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Posts Tagged ‘Over’

Harvard sued over allegedly profiting from 1850s images of American slaves

23 Mar

Harvard University has been sued over its licensing of daguerreotypes believed to be the first images of American slaves. The lawsuit was filed by Tamara Lanier, who says she is the direct descendant of Renty, the man featured alongside his daughter, Delia, in the daguerreotypes. The suit was filed on March 20 in the Middlesex County Superior Court.

The daguerreotypes were commissioned in 1850 by Harvard professor Louis Agassiz, a Swiss-born Harvard professor who sought the images in support of polygenism, a flawed theory that human races have different origins. The commissioned images were taken by J.T. Zealy in Columbia, South Carolina. A total of 11 slaves were photographed, including Renty and Delia, who were stripped naked and imaged from multiple angles.

The images were apparently lost for years before turning up in the Harvard University Peabody Museum of Archaeology and Ethnology’s attic in 1976. Since their discovery, according to the lawsuit, Harvard has used the images of Renty for profit, including as the cover image for the book From Site to Sight: Anthropology, Photography and the Power of Imagery, which was published by the Peabody Museum and sold by Harvard.

According to the lawsuit, Lanier had repeatedly reached out to Harvard over the images, but the university failed to address her concerns. Lanier reportedly provided Harvard officials with proof that she is one of Renty’s descendants but was unable to get a response. The lawsuit seeks to have Harvard turn over the images to Lanier’s family and to pay an unspecified amount in damages.

Articles: Digital Photography Review (dpreview.com)

 
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Profoto prepares to sue Godox over alleged A1 light patent infringement

19 Mar

Swedish lighting company Profoto is preparing to file a patent infringement lawsuit against Godox, according to Fotosidan. The complaint targets the newly listed Godox V1, which Profoto alleges is in violation of multiple patents it filed for its own A1 light. The Profoto A1 round head flash was launched in September 2017, a year before Godox introduced its cheaper V1 alternative at Photokina 2018.

The Profoto A1 costs $ 995 USD; though pricing information for the Godox V1 hasn’t been revealed, the product is expected to be cheaper than Profoto’s model. The Godox V1 sports a number of similarities with the A1, including a round head design, Fresnel lens, magnetic modifier mount, and LED modelling lights.

Speaking to Fotosidan, Profoto CEO Anders Hedebark said the company spoke with Godox about its V1 light during Photokina 2018, and that it has continued to reach out to Godox in the months since. Profoto has filed seven patents related to its A1, which spent four years in development.

‘We spend a lot of time and money on development and will protect our investments,’ Hedebark said, also warning that manufacturers and other companies may face lawsuits if they market the Godox V1. ‘It feels like we have an obligation to act.’

Articles: Digital Photography Review (dpreview.com)

 
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No, Flickr didn’t hand your photos over to corporations for machine learning

16 Mar
A screenshot of illustrated portraits shared on IBM’s Diversity in Faces dataset website.

Earlier this week, Flickr started taking heat across the web after it was specifically mentioned in a report from NBC News that took a deep dive into the ‘dirty little secret’ of using Creative Commons images to help train facial recognition algorithms.

The report mentioned multiple datasets used to help companies train machine learning algorithms to better comprehend diversity in facial recognition programs, but one dataset in particular was emphasized and elaborated on: IBM’s ‘Diversity in Faces’ set that was derived and iterated upon from more than 100 million Creative Common images gathered by Yahoo and released for research purposes back in 2014.

Almost immediately, users around the web started raining down critical comments. Others, such as Flickr’s own Don MacAskill, chimed in as well to help clarify the situation.

The issue isn’t that Flickr is handing over your photos for free to corporations looking to train their artificial intelligence algorithms. It’s that users are sharing their photos under various Creative Commons licenses without fully comprehending what those licenses entail

After the dust settled from the initial publishing of the report and the subsequent commentary across social media, one thing became clear: the issue isn’t that Flickr is handing over your photos for free to corporations looking to train their artificial intelligence algorithms. It’s that users are sharing their photos under various Creative Commons licenses without fully comprehending what all those licenses entail, a concern Flickr specifically referenced just recently in their announcement to save all Creative Commons photos on its servers.

After all, IBM didn’t sneakily pull private photos off of Flickr to use and Flickr didn’t just hand over millions of protected photos, despite the overtone NBC News’ article might give off. The photos IBM used to build up its database were the same photos any one of us can find when searching for public, Creative Commons photos on Flickr.

Don MacAskill, SmugMug Chief Executive and head of Flickr, shared his take on the situation in a conversation with Olivia Solon, the author of the NBC News article, explaining that no ‘scraping’ of Flickr images was done, as the photos were opt-in Creative Commons licensed photos. Below was MacAskill’s first response, but the entire thread is worth the read.

Ryan Merkley, CEO of Creative Commons, even chimed in on the conversation with an official response on Creative Common’s blog. In it, Merkley addresses the concerns of Flickr users and went so far as to contact IBM ‘to understand their use of the images, and to share the concerns of our community.’

In it, Merkley writes (emphasis ours):

While we do not have all the facts regarding the IBM dataset, we are aware that fair use allows all types of content to be used freely, and that all types of content are collected and used every day to train and develop AI. CC licenses were designed to address a specific constraint, which they do very well: unlocking restrictive copyright. But copyright is not a good tool to protect individual privacy, to address research ethics in AI development, or to regulate the use of surveillance tools employed online. Those issues rightly belong in the public policy space, and good solutions will consider both the law and the community norms of CC licenses and content shared online in general.

The overarching theme that stands out amongst this ongoing debate is that it’s not always clear to users, especially those who aren’t as engrained in the online world of photography, what Creative Commons licenses cover and fair use actually is. Flickr doesn’t shy away from explanations and links out at various stages throughout the upload process and in its FAQ, but even the Creative Commons website lacks clear definition — something it’s already addressing with new FAQ pages that it will continue to update.

“Copyright is not a good tool to protect individual privacy, to address research ethics in AI development, or to regulate the use of surveillance tools employed online.”

Ultimately, the current copyright system that’s intended to prevent other people profiting from creative works, wasn’t necessarily designed to protect your images from this type of use. Those images don’t end up in devices, nor is anyone directly profiting from your creations, so existing rules don’t necessarily offer any protection, whatever rights you assert. The cost of your camera or smartphone getting that bit smarter might just be that your photos are the ones being used to train it.

Articles: Digital Photography Review (dpreview.com)

 
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Flickr to begin deleting images over the 1K limit starting tomorrow for free accounts

05 Feb

Changes to the way photo sharing website Flickr operates mean starting tomorrow free accounts that have more than 1,000 images shared on their account are in danger of having images deleted. In November 2018 new owners SmugMug warned the days of all users being entitled to a terabyte of storage were numbered, and noted that as of February 5th 2019 free accounts will be cut down to size starting with the oldest posts.

The company says the cull should affect only a small percentage of its user-base, as 97% of its free account holders have fewer than 1000 images and videos stored. Those who have more should upgrade to a Pro account or scale their albums back. It also points out that the 1000-image limit is five times as generous as the original free account quota, which was only 200 pictures or videos.

Yahoo gets the blame for the situation, as in 2013 it raised the storage limit to attract new users which actually led to sign-ups just using the free storage but not interacting with the community, according to Flickr’s VP of Product Andrew Stadlen. He also says it costs a lot to host all that data, and that by offering it for free devalued the concept of paid online space.
If you are one of that 3% with more than 1000 images in a free account you need to take action now. Fortunately, Gizmodo has produced a handy guide to getting your pictures downloaded back to your local drives.

For more information on these changes see the Flickr blog post from November, and this one from mid-December.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon, Atomos team up to offer 4K Raw capture over HDMI to the Ninja V external recorder

11 Jan

Atomos has announced it’s working alongside Nikon to develop PreRes Raw recording with Nikon’s Z6 and Z7 mirrorless cameras. This marks the first time any mirrorless camera will be able to output 4K Raw video over HDMI to an external recorder, in this case the Atomos Ninja V.

‘Capturing Apple ProRes RAW video with the Ninja V unlocks complete control of the video image at the highest quality possible,’ says Atomos in the press release. ‘The maximum dynamic range, color accuracy and detail is preserved, while at the same time every aspect of the video image can be controlled with precision for maximum creativity.’

Atomos explains the Raw video capture works by streaming Raw data across an HDMI cable to the Ninja V external recorder. That footage is then repacked into the ProRes Raw format and stored to a removable SSD drive inside the Ninja V.

When the SSD drive is full or shooting is completed, the drive is then removed and connected to a computer for post-processing. The resulting footage is decoded (debayered) on the computer, as it’s quite a processor-intensive process, and ready to be edited accordingly.

As previously noted, this is the first time 4K Raw video over HDMI has been seen in a mirrorless camera. The Blackmagic Pocket Cinema Camera 4K offers Raw output both internally and over USB Type-C, but not over HDMI.

Atomos and Nikon are currently showing off the new 4K Raw recording feature at CES 2019 (Booth #14006), but there’s no official timeframe on when we’ll see this new capability publicly.

Articles: Digital Photography Review (dpreview.com)

 
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Photography gift ideas for $250 and over

15 Dec

There are plenty of ways to spend well over $ 250 on photography gear, but we’ve picked out some standout accessories that are sure to wow the photographer on your shopping list.

Articles: Digital Photography Review (dpreview.com)

 
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GoPro moving production of U.S.-bound action cameras out of China, cites concerns over tariffs

11 Dec

GoPro announced today it will be moving camera production out of China for cameras destined for the U.S. market.

In a press release shared this morning, GoPro stated that while its cameras bound for the international market will continue to be made in China, gear destined for the United States will be moved elsewhere by summer 2019, citing concern over the recent tariffs put in place as a part of the trade war that’s been brewing between the U.S. and China.

‘Today’s geopolitical business environment requires agility, and we’re proactively addressing tariff concerns by moving most of our US-bound camera production out of China,’ says Brian McGee, executive vice president and CFO of GoPro in the press release. ‘We believe this diversified approach to production can benefit our business regardless of tariff implications.’

McGee assured consumers and investors alike the move will have little impact on GoPro’s financials, saying ‘It’s important to note that we own our own production equipment while our manufacturing partner provides the facilities, so we expect to make this move at a relatively low cost.’

As of writing this article at 10:10am on Monday, December 10th, 2018, GoPro is priced at $ 4.82 USD per share, down 2.82% on the day on the NASDAQ stock exchange.

Articles: Digital Photography Review (dpreview.com)

 
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Advantages DSLRs Have Over Smartphones, and Why They’ll Always Have Them

22 Nov

I love watching the annual press events of Apple, Google, Samsung and others where they show off their latest high-tech gadgets, including mobile phones. With each new iPhone, Pixel, and Galaxy they seem to repeat a common refrain: “And the camera is the best one ever in a smartphone”.

Are DSLRs fading away with modern advances in smartphone camera technology? Or are they primed and ready for an entirely new life?

Mobile phone cameras are mind-blowing marvels of modern technology. With some of the tech showcased in the recent Pixel 3 announcement, you might be wondering if traditional DSLRs and mirrorless cameras are even relevant anymore.

The answer is more complicated than you might think.

Before you get too deep into this post, I want to make one thing abundantly clear. No-one can tell you which camera is best for you. If you have a 3-megapixel point-and-shoot that does what you want, then, by all means, keep using it and don’t let anyone stop you. Also, if your smartphone takes selfies and Instagram-worthy photos of your morning coffee, then keep snapping away.

In this article, I’ll be looking at some advantages traditional cameras have over smartphones. However, I won’t be telling you which one to buy, and I certainly won’t be telling you to stop using the camera you already have. Too often, the point is missed entirely when people get caught up in silly arguments on internet forums and message boards about whether such-and-such camera is better.

It’s important to know the advantages and disadvantages of different cameras, so you have enough information to choose one that best suits you and your needs. However, please don’t think I’m trying to tell you what you should or shouldn’t buy.

In almost every way I can think of, modern smartphones can take incredible images compared to those from just a few years ago. These days they have real-time HDR, depth mapping, background separation, multiple lenses, machine learning, portrait mode, selective bokeh adjustment, and even computer-assisted sub-pixel digital zooming. It’s enough to make even the most staunch DSLR owner feel a tad envious.

Still, don’t toss out your Canon or Pentax just yet. DSLRs and other traditional cameras have a treasure trove of advantages no current smartphone can match, and some features they may never be able to achieve.

Lens Selection

What’s the essential advantage of DSLRs over smartphones? I couldn’t tell you, but lens selection would undoubtedly be near the top of the list. Despite all the advances in smartphone photography in recent years, some laws of physics and photons are only overcome when switching lenses like a traditional camera. Most mobile phones have lenses roughly equivalent to a 28mm lens on a full-frame DSLR, although some dual-camera models roughly mimic a 50mm field of view to try and recreate professional-style portraits. Even though you can get adapters (such as the Olloclip) that let you do some creative experimentation, they rarely hold up to dedicated lenses mounted on interchangeable-lens cameras.

By comparison, DLSRs can use hundreds of different lenses, each designed for specific photography needs and situations. No matter what you need from a DSLR, there’s a lens that does it – from wide-angle primes and telephoto zooms to basic kit lenses, tilt-shift, and specialized macro lenses.

A photo like this, which requires a telephoto lens with a wide aperture, isn’t currently possible on any smartphone (and may never be).

The AI-powered tricks and computational somersaults modern cell phones are capable of can work wonders for different photographic situations. But when it comes to choosing the perfect lens for the job, smartphones simply can’t compete. If you want to shoot close-up images, far-away wildlife, fast-moving sports or pleasing group portraits, your mobile phone will probably come up short. Sure, you can’t install apps on most DSLRs. But you can change out lenses which, when it comes to photography, is infinitely more useful.

The portrait mode on mobile phones is amazing. But it doesn’t come close to what you can achieve with a portrait lens on a DSLR or mirrorless camera.

Customizable Settings

While phones can produce amazing photographs in lots of different conditions, you’re fairly limited in terms of settings. You usually can’t change the aperture or focal length (and no, digital cropping is not the same as changing focal lengths). All you can really control are the ISO and shutter speed, and the native camera apps rarely even let you do that much.

When you press the button to take a picture on your phone, you’re letting the computer do most of the thinking it terms of white balance, shutter speed, ISO, and even which part of the image should be properly exposed.

One of the biggest selling points of DSLRs and other dedicated cameras is that (while they have auto modes that do much of the heavy lifting) they have manual modes that let you choose everything – aperture, shutter speed, ISO, and even the focal length if you’re using a zoom lens. Admittedly, not everyone wants that much control, and you can choose to shoot in auto or semi-auto if you want. But having such fine-grain control is a huge advantage over smartphones.

I could choose a slow shutter speed to get this shot on my Fuji X100F, whereas most mobile phones would have used a much faster shutter speed resulting in a vastly different image.

Smartphones and the software that powers them are so advanced and sophisticated that people are perfectly happy letting them make the decisions and do most of the heavy lifting. But if you want more control you won’t get it on a mobile phone. Even the dedicated camera apps run up against physical limitations such as focal lengths that can’t be changed.

There are times when the photo you want to take isn’t the photo your camera wants to take. In those situations, a dedicated camera will let you change aperture, shutter speed, and ISO to get the exact photo you want.

I shot this image at 200mm, f/2.8, ISO 100, and 1/4000 second, which is impossible for any mobile phone.

Low-Light Shooting

DSLRs will always have the advantage over mobile phones in low light due to the way camera sensors collect light. Larger sensors mean larger photosensitive sites, which means they can capture more information about incoming light when there isn’t a lot of it.

At Google’s recent Pixel 3 announcement they demonstrated a feature that vastly improves its low-light shooting. But it only works with still subjects. It also runs into the same limitations all mobile phones have such as fixed focal length and limited options for changing settings.

I took this deep under the earth in Mammoth Cave National Park, 23mm, f/2.0, 1/20 second, ISO 6400. While some phones could have taken a shot similar to this they would have needed much longer shutter speeds, which would make the people a blurry mess.

Try it for yourself to see what I mean. Even with the best night-mode options on the newest mobile phone, you’ll still struggle to get clear shots of moving subjects. It’s great if you only require pictures of static compositions such as buildings or parked cars. But if you want to capture shots of kids, animals or anything that moves around, your mobile phone will probably leave you wanting more.

As the technology advances, low-light photography on mobile phones will improve. But there will always be physical limitations inherent in the platform that DSLRs and mirrorless cameras simply don’t have to deal with. Much of it stems from their larger image sensors, which collect much more light data per pixel. But the fact cameras let you specify the ISO value you need to get the image you want is also a big advantage.

Model train in a dim basement, shot at 50mm, f/2.8, 1/60 second, ISO 3200.

Not Quite There… Yet

I’m a big believer in the promise of computational photography in mobile phones. If the best camera is the one you have with you, then for hundreds of millions of people around the world their mobile phone is the ideal choice. But even with all the rapid advances in technology, there are still plenty of reasons to own a traditional camera.

If you have one that’s been relegated to a dark closet or dusty shelf and replaced by a high-tech mobile phone, get it out and see what it can do. The results may surprise you and have you wanting to use it more and explore the possibilities it offers.

What about you? What are the advantages of using traditional cameras that keep you coming back to them time after time? I’d also like to hear your thoughts about mobile phones and the technology they offer photographers.

One thing is clear. No matter where you stand on this issue, we certainly live in exciting times for photography.

The post Advantages DSLRs Have Over Smartphones, and Why They’ll Always Have Them appeared first on Digital Photography School.


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Vantage Robotics Snap drone receives receive FAA-certification for flights over crowds of people

21 Nov

Normally, the Federal Aviation Administration (FAA) prohibits flying drones commercially over people in the United States. However, Vantage Robotics’ compact 4K-capable camera quadcopter Snap is now the first drone to receive FAA-certification for flights over crowds of people for both emergency and non-emergency purposes.

The Part 107.39 waiver granted to Rutherford County, Tennesee is a first for a county government in the United States. This is due to the drone’s comprehensive set of safety features, including protected rotors and a lightweight design that lets the drone break into several smaller and less dangerous pieces in the event of a crash.

Brian Robertson, Chief Information Officer for Rutherford, says in the press release:

‘Demands of today’s local governments mean we must function in as many scenarios as possible. The ability to safely and appropriately maneuver our aerial assets over and near event personnel or participants gives our program several new possibilities. Whether for routine coverage of numerous events such as Main Street’s Jazz Fest in May, Uncle Dave Macon Days in July, or during incidents such as the November 6 tornado, the ability to capture the gravity or details of these events from the unique perspective is a major addition to this public service.’

This is a small step towards more drones flying overhead at large events and in crowded areas. More information is available on the Vantage Robotics blog.

Articles: Digital Photography Review (dpreview.com)

 
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Some Kansas City hotspots ban photography over growing disruptions

20 Nov

A number of Kansas City metro hotspots are putting up “No Trespassing” signs that specifically state ‘No Photographers,’ according to local FOX affiliate WDAF. The restrictions were prompted by ‘a few bad apples’ who would set up props for photoshoots in lobbies, doorways, and places that block traffic, the report states.

Both commercial and Instagram photography is reportedly disrupting certain iconic regions and businesses in Kansas City. Brett Judson, owner of local business Coven KC, explained to WDAF, ‘Besides setting up their fake house in our lobby, in our front door, they will block all the traffic under the 12th Street bridge to get that, like, beautiful family photo or a wedding photo.’

Some local photographers are speaking up about the issue, stating a minority of individuals are giving the entire profession a bad name. One such photographer is Marsha Baylor, who will join colleagues in cleaning up litter in some of Kansas City’s hotspots to help make the point.

‘They’re not the norm,’ Baylor told the local news station. ‘We are the norm. We are the people that step up and say, “This is not OK. This is not how the majority of us run our businesses.'”

Kansas City currently requires photographers to get a permit when shooting in parks if the sessions will ‘impact others and/or the environment,’ which includes using ‘lots of props/equipment,’ according to city parks’ website. A city spokesperson speaking to WDAF pointed out that there are no laws restricting photographers from shooting while on public property, but that doing so on private property with posted signs can be a trespassing issue.

In addition, Missouri Department of Conservation spokesman Bill Graham stated that the agency is working on a new policy that will impact commercial photography and videography in all of the region’s conservation areas.

Articles: Digital Photography Review (dpreview.com)

 
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