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Posts Tagged ‘pattern’

Creative Uses for the GIMP Jigsaw Pattern

26 Mar

The post Creative Uses for the GIMP Jigsaw Pattern appeared first on Digital Photography School. It was authored by Ana Mireles.

Creative Uses for the GIMP Jigsaw Pattern

Are you looking for a fun way to display your photos? With the GIMP Jigsaw pattern, you can make your photos look like a puzzle in a single step. But why stop there? Take out some pieces or make a grid with it. Keep reading to learn how to use this filter and some creative applications for it.

Example of GIMPs Jigsaw Pattern

Make a puzzle

It may look like elaborate work, but actually turning your image into a puzzle is extremely easy. The GIMP Jigsaw Pattern is a tool that allows you to control the way you want your puzzle to look, then applies it to your image.

Let’s get started.

With your image opened, go to the menu and select Filters > Render > Pattern > Jigsaw.

GIMPs Jigsaw Pattern Menu

This will open a window where you can choose the number of pieces that will form the puzzle. You can also choose whether you want the shapes to have rounded corners or straight lines.

GIMPs Jigsaw pattern settings

You’ll also see a section called Bevel Edges with two sliders in it. This is like a carving effect, giving the illusion of tridimensionality.

There are no right or wrong values – it’s a matter of taste.

Here’s a comparison for you to get an idea of what it looks like.

GIMPs Jigsaw Patter Bevel Values Comparison
On the left, I had the values at the minimum: Bevel width: 1 and Highlight : 0.10
On the right I pushed them to the highest, so 10 and 1.0 respectively.

That’s all there is to it.

Choose the values you want in the pop-up window, and the GIMP Jigsaw Pattern does the rest.

Now, let’s see how you can break the puzzle into pieces.

Separating the pieces of the Gimp Jigsaw Puzzle

Make a template

Taking out a piece of the puzzle makes the image more dynamic – like you’re actually building it. However, unlike a real puzzle, we’re not just going to take it out from the puzzle we just made.

To make things easier, open a new white document. Here, in the blank canvas, you’ll apply the GIMP Jigsaw Pattern as you did on the previous exercise.

GIMPs Jigsaw Pattern canvas

This will serve as a template to select the pieces, hassle-free.

Now you can put in the photograph.

Go to the menu and select File > Open as Layers, and choose the file of your image. It will get placed as a layer on top of the jigsaw template.

Open As Layer in GIMP

Next, copy the layer with the template. You can do this by going to the menu and selecting Edit > Copy. While it’s there on your clipboard, select the image layer and create a Layer Mask. Do this by clicking on the button at the bottom. Then paste the template that you copied by going to Edit > Paste.

To set it onto the mask you created, you just need to click on the anchor button.

Then right-click on the layer and choose Apply Layer Mask. The mask and the layer will then merge together.

GIMPs Jigsaw Pattern into a Layer Mask

I know it sounds like a lot, but it’s actually very easy. And this way, you have everything ready to ‘cut-out’ all the pieces you want very quickly. Let’s try one.

Cut-out piece by piece

Select the piece you want to cut-out using the Fuzzy selection tool. Make sure to click on it while the template layer is selected. That way, you’ll get it with just one click.

To perfect the selection, go to the menu Select > Grow Selection and give it 1 or 2 pixels.

Select a piece from the Jigsaw

Cut out the piece in Edit > Cut and then paste it with Edit > Paste. To finalize the pasting, click on the New Layer button so that the piece remains independent.

With the Move and Rotate tool, you can position the piece. Then go to the menu Filters > Light and Shadow > Drop shadow. You decide the values depending on whether you want it dark and defined or blurred and lighter. Use the X and Y sliders to make it appear closer or further away.

Drop Shadow to the separate piece

You can repeat the process for all the pieces you want out of place. Just go back to your template every time you need to select a new one.

Create a jigsaw grid

Open a new document and create a new jigsaw as you did before. The number of pieces depends on the number of images you want to add. I don’t recommend too many because it could look messy. But, it’s entirely up to you.

GIMPs Jigsaw Pattern used as grid template

Add all the images you’re going to use by opening them as layers.

Then resize them with the Scale Tool and move them to fit each of the pieces of the puzzle. Don’t worry if they overlap in some places, you’ll fix that next.

Lay out the images for the grid on top of GIMPs Jigsaw Pattern

In the template layer, click on the piece you want with the Fuzzy Selection Tool. Then go to the corresponding image and click on the Add Layer Mask button. A pop-up menu will appear. Choose Selection from it, and click Add.

Mask the selected piece from the jigsaw pattern

That’s it.

Repeat the same for every image-piece combo until you complete your puzzle.

Have fun finding new and creative ways to use GIMP’s Jigsaw Pattern!

Example of GIMPs jigsaw pattern as grid

Supplementary Reading

  • If you’re not familiar with GIMP, check out this brief introduction.
  • If you want to edit your photograph before you turn it into a puzzle, learn here how to make them sparkle.
  • If you’re loving GIMP and want to take it with you, learn how to install it on a portable device.

The post Creative Uses for the GIMP Jigsaw Pattern appeared first on Digital Photography School. It was authored by Ana Mireles.


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How to Use Pattern and Repetition in Photography Effectively

06 Mar

The post How to Use Pattern and Repetition in Photography Effectively appeared first on Digital Photography School. It was authored by Lily Sawyer.

How to use pattern and repetition in photography feature image

One of the many ways we can make images more creative is to utilize pattern and repetition in photography. To beginners in photography, this may sound a little daunting, but trust me, it’s not.

All it takes is to train your eye to look for them in everyday objects and situations. They are everywhere around us if we only take the time to slow down, stop, and look a little closer.

DPS How to use pattern and repetition in photography by Lily Sawyer – Black and white image of dew drops on string
Nikkor 105mm f/8 SS 1/250 ISO 400

But first, let’s talk about what pattern and repetition contribute to our images other than an injection of creativity. Even the slightest hint of pattern and repetition in photography adds a sense of dynamics to the image. You can see many images of detailed pattern and repetition in photography that I have written within the context of developing an eye for detail, here.

What do pattern and repetition contribute to an image?

Photo by Lily Sawyer – A picture of a field taken through a wire fence.
f/8 SS 1/250 ISO 200

1. Heightened interest

DPS photo by Lily Sawyer – Sun Rays shing through dark clouds over the water
f/8 SS 1/200 ISO 800

Pattern and repetition no doubt raise the level of interest in photographs with the space they occupy in the frame and the dynamic and rhythm they bring into that space. With pattern and repetition, what would have been a flat image with little going on, becomes a space of visual activity.

In the photo above, the cloud pattern is rather abstract, dense, and fills the frame. But pair this with the repetitive pattern of the sun’s rays, and your eye immediately stops and is invited to linger and look closely.

2. Hold attention

DPS How to use pattern and repetition in photography by Lily Sawyer – checkered pattern and staircase
Left: f/8 SS 1/200 ISO 400 Right: f/5.6 SS 1/160 ISO 200

Pattern and repetition in photography hold the viewer’s attention by using strong repetitive elements. The patterns can keep the eye anchored or move it around an image using line.

The centered composition of the image above-left anchors the eye straight away whilst also making it look further towards the horizon.

The checkered black and white pattern brings the eye back to this foreground space to explore more.

3. Direct gaze

photography by Lily Sawyer
Left: f/11 SS 1/250 ISO 100 Right: f/8 SS 1/125 ISO 100

Once the image holds that attention, you want the attention to stay, linger for a while and live the space. This is precisely what pattern and repetition do. Effective use of both, invite the eye to move around the frame and scrutinize the parts that made the image great. Or in the very least, takes the viewer on a visual journey.

In the photo above, the angle I shot this photo from provides a leading line. It makes the eye stop at the strong vertical block on the right and look towards the left.

Where to find pattern and repetition

We live in a world saturated with them! From natural objects and phenomena to man-made structures, we are surrounded by pattern and repetition.

1. Nature

Photography by Lily Sawyer – water ripples
f/4 SS 1/80 ISO 2000

Pattern and repetition are around in great abundance. Take nature, for instance, it is brimming with activity at all times. When we care to stop and look, we see innumerable patterns and countless repetitions.

This could be obvious pattern and repetition, for example, the wake patterns created by waves from a sailboat, various types of cloud formations, raindrops on a washing line, mussels on the beach, birds flying in formation, sand dunes, surfing waves, or trees in a forest. It could be symmetrical and asymmetrical designs in nature like shells and fossils, florals, veins on leaves, snowflakes… the list is endless.

DPS How to use pattern and repetition in photography by Lily Sawyer – Dewdrops on a string and seashells on a beach
Left: Nikkor 105mm f/8 SS 1/250 ISO 400 Right: f/11 SS 1/800 ISO 100

To add to that list, there are subtle forms of pattern and repetition in nature too – like grass growing in a field, the night sky, close-up corals, converging gentle ripples, the effect of the wind, smoke, and haze just to name a few.

DPS How to use pattern and repetition in photography by Lily Sawyer – grass tussels with beach in the background
f/4 SS 1/500 ISO 100

2. Human-Made

Similar to a wake of waves from a boat, you can see contrails or vapour trails from aeroplanes. They may look like clouds but they are actually condensation trails resulting from the changes in air pressure in the sky and, therefore, can be arguably nature and human-made.

More easily recognizable patterns and repetition made by people include architectural forms and structures, sculptures and installations, floors and wall tiles, mosaics, shadows, light beams and lasers, and many other objects.

DPS Photography by Lily Sawyer –  interior building archway
f/5.6 SS 1/60 ISO 1000

3. Create it yourself

The search for pattern and repetition in photography doesn’t have to stop there! As a matter of fact, we can create it ourselves. This shot below has been created using a very slow shutter speed while popping the flash several times as the subjects moved.

Read this article on how I achieved this double exposure in camera.

DPS How to use pattern and repetition in photography by Lily Sawyer – multi-exposure of people in black and white
Experiment between f/8 – f/16, ISO 100 – 400, Shutter 2 seconds to bulb

I created the photo below using an iPhone lit up in the dark and shot it with a very slow shutter speed. This is also called dragging the shutter but without the use of flash and is a way of painting with light too.

DPS Photography by Lily Sawyer – light painting with an iphone
Shutter set on bulb for about 10 seconds or so, f/11, ISO 400

Now that we have some ideas on where to look for pattern and repetition, let’s look at how to use them effectively to strengthen our images.

How to use pattern and repetition in photography to add strength

1. Composition

The key to any image is its composition. Perhaps it’s using the rule of thirds or a centered composition. It may be symmetrical or asymmetrical. There are many factors in composition and you can read more about mastering it here.

DPS How to use pattern and repetition in photography by Lily Sawyer – Patterned windows
Left: f/2.8 SS 1/160 ISO 400 Right: f/5.6 SS 1/200 ISO 100

2. Use color and contrast

By placing the colors in specific areas of the frame, you can strengthen your image immensely. On the image below-left, by positioning the strongest color red and it’s shadowed contrast and light contrast off-center to the left (and again off center diagonally downwards), the image takes on a dynamic look.

Compare this to the image below-right, which although has 3 strong colors of the same tonal values, lacks the light and shadow contrast. The red image has a much stronger impact.

DPS How to use pattern and repetition in photography by Lily Sawyer – Light shining through large windows creating a pattern
Left: f/5.6 SS 1/160 ISO 400 Right: f/5.6 SS 1/160 ISO 800

3. Use forms and shapes

To create pattern and repetition in photography, use dynamic forms and shapes like spirals, curves, triangles, cubes, and other angular shapes, are key to emphasizing the dynamics in a space and heightening its interest level.

In the image below-left, although there are many things going on in terms of repetitive lines, there are not as many acute angles of these lines and shapes compared to the image on the right. The image on the left is a three-dimensional space and the image on the right is a flat floor, yet it is much more dynamic.

DPS How to use pattern and repetition in photography by Lily Sawyer – patterned floor and interior
Left: f/4 SS 1/200 ISO 400 Right: f/4 SS 1/125 ISO 2000

4. Use leading lines

Concentric lines, spirals, zigzags, waves, and diagonals are easy to use lines that lead the eye to various places in the frame. In the image below, which has no other subject but the lines themselves, there is still a sense of movement and interest despite the lack of additional colors and strong contrast. You can read more on leading lines here.

DPS photography by Lily Sawyer – circles repeated in wood
f/4 SS 1/125 ISO 2000

5. Use perspective

Photographing from an angle as opposed to a straight-ahead, same-level shot also accentuates pattern and repetition. The images below are high up and full of lines. The addition of the love angle adds more depth to the image. Changing your perspective makes you see things from a new angle and in a new light.

DPS How to use pattern and repetition in photography by Lily Sawyer – patterned interior roofs
Left: f/5.6 SS 1/125 ISO 1200 Right: f/4 SS 1/100 ISO 3200

Conclusion

In this article, we have seen how using pattern and repetition in photography is an easy way to improve our images. All it takes is to look more carefully at the world around us and incorporate these elements into our images using some basic photography principles.

DPS How to use pattern and repetition in photography by Lily Sawyer – dewdrops on lines in balck and white
Nikkor 105mm f/8 SS250 ISO 400

What’s more exciting, is that you can also create your own images using pattern and repetition!

Now it’s time to get those creative juices flowing, and go and make your own!

DPS Photography by Lily Sawyer – multi exposure of people against a patterned backdrop
Experiment between f/8 – f/16, ISO 100 – 400, Shutter 2 seconds to bulb

Do you have any other tips for using pattern and repetition in photography?

Also, we’d love to see your images of pattern and repetition, so please share them with us in the comments section.

The post How to Use Pattern and Repetition in Photography Effectively appeared first on Digital Photography School. It was authored by Lily Sawyer.


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Faux Photoshop in 3D: Artists ‘Erase’ Graffitied Car with Transparency Pattern

18 Jul

[ By SA Rogers in Art & Street Art & Graffiti. ]

A crew of artists found a new way to ‘clean up’ graffiti in a public place by simply erasing a car and dumpster from a street in Russia using the old familiar Photoshop transparency pattern. Called CTRL+X, the piece was created as part of the Stenograffia street art festival, and carrying it out was simple – if a little bit time consuming. Before they got started, the surfaces were covered in tags in all shades of the rainbow, and they had to paint everything a matte light gray as a base.

After dark, they set up a projector so they could trace the Photoshop checkerboard pattern from the perspective point from which the scene would be viewed by the public, so it’s angled just right. They used pencil to mark the lines, and then taped off the squares that needed to be painted a darker gray.

The end result is a pretty fun optical illusion that’s probably only effective for people who are used to working in Photoshop. Check out lots of behind-the-scenes photos on the Stenograffia Facebook page.

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[ By SA Rogers in Art & Street Art & Graffiti. ]

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Blue shell pattern design

19 Jan

A few nice visual art images I found:

Blue shell pattern design
visual art
Image by Rebekah Leigh
A pattern created from shell drawings done using felt tip, this pattern has a really nice feel to it, I love the visual look that using felt tip pens gives you, it looks great when scanned in and made into patterns. Rebekah Leigh Marshall 2010

You can also view my pattern designs here:
www.spoonflower.com/profiles/rebekahleigh

Ashmolean Museum, Oxford
visual art
Image by Martin Beek
Detail of painting by Camille Pissarro (10 July 1830 – 13 November 1903) was a French Impressionist painter. His importance resides not only in his visual contributions to Impressionism and Post-Impressionism, but also in his patriarchal standing among his colleagues, particularly Paul Cézanne and Paul Gauguin.

Union_Sq_Zoetrope_1
visual art
Image by MTAPhotos
MTA Arts for Transit in Sept. 2011 unveiled "Union Square in Motion," a temporary interactive art installation in which the movement of passersby animates a digital visual display depicting nine sets of abstract and organic-themed images created by nine student artists. The display is a digital zoetrope, a series of still images that differ from one another in slight ways and create the appearance of animation when viewed in succession. The artwork’s creators describe it as the world’s largest digital linear zoetrope. More: bit.ly/rfb22z Photo by Metropolitan Transportation Authority / Rob Wilson.

 
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Free seamless graphic pattern for Friday, 24 July 2009

16 Dec

Some cool visual art images:

Free seamless graphic pattern for Friday, 24 July 2009
visual art
Image by bonojerry
A grey and white motif, visual jazz improvisation…

Gwen Lux, American sculptor and designer, 1908-1986, in her studio
visual art
Image by Smithsonian Institution
Description: Gwen Lux was a sculptor, designer, lecturer, writer and teacher. Her sculptures combined abstraction and realism, and were usually constructed from polyester resin concrete and metals. She taught sculpture at the Arts & Crafts Society of Detroit.

Creator/Photographer: Peter A. Juley & Son

Medium: Black and white photographic print

Dimensions: 8 in x 10 in

Culture: American

Persistent URL: http://photography.si.edu/SearchImage.aspx?id=5832

Repository: Smithsonian American Art Museum, Photograph Archives

Collection: Peter A. Juley & Son Collection – The Peter A. Juley & Son Collection is comprised of 127,000 black-and-white photographic negatives documenting the works of more than 11,000 American artists. Throughout its long history, from 1896 to 1975, the Juley firm served as the largest and most respected fine arts photography firm in New York. The Juley Collection, acquired by the Smithsonian American Art Museum in 1975, constitutes a unique visual record of American art sometimes providing the only photographic documentation of altered, damaged, or lost works. Included in the collection are over 4,700 photographic portraits of artists.

Accession number: J0001886

Starting a pour
visual art
Image by bettlebrox
Mass Art’s Spring 2009 Iron Pour.

www.eworksfestival.com/index.php?page=events/4_10
The Iron Pour has a strong history at Massachusetts College of Art, beginning as a fundraiser for the Metals Department, it has grown into a celebration of art, music, and performance. Recently, the Iron Corps., the group that organizes the event, has been working in conjunction with Eventworks, who will be kicking off their annual Art Festival. This spring, we will be invoking themes of outer space and the explosive demise of stars and planets . Aside from the spectacular sculptural performances by the Iron Corps. , activities will include face painting, fire dancing, visual shows, and four musical acts throughout the course of the night.

 
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