:2:2 10bit output

* PAL area only.

?V-Log will be added in Photo Style.

?The [V-Log View Assist] function will be added, which enables viewing the V-Log file with LUT(Look Up Table) when recording video in V-Log.

?The [Read LUT File] function will be added, which allows users to install and apply their favorite LUT.

?A WFM (Waveform Monitor) display function.

?A [Luminance Level] adjustment function that complies with 10-bit.

?An [XLR Mic Adaptor Setting] function that enables high-res sound recording using the XLR Microphone Adapter DMW-XLR1 (sold separately).*

* MOV only

4. Improved operational stability

  • Operational stability when using an XQD memory card has been improved.

Micro Four Thirds Mirrorless Cameras

GH5 Firmware Version 2.5

1. Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

2. Improved compatibility with the Panasonic Remote Shutter DMW-RS2.

  • The video REC switch on the Remote Shutter can be disabled in the camera’s custom menu.

GH5S Firmware Version 1.3

1. Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

2. Improved compatibility with the Panasonic Remote Shutter DMW-RS2.

  • The video REC switch on the Remote Shutter can be disabled in the camera’s custom menu.

G9 Firmware Version 1.3

1. Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

2. Improved compatibility with the Panasonic Remote Shutter DMW-RS2.

  • The video REC switch on the Remote Shutter can be disabled in the camera’s custom menu.

G90/G91/G95 Firmware Version 1.3

1. Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

2. Improved compatibility with the Panasonic Battery Grip DMW-BGG1.

  • The Fn button on the Battery Grip can be customized in the camera’s custom menu.

G80/G81/G85 Firmware Version 1.3

1. Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

2. Improved compatibility with the Panasonic Remote Shutter DMW-RS2.

  • The video REC switch on the Remote Shutter can be disabled in the camera’s custom menu.

GX9 Firmware Version 1.3

Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

Articles: Digital Photography Review (dpreview.com)

 
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Nvidia Studio will boost the performance of your creative apps

28 May

Nvidia has launched a new software and hardware initiative at the Computex Taipei trade show. Nvidia Studio is targeted at video editors, photographers and other content creators and consists of a collection of APIs, SDKs and drivers for Nvidia RTX GPUs that have all been designed to increase performance in use with creative software from providers like Adobe, Epic, Autodesk, Unity and Blackmagic Design.

App developers can make use of an AI-powered software that provides automation of some tasks, including image upscaling or video color matching.

Acer, Asus, Dell, Gigabyte, HP, MSI and Razer will all be announcing 17 RTX Studio-branded laptops between each other at the trade show this week. Graphics options in the new models include Nividia’s RTX 2080, 2070, and 2060 GPUs as well as the Quadro 5000, 4000, and 3000 workstation models.

Nvidia says that in testing with apps like Maya and RedCine-X Pro, an RTX Studio laptop with Intel Core i7 CPU and RTX 2080 Max-Q GPU was seven times faster than a top-end MacBook Pro with a Core i9 and AMD Radeon Pro Vega 20 GPU.

The first RTX Studio laptops will be available in June, with pricing starting at $ 1,599.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon firmware update improves AF performance, adds eye-detection to Z6 and Z7

16 May

Nikon has announced firmware version 2.0 for its full-frame Z6 and Z7 mirrorless cameras, and it’s all about autofocus.

The most notable upgrade is the addition of Eye AF, which is available when using the Auto-area AF mode. Nikon says that it will stay locked on eyes if the subject changes poses, or if they are partially obscured by another object. Switching between eyes and detected faces in the scene can be done using the multi- or sub-selectors.

The update has also improved AF performance in low light, extending the AF detection range from -1EV to -2EV on the Z7, and -2EV to -3.5EV on the Z6. If you’re using the ‘low-light AF function on these cameras, Nikon claims that the Z6 can focus down to -6EV, while the Z7 remains unchanged at -4EV.

Lastly, Nikon has added the ability for the Z6 and Z7 to shoot continuously with full-time auto exposure at the fastest burst rates: 12 fps on the Z6, and 9 fps on the Z7.

The update is now available for download on Nikon’s website.

Press Release:

NIKON RELEASES THE NEW Z SERIES VERSION 2.0 FIRMWARE WITH ENHANCED FEATURES AND PERFORMANCE INCLUDING EYE-DETECTION AF

Firmware Upgrade Brings Further Improvements to the Nikon Z 7 and Nikon Z 6 FX-Format Mirrorless Cameras by Adding Eye-Detection AF, Improving AF Performance in Low Light, and Adding Auto-Exposure Tracking to the Continuous High-Speed (Extended) Mode

MELVILLE, NY (May 16, 2019 at 2:00 a.m. EDT) — Nikon Inc. is pleased to announce the release of firmware Ver. 2.0 that will further enhance the performance of its full-frame mirrorless cameras, the Nikon Z 7 and Nikon Z 6.

Users will enjoy three main additional features following the Ver. 2.0 upgrade. These include:

  1. Eye-Detection autofocus (AF) for still-image shooting
  2. Extension of the low-light AF detection range
  3. Addition of auto-exposure (AE) tracking capability to the continuous high-speed (extended) mode

These enhanced shooting functions will further increase camera functionality and performance and are a response to customer feedback for new and innovative ways to capture and create.

PRIMARY FEATURES OF THE NEW FIRMWARE

1) Eye-Detection AF for still-image shooting

The new firmware offers Eye-Detection AF functionality that automatically detects and focuses on human eyes when using the Auto-area AF mode in both AF-S and AF-C. When the eyes of multiple subjects are detected, the multi-selector or sub-selector can be used to select the eye upon which the camera should focus. This enables precise focus on the eye of the intended individual, even when looking through the Electronic Viewfinder. This function is applicable even when the subject’s face is partially covered by another object, or in the event when a subject is frequently changing their pose.

2) AF performance improvements in low-light situations

The new firmware enables even faster autofocusing when capturing photos and video in dark or dimly lit scenes, for both stills and video. It will extend the AF detection range*1 from ?1 EV to ?2 EV with the Z 7, and from ?2 EV to ?3.5 EV with the Z 6. In addition, the Z 6 will be able to autofocus with even darker scenes, as the available low-light AF detection range*1 will be extended*2 from ?4 EV to ?6 EV when the Low-light AF function is enabled.

  • With still-image photography in AF-S mode, ISO 100, f/2.0 lens, at 20° C/68° F.
  • The low-light AF detection range will remain the same with the Z 7.

3) AE tracking in continuous high-speed (extended) mode

With earlier firmware versions, auto exposure (AE) was locked with the first shot in a burst of high-speed continuous shooting at approx. 9 fps (Z 7) or 12 fps (Z 6) in continuous high-speed (extended) mode. Firmware Ver. 2.0 adds support for AE tracking in continuous high-speed (extended) mode, allowing the cameras to track exposure just as it does focus (AF tracking). This helps to ensure that all images captured with a burst of high-speed continuous shooting are in focus and exhibit optimal exposure, even when the brightness of the scene changes.

The new firmware can be downloaded (free of charge) from Nikon’s Download Center at the following link: https://downloadcenter.nikonimglib.com. Users will be prompted to follow the instructions provided to successfully install the firmware.

Nikon will continue to flexibly respond to the evolving needs of our users and offer next-generation imaging experiences that foster creativity. For more information on the latest Nikon products, including the Nikon Z series, please visit www.nikonusa.com.

Articles: Digital Photography Review (dpreview.com)

 
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Luminar update brings improved performance and new features

19 Feb

Skylum Software has announced an update to its Luminar image editing software. Version 3.0.2 comes with new features as well as improvements in performance and stability.

The latter includes faster import of images and folders to the catalog and faster launch times on the Windows platform as well as faster image moving between external and internal drives and better imports of native Luminar files for Apple Mac computers.

On both platforms the software now offers a new ‘Locate Folder’ command, allowing users to find misplaced or moved folders on their system. There are also new dedicated toolbar buttons for Gallery and Single Image views.

New features for Windows users include nested folders, offline file alerts and new shortcut keys for several functions. On a Mac you can now enjoy automated database backups, new preferences for cache, catalog and backup and Aurora HDR integration among other new functions.

The new version also comes with an updated list of supported cameras to which the following models have been added:

  • Nikon: D3500, P1000, Z6, Z7
  • Panasonic: Lumix DC-LX100 II
  • Fujifilm: GFX 50R, X-T3
  • Sony: RX100VA, RX100VI, DSC-HX99, DSC-HX95
  • Leica: M10-D, M10-P, D-Lux 7

A full list of supported cameras is available on the Luminar website. Luminar is available as a 30-day free trial. A full license will set you back $ 69 and allows you to install the software on five machines in your household. More information is available on skylum.com/.

Articles: Digital Photography Review (dpreview.com)

 
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ON1 Photo RAW 2019.2 brings AI-powered masking improved performance and more

30 Jan

ON1 has released an update to its ON1 Photo RAW 2019 photo editing and management software. Version 2019.2 comes with a new AI-powered masking tool, general performance enhancements and support for new camera models.

ON1 says the Quick Mask Tool lets you create high-quality masks with very little user guidance and uses color, tone, and textures to identify boundaries. You can see a demo in the video below.

To speed up your workflow the software now taps into the GPU for frequently used processes, such as returning to Browse, copy/pasting layers and masks as well as some exporting and plug-in tasks. In addition the ON1 Photo RAW now supports the Leica D-Lux 7 and Panasonic DMC-TZ101 cameras, offers tethered shooting support for the Nikon Z 6, Z 7 and D850 and comes with bunch of new lens correction profiles.

ON1 Photo RAW 2019.2 is available now for $ 99.99. Owners of any ON1 product can upgrade for $ 79.99. Alternatively the new software is available as part of an ON1 Plus Pro membership ($ 129.99/year) which includes a perpetual license of ON1 Photo RAW plus a post-processing and photography education package.

You can try ON1 Photo RAW 2019.2 for 30 days free of charge by signing up on the website.

Articles: Digital Photography Review (dpreview.com)

 
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How to Improve Low-Light Performance by Increasing Your ISO

17 Oct

Low-light Images often have noise issues, particularly in the dark areas.

So you’ve decided to take night time photographs. But the light is so low you’re worried about noise. You want the image sharp and the blacks to be black. And noise reduction reduces sharpness, so it’s going to be a problem. (Noise is always a problem with low-light images.)

In these situations you should always shoot at your camera’s lowest ISO setting and increase the duration of the exposure, right? Well, maybe not. The counterintuitive solution might be to increase the ISO and take multiple images of the same subject.

Single image at ISO 1600 and cropped showing lots of noise.

Increasing ISO Increases Noise

Hang on a minute. If increasing the ISO increases noise, how will reshooting the scene at a higher ISO improve low-light performance? Won’t it just increase the noise?

Conventional approaches to noise reduction reduce the sharpness of the image, making them soft or blurred. And blending multiple images won’t reduce the noise. Or will it?

Cropped image of stacked and blended images at ISO 1600.

Some Low Light Images Need Short Exposures

The other potential problem is that long exposures don’t always work. Some night photography involves taking images of objects that move, and shorter exposures can help control that movement.

Low-light image at ISO 1600 (single image).

Photoshop to the Rescue

Adobe Photoshop has powerful tools that let you blend multiple images, but most of these blend modes won’t help. However, there is a way to blend images in Photoshop to reduce noise. The key to shooting with a higher ISO to improve low light performance is to shoot multiple images of the same scene using the same settings (i.e. white balance, focus, aperture and shutter speed).

While the technique is fairly straightforward, it does take some discipline.

Stacked and blended image of six images at ISO 3200.

Understanding Noise

The key is understanding what causes noise. In general there are two types of image noise – chromatic and luminance. Chromatic noise is color aberrations where there are none, while luminance noise is variance in light levels where there is none. Both are instances where the sensor has registered some data that isn’t there. (It’s common in sensitive electronic equipment such as digital sensors.)

If you take a single image, the noise is part of that image. But if you take a second image in the same location, chances are the noise won’t be in the same spot (unless you have a bad sensor). The noise actually moves around.

If you think about exposure in simple terms, it’s the amount of light that hits the sensor or film. Changing the aperture from f/4 to f/2.8 doubles the amount light hitting the sensor. Similarly, if you decrease the ISO from ISO 400 to ISO 200 you need twice as much light for the same image.

But taking a properly exposed image and then blending a second properly exposed image doesn’t actually improve your exposure. Is there another way?

Cityscape at ISO 400 (single image).

Noise Moves

The short answer is “Yes”. This technique relies on the fact that the noise moves around on the sensor. You can take one image at ISO 400, or you can take two images at ISO 800. As long as the total length of exposure (assuming the same aperture) is similar, while the noise will have gone up you’ll effectively have the same image. That’s because you’re simply doubling the amount of light on the sensor at ISO 800, and there’s a proportional increase in sensitivity. Similarly, if you take four images at ISO 1600 you should end up with the same exposure.

But what if I use ten images?

Ten images at 1600 blended.

You may be thinking, “So what? At ISO 1600 I now have ten noisier images than my image at ISO 400. How does it improve my camera’s performance and reduce noise?”

The answer is to stack them, and then blend them together using a particular method in Photoshop.

Multiple Images Can Overcome Noise

By importing the images as a stack of layers in Photoshop and blending the stack together, you can improve your image quality. Using my earlier example, if you use ten images at ISO 1600 you effectively have an image comparable to an ISO 400 image.

Single image at ISO 400 with a tight crop.

 

Ten stacked and blended images at ISO 1600.

As I said earlier, while this technique is pretty straightforward it’s not exactly obvious. Following the steps is critical.

You don’t get extra resolution. But you do get less noise, and the image seems sharper.

The Setup

Pick a subject (not the night sky) that’s under low-light conditions and take multiple images of the same perspective at a higher ISO than you’d normally use – 1600, 3200 or even 6400. (Don’t use ISO values in the extended range because they’re not native to your camera’s sensor.)

Manually set your focus so it doesn’t change between shots. You should either shoot the images in RAW format or make sure all the White Balance settings are the same. Using RAW lets you edit the white balance later, but fixing it before you taking the shots will also address the issue. Take one image at a lower ISO value (probably with a long shutter) and many at the high ISO value. This will allow you to compare the results.

The Process

Step 1: Ensure all the images have the same White Balance. (You can correct RAW images together if you shoot in RAW.)

Use a RAW Processor to match the White Balance and Exposure

Step 2: Import the images as layers into Photoshop. (Bridge and Lightroom both can do this).

Step 3: Highlight all the layers in Photoshop.

Step 4: From the Edit menu, choose Auto-Align Layers.

Align the images.

 

Auto-Align works well.

Step 5: Crop the image to eliminate any missing parts of the image.

Sixth step: Highlight all the layers, and then from the Layers menu choose Convert to Smart Object.

Convert the Layers into a Smart Object

Step 7: Click on the Smart object, and from the Layers menu choose Smart Objects -> Stack Mode -> Median.

Use the median stack mode to blend the layers.

Step 8: Look at the result. (It’s pretty dramatic.)

Single Exposure at ISO 1600.

 

Stacked images at ISO 6400.

 

Cropped image at ISO 1600.

 

Cropped image at ISO 6400 (stacked).

What just happened?

Photoshop blended all the (now aligned) layers together, looked at where most of the images showed the same data and decided that data was correct. It then discarded any data that didn’t match. Because chromatic and luminance noise varies from image to image, blending multiple images like this eliminates the pixels showing incorrect color or luminance.

Stacked and Blended Evening Image

As you can see, it significantly reduces noise without losing sharpness or introducing unwanted artifacts. So the next time you’re shooting in low light, why not give this technique a try?

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