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Panasonic G9 offers pro-level features, 20 fps bursts, huge EVF and class-leading image stabilization

08 Nov

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Panasonic’s new Lumix DC-G9 is the company’s first mirrorless camera aimed specifically at professional stills photographers. Geared for high-speed capture at up to 20fps, the G9 offers the same 20MP Four Thirds sensor as the video-centric GH5, but with tweaked image processing for better JPEG image quality. If 20 Megapixels isn’t enough for you, the G9 is able to shift its sensor (more on that below) eight times to create an 80MP Raw image with ultra-high resolution.

The G9’s image stabilization is as good as you’ll find on any interchangeable lens cameras, capable of reducing shake by up to 6.5 stops. Panasonic claims that this system still offers that level of stabilization at wider focal lengths when using non-stabilized lenses, and maintains it at longer focal lengths with those with built-in IS, where it can use ‘Dual I.S. 2.’

There’s a refined ‘Depth from Defocus’ AF system on the G9, which offers 225 selectable points and improvements in both speed and subject tracking. The camera is capable of shooting bursts at 20 fps with continuous autofocus using its electronic shutter (9 fps with mechanical) and 60 fps with single AF (12 fps with mechanical). The buffer allows for up to 50 Raw images to be captured in a single burst.

The G9 samples the full width of the sensor for all resolutions, which means no crop and higher quality.

The G9 has a sturdy metal body that’s sealed against the elements and freezeproof to -10C/+14F. Direct controls include a lockable mode dial with a sub-dial for drive mode, an AF-point selection joystick and function switch for quickly swapping settings, similar to what’s found on some Olympus cameras. The OLED electronic viewfinder is downright enormous, with a maximum magnification of 0.83x equivalent and a resolution of 3.68 million dots. A 3″ fully articulating touchscreen LCD is also available. The camera has two SD memory card slots, both of which support UHS-II media. Ports include HDMI, microphone, headphone, flash sync, USB 3.0 (Micro B) and wired remote.

On the video front, the G9 can capture UHD 4K video at up to 60 fps, with a maximum bitrate of 150Mbps. It samples the full width of the sensor for all resolutions, which means no crop and higher quality. You can shoot slo-mo video at up to 60 fps in 4K and 180 fps at Full HD. The G9 can use its video capabilities to capture both 6K and 4K stills.

The G9 is powered by the same DMW-BLF19 battery as the GH5 with a CIPA rating of up to 400 shots per charge. A ‘power save LVF’ mode puts the camera into sleep mode when the EVF is not in use, and the camera turns on instantly when the shutter release is half-pressed. This mode improves battery life by roughly 2.3x. An optional battery grip holds an additional DMW-BLF19, bringing the CIPA number up to 800 shots. The G9 can be charged over USB.

Lastly, connectivity. While most cameras are still using 802.11b/g/n, the G9 uses the modern 802.11ac standard. Using the Panasonic Image App you can remotely control the camera, automatically transfer photos and copy settings from one G9 to another. Bluetooth 4.2 LE maintains a constant connection between the camera and smartphone and a basic app can be used as a remote shutter release.

The DC-G9 will ship in January 2018 for $ 1699 body only. The DMW-BGG9 grip will arrive at the same time for $ 349.

Press Release

Panasonic LUMIX G9 – The Ultimate Photo Shooting Camera

Featuring High Picture Quality, an 80-megapixel High Resolution Mode and 6.5-stops of compensation with or without Dual I.S. 2.0 compatible LUMIX lenses

November 8, 2017 (Newark, NJ) – Panasonic Consumer Electronics Company is proud to introduce a new flagship Digital Single Lens Mirrorless camera, the LUMIX G9 that boasts outstanding mobility with ultra-high-speed response. Evolving from the GH5’s high performance, the LUMIX G9 achieves the highest-ever image quality in photo shooting by elevating resolution, gradation and color reproduction with its 20.3-megapixel Digital Live MOS Sensor without a low-pass filter. A High Resolution mode is also added that provides 80-megapixel equivalent images in JPEG /RAW formats produced in-camera.

The Body I.S. (Image Stabilizer) in the LUMIX G9 is dramatically improved, making it possible to use 6.5 stops of compensation with or without Dual I.S.2.0 compatible Lumix lenses. This is achieved by a more accurate calculation of shake in various shooting conditions, utilizing information of angular velocity and motion vector acquired not only from the gyro sensor but also from the image sensor and accelerometer sensor.

The high-speed, high-precision AF with DFD technology achieves the world’s fastest*1AF speed of 0.04 sec*2. With its high tracking performance to the subject, the LUMIX G9 does not lose the target subject.

The LUMIX G9 also boasts the fastest-in-class*3 20 fps (AFC) / 60 fps (AFS) in 20.3-megapixel full resolution to capture those unmissable moments. Complying with 6K/4K PHOTO, users can choose the most suitable burst shooting mode in addition to the regular consecutive shooting mode and new Pre-burst shooting mode depending on the situation.?
The LUMIX G9 has the largest-in-class*1 LVF (Live View Finder) with a stunningly high magnification ratio of approx.1.66x / 0.83x (35mm camera equivalent). No blackouts occur even in high-speed burst shooting*4. Night mode and an AF Point Scope function is also integrated.

To withstand heavy field use, the LUMIX G9 is composed of a magnesium alloy full die-cast front / rear frame and is not only splash proof*5 and dustproof but also freeze proof down to -10 degrees centigrade. The largest-in-class Status LCD on the top of the camera makes shooting even easier and more comfortable. For the rear monitor, a 3.0-inch free-angle LCD in 3:2 aspect ratio with 1,040K-dot high resolution is equipped. The G9 has a double SD Memory Card slot, compatible with the high-speed, high-capacity UHS-II.

The LUMIX G9 includes Bluetooth and Wi-Fi® connectivity to offer a more flexible shooting experience and instant image sharing with easy operation. Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone or tablet with minimum power consumption. For Wi-Fi, 5GHz (IEEE802.11ac) can be selected in addition to the conventional 2.4GHz (IEEE 802.11b/g/n) for an even more secure and stable connection.
*1 As a Digital Single Lens Mirrorless camera, as of November 8, 2017
*2 In 1-Area AF, at wide-end with H-ES12060 (CIPA) in LVF120 fps setting.
*3 With H-ES12060, as a Digital Single Lens Mirrorless camera, as of November 8, 2017
*4 In AFC 20 fps/ AFS 60 fps setting
*5 Splash Proof is a term used to describe an extra level of protection this camera offers against exposure to a minimal amount of moisture, water or dust. Splash Proof does not guarantee that damage will not occur if this camera is subjected to direct contact with water.

1. Highest picture quality in the history of LUMIX cameras
Evolving even further from the performance of the LUMIX GH5, the LUMIX G9 achieves the highest image quality in the history of all LUMIX G Digital Single Lens Mirrorless cameras. The 20.3-megapixel Digital Live MOS Sensor without low-pass filter drives the maximum performance of the lens and the Venus Engine 10 rendering high-precision yet natural images with its Multipixel Luminance Generation and Intelligent Detail Processing. An optimum gradation setting according to the characteristics of the sensor provides a wider dynamic range for smoother gradation. Plus, an AR coating on the sensor minimizes ghosts and flaring even in backlighting. A Tuned Three-dimensional Color Control detects not only hue and saturation but also brightness, and applies optimal control according to the value of each factor. This achieves rich color reproduction from dark to bright parts of the image, which especially improves the expression of skies or human skin. A Tuned High Precision Multi Process NR boasts high noise identification accuracy and preserves details even after the noise reduction process, which results in natural textures and precise detail especially in middle to high sensitivity image recording.

The new High Resolution mode produces an 80-megapixel equivalent (10368 x 7776) image by synthesizing 8 consecutively shot images while shifting the sensor. Not only JPEG but also RAW can be produced in the camera, without the need for software processing. This magnificently high resolution photo is ideal for landscape and product photography using a tripod.

2. Advanced Body I.S. (Image Stabilizer) and Dual I.S.
To achieve stable handheld shooting even in slower shutter speed, the Body I.S. (Image Stabilizer) in the LUMIX G9 is further advanced. Panasonic adopted a newly developed algorithm that precisely calculates shake information acquired not only from a gyro sensor, but also from the image sensor and accelerometer sensor. This enables more accurate shake detection and compensation, making it possible to use a 6.5-stop slower shutter speeds*1. Notably, movement with characteristically low-frequency is suppressed more effectively to use slower shutter speeds.. With its high mobility achieved by the compact, lightweight design and powerful Body I.S., this LUMIX G Digital Single Lens Mirrorless Camera makes previously impossible shooting, such as handheld 800mm (35mm camera equivalent) ultra-telephoto shooting possible.

Combining an this B.I.S.(Body Image Stabilizer, 5-axis) and O.I.S.(Optical Image Stabilizer, 2-axis), the 5-axis Dual I.S. (Image Stabilizer) 2*2 in the LUMIX G9 compensates for larger movements that were conventionally uncontrollable. Maximizing both O.I.S and B.I.S. is highly beneficial in telephoto shots and in adverse situations, such as at night or with one-handed shooting with a 6.5-stop slower shutter speed*3.

The 5-axis Dual I.S. 2.0 works for both photo and motion picture recording, including 4K video. Panasonic LUMIX G DSLM Cameras offer a wide variety of digital interchangeable lenses and most of them support the 5-axis Dual I.S. in the LUMIX G9. The B.I.S. compensates for camera movement even when a lens without O.I.S. (e.g. a cine lens) is used.
*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm film camera equivalent f=120mm), when H-ES12060 is used.
*2 5-Axis Dual I.S.2 can be used with the following lenses as of November 8, 2017: H-HSA12035, H-ES12060, H-FS14140, H-HSA35100, H-FSA45200, H-FSA100300, H-RS100400 and H-ES200. Firmware update is required for some lenses.
*3 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm), when H-FS14140 is used

3. Outstanding tracking performance and high-speed, high-precision AF
The DFD (Depth From Defocus) technology*1 calculates the distance to the subject by evaluating two images with different sharpness levels while instantly consulting the optical characteristics data of the current lens. Panasonic’s combination of the Contrast AF with DFD technology was further advanced in the LUMIX G9 together with the speed of the sensor drive during auto focusing in photo shooting, which achieves 480 fps. Consequently, the LUMIX G9 realizes an ultra-high-speed AF of approximately 0.04 sec*2 and 60 (AFS) / 20(AFC) fps high-speed burst shooting using an electronic shutter at full resolution.

Thanks to the high processing performance of the Venus Engine 10, the LUMIX G9 incorporates Deep Learning technology that detects a human body in addition to the conventional face and eye detection. The AF Point Scope function is also new on the LUMIX G9. It magnifies subjects that are far away to capture them in clear focus.

For more precise focusing, the focus areas are increased from 49 to 225-areas in addition to the conventional Face/Eye Recognition, Tracking AF, 1-area AF and Pinpoint AF. Users can make a group of 225 focus areas and move or change the size of it as they like according to the composition. All focusing operations are easily controlled with the newly adopted joystick located on the thumb position without taking the eyes off of the subject even when using an LVF or releasing the finger from the shutter button. The LUMIX G9 is equipped with AF Custom Settings with which users can set AF Sensitivity, AF Area Switching Sensitivity and Moving Object Prediction Level. Four patterns of presets are also available for frequently used situations.
*1 Contrast AF with DFD Technology works only with Panasonic Micro Four Thirds lenses.
*2 In 1-Area AF, at wide-end with H-ES12060 (CIPA) in LVF120 fps setting.

4. High mobility for agile field shooting
The LUMIX G9 boasts outstanding performance to achieve the fastest-in-class*1 20 fps (AFC) / 60 fps (AFS) at 20.3-megapixel full resolution. Taking advantage of its blackout-free LVF (Live View Finder), it is the best mirrorless camera for capturing moving subjects in sharp focus. With its high tracking performance to the subject, the LUMIX G9 doesn’t loses the target subject. Pre-burst shooting is also new on LUMIX G9, which starts shooting 0.4 sec in advance to releasing the shutter.?

For more continuous burst shooting, the 6K PHOTO*2 makes it possible to capture the unmissable moments at 30 fps by extracting the frame with the best timing out of a 6K burst file (in 4:3 or 3:2 aspect) to save as an approx.18-megapixel equivalent high resolution photo. The 4K PHOTO is also upgraded to enable 60 fps high-speed capture in approx.8-megapixel equivalent resolution. In 6K PHOTO /4K PHOTO, three exclusive modes can be chosen from depending on the situation; 6K Burst / 4K Burst, 6K Burst (Start/Stop) / 4K Burst (Start/Stop) and 6K Pre-burst / 4K Pre-burst. Users can choose the most suitable burst shooting mode in addition to the regular consecutive shooting mode in full resolution depending on the situation.

The new High Sensitivity MOS Sensor helps to suppress the rolling shutter effect. Plus, the Venus Engine 10 makes it possible to apply Post Recording Refinement over the pictures to correct distortion and reduce noise when playing back or cutting images out of the 6K burst file / 4K burst file by compensating the signal information between the consecutive frames. As a result, the picture quality of 6K PHOTO /4K PHOTO shot at high shutter speed in high sensitivity or those shot when panning are dramatically improved.
*1 ‘As a Digital Single Lens Mirrorless Camera, as of November 8, 2017.
*2 ‘6K PHOTO’ is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx.18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages.

5. Innovative LVF (Live View Finder) with high magnification ratio and excellent performance
The LVF (Live View Finder) is the key factor for completing the ultra-high-speed response of the camera. The LUMIX G9 has the largest-in-class LVF with a stunningly high magnification ratio of approx.1.66x / 0.83x (35mm camera equivalent). The magnification ratio can be switched among 0.7x, 0.77x and 0.83x according to the shooting situation. High-precision, high-speed OLED (Organic Light-Emitting Diode) display features 3,680K-dot high resolution and 100% field of view. Adoption of OLED for the LVF achieves smooth display at 120 fps and high speed response with minimum time lag of less than 0.005 sec as well as 10,000:1 high contrast for exceptional visibility. No blackout occurs even in high speed burst shooting, so as not to lose sight of the subject. With an eye point of approximately 21 mm, it offers high visibility with comfort for users wearing glasses. It is always sharp and clear from the center all the way to the corners. The LUMIX G9 incorporates Night mode which provides mild backlighting. It lets the user watch the subject comfortably immediately after viewing the monitor while in a dark situation for a long period of time.

6. Optimal design for Intuitive control and operation
The LUMIX G9 includes a largest-in-class Status LCD on the top, allowing users to check the settings at a glance.

The Fn lever makes it possible to change the setting quickly once frequently-used settings are assigned. The LUMIX G9 also comes with a joystick at the optimal position to achieve intuitive focus area control without taking the eyes off of the viewfinder, together with a focus lever and AF mode button. Dials on the grip and Fn buttons are also located in the best position to operate unseen.

7. High mobility and rugged design for heavy field use
To be tough enough to withstand even heavy field use, the main structure is composed of a magnesium alloy full die-cast front/rear frame. Secure construction and a sealing for every joint, dial, and button make the LUMIX G9 not only splash proof and dustproof but also freeze proof down to 14°F (-10 degrees Celsius).

The LUMIX G9 is equipped with a double SD Memory Card slot compatible with high-speed, high capacity UHS-II. Users can flexibly choose the recording method from Relay Recording, Backup Recording or Allocation Recording. In Relay Recording, the data will be written on the SD Memory Card in the second slot when the SD Memory Card in the first slot is full. The content will be written in both SD Memory Cards in the first and second slot simultaneously in Backup Recording. In Allocation Recording, data is automatically allocated to the SD Memory Card in the designated slot by the type of content – RAW, JPEG, 6K PHOTO / 4K PHOTO, or 4K video data. For example, users can store only photos on the SD Memory Card in slot 1 and videos in slot 2. Moreover, both slots are equipped with access lamps so users can tell which SD Memory Card is under writing and which can be ejected at a glance.
The LUMIX G9 enables not only power charging but also power feeding via USB, which enhances extended shooting time.

8. Other Features
?3.0″1040k-dot Free-angle Monitor
Adopting a static-type touch control system, the 3.0-inch free-angle rear monitor in 3:2 aspect with 1,040K-dot high resolution features approx.100% field of view. It uses a pixel structure of RGB (Red / Green / Blue) and White to feature even higher visibility in sunny outdoor scenes. It tilts up and down by approx.270-degree which makes shooting at either high or low angles even easier. Night mode can also be applied to the display on the rear monitor.
?Bluetooth 4.2 and Wi-Fi 5GHz (IEEE802.11ac) / 2.4GHz (IEEE802.11b/g/n)
The LUMIX G9 integrates Bluetooth and Wi-Fi® connectivity to offer a more flexible shooting experience and instant image sharing with easy operation. Once the camera is connected to a smartphone or tablet installed with Panasonic’s dedicated application software Image App for iOS / Android, users can shoot, browse and share images remotely. Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. This enables the camera to activate by simply using a smartphone/tablet or to add GPS geotag on the photos automatically. Furthermore, the settings of a LUMIX G9 camera can also be copied and transmitted wirelessly to other G9 cameras when using multiple G9 cameras.

For the Wi-Fi, 5GHz (IEEE802.11ac) is effective in addition to the conventional 2.4GHz (IEEE802.11b/g/n. This provides even secure and stable connection not only with a smartphone/tablet but also with other devices on location for smooth remote control. Transmission speed of photo/video data is also increased up by using the 5GHz-band*.
* 5 GHz Wi-Fi is not available in some countries.

9. Optional Accessories Specially Designed for LUMIX G9
?Battery Grip DMW-BGG9
The LUMIX G9 is compatible with the new Battery Grip DMW-BGG9. By using two batteries, one in the camera and the other in the grip, the DMW-BGG9 extends the battery life for longer shooting time. It also makes handling more comfortable even in vertical angle shooting. The DMW-BGG9 also provides intuitive operation with a joystick. Exclusively designed for the LUMIX G9, the DMW-BGG9 perfectly matches the camera, boasting a rugged, splash proof, dustproof and freeze proof design.
-Eye Cup DMW-EC4
The Eye Cup DMW-EC4 makes it even more comfortable to see the high-performance LVF of the G9.
-Battery Charger DMW-BTC13
The Battery Charger DMW-BTC13 enables quick charging of the Battery Pack DMW-BLF19 from an AC outlet using the bundled AC adopter.
-Shoulder Strap DMW-SSTG9
The Shoulder Strap DMW-SSTG9 is a length-adjustable shoulder strap. The camera can be detached or replaced quickly to prepare for the next photo opportunity in various shooting situations.

The new G9 and all accessories will be available in early January 2018. The G9 (body only) MSRP will be $ 1699.99 and the Battery Grip $ 349.99.

Panasonic Lumix DC-G9 specifications

Price
MSRP $ 1699 (body only)
Body type
Body type SLR-like (bridge)
Body material Magnesium alloy
Sensor
Max resolution 5184 x 3888
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 22 megapixels
Sensor size Four Thirds (17.3 x 13 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 200-25600 (expands to 100-25600)
Boosted ISO (minimum) 100
White balance presets 5
Custom white balance Yes (4 slots)
Image stabilization Sensor-shift
CIPA image stabilization rating 6.5 stop(s)
Uncompressed format RAW
JPEG quality levels Fine, standard
File format
  • JPEG (Exif v2.31)
  • Raw (Panasonic 12-bit RW2)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (2x-4x)
Manual focus Yes
Number of focus points 225
Lens mount Micro Four Thirds
Focal length multiplier 2×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 1.66× (0.83× 35mm equiv.)
Viewfinder resolution 3,680,000
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • iAuto
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync port)
Flash modes Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off
Flash X sync speed 1/250 sec
Drive modes
  • Single
  • Continuous I/II
  • 6K Photo
  • Post Focus
  • Self-timer
  • TIme-lapse
Continuous drive 20.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±3 (3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, AVCHD, H.264
Modes
  • 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC
  • 3840 x 2160 @ 23.98p / 100 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 30p / 20 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 23.98p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
Microphone Stereo
Speaker Mono
Storage
Storage types Dual SD/SDHC/SDXC slots (UHS-II supported)
Connectivity
USB USB 3.0 (5 GBit/sec)
USB charging Yes
HDMI Yes
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac + Bluetooth
Remote control Yes (wired or via smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description DMW-BTC13 lithium-ion battery & USB charger
Battery Life (CIPA) 400
Weight (inc. batteries) 658 g (1.45 lb / 23.21 oz)
Dimensions 137 x 97 x 92 mm (5.39 x 3.82 x 3.62)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic firmware debugs GH4, improves stabilization on 42.5mm and 30mm lenses

02 Oct

Panasonic has released new firmware for the Lumix DMC-GH4 camera, its 42.5mm f/1.2 portrait lens and the 30mm f/2.8 macro. The firmware was introduced the same day as the V2.0 for the Lumix DC-GH5, but was rather over-shadowed by the bigger news (for obvious reasons). That doesn’t mean it’s not worth mentioning though.

On the camera side, the update for the GH4 fixes an issue that prevented image stabilization from functioning with some third party lenses when working in the variable frame rate video mode.

For the lenses, the update brings Dual IS 2 to both the (H-HS030) Lumix G Macro 30mm f/2.8 ASPH Mega OIS and (H-NS043) Leica DG Nocticron 42.5mm f/1.2 ASPH Power IOS lenses, with individual updates for each of the models.

The version 2 of the stabilization system that combines in-camera sensor movement with in-lens anti-shake units is said to provide better performance for stills shooters as well as stabilization in movie mode and 4K/6K Photo modes via a new gyro system in Dual IS 2 compatible bodies. At the moment only the DC-GH5 and G80/G85 support the system, which differs from the Dual IS modes used in the GX8 and GX80/85.

For more information visit the Panasonic website, or follow the direct links to the firmware pages for the Lumix DMC-GH4, Lumix G Macro 30mm f/2.8 ASPH Mega OIS and Leica DG Nocticron 42.5mm f/1.2 ASPH Power IOS. Panasonic also publishes a chart that shows the version of Dual IS each lens/body combination will deliver.

Articles: Digital Photography Review (dpreview.com)

 
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Feature-boosting Panasonic GH5 Firmware 2.0 is officially live

28 Sep

The long-awaited ‘Firmware Update Version 2.0’ for Panasonic’s GH5 is officially live today. The update was teased when the camera was first unveiled, and more details about the update were released in August. But even then, the official release date was a mystery. We only knew that it would drop at ‘the end of September.’

Well, it turns out ‘the end of September’ meant today: September 27th, 2017.

If you own a GH5 you’ll want to head to Panasonic’s support website and download this firmware update ASAP. You can get a full breakdown of the features this update adds or improves upon here, but here’s a quick list of the most prominent boosts:

  • 400Mbps All-I compression options in 4K (200Mbps in 1080)
  • Higher resolution 4:3 video capture for shooting with anamorphic lenses
  • Hybrid Log Gamma shooting mode (HDR TV-ready Log shooting)
  • More responsive autofocus, especially in 24p video shooting
  • USB-based tethered shooting option with free Mac/Win software
  • Additional Stabilization mode steadier hand-held video
  • Improvements to 6K and 4K Photo modes

Grab the free update for yourself at this link, and be sure to check out our full Firmware Version 2.0 feature breakdown while your camera updates:

GH5 Firmware 2.0 Feature Breakdown

Articles: Digital Photography Review (dpreview.com)

 
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Review of the Panasonic Lumix G Leica DG Vario-Elmar 100-400mm Lens

05 Sep

In this review, I’ll discuss my experience testing out the Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 IS lens. It is compatible with mirrorless four thirds camera systems.

Downsizing

Last winter, I adopted my first new camera system since I started shooting seriously two decades ago. I’ve used Canon cameras for my entire professional career, though I’m hardly a devout follower of the brand. I’ve shot Canon for the simple reason that I own Canon gear, am content with the quality, and switching to something new was just too much trouble.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

However, in my work as a wilderness photographer and guide, weight and size of my equipment are a big deal. Often, I’ve found myself leaving gear at home that I’d otherwise like to have, for the simple reason that there wasn’t space or the gear weighed too much. So, I started looking for a compact system that would provide the quality and flexibility I needed.

I ended up with a Panasonic Lumix GX85 mirrorless body, as an experiment into the micro 4/3rds system. Without mincing words, I’ve been extremely impressed with this very compact, very light, and very capable little camera. In the months I’ve been using it, it has easily out-stripped my Canon DSLRs as my most-used camera.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

A flash of sunlight on the tundra of the Brooks Range. Panasonic-Leica 100-400, 187mm, f5.0, 1/250th.

Looking for lenses

With weight and size as a major consideration, I’ve started shopping for additional lenses, to see if there is anything available that would allow me to part with at least some of my Canon kit. Rather than spend a bunch of bucks, I’m trying things out via rental lenses. The first big telephoto I’ve tried is the Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens.

When mounted on a micro 4/3rds camera like the Lumix GX85, the 100-400mm lens has a full-frame equivalent of 200-800mm, which definitely appealed to my inner wildlife photographer.

I recently spent about 10 days with this lens on a wilderness trip to the Arctic National Wildlife Refuge. This review is about how it functioned and the resulting image quality. I’ll leave the technical assessment of chromatic aberration, color fidelity, and variable sharpness in other, more capable, hands.

First Impressions of the Panasonic 100-400mm lens

Out of the box, the all metal construction of this lens struck me as sturdy, compact, sleek, and well-made. The rotating focus and zoom rings were smooth and precise and there was no grinding or slippage. The simple lock-out ring was easily adjusted to keep the zoom from slipping forward or back. No complaints.Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

I promptly took it out of for a quick walk around my home here in Fairbanks, Alaska and made a few images of flowers, testing the focus and bokeh.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

This was the only image I made with the lens where it had a hard time auto-focusing. I suspect it was due to the relatively dark background and low-contrast subject. 400mm, f/6.3, 1/160th.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

The background bokeh retains some detail in this image at 400m, f/7.1, 1/2000th.

Sharpness is surprisingly good even at 400mm (800mm equivalent) though I did find the autofocus in low-contrast situations to be a bit slow and imprecise. The image of the Delphinium (purple flower, above) took multiple attempts to grab focus, presumably due to the dark background.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

Cottongrass. Even at 400mm, the center piece of cotton is tack sharp. 400mm, f8, 1/2500th.

The combination of the micro 4/3rds sensor (which as a 2x crop factor) and the f6.3 aperture (at 400mm) did extend the depth of field and reduced the clean bokeh I’m used to with my faster Canon 500mm f4. However, when the subject is set suitably away from the background this improves markedly.

Into the Field

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

Looking north from the mountain front toward the coastal plain of the Arctic National Wildlife Refuge. 100mm, f4.7, 1/2500th.

The following morning, I boarded a small bush plane and flew from Fairbanks, over the arctic circle to the northern Brooks Range and coastal plain of the Arctic National Wildlife Refuge.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

I was impressed with the color and contrast detail using the lens. 137mm, f/8.0, 1/1600th.

The long and short of that trip is that the weather sucked. Usual, y the Arctic Refuge is a dry place (it’s actually an Arctic desert) but not on this trip. My clients and I spent long hours holed up drinking hot chocolate, rather than hiking across the dramatic landscape. This was a bit of a drag, but it did make us appreciate the rare moments when the weather cleared enough to allow rays of sun to fall on the tundra.

During those moments, I would scurry out, camera in hand, and make images. Usually, when photographing the landscape, I rely on wide angles, and short telephotos. However, the specks of interesting light that found their way to the ground through the low clouds were small, and I found the reach of the 100-400mm lens a near-perfect match for the conditions.

Bird photography

I also had the chance to make a few images of the Semipalmated Plovers that shared our riverside camp.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

Semipalmated Plover on the a gravel bar on the coastal plain of the Arctic National Wildlife Refuge. The feather detail is extremely good, even when viewed at 100%. 250mm, f/11, 1/500th.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

Semipalmated Plover. 400mm, f/9.0, 1/200th (Handheld at 800mm equivalent! That’s some solid image stabilization there.)

I’m accustomed to making wildlife photos with a monstrous 500mm f/4, which while huge, also has amazing image quality and a lovely, clean background bokeh. I expected this lens to be second-rate at best.

And yet, I was pleasantly surprised. Image sharpness was more than acceptable throughout the lens’ range. And the bokeh issue was resolved (at least somewhat) by laying down on the ground and shooting at the bird’s eye level. This provided a good separation from the bird to the background.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

Sun patch detail. 400mm f/6.3, 1/250th.

In situations where this kind of separation is impossible to create (say a forest, or shrubby area), then the extended depth of field of this slower, faster lens will unquestionably be an issue.

The image stabilization in the lens and camera worked seamlessly together, making handheld shooting a breeze. Even at an 800mm equivalent, and surprisingly long shutter speeds, it performed well.

Final Thoughts

I just couldn’t help comparing this lens to my Canon 500mm f/4. I know it isn’t a fair comparison. The 500mm weighs nearly 8lbs, while the 100-400mm comes in just over two. The street price of the 500mm is a college-fund draining $ 9,000 USD, while the Panasonic 100-400mm slips in at a comparatively cheap $ 1,800 USD.

Lens Review: Panasonic Lumix G Leica DG Vario-Elmar 100-400mm

Rotten weather meant that snow fell on the mountains just above our camp…in July! Ahhh, Alaska. 180mm, f/9.0, 1/500th.

But the very fact that I AM comparing these two wildly different sized and priced lenses says something very good about the Panasonic-Leica 100-400mm, I think. For what it is and what you get, this lens is extraordinary.

Is it as good as a 500mm f/4 prime Canon L-series lens? No way. Is it still really, really good? Yes, it is, and for the price and size, I’m not sure it can be beaten.

I’m not ready to trade in my big glass for this little, solid lens, but when it comes to light backcountry journeys, I could sure as heck see the Panasonic Lumix 100-400mm f4-6.3 lens as a great addition to my kit.

The post Review of the Panasonic Lumix G Leica DG Vario-Elmar 100-400mm Lens by David Shaw appeared first on Digital Photography School.


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Panasonic issues promised GH5 firmware update with a host of unexpected extras

30 Aug

Panasonic has revealed the full extent of its planned feature-boosting firmware update. In addition to the enhancements announced at the camera’s launch, it will also add a range of extra features and performance improvements not previously expected. The update is free and will be available at ‘the end of September.’

The firmware update gives access to the full range of features set out at the camera’s launch as well as making some changes in response to user feedback.

As originally promised, the update adds the following features:

  • 400Mbps All-I compression options in 4K (200Mbps in 1080)*
  • Higher resolution 4:3 video capture for shooting with anamorphic lenses
  • Hybrid Log Gamma shooting mode (HDR TV-ready Log shooting)

Further to these, the company has also added these features:

  • More responsive autofocus, especially in 24p video shooting
  • USB-based tethered shooting option with free Mac/Win software
  • Additional Stabilization mode steadier hand-held video
  • Improvements to 6K and 4K Photo modes*
  • Additional wireless function
  • Bug fixes and minor feature tweaks

The features marked * are the first time a manufacturer has recommended the use of V60 and V90 speed class cards, as their testing suggests even the fastest U3 cards can result in pauses and dropped recording.

We got our hands on an early version of the firmware, and we’ve updated our full GH5 review with an in-depth look at all of the changes.

For more details about these changes, see our breakdown of the f/w V2.0 features

Press Release

GH5 Firmware Update Version 2.0

Exceptional New Enhancements, Performance and Functionality

Newark, NJ (August 30, 2017) Panasonic today announced the new firmware update Verion.2.0 for DC-GH5 to further enhance its performance. Many enhancements were previously planned but additional modifications were suggested by end users that specialize in both photography and cinematography. This updates is an exceptional upgrade in camera performance to satisfy professional GH5 users.

The new firmware includes following upgrades:

1. Compatibility with “LUMIX Tether” PC software

This new firmware enables GH5 tethered shooting via USB, using “LUMIX Tether” PC software. Users can control the camera by connecting it to a PC via USB. It lets you view the image on a large PC screen while shooting, which is helpful in commercial photoshoots of portraits, products and so on, where continuous confirmation is required. You can use [6K PHOTO] [4K PHOTO] and start and stop video recording with the tethered shooting. It is also possible to choose the folder to save the image files in the PC.

2. Improved auto focus performance

-Auto focus performance for subjects with low contrast in photo shooting is improved.

-Tracking auto focus performance in video recording is improved.

-The customized AF area can be continuously displayed in [Multi AF] and [Custom Multi AF] during live-view.

-The AF area in [Multi AF] can be moved to the other edge (side, top or bottom) when it reaches one edge.

-The start point of AF lock can be set on the live view screen in advance in [AF Tracking].

-The AF area can be moved while the shutter button is half-pressed or while recording in [Burst Mode], [6K PHOTO] and [4K PHOTO].

3. Improved performance in [6K PHOTO] and [4K PHOTO]

-The waiting time to start the next burst shooting sequence after [6K Burst] and [4K Burst] is shortened to less than half the time.

-[Loop Rec] is available in [6K PHOTO]

•Use of Panasonic SD Memory Card with Video Speed Class 90 is recommended for [Loop Rec] of [6K PHOTO].

4. An additional ALL-Intra Video Recording mode

-4:2:2,10-bit ALL-Intra video recording mode is added to 4K/FHD video recording.

•Use of SD Memory Card with Video Speed Class 60 or higher is recommended for 4K ALL-Intra video recording. Operation is confirmed with Panasonic SD Memory Card with Video Speed Class 90.??

New 4:2:2,10-bit ALL-Intra Recording Mode

Item

System Frequency

Size

Frame Rate

Bit Rate

YUV/bit

Image Compression

C4K/ALL-I/400M/24p

59.94Hz

(NTSC)

4096×2160

23.98p

400 Mbps

4:2:2/10 bit

ALL-Intra

4K/ALL-I/400M/30p

3840×2160

29.97p

400 Mbps

4:2:2/10 bit

ALL-Intra

4K/ALL-I/400M/24p

3840×2160

23.98p

400 Mbps

4:2:2/10 bit

ALL-Intra

FHD/ALL-I/200M/60p

1920×1080

59.94p

200 Mbps

4:2:2/10 bit

ALL-Intra

FHD/ALL-I/200M/30p

1920×1080

29.97p

200 Mbps

4:2:2/10 bit

ALL-Intra

FHD/ALL-I/200M/24p

1920×1080

23.98p

200 Mbps

4:2:2/10 bit

ALL-Intra

4K/ALL-I/400M/25p

50.00Hz

(PAL)

3840×2160

25.00p

400 Mbps

4:2:2/10 bit

ALL-Intra

FHD/ALL-I/200M/50p

1920×1080

50.00p

200 Mbps

4:2:2/10 bit

ALL-Intra

FHD/ALL-I/200M/25p

1920×1080

25.00p

200 Mbps

4:2:2/10 bit

ALL-Intra

C4K/ALL-I/400M/24p

24.00Hz

(CINEMA)

4096×2160

24.00p

400 Mbps

4:2:2/10 bit

ALL-Intra

4K/ALL-I/400M/24p

3840×2160

24.00p

400 Mbps

4:2:2/10 bit

ALL-Intra

FHD/ALL-I/200M/24p

1920×1080

24.00p

200 Mbps

4:2:2/10 bit

ALL-Intra

5. 4K HDR video recording

-[HLG] (Hybrid Log Gamma) is added to [Photo Style]. HDR (High Dynamic Range) is a mode to reproduce both the brightest and darkest part in an image, making it look just as human eyes see. The camera records video with a designated gamma curve compatible with ITU-R BT.2100, and you can now choose Hybrid Log Gamma (HLG) in [Photo Style].

-A low-bit-rate recording mode 4K HEVC for HLG was added. This enables playback on AV equipment compatible with the HEVC compression format, such as Panasonic 4K HDR TVs.

6.Enhancement of the Anamorphic video recording mode

-High-Resolution Anamorphic mode, which enables video recording in 18-mega effective pixels, is added. *Recorded in HEVC

New High-Resolution Anamorphic Mode

*1 “High Resolution Anamorphic Mode” records motion picture with an aspect ratio suited for an anamorphic lens,4:3. The effective picture size for this mode is equivalent to the number of pixels produced by 6K (approx. 6,000 (horizontal) x 3,000 (vertical)) images (approx. 18 megapixels).

Item

System Frequency

Size

Frame Rate

Bit Rate

YUV/bit

Image Compression

6K/A/200M/30p*2

59.94Hz

(NTSC)

4992×3744

29.97p

200 Mbps

4:2:0/10 bit

Long GOP

6K/A/200M/24p*2

4992×3744

23.98p

200 Mbps

4:2:0/10 bit

Long GOP

4K/A/400M/30p

3328×2496

23.98p

400 Mbps

4:2:2/10 bit

ALL-Intra

4K/A/400M/24p

3328×2496

23.98p

400 Mbps

4:2:2/10 bit

ALL-Intra

6K/A/200M/25p*2

50.00Hz

(PAL)

4992×3744

25.00p

200 Mbps

4:2:0/10 bit

Long GOP

4K/A/400M/25p

3328×2496

25.00p

400 Mbps

4:2:2/10 bit

ALL-Intra

6K/A/200M/24p*2

24.00Hz

(CINEMA)

4992×3744

24.00p

200 Mbps

4:2:0/10 bit

Long GOP

4K/A/400M/24p

3328×2496

24.00p

400 Mbps

4:2:2/10 bit

All-Intra

*2 High resolution Anamorphic mode

-[Anamorphic Desqueeze Display] was added, which lets you view an enlarged image in Cinescope size while recording with 2.0x and 1.33x Anamorphic lens.

-[Video Guide Line] is added to display the image in a variety of aspects, such as 2.39:1, 2.35:1, 16:9, and 1:1 while recording video. This can be used not only in Anamorphic mode but also in other video recording modes.

7.Enhancement of Body I.S. (Image Stabilizer)

-[I.S. Lock(video)] is added. This powerfully compensates for handshake when the viewing angle is fixed.

-A new handshake correction mode is added, which provides optimum correction when using 2.0x and 1.33x Anamorphic lens.

8.Correction of white balance setting

-When the K (Kelvin) value was changed after adjusting the color temperature with 2-axis white balance compensation, the setting was reset. This bug has been fixed.

9.Improved usability of Time Lapse Shot

-The time to finish shooting and the number of recordable pictures are displayed on the stand-by screen.

10.Improved usability of Power Save LVF

-Power Save LVF can now be used during all stand-by display options.

11.Wireless functions

-The Bluetooth Remote Control function can be used with Image App, which will also be updated at the same timing with the GH5 firmware release.

-If the camera has not completed image transmission when it is turned off, it restarts transmission when it is turned on with the [Auto Transfer] function.

12.Other improvements

-A rating function using a Fn button is available in Playback Zoom and Multi Playback.

-The following functions can be assigned to Fn buttons – [Constant Preview] [6K/4K PHOTO Bulk Saving] [Min. Shtr Speed] [RAW Processing] [Rec/Playback Switch] [Destination Slot] and [Mic Level Adj.].

-The DISP.Button can be locked.

-In Relay Rec, there were cases where the video file number was not able to be reset. This bug has been fixed.

-In Relay Rec, there were cases where the video file number was reset after formatting the SD Memory Card. This bug has been fixed.

-In Backup Rec, there were cases where the file number was not reset even after applying resetting. This bug has been fixed.

-The image quality when applying the following settings is improved: Extended low ISO, [i.Dynamic] (Intelligent D-range Control) and Highlight Shadow.

The new DC-GH5 firmware Version 2.0 is scheduled to be released at the end of September 2017 at the following LUMIX Customer Support website.

LUMIX DC-GH5 Firmware Ver.2.0

http://panasonic.jp/support/global/cs/dsc/

  • “6K PHOTO” is a high-speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with 18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages.
  • Specifications are subject to change without notice.

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Panasonic Leica DG 15mm F1.7 shooting experience

22 Jul
The Panasonic Leica DG 15mm F1.7 is a sharp-looking lens that also happens to be very sharp optically as well.

Whenever I see a lens with the name ‘Leica’ stamped on the front, I assume two things; first, it will be at least ‘good’ optically. Second, it will be a little pricey. The Panasonic Leica DG 15mm F1.7 reinforces both of those assumptions.

This 15mm F1.7 prime lens is for the Micro Four Thirds system and offers a unique 30mm-equivalent field of view. This made it especially exciting to me, as I’m a fan of both the 28mm and 35mm focal lengths, but I can never really decide which I like better – so maybe something in the middle will be just right.

This is the only 30mm-equivalent focal length prime lens on the market today, and that makes it pretty special.

It features a dedicated aperture ring, and is very compact despite offering nine elements in seven groups – with three of those elements being aspherical. It has seven aperture blades, and the diameter of the lens barrel is among the smallest available for the m43 system, meaning it matches particularly well with Panasonic’s (discontinued, sadly) GM1 and GM5 ultra-compact cameras.

The diminutive Panasonic Leica 15mm F1.7 pairs magnificently with Panasonic’s equally diminutive, though discontinued GM5.

And compactness is something I value pretty highly when it comes to camera gear, despite having a general affinity for full-frame sensors. After all, a smaller kit means I’ll bring it along more often and take more pictures, and I do find that the Micro Four Thirds system comes with an excellent balance of portability, speed, features and image quality.

This lens launched at an MSRP of around $ 600, but it’s been on the market long enough that it’s quite likely you’ll get a better deal than that, especially if you’re buying used.

On the camera and in the hand

The build quality of the 15mm F1.7 is nothing short of superb. It feels dense without being heavy, and it offers that pleasant coolness-to-the-touch that indicates mostly metal construction. There’s a ring on the front of the lens that detaches to allow the use of an optional bayonet-mount hood.

Here’s all the controls you get: an AF/MF switch, aperture control, and a nicely damped manual focus ring.

Handling is fairly straightforward. There’s an aperture control ring near the front of the lens, which offers great ‘click feel’ when you change your settings. Unfortunately, it’s only functional when the lens is mounted on one of Panasonic’s Micro Four Thirds cameras, so you’ll need to use a command dial for aperture if you put it on an Olympus, for example. The AF / MF switch takes a good amount of effort to move, so you won’t likely bump it accidentally, and the manual focus ring is exceedingly smooth and well-damped.

While the build quality of the lens inspires some confidence, be aware that Panasonic makes no claims of weather sealing, and there are no signs of any either; not even a rubber gasket around the mount.

Time to start shooting

The Panasonic Leica 15mm F1.7 focused fast enough to grab a sharp shot of this adorable and potentially vicious creature. Processed to taste in Adobe Camera Raw.
Olympus PEN-F | ISO 2000 | 1/80 sec | F1.7

This lens is fast; not only in terms of maximum aperture, but in operation. All recent Panasonic lenses have been designed to support the company’s Depth-from-Defocus (DFD) technology, which results in the use of very lightweight and very fast-moving autofocus elements.

This lens is fantastic for environmental portraits and casual documentary photography.

You’ll still get good autofocus speeds on Olympus m43 cameras, but when you mount the 15mm F1.7 on any current Panasonic camera, the autofocus speeds are downright impressive under just about any lighting conditions (this contributed to my getting a huge number of keepers of furry and feathered critters over my weeks of shooting).

‘Please don’t bark at the other dogs. Please don’t bark at the other dogs. Please just sit there and be cute.’
Olympus PEN-F | ISO 200 | 1/80 sec | F1.7

Having shot many 28mm-equivalent and 35mm-equivalent lenses, I found the 30mm-equivalent focal length of the 15mm F1.7 was comfortable for me to use. I tend to find shooting 28mm a little more challenging than 35mm; I end up getting a little closer to my subjects to exaggerate perspective with the former, and I tend to layer compositional elements more with the latter. With this Panasonic, I was doing a bit of both, and I liked it.

But let’s move on to image quality; as I mentioned earlier, with that name stamped on the front of the lens, I had some high hopes for the 15mm F1.7, and I wasn’t disappointed.

The quality of blur, both in the foreground and background, was something I really enjoyed about the 15mm F1.7. And quality of blur is obviously of tantamount importance when shooting portraits of chickens. Processed to taste in Adobe Camera Raw.
Panasonic GX85 | ISO 200 | 1/125 sec | F1.7

With the Micro Four Thirds sensor size, this lens isn’t going to be an absolute bokeh machine at F1.7 – but that’s not the point. If you want to obliterate your backgrounds into blurry swaths of color, well, you’ll probably want both a longer lens and a larger sensor, and so this isn’t quite the setup for you. That said, I found the quality of the blur that you can get with this lens to be pleasing on both sides of the focal plane.

The Panasonic 15mm F1.7 is just plain fun.

You can shoot this lens close to wide open all the time and still find your images are sharp enough, with enough of your scene in focus to provide some context. It’s a fantastic option for environmental portraiture and casual documentary photography, where its small size will let you blend in a little more and keep your subjects from being too intimidated.

Processed to taste in Adobe Camera Raw. Panasonic Lumix GX85 | ISO 200 | 1/500 sec | F4

Stopping the lens down a bit gets you great sharpness across the frame, though for landscape photography enthusiasts, you may find the sunstars to be slightly lacking. I’ve also found some occasional weirdness with the flare this lens produces, but it didn’t happen often enough to be a major concern.

Sunstars look decent, but at F11 (F22 equiv) this is a little further stopped-down than I usually like to go on Micro Four Thirds. Funky flare. It’s a unique look I didn’t mind too much, but it won’t be to everyone’s personal taste.

Wrapping up

The Panasonic Leica 15mm F1.7 is a lens I can wholeheartedly recommend to just about anyone with the requisite cash. It may not be weather-sealed, but the build quality is still excellent, and the straightforward handling and lightning autofocus both do their parts to keep your kit from getting in the way of your photography. It’s also just plain fun to use.

Most importantly, this is (so far as I can find) the only 30mm-equivalent focal length prime lens on the market today,* and that makes it pretty special. For ‘walk around’ purposes, this lens slots right in the middle of my go-to focal lengths of 28mm and 35mm, and just feels right. If you enjoy this focal length range on the Micro Four Thirds system, the Panasonic 15mm F1.7 is definitely worth a look.

It may be a little pricey for some folks, but as a carry-everywhere walk-around lens, I found the Panasonic Leica 15mm F1.7 hard to beat. Processed to taste in Adobe Camera Raw.
Olympus PEN-F | ISO 200 | 1/1250 sec | F1.7

* There is, of course, the Pentax 31mm F1.8 Limited, but 31mm isn’t 30mm. That said, I definitely want to give the 31mm a go on the Pentax K-1.

Additional sample images

We’ve updated our earlier sample gallery with more images from the Panasonic Leica DG 15mm F1.7. Please do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review), we do so in good faith, please don’t abuse it.

Panasonic GX85 | ISO 1000 | 1/125 sec | F1.7

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Panasonic Lumix G Leica 15mm F1.7 sample gallery

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Panasonic Leica DG Vario-Elmarit 12-60mm F2.8-4.0 sample gallery

15 Jul

Panasonic’s Leica DG Vario-Elmarit 12-60mm F2.8-4 lens first debuted at CES earlier this year. It contributed to samples taken for our Panasonic GH5 review, and recently we’ve been putting its 24-120mm equivalent range to work on another 20MP Panasonic body: the GX8. Check out our full sample gallery below, and for even more, head to our Panasonic GH5 review gallery for additional images.

See our Panasonic 12-60mm F2.8-4
sample gallery

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Panasonic Leica DG Summilux 15mm F1.7 sample gallery

23 Jun

Sure, it’s been a minute since the Panasonic 15mm F1.7 was introduced. But three years later it’s still a solid option for a Micro Four Thirds shooter looking for a fast, compact, wide-angle prime. And what better time to travel light than the longest days of the year? We spent some of our long hours of sunlight with the 15mm F1.7 in hand – by land, and by sea.

See our Panasonic Leica Summilux
15mm F1.7 sample gallery

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Panasonic AU-EVA1 offers EF-mount Super 35 5.7K capture to SD with Raw promised

03 Jun

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Panasonic has announced a 5.7K Super 35 format cinema camera that sits between the GH5 and the VariCam LT 4K. The camera is built around a Canon EF mount and can capture 4K video at up to 10-bit 4:2:2 quality to SD cards.

Panasonic hasn’t discussed revealed detailed specs yet but says the camera will have ‘dual native ISOs,’ which is usually videographer speak for sensors with a dual gain design.

The camera has XLR audio inputs and both HDMI and SDI video outputs. Initially it will output 4K over these connectors but Panasonic promises 5.7K Raw output to external recorders with a firmware update. The camera will ship in ‘the autumn’ at a cost of around €8000.

Press Release:

Panasonic has previewed the AU-EVA1, at Cine Gear Expo 2017 in Los Angeles, USA, a new 5.7K cinema camera positioned between the Panasonic Lumix GH5 4K mirrorless camera and the VariCam LT 4K cinema camera. Compact and lightweight, the AU-EVA1 is tailor-made for handheld shooting, but also well suited for documentaries, commercials, and music videos.

“For cinema-style acquisition, we realised there was a space between the GH5 and the VariCam LT,” said EMEA Marketing Manager Nela Pertl. “With its compact size and new 5.7K sensor, the EVA1 fills that gap for a variety of filmmaking applications.”

The EVA1 contains a newly designed 5.7K Super 35mm-sized sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image.

One of the key features of the VariCam 35, VariCam LT, and VariCam Pure is dual native ISO. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts.

“On the VariCams, dual native ISO has allowed cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. The EVA1 will include dual native ISO, but the camera is currently being tested to determine final ISO specifications,” added Nela Pertl.

The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line.

Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. There will also be numerous mounting points and Panasonic is currently working with top accessory makers to allow further customisation with the EVA1.

Ideal for indie filmmakers, the EVA1 records to readily-available, lower-cost SD cards. The camera can record in several formats and compression rates, and offers up to 10-bit 422, even in 4K. A complete breakdown of recording formats will be available at the time of the EVA1’s release.

The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared.

As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs and 4K-capable video outputs in both HDMI and SDI. In a future firmware upgrade, EVA1 will offer 5.7K RAW output to 3rd party recorders.

The EVA1 will ship this autumn for under €8,000 (body only).

For more information on Panasonic Broadcast & ProAV, please visit http://business.panasonic.eu/broadcast-and-proav

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix DC GX850 review: Lean selfie machine

11 May

The Panasonic Lumix DMC-GX850 (known as the GX800 and GF9 in some regions) is the brand’s most compact interchangeable lens camera (as of Spring 2017) and uses the same 16MP Four Thirds sensor as several of its siblings. Sold kitted with a 12-32mm collapsible zoom, stand-out features include a 180-degree flip-up touch LCD, Panasonic’s excellent Depth-from-Defocus AF and 4K video capture.

At its core the GX850 represents a combining of Panasonic’s style-oriented GF-line with the ultra-compact-oriented GM-line and replaces both the GM5 and GF8. However, its most similar sibling currently on the market is the larger, EVF-sporting GX85.

Key features:

  • 16MP Four Thirds MOS sensor
  • 4K/30/24p video capture
  • 4K Photo mode for 8MP stills at 30 fps
  • 5 fps bursts with continuous AF
  • 3″ 1.04M-dot touch LCD flips ups 180 degrees
  • Wi-Fi

Panasonic’s core customer for this camera is the casual user seeking a carry-everywhere-cam for documenting friends or family. This user is someone who prefers a selfie-screen to an EVF and favors ease-of-use and compactness. Since this ‘lifestyle’ camera buyer is likely to use the camera for a range of different types of photography, we’re going to see how it performs in a range of situations.

The rivals

Though the GX850 is Panasonic’s most entry-level camera, this segment of the mirrorless market has a lot of strong contenders to choose from. We’ve compared it to several of its most direct competitors below:

  Panasonic GX850 Panasonic GX85 Fujifilm X-A3 Fujifilm X-A10 Olympus E-PL8 Canon M10
MSRP w/ kit lens $ 550 $ 800 $ 600 $ 500 $ 650 $ 600
Sensor 16MP Four Thirds 16MP Four Thirds 24.2MP APS-C 16MP APS-C 16MP Four Thirds 18MP APS-C
Image stabilization Lens-only 5-axis in-body + lens Lens-only Lens-only 3-axis in-body + lens Lens-only
AF system Contrast-detect Contrast-detect Contrast-detect Contrast-detect Contrast-detect Hybrid AF
Viewfinder n/a 2.76M-Dot 0.7x n/a n/a n/a n/a
Screen 3″ 1.04M-dot 180° tilting touch 3″ 1.04M-dot tilting touch 3″ 920k-dot 180° tilting touch 3″ 1.04M-dot 180° tilting
(no touch)
3″ 1.04M-dot 180° tilting touch 3″ 1.04M-dot 180° tilting touch
Number of control dials 1 2 2 2 1 1
Hotshoe No Yes Yes No Yes No
Burst rate w/ AF-C 5 fps 6 fps 6 fps 6 fps 3.5 fps 4.6 fps
Video 4K/24/30p 4K/24/30p 1080/60/24p 1080/30/24p 1080/30p 1080/30/24p

CIPA battery life

210 290 410 410 350 255
Dimensions 106.5 x 64.6 x 33.3 mm 122 x 71 x 44 mm 116.9 x 66.9 x 40.4 mm 117 x 67 x 40 mm 115 x 67 x 38 mm 108 x 67 x 35 mm
Weight 269 g 426 g 290 g 331 g 357 g 301 g

As you can see from the chart, the two areas the GX850 has an advantage over its direct competitors include 4K video capture and size/weight.

The number of control dials is definitely a differentiator in this class. The GX850 has just one, located slightly awkwardly on the back. This view also shows its USB-charging and HDMI port.

Social, portrait and pet photography

The camera’s small size, touch capability and selfie screen make it an appealing choice for casually snapping images of friends, family and pets.

The default exposure behavior in its full auto mode, which is called Intelligent Auto (iA), tends to be sensible: the camera tries to maintain a shutter speed that is one over the focal length or greater. However, if the camera senses subject movement in iA mode, it will automatically increase the shutter speed, at the expense of ISO sensitivity. And if the shutter speed drops too low because of a lack of light, the camera will warn you that the shot might have blur due to camera shake. The GX850 never deploys the pop-up flash though, unless the user does. 

‘The default exposure behavior in Intelligent Auto mode tends to be sensible’

When shooting moving subject like kids or pets indoors, the GX850 does not always choose a fast enough mode to freeze the action, even if it senses movement. One way around this is to switch the camera into ‘Sport/Action’ mode, represented by a tiny running figure on the dial. However this mode still won’t always provide a fast enough shutter speed, but should be a better option than any of the other auto settings.

This is a good camera for casual photos of friends. And if you take the time to process the Raw files, as we’ve done here, you can get some great results. Photo by Dan Bracaglia

Face Detection is turned on by default out of the box (when using the iAuto mode) and is quite useful for documenting fellow human beings. In most cases, when Face Detect is engaged, the camera will lock focus on the most prominent person in one’s frame. Of course if the face is too small, obstructed, or there simply is not enough light, this mode will occasionally fail. And if no face is detected, the camera defaults to its 49-point area mode, which tends to focus on the nearest or most central object. 

Most users of this camera will leave it in JPEG mode and be totally satisfied. However to get the most out of the GX850, we recommend shooting Raw. The above image was processed through Adobe Camera Raw and ‘pops’ significantly more than the out of camera JPEG. In general, we found JPEG color to be a tad washed out, and skin tone color can occasionally look a little off.

You want a selfie screen? You’ve got a selfie screen.

Selfie screens are par for the course in this entry level class of camera. By default, when you flip the screen up, the camera uses a 3 sec timer before a photo is taken, and a countdown is displayed to prepare you for the decisive moment (this can be switched off).

There are also several ‘beautifying’ filters that can be applied to make your selfie sing, including a ‘Soft Skin’ and a ‘Slimming Effect’ filter. Both of these are adjusted via sliders ranging from 0-10. There is also a background defocus option that simulates a shallow depth-of-field. These options are fun to try, but mostly pretty silly.

As selfie, with no beautifying effects applied. A selfie with ‘Slimming’ and ‘Soft Skin’ set to 10/10.

Sharing images with the GX850 is also fairly straightforward. There are multiple ways to connect the camera to one’s device (you’ll need to download the Panasonic Image App first), though sadly the camera does not offer NFC to make life easier for Android users.

The first time you connect you’ll need to pull up Wi-Fi in the main menu, located at the bottom of page 1 in the ‘wrench menu,’ and select ‘Wi-Fi Function.’ There you can generate a local Wi-Fi network and connect your smart device. The app also allows you to control the camera remotely.

Sometimes you just have to share that delicious plate of pancakes with the world. The GX850 makes zapping photos from the camera to your smart device fairly painless, once you set up the connection. Photo by Allison Johnson.

Articles: Digital Photography Review (dpreview.com)

 
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