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One-Shot vs AI-Servo: Which Autofocus Setting Should You Use?

10 Aug

The post One-Shot vs AI-Servo: Which Autofocus Setting Should You Use? appeared first on Digital Photography School. It was authored by James Brandon.

One-Shot vs AI-Servo

If you’re just getting familiar with your camera autofocus settings, you’ve likely encountered the big question:

Should you shoot with One-Shot AF? Or should you use AI-Servo AF? (Some cameras also offer a third option, called AI Focus, but it doesn’t work well and so I recommend you ignore it completely.)

Unfortunately, there’s no easy answer, because One-Shot and AI-Servo are both useful depending on the type of photos you shoot.

So in this article, I’ll explain everything you need to know about these two autofocus modes. And by the time you’re done, you’ll know which option is right for you and how you can use it for amazing images.

Let’s dive right in, starting with the basics:

What is One-Shot AF?

One-Shot AF is the most commonly used autofocus method and is likely the default setting on your camera. (Note: On many non-Canon cameras, it’s known as AF-S.)

When you half-press your shutter button, the camera sets focus once (hence the term “one-shot”) and holds that focus until the picture is taken.

As you can imagine, this is hugely helpful if you want to focus then recompose. You can focus on one subject, then maintain focus while adjusting your composition to include other elements. For instance, if you’re photographing a tree next to a fountain, you could set focus on the tree, then freely move your camera toward the fountain to create the best possible composition – while the focus stays locked on the tree.

On the other hand, One-Shot AF isn’t so great if you’re trying to track moving subjects. Lock focus on a biker riding toward you, and the focus will remain locked on the original spot, even as the biker zooms forward. Pretty soon, your subject will be out of focus, and you’ll be forced to lock focus again and again as the biker changes position.

baby in a basket with One-Shot autofocus

For this photo of my week-old son, I used One-Shot AF. I half-pressed the shutter to focus on his body, then adjusted my composition while keeping the focus locked.

What is AI-Servo AF?

AI-Servo AF tracks moving subjects. You half-press the shutter button to tell your lens to start focusing – then, if the area under your point of focus changes, your lens refocuses continuously until you take the photo.

(On non-Canon cameras, this autofocus mode is often known as AF-C.)

AI-Servo is perfect for scenes with moving subjects. Bringing back the biker example from above, if you placed your AF point over the biker and half-pressed the shutter button as she rode forward, the autofocus would do its best to keep the biker in focus.

Unfortunately, AI-Servo isn’t flawless; sometimes, if your subject is moving quickly, the focus will lag behind and you’ll end up with slightly out-of-focus images. Or if your subject moves out from under your autofocus point (and you’re not using some form of broad AF tracking), the AF will focus on the background instead.

But AI-Servo is certainly better for moving subjects than One-Shot AF, which consistently focuses behind the subject.

Make sense?

planes taking off with AI-Servo autofocus

For this shot of two Blue Angels taking off, I used AI-Servo; otherwise, I would’ve failed to track these two jets as they moved.

When should you use One-Shot AF?

One-Shot AF is the way to go when focusing on still subjects, such as landscapes, still lifes, some portraits (assuming your subject isn’t jumping around, running, or dancing), and flowers. Here’s a more complete list of genres that rely heavily on One-Shot autofocus:

  • Landscape photography
  • Architectural photography
  • Cityscape photography
  • Still life photography
  • Macro photography
  • Food photography

Of course, there will be times when you’ll want to switch over to AI-Servo AF – for instance, if your macro scene includes a fast-moving dragonfly – but for the most part, you can use this list to guide your decisions.

And here’s a list of genres that use One-Shot AF some of the time:

  • Portrait photography
  • Street photography

For portrait photography, you must consider the type of photos you’re taking. Will you be doing a fast-paced portrait session with a lot of movement? Or will your subject be sitting or standing in place? For still subjects, One-Shot AF is a good idea, but for moving subjects, go with AI-Servo.

As for street photography, some shooters use One-Shot AF to prefocus at specific points then wait until a subject walks into the scene. Other photographers use AI-Servo AF constantly and snap images as people move toward them. It all depends on your style!

When should you use AI-Servo AF?

Use AI-Servo AF whenever your subject is moving (especially if you’re working with a shallow depth of field).

So if you’re shooting sports players in action, birds in flight, or cars on the move, you should definitely use AI-Servo nearly all the time.

Here’s a list of photography genres that rely heavily on AI-Servo autofocus:

  • Bird photography
  • Wildlife photography
  • Sports photography
  • Car photography
  • Wedding/event photography
  • Underwater photography

If you’re photographing birds, for instance, unless you see an obvious reason to switch to One-Shot AF, I’d recommend you set your camera to AI-Servo AF and keep it there.

Which autofocus mode is best?

As I mentioned at the beginning of this article, such a question has no real answer. In some situations, One-Shot AF is the best option, but in other situations, you’ll want to use AI-Servo AF.

In fact, there are even times when manual focus is the better bet. If you’re doing high magnification macro photography or you’re shooting in the dark, your lens will likely fail to autofocus, so manual focus will be your only good option.

I do have a personal recommendation, though, and it’s what I use for most of my photos:

Use AI-Servo…

…but not with the normal half-press focusing method.

You see, most cameras let you set your focus via a button on the back of your camera, which gives rise to a technique called back-button focusing.

When used with AI-Servo AF, back-button focusing gives you the best of both worlds. Here’s how it works:

Start by programming a button on the back of your camera to autofocus when pressed (and make sure AI-Servo is activated). Then, when you hold down the special back button, your camera will focus continuously, just as if you half-pressed the shutter button.

When you let go of the back button, focusing will lock. You can recompose all you like, you can take shots with the shutter button, etc., without worrying about losing focus as you shift your AF point.

So if you have a biker riding toward you, simply keep the back AF button held down. Then, if the biker stops and you want to position them in the corner of the frame, you can let go of the back button and change your composition – while your focus remains locked in place.

Thanks to its versatility, I use back-button AF 90% of the time. It’ll save you plenty of headache trying to switch back and forth between AI-Servo AF and One-Shot AF!

One-Shot vs AI-Servo: final words

Hopefully, you now know whether to use One-Shot AF or AI-Servo (and you’ve hopefully also been inspired to try out back-button focus). Learn to master your camera’s autofocus capabilities, and you’ll be unstoppable!

Now over to you:

What do you think of these two focusing modes? Which do you plan to use in your photography? Do you think you’ll try back-button focusing? Share your thoughts in the comments below!

The post One-Shot vs AI-Servo: Which Autofocus Setting Should You Use? appeared first on Digital Photography School. It was authored by James Brandon.


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Slideshow: Winners of IPA’s One-Shot ‘MOVEMENT’ competition

13 Jun

Slideshow: Winners of IPA’s One-Shot ‘MOVEMENT’ competition

The International Photography Awards (IPA) recently announced the winners of their One-Shot “MOVEMENT” competition. Thousands of photos were submitted from around the world for the theme, movement, around 5 categories: Street Photography, Nature, Fine Art, People, and Technology/Machine. The jury selected the following entries for top prizes:

Grand Prize Winner: ‘Wild Carrots’ by Anne Mason-Hoerter

Category Winners:

Fine Art: ‘Wild Carrots’ by Anne Mason-Hoerter
Street Photography: ‘School Run, Rwanda’ by Benjamin Buckland
Nature: ‘Wallace Flying Frog’ by Shin Leong Teo
People: ‘Rice Growers’ by Jacopo Maria Della Valle
Technology—Machine: ‘The Urban Semiconductor’ by Youngkeun Sur

‘The idea that everything moves, changes, and evolves, is such a great concept to explore through photography. It’s been inspiring to see how photographers of all levels of expertise have captured this concept in its many forms—universal, abstract, human, and machine. Even though it seems the whole planet has almost come to a standstill, through these images we see that life goes on and moves forward,’ says Hossein Farmani, Founder and President of IPA.

Due to the COVID-19 crisis, IPA has matched all cash prizes awarded to winning and finalist photographers in the form of a donation to the charity of their choice. All winning and honorable mention photos can be viewed here. IPA is now accepting submissions for its Annual Photography Competition.

Grand Prize Winner + 1st Place – OneShot: Movement, Fine Art: ‘Wild Carrots’ by Anne Mason-Hoerter (Germany)

Date of Photograph: 2013

Technical Info: Nikon D70s, LeicaD-Lux, Canon scanner.

Artist Statement: Multiple scan data combined with digital camera data of a Wild Carrot, scientific name being Daucus carota. My photographic process involves first taking the plant apart and then scanning each piece. I then combine those images with images I have taken with my cameras. I wanted to reproduce the unseen movement of plants at night. There are over 50 single images and took over a month to complete.?

2nd Place – OneShot: Movement, Fine Art: ‘Almost Free’ by Patrizia Burra (Italy)

Date of Photograph: December 12, 2019

Technical Info: 1/125 sec, f/8, ISO 50.

Artist Statement: An artistic vision of movement.

3rd Place – OneShot: Movement, Fine Art: ‘Giant’s Causeway and Figure, Northern Ireland’ by Ugo Ricciardi (Italy)

Date of Photograph: 2018

Technical Info: 18 sec, f/11, 100 ISO. Pentax 645z camera. Long exposure with led light on a long pole.

Artist Statement: This picture, that is part of the ‘Nightscapes’ series, was taken in Northern Ireland. The Giant’s Causeway is an ancient part of the coast. Is an area of about 40,000 interlocking basalt columns, the result of an ancient volcanic fissure eruption. The tops of the columns form stepping stones that lead from the cliff foot and disappear under the sea.

This place, so still and immovable, is illuminated by the moving light, that is fluid and changing. Two elements in contrast, and between them there is the figure of a man, on the top of the rock.

1st Place – OneShot: Movement, Nature: ‘Wallace Flying Frog’ by Chin Leong Tao (Singapore)

Date of Photograph: November, 2018

Technical Info: 1/1250 sec, ISO 1250, f/13, Sony Alpha a6500 camera.

Artist Statement: Wallace’s Flying Frog is a moss frog found in Malaysia and western Indonesia. It is generally quite photogenic given its large size, brilliant colors and calm temperament. This is a shot taken of a specimen swimming in water, with full extension of its beautiful long legs.

2nd Place – OneShot: Movement, Nature: ‘Flying over the Sea’ by Claudio Piccoli (Italy)

Date of Photograph: September 6, 2019

Technical Info: 1/4000s, ISO 100, f/2.8, full frame.

Artist Statement: I love to represent the dog as a super hero in my action shots. This dog and its owner were practicing disc dog in the water. It’s very difficult to do such amazing performances in these conditions, since the water brakes every movement. It was sunrise and I love the colors.

The position of the girl is really focused on her dog and the launch of the disc was perfect. It’s a shot you can repeat more than one or two times since after that the dog needs to rest. The dog remain the main subject and his position in the air is perfect and extended with the maximum tension of muscles.

3rd Place – OneShot: Movement, Nature: ‘Surfacing’ by Jean-Christophe Girard Lemay (Canada)

Date of Photograph: March 2, 2020

Technical Info: 1/2000 sec, f/2.8 , ISO 400 , 125mm lens.

Artist Statement: Such a memorable day navigating the St. Lawrence (Quebec, Canada) on the CCGS Amundsen. A was assigned as official photographer for the scientific mission that took place on the ship, for two weeks and a half.

On the fifth day, a beluga came to visit us very closely when we were stopped at the last sampling station. I knew I saw one earlier, but very far offshore. This time, it couldn’t have been closer than; it dived right in front of our eyes, and then came out often on the other side of the boat about fifteen minutes later, each time blowing air just before it hit the surface.

2nd Place – OneShot: Movement, People: ‘Night Journey’ by Ken Browar and Deborah Ory (United States)

Artist Statement: ‘Night Journey’ is a photograph of the Martha Graham Company taken for our book ‘The Style of Movement’ The image is of 6 dancers performing the piece ‘Night Journey’ choreographed by Graham. The dance is based on the Greek myth of Oedipus and Jocasta with six women portraying the Greek chorus.

Martha Graham designed the dramatic costumes, which accompanied the text in our book discussing Graham’s influence on fashion design. We felt this piece worked well for the theme of ‘movement’ as the women are moving together in perfect harmony, both in their movement, and in their dynamic expression.

3rd Place – OneShot: Movement, People: ‘Good Sheepherd’ by F. Dilek Uyar (Turkey)

Artist Statement: The dusty and arduous journey of sheep herds in Bitlis. Sheep herds do this dusty path to reach the highlands where they graze until the middle of July after milking.

1st Place – OneShot: Movement, Street Photography: ‘School Run, Rwanda’ by Benjamin Buckland (Switzerland)

Date of Photograph: October 20, 2019

Technical Info: 1/15 sec, ISO 160, f/22, cropped sensor.

Artist Statement: I drove down here in a wild storm. South towards Lake Rweru and the deepest source of the Nile. Pools of water on the road. Hard enough that my creaking windscreen wipers couldn’t keep pace and I stopped for a while. Peering downhill at Burundi through the mist. Rain intense enough that even the usually indomitable Rwandese cyclists disappeared from the road. But like all rain here at this time of year, it was quickly over. And the cyclists were back before I knew it. Rwanda. October 2019.

2nd Place – OneShot: Movement, Street Photography: ‘Flying Boys’ by Dimpy Bhalotia (India)

Artist Statement: This was shot in Varanasi, India.

3rd Place – OneShot: Movement, Street Photography: ‘Momentum’ by George Stastny (Canada)

Date of Photograph: June 11, 2018

Technical Info: 1/1000 , ISO 100, f/1.8, Micro Four Thirds crop sensor.

Artist Statement: We all have a driving force that keeps us moving at a forward momentum.

1st Place – OneShot: Movement, Technology/Machine: ‘The Urban Semiconductor’ by Sur Young Ken (Republic of Korea)

Date of Photograph: January 24, 2020

Technical Info: 15 sec, f/11, ISO 64, Nikon D850 camera.

Artist Statement: We live in an age of massive and fast transmission.

2nd Place – OneShot: Movement, Technology/Machine: ‘Porsche Type 64 Ice Race’ by Richard Seymour (United Kingdom)

Date of Photograph: February 1, 2020

Artist Statement: Tracking shot of a replica Porsche Type 64 at the 2020 GP Ice Race at Zell am See, Austria.

3rd Place – OneShot: Movement, Technology/Machine: ‘Moonlight over the Atlantic’ by Christiaan van Heijst (Netherlands)

Date of Photograph: January 12, 2020

Technical Info: 4.0 sec, f/2.8, ISO 1250, Nikon D850, 10.5mm.

Artist Statement: Full moon. About to cross 30 West, halfway a stormy Atlantic Ocean when the radiant moon ascents above the horizon. Blinding out most stars, the bright lunar spell adds a touch of magic to the world around me. Silver-painted clouds drift by while the capsule of the 747 cockpit allows me to breathe, live and appreciate this alien-like landscape. Far beyond, the gently glowing horizon marks the delicate edge of space. Almost home.

Articles: Digital Photography Review (dpreview.com)

 
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