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Posts Tagged ‘Panasonic’

Panasonic Lumix DC-S1H 4K sample reel

22 Jan

As part of our upcoming review, here’s our 4K sample reel, shot using the Panasonic Lumix DC-S1H at Seattle’s Emerald City Soul Club.

All footage is DCI 4K, 23.98p in the 400Mbps mode, with the exception of a short 60p clip, marked in the video. The camera’s Cinelike D2 color profile was used throughout, with minimal color grading subsequently applied.

Interview footage was all shot from a tripod, using the Panasonic 24-70mm F2.8 lens. The bulk of the in-club footage was shot using an L-mount Sigma 24mm F1.8 Art, and mounted on a DJI Ronin-S gimbal unless otherwise noted. All clips were manually focused due to the extreme low-light nature of the club.

Articles: Digital Photography Review (dpreview.com)

 
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Photokina confirms Canon, Panasonic and Sony will be at 2020 expo

07 Dec

Photokina has shared a press release confirming Canon, Panasonic and Sony will be attending the 2020 expo in Japan and ensures the manufacturers ‘once again promise a fireworks display of new products at Photokina.’

The press release, titled “Photokina 2020: A Visit to the Motherland of Imaging,” comes three months after Photokina confirmed Leica, Nikon and Olympus won’t be attending the trade-show and reads as a rebuttal of sorts to remind the photography industry that Photokina is far from over, despite three main players dropping out.

The release of the press release follows a trip to Tokyo wherein delegation from the City of Cologne, Koelnmesse (the trade fair organizer responsible for Photokina) and the association of the photo industry (PIV) met with Canon executives, as well as other ambassadors and ‘high-ranking company representatives’ from Japan.

After briefly talking about the meeting in the introduction, Photokina follows with statements from Canon, Panasonic and Sony executives, which we’ve gathered below.

Canon Chief Executive Officer Image Communication Business Operations, Go Tokura, says:

As the imaging industry is at a significant turning point, we expect Photokina to be a leading show of the worldwide photo and imaging industry. Canon is eager to introduce new products and concept products at Photokina, thereby contributing to the industry’s success.

Panasonic Director of Smart Life Network Business Division, Yosuke Yamane, says:

For many years, Photokina has been the ideal platform for us to present our product innovations. The Imaging industry is facing big changes and challenges these days. In 2020, we will also be coming to Cologne with big expectations in the new Photokina format and are looking forward to contributing with great innovations.

Sony Senior General Manager of the Marketing Division at Sony Imaging Products & Solutions, Yosuke Aoki, says:

Sony is very glad to be part of Photokina again next year. Photokina 2020 gives us the opportunity to present our latest innovations and to maintain a direct dialog with all Digital Imaging Lovers. Sony is looking forward to seeing you all in Cologne.

The press release wraps up with statements from Koelnmesse President and Chief Executive Officer Gerald Böse and Chairman of the photo industry association (PIV), Kai Hillebrandt.

The press release isn’t necessarily unusual when viewed in a vacuum, as using quotes from the exhibitors to promote the expo is nothing new or out of the ordinary. But when looked at in context of Leica, Nikon and Olympus dropping out just three months ago, it does seem as though the press release and statements are a mutual pact to at least give the illusion of Photokina being no different than before, if not better.

Press release:

Photokina 2020: A visit to the motherland of imaging

The twinning arrangement between Cologne and Kyoto has been in place since 1963. It is characterised by an active exchange ranging from sports to art and culture. The economic relations are also close: the state of North Rhine-Westphalia, with Cologne as its largest metropolis, has long been one of the most important locations in Europe for Japan. More than 600 companies have settled here. Photokina is also an integral component of the good connection with Japan. A delegation of the City of Cologne, Koelnmesse and the association of the photo industry (PIV) once again strengthened this bond during a visit to Tokyo.

The Mayor of Cologne, Henriette Reker, the President and Chief Executive Officer of Koelnmesse, Gerald Böse, and the Chairman of the PIV, Kai Hillebrandt, were warmly welcomed at a celebratory reception in the German Embassy in Tokyo by Ambassador Ina Lepel and high-ranking company representatives. Also among the guests were many representatives of the Japanese imaging industry, which can look forward to a big year in 2020: the Olympic Games are taking place in Tokyo and, thanks to outstanding photo and film technology, people around the world can experience these up close. Many millions of snapshots and selfies by spectators and athletes will travel around the world in the social media. This is made possible by the achievements of imaging, the latest developments of which can be seen shortly before the start of the Olympic Games at Photokina in Cologne.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix S Pro 24-70mm F2.8 sample gallery

03 Dec

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The fourth lens to debut in Panasonic’s full-frame lineup is the 24-70mm F2.8. It’s a popular and versatile focal range, and the company makes big claims of its superior bokeh and sharpness. Take a look for yourself at what the workhorse of the S Pro lineup is capable of.

See our Panasonic Lumix S Pro 24-70mm F2.8 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic to sell remaining stake in semiconductor joint venture in face of ‘aggressive’ competition

03 Dec

Panasonic has announced it’ll be selling off its minority stake in its semiconductor joint venture for $ 250M to Taiwan’s Nuvoton Technology Corp after deciding it would need to invest more than it is prepared to do to compete and expand in the market.

Back in 2014, Panasonic offloaded a majority of its semiconductor unit to a joint venture with Isreali semiconductor manufacturer TowerJazz. The joint venture, which is owned 51% by TowerJazz and 49% by Panasonic, was initially believed to be sold as a whole, but TowerJazz has since confirmed in a statement that it will retain its majority stake and ultimate control of the operation following the transition:

‘TowerJazz, the global specialty foundry leader, clarifies following recent press releases in connection with the sale of Panasonic semiconductor business to Nuvoton that it will not sell its TPSCo shares and will maintain its 51% ownership and Board control in TPSCo.’

Part of the semiconductor business is involved with making imaging sensors for cameras and smartphones, as well as for numerous industrial purposes. It isn’t clear at the moment exactly how this will impact the company’s camera division or the upcoming 8K organic sensor planned for the 2020 Olympics, but all intellectual property and contracts are to be transferred to the buyer in June next year — a month before the start of the Olympics.

Panasonic says it’s tried to streamline its semiconductor business and that it has divested parts of the business already to make it less expensive to operate, but that it would need much more investment to expand the division and to compete in an aggressive market.

The sale may not have very much effect at all as the majority of Panasonic’s Lumix cameras use third-party sensors, and the majority of sensors made by the division being sold were for the automotive business and industrial applications. However, the division lists 16MP CMOS sensors for stills cameras and 20MP Super 35mm sensors for broadcast cameras in its offering. Whether the technology and manufacturing facilities for the 8K organic sensor are also part of the deal we have yet to discover.

We have contacted Panasonic for comment and to clarify what this might mean, if anything, for its camera business. We will update the article if we receive a statement.

Press release:

Announcement of the Transfer of the Semiconductor Business

OSAKA, Japan – Panasonic Corporation (hereinafter, the “Company”) announced that it will transfer (hereinafter, the “Transfer”) the semiconductor business mainly operated by Panasonic Semiconductor Solutions Co., Ltd. (hereinafter, “PSCS”), which is a 100% consolidated subsidiary company of Panasonic Equity Management Japan G.K.(hereinafter, “PEMJ”), a 100% consolidated subsidiary company of the Company, to Nuvoton Technology Corporation (hereinafter, “Nuvoton”), a Taiwan-based semiconductor company under the umbrella of Winbond Electronics Corporation group, and enter into the Stock and Asset Transfer Agreement (hereinafter, the “Agreement”) with this company. A decision was authorized by the Board resolution today.

1. Background and Purpose
The semiconductor business of the Company has shifted from the AV area to the automotive and industrial area over the last few years. The Company has positioned the “Sensing” technologies such as image sensors, and the “LiB Application” technologies such as IC for battery management and MOSFET for LiB battery circuits protection as the focus areas, and the Company has aimed to grow its business by consolidating resources in these areas.

In the meantime, in April 2014, the Company transferred the semiconductor wafer production process of the Hokuriku Plants (Uozu, Tonami, Arai) to the joint venture company formed with Tower Semiconductor Ltd., an Israel based foundry company. Furthermore, in June 2014, the Company transferred its semiconductor assembly plants in Singapore, Indonesia and Malaysia to UTAC Manufacturing Services Ltd. (hereinafter, “UTAC”) having its headquarter in Hong Kong. The Company has been strengthening its competitiveness by becoming an asset-light company, consolidating and eliminating its offices and production bases in both Japan and overseas for the mitigation of business risks.

However, the competitive environment surrounding the semiconductor business has become extremely severe due to aggressive expansion of competitors, huge investments in the focused area, and industry reorganization through M&A. In such an environment, the Company has come to believe that the even stronger business operation and the continuous investment is critical in order to achieve a sustained growth and expansion of the semiconductor business. Accordingly, it has concluded that the best option would be to transfer the business to Nuvoton, which highly appreciates the Company’s accumulated technical and product capabilities and therefore has a potential to lead stable growth by leveraging those capabilities.

2. About the Transfer
(1) Business restructuring before the Transfer: Just prior to the Transfer, the Company will restructure the semiconductor business as follows.

  • All shares of Panasonic Industrial Devices Systems and Technology Co., Ltd. (hereinafter, “PIDST”) and Panasonic Industrial Devices Engineering Co., Ltd. (hereinafter, “PIDE”), which are wholly-owned subsidiaries of PEMJ, will be handed over to PSCS by way of company split.
  • The semiconductor business-related intellectual property rights and certain business contracts held by the Company and/or the Company’s subsidiaries and the semiconductor business-related assets and debt of the Company will be handed over to PSCS by way of either company split or asset transfer.
  • All PSCS’s shares held by PEMJ will be handed over to a to-be-established, wholly-owned subsidiary of PEMJ (hereinafter, the “PSCS Holding Company”) by way of share transfer.
  • The semiconductor-related components (lead frame) business of PSCS will be handed over to a to-be-established, wholly-owned subsidiary of PEMJ by way of company split.

(2) Details of the Transfer: Upon completion of the business restructuring above, the Transfer will be carried out as per the details below with target effective date of June 1, 2020 (scheduled).

  • PEMJ will transfer all PSCS Holding Company’s shares to Nuvoton.
  • The business of Panasonic Industrial Devices Semiconductor Asia (an in-house company in charge of development and sales of semiconductors; hereinafter, “PIDSCA”) under Panasonic Asia Pacific Pte Ltd. (a Singaporean entity owned by the Company through its subsidiary; hereinafter, “PA”) will be handed over to Singapore- based entity owned by Nuvoton.
  • Certain facilities and inventories attributable to the semiconductor business of Panasonic Semiconductor (Suzhou) Co., Ltd. (hereinafter, “PSCSZ”) will be transferred to China-based entity owned by Nuvoton.

3. Other
The Agreement is based on the precondition of obtaining approvals from the authorities responsible for competition laws and other government agencies of the respective country and region. In addition, the planned date of the Transfer including business restructuring before the Transfer may differ significantly in light of the duration required for completing the procedures for obtaining approval and other procedures concerning permissions etc.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic releases firmware updates for several MFT, full-frame and compact cameras

20 Nov

Following a series of firmware releases earlier this month, Panasonic has released additional firmware updates for a large number of camera models, including several of its Micro Four Thirds offerings, many compact digital camera models and a couple of full-frame camera models. The updates add a number of new features and improvements ranging from expanded media and wireless transmitter compatibility to improved autofocus performance and ‘enhanced’ video functionality.

The updates were released on Tuesday, November 19, and are available to download from Panasonic now via the links below:

  • DC-GH5: Version 2.6
  • DC-GH5s: Version 1.4
  • DC-G9: Version 2.0
  • DC-GF9/GX800/GX850: Version 1.2
  • DC-GF10/GX880: Version 1.2
  • DMC-GX80/GX85: Version 1.3
  • DC-TZ90/TZ91/TZ92/TZ93/ZS70
  • DC-TZ200/TZ202/TZ220/ZS200/ZS220
  • DMC-LX10/LX15
  • DC-S1: Version 1.3
  • DC-S1R: Version 1.3

Some of the firmware updates are more notable than others. The G9 model, for example, has received support for recording 4K 30p/25p 4:2:2 10-bit video, as well as support for 4K 60p/50p 4:2:2 10-bit HDMI output. The model has also received variable frame rate shooting and HDR video support.

Articles: Digital Photography Review (dpreview.com)

 
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Profoto Connect and Air Remote TTL transmitters now compatible with Panasonic cameras

07 Nov

Profoto has announced it’s collaborated with Panasonic to bring Profoto Connect and Profoto Air Remote TTL support to the manufacturer’s cameras. As Panasonic said in its own press release today, owners of the LUMIX S1R, S1, GH5, GH5S and G9 models can update their firmware in order to use the two Profoto wireless transmitters.

The newly supported Profoto Air Remote TTL-O/P and Connect-O/P wireless transmitters can be attached to a supported Panasonic camera’s hot shoe for full TTL/HSS capability with the maker’s AirTTL flashes. This is one aspect of the overall Panasonic firmware updates, which also bring things like support for CFexpress Type B cards, better support with Sigma L-mount lenses and the MC-21 mount converter, and more.

The Profoto Connect is available for $ 299 and the Profoto Air Remote TTL is available for $ 429. The Panasonic firmware updates, meanwhile, can be found on the company’s support website.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix S Pro 16-35mm F4 debuts in January for $1500

06 Nov

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Panasonic has announced the Lumix S Pro 16-35mm F4, a compact wide-angle zoom for its full-frame L-mount system. The lens will go on sale early next year for $ 1500.

Optically, the 16-35mm F4 is made up of 12 elements in nine groups and includes one ED, one UHR and three aspherical elements. The 16-35 weighs 500g (17.6oz) with an overall length of about 100mm (3.9″), and offers dust and splash-resistance. Its minimum focus distance is 0.25m (9.8″), and the lens accepts 77mm filters.

The Lumix S Pro 16-35mm F4 will arrive in January 2020 alongside the also-announced 70-200mm F2.8.

Press release:

Panasonic Launches Two New L-Mount Interchangeable Lenses for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Camera

Newark, NJ (November 6, 2019) – Panasonic is proud to introduce two new interchangeable lenses based on the L-Mount system for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Cameras. Designed for professional use, the LUMIX S Series offers uncompromising photographic expression with its high-quality cameras and lenses.

The LUMIX S PRO 70-200mm F2.8 O.I.S. (S-E70200) is a large-aperture telephoto zoom lens that boasts high descriptive performance across the entire zoom range. The LUMIX S PRO 16-35mm F4 (S-R1635) is a versatile wide zoom lens that provides high resolution images and a beautiful bokeh despite its compact, light-weight profile. Both high-performing LUMIX S PRO lenses achieve LEICA’s stringent standards.

LUMIX S PRO/S Lens Lineup as of November 2019

  • LUMIX S PRO 50mm F1.4 (S-X50)
  • [NEW] LUMIX S PRO 16-35mm F4 (S-R1635)
  • LUMIX S PRO 24-70mm F2.8 (S-E2470)
  • LUMIX S 24-105mm F4 MACRO O.I.S. (S-R24105)
  • [NEW] LUMIX S PRO 70-200mm F2.8 O.I.S. (S-E70200)
  • LUMIX S PRO 70-200mm F4 O.I.S. (S-R70200)

In addition to Panasonic’s existing portfolio of first-class lenses for the LUMIX S series family of cameras, the company is committed to designing and developing 11 or more lenses with the emphasis on the “LUMIX S PRO” class by March 2021. Currently, more than 46 interchangeable L-Mount lenses are available or will be available from Panasonic, Leica Camera AG and Sigma, opening up a virtually limitless spectrum of new creative possibilities.

LUMIX S PRO 70-200mm F2.8 O.I.S. (S-E70200)

Designed and developed for professional field shooting, the LUMIX S PRO 70-200mm F2.8 O.I.S. (S-E70200) uses 2 UED (Ultra Extra-low Dispersion) lenses, 3 ED (Extra-low Dispersion) lenses and optimum alignment comprising 22 elements in 17 groups, effectively suppressing both axial chromatic aberration and chromatic aberration of magnification. Astigmatism is also corrected with an aspherical lens, achieving high resolving performance. Adoption of a double focus system suppresses fluctuation of aberration even at close distances, which results in high descriptive performance from the center to the corners over the entire zoom range despite its large aperture.

Covering from 70mm to 200mm, the use of a Teleconverter allows a maximum 280mm (1.4x, with DMW-STC14) and 400mm (2x, with DMW-STC20) super telephoto shooting*1, with maximum 480 fps focus control for high-speed, high-precision auto focus. The O.I.S. (Optical Image Stabilizer) in the lens complies with the camera’s Body I.S. and the 5-Axis Dual I.S. 2*2 makes it possible to use a 7-stop slower shutter speed*3. Adoption of a focus clutch mechanism enables instant AF/MF switching and accurate manual focusing.

The constant F2.8 large aperture provides smooth defocus gradation from the focus peak to the neighboring area of the image to achieve a beautiful bokeh effect as well as a rich perspective. The LUMIX S PRO 70-200mm F2.8 O.I.S. also excels in video recording performance with a mechanism that suppresses focus breathing, which was a fatal problem in all interchangeable lenses designed for still image photography.

The rugged, dust/splash-resistant*4 design withstands use under harsh conditions even at 10 degrees below zero for high mobility. The filter size is 82 mm, with an 11-blade circular aperture diaphragm.

LUMIX S PRO 16-35mm F4 (S-R1635)

The LUMIX S PRO 16-35mm F4 (S-R1635) is a versatile wide zoom lens boasts high descriptive performance in both photo shooting and video recording.

Comprising 12 elements in 9 groups, the use of 3 aspherical lenses, an ED (Extra-low Dispersion) lens and a UHR (Ultra-High Refractive Index) lens and the optimum alignment achieves high MTF performance despite its compact size and light weight. It boasts stunningly high resolution toward the corners even at wide open as well as a beautiful bokeh, suppressing double line bokeh and vignetting.

A double-magnet linear motor is integrated for the AF actuator, featuring high power despite its small size, achieving a maximum 480 fps high-speed sensor drive. This realizes fast, high-precision AF to ensure that photo opportunities are never missed. Like the 70-200mm F2.8 O.I.S. (S-E70200), the 16-35mm F4 (S-R1635) adopts a focus clutch mechanism, enabling instant AF/MF switching and accurate manual focusing, as well as excels in video recording performance thanks to a mechanism that suppresses focus breathing.

It is also rugged dust/splash-resistant,*4 withstanding harsh conditions even at 10 degrees below zero for high mobility. The filter size is 77 mm, with a 9-blade circular aperture diaphragm.

Both lenses will be at retail in January. The LUMIX S PRO 16-35mm F4 will available for $ 1,499 and the LUMIX S PRO 70-200mm F2.8 is $ 2,599.

*1 Use of the tele converter reduces the effective aperture by one f/stop (DMW-STC14) or two f/stops DMW-STC20)
*2 5-Axis Dual I.S. 2 can be used with the camera LUMIX S1R, S1 and S1H, as of November 6, 2019.
*3 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when
LUMIX S1R/S1/S1H is used.]
*4 Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to
direct contact with dust and water.

Panasonic Lumix S Pro 16-35mm F4 specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 16–35 mm
Image stabilization No
Lens mount Leica SL
Aperture
Maximum aperture F4
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 12
Groups 9
Special elements / coatings 1 ED + 1 UHR + 3 aspherical elements
Focus
Minimum focus 0.25 m (9.84)
Maximum magnification 0.23×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Internal
Distance scale Yes
Physical
Weight 500 g (1.10 lb)
Diameter 85 mm (3.35)
Length 100 mm (3.94)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 77 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Netflix certifies the Panasonic S1H for productions, making it the smallest (and only stills/video) camera on the list

26 Oct

Panasonic’s full-frame S1H full-frame mirrorless camera has been certified as a Netflix primary camera and is now part of the Netflix Post Technology Alliance. This recognition means productions are now able to use the relatively affordable S1H as a main camera, so long as the footage is captured within a range of formats and settings.

As laid out in Netflix’s camera production guide, the S1H needs to be shot in at least 4K (3840 x 2160 pixels or 4096 x 2160 pixels) in V-Log with 4:2:2 10-bit All-I (400Mbps) encoding and pixel-for-pixel readout in either full-frame or Super 35 modes.

The capture settings Netflix is requiring of the S1H, according to the camera production guide linked above.

Other specific requirements within the production guide include Noise Reduction be set to zero and sharpening be set to zero, while less-strict recommendations include turning off diffraction compensation and vignetting compensation. Additional suggestions include using the S1H’s Pixel Refresh setting at least yearly, using the sensor cleaning feature and making sure the firmware is always up to date.

Currently, there are no current Netflix Original productions using the S1H, ‘to the best of [Panasonic’s] knowledge,’ but having the full-frame mirrorless camera available as an approved camera should draw massive appeal for smaller operations where budget is more a factor. Yes, $ 4000 for a single camera body isn’t cheap, but it’s easily the most affordable camera on Netflix’s approved list, which includes the like of ARRI’s Alexa LF, Canon C700, RED Weapon Dragon 8K And Sony F55 camera systems.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe Camera Raw, Lightroom add support for newer Sony, Panasonic and Fujifilm cameras

24 Sep

Adobe recently released the September update for its Camera Raw plugin, the software that enables users to import and edit Raw images in the company’s creative software applications like Photoshop and Bridge.

Camera Raw version 11.4.1 adds support for four additional camera models: Fujifilm X-A7, Sony A7R IV (ILCE-7RM4), Panasonic Lumix DC-S1H, and the Sony RX100 VII (DSC-RX100M7). The new camera support is also available in Lightroom and Lightroom Classic starting with versions 2.4.1 and 8.4.1, respectively.

With the updated support, users can edit RAF images from the Fujifilm X-A7, as well as RW2 files from the Lumix DC-S1H and ARW files from the two newly added Sony cameras. Adobe Camera Raw 11.4.1 is available to download for Windows and macOS for free from Adobe’s website. The Lightroom and Lightroom Classic updates should be available through Adobe’s Creative Cloud desktop app.

Articles: Digital Photography Review (dpreview.com)

 
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STC expands Clip Filter series with new Panasonic Lumix M43 ND and IR filters

14 Sep

STC Optics has expanded its Clip Filter Series to include new filters for Panasonic Lumix M43 camera systems, as well as the Z Cam E2 4K Cinema Camera and Blackmagic Pocket Cinema Camera 4K. As with the existing Clip Filters, the new series is designed to be sandwiched between the camera body and lens, positioning the filter over the sensor instead of on the front of the lens.

STC explains that its Panasonic M43 Clip Filter is designed to fit in front of the shutter mechanism to avoid interfering with the camera’s anti-shake function. All of the filters are made with Schott B2790 optical glass with double-sided NANO anti-smudge coatings and A2 stainless steel.

The new Clip Filter lineup includes a sensor protector filter, neutral density filters offered in N8, N16, ND64, ND400 and ND1000, as well as 590nm, 720nm and 850nm IR filters, a 625nm UV-IR cut filter and Astro filters in the following options:

– Multispectra Multi-Band Interferometric Filter
– Duo-Narrowband
– Bimodal Narrowband Filter? ?
– Nightscape Starscape Filter

The STC Clip filters are available on Amazon UK for £81.99 to £91.99, depending on the model, with more options available on the STC website at prices ranging from $ 80 to $ 430.

Articles: Digital Photography Review (dpreview.com)

 
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