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Posts Tagged ‘Over’

Wall is Over: Art Students Whitewash Historical Street Murals

03 Dec

[ By WebUrbanist in Art & Street Art & Graffiti. ]

wall is ocver

In an audacious and contentious move, a group of young artists took it upon themselves to paint over the famous John Lennon Wall in Prague, replacing decades of layered mural work, drawings and tags with the message: “Wall is Over”. While the surface in question has particularly significant meaning for the local population, it has also long been a global symbol of resistance against governmental oppression – its clearing has thus become a border-crossing controversy.

whitewashed john lennon wall

Calling themselves Prague Service, the arts collective in question wanted to create a blank slate for future writers, reworking the wall that got its name after the assassination of its namesake. The piece was also intended to work as a combination  tribute to Lennon, referencing the song Happy Xmas (War is Over), and celebration of the 25th anniversary of the Velvet Revolution in what was then Czechoslovakia. Of their work, they write: “Twenty-five years ago, one big totalitarian wall fell … Students of art schools are expressing their commemoration of (1989) and opening room for new messages of the current generation.”

wall john lennon prague

According to Hyperallergic (with details from the French Associated Press): “It didn’t take long for others to take advantage of the free space and begin filling the Lennon Wall with tags again. However, the wall’s owner, the Order of Malta, was not so quick to dismiss the incident, and is pursuing legal action against the artists.”

3d installation art head

While the intentions behind this buffing of history may have been good, there may be unintended references as well to an era of Communist domination in which free expression was limited and street art was also painted over for political reasons. Images above and below via Rick Chan, Matushy, Steven Feather, Eregoion,  Brandon Schauer and Brian Beggerly.

wall street art tribute

More on the history of the John Lennon Wall: “In 1988, the wall was a source of irritation for the communist regime of Gustáv Husák. Young Czechs would write grievances on the wall and in a report of the time this led to a clash between hundreds of students and security police on the nearby Charles Bridge. The movement these students followed was described ironically as “Lennonism” and Czech authorities described these people variously as alcoholics, mentally deranged, sociopathic, and agents of Western capitalism.”

wall is over rework

In fairness to the students who edited it, the wall will not be over for long – its surface will continue to be reinvented over time: “The wall continuously undergoes change and the original portrait of Lennon is long lost under layers of new paint. Even when the wall was repainted by some authorities, on the second day it was again full of poems and flowers. Today, the wall represents a symbol of global ideals such as love and peace.”

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[ By WebUrbanist in Art & Street Art & Graffiti. ]

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Behind the Shot: Clouds over Skagsanden

22 Nov

In this article, nature photographer Erez Marom shares the story of his panoramic shot ‘Clouds over Skagsanden’, taken earlier this year in the Lofoten Islands in Arctic Norway. His article covers everything from preparing to shoot at the location, to the shoot itself through to final post-processing of the resulting image. Click through to read Erez Marom’s article ‘Behind the Shot: Clouds over Skagsanden’

Articles: Digital Photography Review (dpreview.com)

 
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7 Things That Keep You From Charging What You’re Worth (and how to get over them)

02 Nov

lynseymattingly6

Charging people money is scary. Having people I’ve never met ask me to produce something I have metaphorically promised the world I can do at a professional level, that may or may not meet their expectations, is terrifying. There is so much I can’t control – the weather, the mood of everyone involved, my camera suddenly deciding to jam without warning, that nerve condition I Googled last night where something snaps in your eyeball without warning and you go blind in mere seconds. Never mind that every single time I leave my house, I’m pretty sure that I am completely out of any possible creativity, creativity that will never renew itself, and it’s only a matter of time before everyone realizes I’m just a fraud that got lucky for a while.

lynseymattingly5And that’s on a good day.

I get hired repeatedly by my clients, seem to be able to pull off a shoot in most elements, and as of yet, that nerve hasn’t snapped in my eyeball. However if you look at my pricing comparatively for my area, my pricing history, or ask my mom, I am not charging enough. It’s not that I don’t want to make money of course, it’s that I feel bad taking it from people. I’m not sure I deserve what I am currently charging for what I do, never mind even more. There is no true way to measure the market rate for a photographer, but there are plenty of reasons that setting my rates – determining my true market value – is enough to make me want to go pick-up an application at McDonalds.

#1 It seems like everyone is a photographer – and even the one’s that aren’t have a fancy camera

At some point I am hoping that all of us can get together and agree that owning a fancy camera does not make someone a photographer by trade. I happen to own a really nice guitar after a gifting incident that took a wrong turn. Sometimes just for fun, I sit at my desk with it and strum like I’m a fledgling musician in a coffeehouse working for tips and free lattes. But all of the strumming in the world isn’t going to change the fact that I completely lack the coordination to have my left hand do about anything and I can’t play a single note.

Get over it

Consider every job that relies on nice equipment – a baker needs a fancy oven, an auto-mechanic requires a collection of expensive tools, a fast car alone doesn’t make anyone a race car driver (though with the right stretch of highway and a good song on the radio, we all have the potential to be a rockstar). Ownership, or even a working knowledge, of a tool does not make someone a professional anything.

lynseymattingly8

#2 You’re stuck in portfolio building mode

Chances are if you are a professional photographer, you’ve done portfolio building of some sort; maybe you did portraits for friends for free, did corporate work for cost, or photographed thousands of landscapes until you felt comfortable putting your work out there for sale. Making the step from being a budding photographer to a full-fledged “real” photographer who charges money for their work is a huge but necessary one. Once you have established that you are a photographer with a body of work to show for yourself, you are no longer building from scratch. If you’ve built the house structurally sound, you’re not going to build another house to put on top of the original that’s better. Build your business to be sturdy, flexible, and confident and instead of tearing down and starting over, you will just remodel from time to time and rearrange the furniture when you need to freshen the place up.

Get over it

Spend a day going through your entire portfolio and honestly reflect on your work. Do you have a nice representation of the type of photography you want to charge for? Can you see noticeable differences in the images you created when you first started to now? Do you have images that you are quite proud of and show what you are all about as an artist? If you answered yes, the truth is you already have a portfolio. You will continue to build on this portfolio as you have more (paying) clients, as your skills improve, and as your style becomes more defined and evolves but charging your honest market rate is what is going to help you to get there.

lynseymattingly3

#3 You’re forgetting about your overhead costs

Admittedly I spend my editing days in pyjamas at my desk. Most days I don’t commute anywhere, I eat lunch in my own kitchen, and I never have to contribute to a coworker’s birthday party fund. On the surface it appears I spend next to nothing to bring in a lot, but what I lack in dry cleaning bills, I make up for in expensive equipment, monthly subscriptions, website maintenance, business collateral, and more. Once a chunk of change has already been spent on that fancy camera, building it into your actual cost of doing business can be quickly forgotten.

Get over it

Come up with a list of every single expense you have from your electric bill to run your computer, to how much you spend in cat treats to keep your cats nearby, giving you someone to talk to all day so you don’t go crazy. Don’t forget to allow for things like wear and tear on your cameras and lenses, new software you may need, and the traveling involved with getting to a shoot. You should also include extra funds for unforeseeable repairs and expenses, increases in printing costs or other regular fees, and any classes or workshops you will attend to support your photography. Divide this total by the amount of days you can reasonably work in a year and what you have is the bare minimum day rate you need just to keep doing it. Know this budget as actual numbers, not just a vague amount and it will become very clear, very quickly, if you are not charging enough to make it worth your while no matter how much you love it.

lynseymattingly7

#4 You don’t yet have a solid work and edit flow

I don’t have a good rebuttal for this one. All I know is that if photographers couldn’t charge money for their work until they had a proven workflow in place, there would be no photographers.

Get over it

Even if you don’t subscribe to the flakey artist bit, your process is going to change often, having to constantly accommodate for seasonal fluctuation, client needs, and your own style. So long as you have a true desire to be a professional photographer and a method to getting pictures out of your head and into your camera, and then into the hands of clients, you have a workflow sufficient enough to charge a reasonable rate and work from there.

lynseymattingly1

#5 You assume you’re not good enough

Do not feed this monster! This monster will come to your door often in your career and just like my kid’s friends, the more candy you give him, the more frequently he will come around and the longer he will stay. Be realistic and competitive, but do not base your entire pricing system on a lack of confidence. Photography, like most creative occupations, is often personal and will never fit firmly in the category of just business.

Get over it

Ask an objective friend to take a thorough look at your portfolio and prices. Show them your competitors and walk them through exactly what it takes you to go from nothing to a finished image, ready for delivery.

lynseymattingly2

#6 Because you couldn’t afford yourself

Rather than being a large business that strives to be the cheapest choice for customers, you are one single person. It’s easy to get hung-up on the idea that if professional photography isn’t in your budget, then it’s not in other people’s either. I haven’t paid for photography in six years – I take pictures of my own children often and when I want family photos or any other picture that actually includes me, I trade with a photographer friend. I am not a good judge of what people are willing to, or can spend on a family photographer.

Get over it

Do you buy art? Do you support artists? This includes musicians, actors, and that guy on the corner that can fold himself into a two foot plexiglass cube and eat fire. I give that guy a dollar every time I see him and I bet you would too. People budget for what they truly want and what is important to them. If they want to invest in your time and talent, who are you to tell them no?

lynseymattingly4

#7 You’re allowing yourself to be paid in kind words and compliments

Ouch, this one stings. Everyone wants to be liked and let’s face it, kind words are better than a sharp stick in the eye. Especially a compliment that is given based on skills you have worked hard to perfect. Confidence is something every photographer needs at least a bit of, but accolades don’t pay the rent.

Get over it

If you aren’t charging them, someone else will be happy to and collect the compliments too.

Besides – I would be a terrible fry cook.

The post 7 Things That Keep You From Charging What You’re Worth (and how to get over them) by Lynsey Mattingly appeared first on Digital Photography School.


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Photokina 2014: Fujifilm interview – ‘Over the past few months I’ve been getting more confident’

25 Sep

DPReview attended the Photokina trade show last week in Cologne Germany, and as well as stand reports and hands-on looks at the major new products we also sat down with executives from several of the major camera manufacturers. In this interview, we speak to Toshihisa Iida, Senior Manager of Sales & Marketing in Fujifilm’s Optical Device & Electronic Imaging products division. Click through to read more

Articles: Digital Photography Review (dpreview.com)

 
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6 Great Reasons to Get over Post-Processing Anxiety

24 Sep

I’m baffled when my workshop students tell me that they find image post-processing to be a chore, a dreaded task that prevents them from even looking at their beautiful photographs more than once. If you’re one of those types, I’m here to tell you that you’re missing out on a delicious second hit of creative joy.

1 – Don’t Miss Out – Post-Processing is Half the Fun

Night Photography with high ISO - Gavin Hardcastle

Unprocessed version below. Total processing time = five minutes. Steps taken:

  1. Boosted blacks and shadows
  2. Reduced whites
  3. Increased exposure by +1
  4. Increased clarity
  5. Increase contrast
  6. Subtle noise reduction
  7. Subtle sharpening

Victoria Night Photography - Gavin Hardcastle

I think one of the reasons that I love photography so much is that I get that double whammy of artistic creativity. The first is when I’m out taking the shot, often standing in awe at the scenery unfolding before me. The second hit is when I get back home and start processing my images.

When I’ve shot an image that I know is really strong, I can’t wait to get that RAW file opened up so that I can relive the moment and get creative with my processing to realize the visual feast that I witnessed when I was on location.

2 – RAW Files are Your Best Teacher

RAW file processing of Landslide Lake - Gavin Hardcastle

Unprocessed version below. Total processing time = three minutes. Steps taken:

  1. Boosted blacks and shadows
  2. Reduced whites
  3. Added high contrast grad filter just above water level to emphasize mountain structure
  4. Increased clarity
  5. Increased contrast
  6. Subtle sharpening added
  7. Increased vibrance
  8. Increased red highlights in the foreground

Unprocessed RAW image of Landslide Lake - Gavin Hardcastle

The first thing that you’ll learn when processing your images is what you did wrong. Maybe you selected the wrong aperture, perhaps your ISO was too high and your image is full of noise, or maybe you just focused in the wrong spot.

By processing and essentially studying your own photographs, you’ll quickly learn which techniques you need to improve and what you could have done to make your images better. If you got everything right when taking the shot, you’ll have loads of fun tweaking the most quality out of your RAW file, and producing an image that you’re proud to share with the world.

If you simply don’t care about sharing your images that’s fine, but if you’ve captured a beautiful moment in time, chances are that most people will gain pleasure from seeing your work. Don’t be so shy, process that image and show the world what you made.

3 – Didn’t Get it Right in Camera? No Problem

It’s totally possible to capture a truly beautiful image in camera, that requires minimal or zero processing, and that’s something you should strive for. However, most of the time there are technical challenges that our cameras simply can’t handle. That’s where image processing comes to the rescue. This could be as simple as red-eye reduction, right through to noise reduction and fixing blown out highlights.

When you’ve become adept at image processing, you’ll be far more daring in your photography by taking photos that you otherwise thought might have been too noisy, too blown out, or unusable for whatever reason. Having even a basic understanding of image processing will open your creative horizons and give you more confidence.

4 – The Camera Sees What You Did Not

aroura-borealis-photography-gavin-hardcastle

Unprocessed version below. Total processing time = five minutes. Steps taken:

  1. Changed the white balance
  2. Reduced whites
  3. Reduced red highlights in the foreground
  4. Increased clarity
  5. Increased contrast
  6. Applied heavy noise reduction
  7. Added subtle sharpening
  8. Increased vibrance

aroura-borealis-unprocessed-photography-gavin-hardcastle

There are times when your camera can see things that you might have missed or were not capable of seeing. When shooting aurora like the image above, most cameras are able to record colours that are barely visible to the naked eye. Some of this processing happens in the camera, but until you look at the RAW file and see what can be done to clean up your image, you won’t realize the full potential of the moment that you captured.

In the image above, I chose the wrong white balance while shooting, and wasn’t really happy with the colours until I switched the white balance to Tungsten in Adobe Camera Raw. I could have done this in camera, while shooting, but everything looks awesome on the little LCD screen on the back of the camera so I thought it was fine until I got back home.

High ISO images of the Milky Way or an aurora might be totally unusable until we’ve cleaned up the noise, fixed any white balance issues and corrected the contrast – among other things.

5 – It’s Easier Than You Think

Sve Your Adobe Camera RAW Defaults

This is how I do it in Adobe Camera RAW. Once you’ve tweaked your most commonly used settings such as lens profiles, chromatic aberration, shadows, highlights, etc., click on the top right tab and then choose ‘Save New Camera RAW defaults’. This well be called up automatically when you next open a RAW file.

A lot of the grunt work can be taken out of editing your images by the simple act of saving your default processing settings to match your camera and lens. Whether you process your images in Adobe Camera RAW or in Lightroom’s Develop Module (which is almost the same thing), you can save your most commonly used processing settings as a default file that will automatically be applied to any RAW file that you open.

This is a real time saver and can be used as a great starting point. There’s no one setting to suite all images, but if you often shoot the same types of images, it’s good to have a default setting that is already pre-configured for your equipment and processing style.

You can even save multiple presets so that if you change your shooting style for different projects, you’ve already got your previous go-to processing settings to get you off to a quick start. From that point, simply tweak your settings until you’re happy.

6 – Black and White Saves the Day

buttle-lake-the-hand-monochrome-conversion

Unprocessed version below. Total processing time = five minutes. Steps taken:

  1. Boosted blacks and shadows
  2. Reduced whites
  3. Converted to black and white
  4. Increased clarity
  5. Increased contrast
  6. Added a vignette
  7. Used the dodge brush to accentuate tree root highlights

buttle-lake-the-hand-unprocessed

I often shoot images that I know will work in black and white much more effectively.

Let’s say I really like the composition that I’ve got and the weather conditions are just perfect, except for the fact that there isn’t much colour in my scene. In those situations I’m already looking forward to converting my image to black and white which can sometimes result in a much more punchy, and dramatic image than the original colour version.

You can easily do the conversion in either Photoshop or Lightroom. Then have fun playing with contrast, shadows and highlights and maybe even a little dodge and burn to accentuate key areas.

Start Processing Your Images Right Now

I hope these six reasons have convinced you that it’s worth setting aside just a little bit of time to process your images. You might discover that you’re a much better photographer than you realized. At the very least, you’ll be able to figure out where you went wrong, and what you need to do to improve your photography.

Maybe you’ll even learn to love image processing as much as you loved taking the shot.

The post 6 Great Reasons to Get over Post-Processing Anxiety by Gavin Hardcastle appeared first on Digital Photography School.


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The wait is over: Canon EOS 7D Mark II First Impressions Review

15 Sep

Enthusiast photographers have been waiting in agony for a replacement to the Canon EOS 7D for five years. Their wishes have finally been granted – and in a big way – with the arrival of the EOS 7D Mark II. With a new sensor, improved AF system, faster image processor, and Full HD video, we think that it was worth the wait. For a lot more on the 7D II, read our detailed First Impressions Review.

Articles: Digital Photography Review (dpreview.com)

 
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Over Board: Sink or Skate on This Amazing Floating Ramp

02 Sep

[ By Steph in Architecture & Cities & Urbanism. ]

Floating Skate Ramp 1

It’s hard to imagine a more idyllic place to practice skate tricks than a sculptural wooden ramp floating on the crystalline waters of Lake Tahoe. In some of the photos, it almost doesn’t look real, the skaters captured in mid-air seeming jarringly out of place agains the surface of the water.

Floating Skateboard Ramp 4

Skateboarding pro Bob Burnquist got the opportunity to build the ramp in 2013 when Visit California asked him to think big, coming up with an idea that might seem a little nuts at first but was actually achievable. Working with Miami art director Jerry Blohm, Burnquist created a wooden structure on a floating base, featuring a half pipe, a quarter pipe and a 45-degree ramp.

Floating Skate Ramp 2

Floating Skate Ramp 4

The fact that it sits entirely upon the surface of the water is part of what makes it seem so unreal. It’s built on a steel frame with weighted riggers that keep it from moving around too much in the water. It took 30 man hours and 1,250 screws to finish the 7,300-pound structure.

Floating Skate Ramp 3

FLoating Skateboard Ramp 5

You might be thinking, “Isn’t there a danger of skating right off the edge?” Yes, there definitely is, even for professionals – and that’s why Bob had a wet-suited snorkeler waiting to retrieve his skateboard anytime it went into the water during this shoot.

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[ By Steph in Architecture & Cities & Urbanism. ]

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Some Punchy Black and White Landscape Photos to Oooo and Aaah Over

30 Aug

Recently we released our newest dPS ebook The Essential Guide to Black and White Photography. 

So I thought it would be fitting if we had a look as some great black and white images. I don’t know what it is but I’m really attracted to a great black and white image. It’s something about the contrast and the style and makes you really focus on the light and composition in the image – there’s no tricks it’s just an image is the simplest form.

So in this set I’ve found some amazing black and white landscape photos for you to enjoy – please let the oooing and aaaahing commence!

Photograph The Last Ride by Rob Dweck on 500px

The Last Ride by Rob Dweck on 500px

Photograph Dignity by Martin Mattocks on 500px Dignity by Martin Mattocks on 500px

Photograph road by ömer yücel on 500px

road by ömer yücel on 500px

Photograph "MAGIC IN ESPIGÜETE" / "MAGIA A LOS PIES DEL ESPIGÜETE" by Juan PIXELECTA on 500px “MAGIC IN ESPIGÜETE” / “MAGIA A LOS PIES DEL ESPIGÜETE” by Juan PIXELECTA on 500px

Photograph Smooth River by Johan Vanreybrouck on 500px

Smooth River by Johan Vanreybrouck on 500px

Photograph Silver Reflections 2 by Joe V on 500px Silver Reflections 2 by Joe V on 500px

Photograph Tree & Clouds by Carsten Meyerdierks on 500px

Tree & Clouds by Carsten Meyerdierks on 500px

Photograph Age Old by Chris Fletcher on 500px Age Old by Chris Fletcher on 500px

Photograph Untitled by Luis Beltrán on 500px

Untitled by Luis Beltrán on 500px

Stop for a minute

I’m going to stop you for a second. If you’re scrolling through these quickly, stop. Take the time to really look at each one – one at a time. Do you see the common thread here?

  • Simple
  • Clean
  • No distractions

    Okay, carry on!

Photograph Venice Nostalgia by Csilla Zelko on 500px Venice Nostalgia by Csilla Zelko on 500px

Photograph In the Days Still Left by Rob Dweck on 500px

In the Days Still Left by Rob Dweck on 500px

Photograph Ibex Sunrise by Grant Thompson on 500px Ibex Sunrise by Grant Thompson on 500px

Photograph Parched by James Crawford on 500px

Parched by James Crawford on 500px

Photograph Herringfleet by George Johnson on 500px Herringfleet by George Johnson on 500px

Photograph Moment by Majeed Badizadegan on 500px

Moment by Majeed Badizadegan on 500px

Photograph --In Motion-- by Marek Kijevský on 500px –In Motion– by Marek Kijevský on 500px

Photograph Tranquil Dawn by Majeed Badizadegan on 500px

Tranquil Dawn by Majeed Badizadegan on 500px

Photograph Tranquility of Morning by Abi Arga Hadityarista on 500px Tranquility of Morning by Abi Arga Hadityarista on 500px

Photograph B e a c h e d by Chris Oliphant on 500px

B e a c h e d by Chris Oliphant on 500px

Photograph on the road by adam smigielski on 500px on the road by adam smigielski on 500px

Photograph A rural morning by Margareta   on 500px

A rural morning by Margareta on 500px

Photograph 81.2013 - B&W- Light Reflections ... by Pawel Tomaszewicz on 500px 81.2013 – B&W- Light Reflections … by Pawel Tomaszewicz on 500px

Photograph named by lennon baksh on 500px

named by lennon baksh on 500px

Photograph dark master´s crown by Ronny Behnert on 500px dark master´s crown by Ronny Behnert on 500px

Photograph NYC thoughts by RACKHAM  on 500px

NYC thoughts by RACKHAM on 500px

Photograph Kuala Lumpur by Tashi_Delek Nakata on 500px Kuala Lumpur by Tashi_Delek Nakata on 500px

Photograph Dark#04# by Andreas Paehge on 500px

Dark#04# by Andreas Paehge on 500px

Photograph SZEMPONT by Shady S. on 500px SZEMPONT by Shady S. on 500px

Photograph Chrysler Building II by pixeldreamer  on 500px

Chrysler Building II by pixeldreamer on 500px

Photograph entrap by tet bautista on 500px entrap by tet bautista on 500px

Photograph One Light Only by Sam Commarato on 500px

One Light Only by Sam Commarato on 500px

Photograph ..on The 'Tripod' by ilias nikoloulis on 500px
..on The ‘Tripod’ by ilias nikoloulis on 500px

Photograph Foggy path by Jose Ramon Santos Mosquera on 500px

Foggy path by Jose Ramon Santos Mosquera on 500px

Photograph Foggy Day by ilias nikoloulis on 500px
Foggy Day by ilias nikoloulis on 500px

Photograph Dark Beauty by Jayme Hagen on 500px

Dark Beauty by Jayme Hagen on 500px

Photograph Shanghai- Bund by Hill Gas on 500px
Shanghai- Bund by Hill Gas on 500px

Photograph Mutianyu by John Crux on 500px

Mutianyu by John Crux on 500px

The post Some Punchy Black and White Landscape Photos to Oooo and Aaah Over by Darlene Hildebrandt appeared first on Digital Photography School.


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Iconic ‘Flag Over Reichstag’ Leica to go Under the Hammer

16 Jul

The Lecia III used by Yevgeni Khaldei to take Raising a Flag Over The Reichstag is to go on sale in Hong Kong this November with a guide price of $ 390,000 – 580,000. Khaldei took the famous shot in 1945, as Russian troops overran Berlin in the final days of World War II. Learn more

Articles: Digital Photography Review (dpreview.com)

 
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Google Street Art: View Over 5,000 Past & Present Pictures

25 Jun

[ By WebUrbanist in Gaming & Computing & Technology. ]

street art 5 ppoints

Using panoramic Street View technologies, Google is assembling an awesome collection of high-resolution images capturing over 100 works in 5,000 interactive photographs to date, including many famous pieces from all over the globe (include now-destroyed paintings and tags).

google street art view

street art google navigation culture center

Street artwork is often ephemeral, sometimes disappearing within a day of its creation, making this endeavor an ambitious attempt to document an art form frequently subject to being painted over by unhappy building owners or paid city workers. Art captured and presented here ranges from whole-wall exterior murals to floor-to-ceiling interior works, complete with online critiques, commentary and supplemental imagery.

street art google view

street art preservation project

The 5Pointz murals, for instance, were lost despite community protests, first painted over (presumably to lesson the blow of what was to come next) before the building they were on was destroyed entirely.

street art panoramic

street art sea of figures

street art 3d capture

All of this is part of a larger endeavor, the Google Cultural Institute, which provides access to famous art and architectural interiors from around the world. The street artwork subsection lets you sort by artist or artwork, collection or location.

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