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Posts Tagged ‘Pair’

Nikon releases a pair of firmware updates for its Z6, Z7 mirrorless cameras

23 Nov

Nikon has released a pair firmware updates for its Z6 and Z7 full-frame mirrorless camera systems that add new lens support, improves custom settings and address a number of issues.

Firmware version 2.10 (for both the Z6 and Z7) adds support for optical VR with Nikon’s NIKKOR Z DX 16–50mm F3.5–6.3 VR and NIKKOR Z DX 50–250mm F4.5–6.3 VR Z-mount lenses. It also enables lens control rings to adjust ISO sensitivity, a setting that can be found under the ‘Custom Setting Menu.’

Beyond that, the firmware addresses the following issues for both the Z6 and Z7:

  • As of November 14, 2019, the aperture display in the lens info panel for NIKKOR Z 24–70mm f/2.8 S and NIKKOR Z 58mm f/0.95 S Noct lenses shows both the current aperture and adjacent aperture values in modes A and M.
  • When On was selected for Auto ISO sensitivity control and an option that does not include “slow sync” was selected for Flash mode, shutter speed was formerly restricted to values between those chosen for Custom Settings e1 (Flash sync speed) and e2 (Flash shutter speed), but this has now been changed to match the behavior of digital SLR cameras, with the result that the minimum shutter speed now corresponds to the value selected for Auto ISO sensitivity control > Minimum shutter speed.
  • Fixed an issue that in extremely rare cases resulted in the camera failing to correctly record movies with 1920×1080; 120pselected for Frame size/frame rate.
  • Fixed an issue that occasionally resulted in “noise” in the form of white lines at the bottom of the display when the electronic viewfinder was on.
  • Fixed an issue that in rare cases resulted in “noise” in the form of fine horizontal lines appearing throughout the frame in movies and the live view display.
  • Fixed errors in the UTC time zones for the following three cities in the Time zone and date > Time zone display in the SETUP MENU:
    • Caracas: was -4:30, is now -4:00
    • Casablanca: was 00:00, is now +1:00
    • Ankara: was +2:00, is now +3:00
  • Fixed an issue that resulted in an incorrect date of creation being displayed in the Windows 10 “properties” dialogs for movies and time-lapse movies created with the camera, as well as copies created with camera movie editing controls.

You can download the latest firmware updates from Nikon’s Z6 and Z7 support pages.

Articles: Digital Photography Review (dpreview.com)

 
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Voigtlander introduces a pair of retro wide lenses for Leica M mount

28 Nov

Lens manufacturer Voigtlander has announced a pair of new lenses in what it calls its Vintage Line. The Color-Skopar 21mm F3.5 and Ultron 35mm F2 Aspherical are both designed for M mount cameras, including Voigtlander’s Bessa models as well as Leica’s M rangefinders.

The lenses are styled to conjure up the feel of the 1950s, according to the manufacturer. While the exteriors are retro, the optical construction aims to be a match match modern digital sensors as well as for film. Voigtlander says it has used ‘practical’ maximum apertures rather than going too wide so that it could keep the lenses small and the quality high. The aperture range is ‘practical’ because, according to Voigtlander, it is more difficult to focus with a shallow depth of field with a rangefinder when faced with moving subjects, and these lenses are intended to be used stopped down for zone focusing when responding to fluid situations.

The barrels and moving parts are made of metal and the focusing mechanism is claimed to be well greased for smooth movements. The Color-Skopar 21mm uses nine elements in eight groups, while the Ultron 35mm has eight elements in five groups – and both have a ten-bladed iris.

Below is a gallery of sample images from the Color-Skopar 21mm F3.5:

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Below is a gallery of sample images from the Ultron 35mm F2:

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_6803120888″,”galleryId”:”6803120888″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

The lenses will be available in January priced ¥95,000 and ¥90,000 (approx. $ 840 and $ 800). For more information see the Voitlander pages of the Cosina website.

Articles: Digital Photography Review (dpreview.com)

 
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Phottix launches new multi-brand Odin Z OS, and a pair of Juno hotshoe flash units

30 Sep

Phottix hands-on at Photokina 2018

Phottix has launched a new operating system for its portable flash systems that it says automatically switches between different manufacturer’s TTL systems as it detects their presence from an on-camera flash unit or on-camera transmitter. The Odin Z operating system also offers an auto metering feature that suggests a manual power setting for the photographer to dial in, and now shows power settings in real time on the slave flash display as it is changed via the commander unit.

Along with the new OS the company has launched two new hotshoe flash units and a Lite version of its Odin transmitter.

We got some time with Phottix CEO Steve Peer who showed us around the new kit. Prices of all the released items have yet to be set. For more information see the Phottix website.

The first new flash (above) is called Juno TTL and seems pretty close to the Mitros + unit the company currently offers. It has a guide number of 60m at the 200mm zoom setting, while the Mitros + has a GN of 58m and a maximum zoom of 105mm. It is just as nicely made as the Mitros + and it about the same size.

Phottix hands-on at Photokina 2018

The new Juno TTL is compatible with the Elincrom Skyport system, as well as the collection of other Phottix communication protocols for older or less sophisticated units. The flash can command or be commanded, by the Odin studio flashes, and triggered by non-TTL Ares products by radio. Optical systems can also be controlled or used to control the Juno TTL.

Phottix hands-on at Photokina 2018

The Odin Z system, and the Juno TTL flash, will offer TTL control for Canon, Nikon, Pentax and Sony camera systems. Peer tells us he is ‘thinking about’ Panasonic/Olympus and Fujifilm systems, but that demand is much lower for users of those brands. The Odin Z system still works for the other camera brands, just not in TTL mode.

Phottix hands-on at Photokina 2018

As you might expect, the head swivels about 180 degrees in each direction and can tilt upwards by 90 degrees, and the zoom head can be controlled manually or automatically over a range of 20mm to 200mm. As you can see, the Juno TTL runs on four AA cells.

Phottix hands-on at Photokina 2018

The Odin Lite transmitter is designed to control a network of flash units and studio heads in manual mode, and doesn’t support TTL flash exposure. Steve Peers says that 70% of Phottix customers want to shoot with their flashes in manual mode the majority of the time, so this unit is for those for who TTL is inappropriate.

As it isn’t TTL it will work with any camera system – the central pin on the foot has been positioned so that it will still connect with the camera’s hotshoe system even when the trigger connector isn’t absolutely in the middle of the hotshoe. The Odin Lite offers 4 groups and 32 channels. Channels 5-32 use the Phottix Digital ID system for an extra secure connection.

Phottix hands-on at Photokina 2018

The Juno Li60 is another new flash unit that is almost the same as the standard Juno, but it only operates in manual mode and is powered by a lithium battery instead of AAs. It has the same 60m guide number as the Juno, and as it doesn’t operation with TTL it can be used with any camera system. This is a very pre-production unit that doesn’t have the name printed on it yet.

Phottix hands-on at Photokina 2018

The Juno Li60 takes a massive lithium ion battery instead of the usual AA batteries of the Mitros + models. The pack is rated 3200mAh, which compares well to the 2000mAh of the VB18 in the Godox V860 II that I used to shoot the pictures. Peer couldn’t say how many full power bursts we should expect per charge, but it I’d expect that sort of battery to last well.

Phottix hands-on at Photokina 2018

The rear of the Juno Li60 looks just the same as that of the regular Juno and the TTL version, but the display is simpler as it only shows manual flash settings. It doesn’t have the new flash exposure meter mode.

Phottix hands-on at Photokina 2018

Also on the stand were the company’s new Nuada LED panels. The R (left and right) and R3 (centre). The three have a heavily diffused surface and produce really very soft and attractive light. The R3 measures 428mm across, and is only 33mm thick/thin.

Phottix hands-on at Photokina 2018

The R3 runs on V-lock batteries, but comes with an adapter for NP batteries. And of course, it can be powered from the mains via the included AC adapter. The light puts out 1100Lux at 1m and allows its temperature to be varied between 3200 and 5600K.

Phottix hands-on at Photokina 2018

A new panel is the Nuada S3 from the square/rectangle series which outputs 850 Lux at 1m. The panel measures 2376x266x25mm and again produces a really soft light – as modeled here by CEO Steve Peer.

Phottix hands-on at Photokina 2018

The panel is also powered by NP batteries or via the AC adapter, but doesn’t take V-Lock batteries. As with the R3, the S3 has a variable temperature of between 3200-5600K, and a CRI of >95.

Articles: Digital Photography Review (dpreview.com)

 
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Furniture Chopping: Converted Grocery Cart Chair & Couch Pair

30 Oct

[ By WebUrbanist in Design & Furniture & Decor. ]

converted shopping cart couch

Shopping carts are anything but sleek and modern, often dysfunctional and generally associated with a boring chore, at least until this (re)creator came along.

shopping chair two

Etiënne Reijnders is a Dutch designer who decided to test the stylistic limits of grocery carts, cutting, sawing, folding, forging and welding them into stunning new shapes.

cart couch round two

The resulting seats utilize almost all of the material from the original carts, carefully planned to minimize waste while also creating beautiful and functional seating.

shopping chairss

Reijnders is not the first designer to think of recycling everyday materials into furniture (the example above comes from another designer), but the results in his case somehow manage to bridge the gap between looking both like the recycled object but also something dynamic and new.

Converted Car Furniture: Rev Up Your Couch

When that classic car that’s been sitting in the driveway for years is ready to go to the junkyard, there is an excellent way to keep it closer than ever. Convert that hunk of junk into a …

20 Creative & Unique Recycled Furniture Designs & Ideas

(Check out our complete collection of Unusual, Creative and Transforming Furniture.)
Recycling doesn’t have to be limited to sorting cans and bottles into bins to be sent to a recycling plant to …

Secretive & Surprising: Unusual, Creative and Transforming Furniture

Ever wish you had a little more space in your apartment, or that your furniture was more than just functional? These days more and more designers are using unusual materials and new technologies …

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[ By WebUrbanist in Design & Furniture & Decor. ]

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Snapchat unveils Spectacles, a pair of sunglasses with an integrated camera

27 Sep

Snapchat unveiled its first hardware product over the weekend, a pair of sunglasses with a built-in camera called ‘Spectacles.’ With the new product comes a new company name: Snap Inc. The name change, Snap explains, is directly tied to the launch of Spectacles. With the product, Snap has become more than a company centered around the Snapchat app, and the new name reflects this expanded focus. 

The sunglasses feature a built-in wireless video camera that records circular videos with a 115-degree ‘human perspective’ field of view. The glasses also include an integrated battery able to sustain a day’s worth of recording on a charge, as well as Bluetooth and Wi-Fi for shuttling content from the device to the user’s smartphone and, specifically, the Snapchat app.

According to the Wall Street Journal, the sunglasses feature a button near the hinge to initiate recording, which happens for up to 10-second durations. The publication also states the glasses will be priced at $ 129.99 ‘with limited distribution’ and a slow rollout as the company tests the waters.

Spectacles will be offered in teal, black and coral, but no other official details have been provided at this time. Snap says Spectacles will be available ‘soon.’

Via: Snap, Inc.

Articles: Digital Photography Review (dpreview.com)

 
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Phase One introduces second XF feature update and pair of Schneider Kreuznach lenses

17 Mar

The Phase One XF camera system received a significant update today, with improvements to its autofocus system and user interface along with additional shooting tools such as focus stacking and HDR. Two new ‘Blue Ring’ lenses have also been added, along with an update to the company’s Capture One software.

The update provides Phase One’s medium-format XF system with tools to help automate focus stacking and time-lapse capture, as well as a self timer and automated HDR bracketing. The system’s HoneyBee Autofocus Platform also gets an update, claiming increased accuracy in low light, better acquisition in low contrast scenes and ‘improved hand held success.’

In terms of hardware, the Schneider Kreuznach 110mm LS F2.8 and 240mm LS F4.5 join the system, manufactured ‘to Phase One’s highest standards’ with metal lens hoods and milled aluminum AF/MF selector rings.

Capture One Pro 9.1 gets an update geared mostly toward fashion and still life work, with new workflow and image editing tools, including tools to correct uneven skin tone.

The XF system firmware update is free and available now from Phase One. The Schneider Kreuznach 110mm LS F2.8 will cost $ 5390/£4490; the 240mm LS F4.5 will cost $ 6490/£5690.

Press release:

Phase One Releases XF Camera System Feature Update #2 

Adding New XF Tools, Lenses & Software

COPENHAGEN, March. 17, 2016 – Phase One, the world’s leading medium format camera system provider, today released a major XF Camera System update.  With new tools, hardware, and software solutions Phase One continues to help top photographers create incredible images. The Ultimate Camera System continues to improve.

Feature Update #2 includes the addition of two new ‘Blue Ring’ lenses, along with the release of Capture One Pro 9.1, an update to the software used by 8 out 10 of the world’s best photographers (see today’s related software announcement).

The Phase One XF Camera System stands out against all other camera systems in terms of its performance and philosophy. The XF Camera System offers unprecedented long-term value thanks to its emphasis on modular firmware implementation and integrated, modular hardware designs, all of which permit continual feature enhancements. 

Phase One’s XF Camera System Update #2 introduces: 

Integrated Sequence photography: 

— Focus Stack Tool provides automated camera focus control throughout a sequence of captured images; ?

— Time-lapse Tool offers automated capture sequence at user set intervals;

— HDR Sequence Tool enables an automated bracketing sequence with unique metadata tags for Capture One integration; 

— Self Timer Delay provides a quick and easy, fully customizable timer option from one half to sixty seconds. ?

Additional updates to the XF Camera System: 

— HoneyBee Autofocus Platform update: Improvements have been made to increase accuracy in low light conditions, improve focus in various low contrast scenarios, and to provide improved hand held success;

— New OneTouch UI: Improved design and integration for intuitive, seamless operation on or off the XF Camera System;

Phase One Adds Two new members to its “Blue Ring” Lens family: ?

— New Schneider Kreuznach 110mm LS f/2.8; a technical masterpiece and an artistic vision. The 110mm offers a ‘normal’ focal length view in stunning technical precision.

— New Schneider Kreuznach 240mm LS f/4.5; the essential Telephoto lens. The 240mm is a must for any lens lineup, offering the definitive telephoto look for any shot.

The new lenses feature a metal focusing ring and AF/MF selector ring of precision milled aluminum, as well as a metal lens hood with anti-skid rubber edging. The lenses are manufactured to Phase One’s highest standards, including improved quality assurance measures and tighter tolerances for better, more reliable lens performance. 

For all the details, please go to: www.phaseone.com/XF-Platform-Update or book a demo on: www.phaseone.com/demo 

Phase One Releases Capture One 9.1 with improved XF camera system integration ?   

Capture One 9 continues to grow alongside the XF Camera System.  The new tools available within the XF are well integrated to Capture One 9.1, providing excellent workflow advantages with proprietary image sequence tags.  For all the details, please see today’s related press release, “Phase One Releases Capture One Pro 9.1 for Photographers”

Availability and Pricing 

Firmware for the XF Camera System Feature Update #2 is free and available for download here: http://www.phaseone.com/Download/Camera-Firmware

New Schneider Kreuznach leaf shutter lenses are available through Phase One photography partners worldwide: www.phaseone.com/partners?

Prices for Schneider Kreuznach 110mm LS f/2.8 — 4.490 EUR / 5.390 USD Prices for Schneider Kreuznach 240mm LS f/4.5 IF – 5.690 EUR / 6.490 USD 

Optimized for use with the XF Camera System, Capture One is free when used with Phase One hardware. Capture One 9.1. is free for all current owners of Capture One 9. Owners of Capture One 7 and 8 can upgrade to Capture One 9.1 for 99 USD / 99 EUR.

Phase One Releases Capture One Pro 9.1

Boosting Workflow Performance for Pro Photographers

COPENHAGEN, March 17, 2016 — Phase One, the world’s leading medium format camera system and professional imaging software provider today released Capture One Pro 9.1. Focus for this release has been the fashion and still life photographer segment, with special attention to the demands of fast-paced work environments.  

Known by professionals for its excellent tethering abilities, color management, and intuitive, user-definable, interface, Capture One Pro is used by photographers that demand exceptional image quality.

Capture One Pro 9.1 builds on the design objectives for greater quality, power and precision introduced last year with version 9.0 — adding workflow accelerators and providing a superior integrated workflow. 

Capture One Pro 9.1 is free to existing 9 users. To see the Capture One Pro 9.1 feature set in action, visit: www.phaseone.com/nineone

Capture One Pro 9.1 highlights include:

New Workflow Tools

— ‘Copy from last’ has been re-designed for rotation, allowing for easier workflow when doing overhead shots; 

— ‘Copy from last’ has been re-designed to allow the inclusion of metadata, making shot-to-shot application of copyright and other metadata easier and more intuitive; 

— Rotatable Live View — live view can be orientated for still life work with next captures mirroring the live view orientation; 

— Improved Shortcuts — a number of extra shortcuts are added to aid the professional workflow – reset counters, layer controls, and “select by…” are added to help in all areas of the workflow. 

New Image Editing Tools

— New Skin Tone Uniformity Tool for saturation and lightness;

— New Color Editor Tools — the Color Editor Skin Tone Tool adds uniformity sliders for saturation and lightness, helping to correct for uneven skin tones.

Asset management tools

— Export/Output keyword restrictions — control and limit the keyword libraries output to final file;

— Sequence tool management for the XF Camera System (with Feature Update #2) — Images captured via the XF’s new Focus Stack, HDR Sequence and Time-lapse Tools are automatically tagged and can be automated in to collections easily  

“Capture One Pro 9.1 is about quality of life improvements for working photographers,” said James Johnson, Phase One Software Product Manager. “We’ve been listening to our core user base and made some valuable additions to the application, designed ultimately to help with efficiency. In the ever increasingly competitive marketplace, production value is all about better workflow and less work.” 

Articles: Digital Photography Review (dpreview.com)

 
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Canon launches a pair of new large format printers aimed at the professional market

09 Mar
The Canon imageProGraf Pro-4000

Canon has announced it will introduce two new large format printers for professional photographers as part of its imagePrograf Pro series. The Pro-2000 and Pro-4000 both use 12-color Lucia pigment ink systems and produce either 24in or 44in prints. With their black bodies and ‘accentuated red line’ the printers are designed to link visually with the Canon EOS range of cameras to emphasise that they are intended for photo-quality printing and made to get the most out of EOS files.

A transparent Chroma Optimiser ‘ink’ is used alongside the colors that Canon says improves ‘print performance on gloss papers’ – which means it evens out the finish between the inks and the paper so the inks don’t stand out.

The printers are due to arrive in the middle of the year priced $ 5995 for the Pro-4000 and $ 2995 for the Pro-2000.

For more information visit the Canon website.

Press release:

Canon launches new imagePROGRAF PRO series for unmatched image quality and productivity

Canon Europe, world leader in imaging solutions, today announced a new range of imagePROGRAF PRO large format professional inkjet printers. The new imagePROGRAF PRO-2000 and imagePROGRAF PRO-4000 are designed to bring stunning image quality to professional photographers and fine art applications, while the new imagePROGRAF PRO-4000S and imagePROGRAF PRO-6000S deliver fast and reliable printing to high-volume print service providers that require photo quality prints such as posters, banners and canvas.

Superior image quality for professional users
The 12-colour PRO-2000 and PRO-4000 enable the full clarity and texture of photographs taken with a Canon EOS camera to be perfectly reproduced. Thanks to Canon’s unique input-output technology and Crystal-fidelity feature, photos look as accurate printed as when they were captured. Available in two sizes (24” and 44”) the PRO-2000 and PRO-4000 feature an attractive black design with an accentuated red line, denoting the link with Canon EOS digital cameras. The new devices use newly developed LUCIA PRO pigment ink to meet the demands of the most critical photographers and graphic artists, as well as transparent Chroma Optimiser ink to improve print performance on gloss paper.
Mathew Faulkner, European Marketing Manager for Wide Format Group, Canon Europe says “At Canon, we understand the importance of fine detail and precise colours to professional users. Images shot on even mid-range cameras can be very high resolution, and with the ability of today’s image editing software, this demands a highly accurate and colour-consistent output. The powerful technology of the new PRO-2000 and PRO-4000 models, not only provide incredible image reproduction, but the small footprint makes them ideal for any office, studio or design department.”

Unbeatable efficiency for print service providers
Also available in two sizes, (44” and 60”), the PRO-4000S and PRO-6000S boast an ergonomic compact design, which is ideal for time and space-pressed print operations in graphic arts, advertising and creative sectors. With a powerful L-COA PRO engine capable of processing large volumes of high-res images and data with ease, the new devices enable poster-quality printing at twice the speed of current imagePROGRAF 8 colour models. Full connectivity and Wi-Fi functionality ensures optimum productivity for busy environments.

Mathew Faulkner continues, “Whether for PSPs or in-house print departments in retailers or educational facilities, the trend towards more operational efficiency and on-demand printing is undeniable. There is a growing requirement not only for high quality imaging, but for ease of use and efficient media handling, as well as high-speed and uninterrupted printing to support high-volume output. These fundamental tools require a powerful and dependable large format printer. The PRO-4000S and PRO-6000S deliver speed, accuracy and colour vibrancy, making them ideal for both print-for-pay and print-for-use environments.”
The new devices feature Canon’s unique dual roll technology to support continuous paper feeding and take-up of printed output, while direct printing from a USB memory stick enables fast and easy prints. The imagePROGRAF PRO series is further improved by the new precision 1.28” wide print head and high-capacity ink tanks for fast, uninterrupted printing.

The new imagePROGRAF series will be available across Europe from the middle of 2016. To see the new imagePROGRAF PRO series in action, visit Canon at FESPA Digital 2016 from March 8-11, Stand F100-F120

Articles: Digital Photography Review (dpreview.com)

 
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The gift of connection: A pair of friends photograph Cuba

24 Jan

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As a destination for street photographers and photojournalists, there’s no place quite like Cuba. The natural beauty of the island is plain to see, but for photographers and good friends Susan Roderick and Kenna Klosterman, the real pulse of the country can be found talking to its inhabitants. Klosterman and Roderick have been traveling together since they met in 2008, and have made a habit of getting to know the local culture and people of the far-flung destinations they visit. That was certainly the case on their recent visit to Cuba. See a sample of their images here, read more about their trip on Resource Travel and find out how they made a connection with a Cuban hip hop duo.

Visit Resource Travel to read more about Klosterman and Roderick’s trip to Cuba

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic offers up pair of slightly updated rugged cameras

06 Jan

Panasonic has released a pair of rugged cameras that have very small changes compared to their predecessors. The top-end model is the Lumix DMC-TS6 (FT6 outside of the US), which offers minor cosmetic changes versus the TS5. The budget-friendly DMC-TS30 (FT30) can dive a meter deeper than the TS20 that came before it and also has more onboard memory. Dive in for more

Articles: Digital Photography Review (dpreview.com)

 
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Rumors hint at pair of new Canon lenses

13 May

canon_EF16-35F4L.png

Rumors have been flying around the Internet in the last week about a pair of new Canon lenses. The first rumored lens is an EF 16-35mm F4L IS USM model, which could be a cheaper version of the existing F2.8 lens, or a replacement for the 17-40 F4L. The other speculated lens is an EF-S 10-18mm F4.5-5.6 IS STM which, according to the rumor mill, should be fairly inexpensive. The word on the street is that these lenses will be announced soon, so we’ll keep our fingers on the keyboard just in case.

News: Digital Photography Review (dpreview.com)

 
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