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CP+ 2019: Olympus shows super-tele zoom and 2.0 TC under glass

03 Mar

Olympus M.Zuiko Digital ED 150-400mm 1:4.5 TC1.25x IS PRO

Olympus announced its intent to make a 150-400mm F4.5 zoom back in January. There was a demonstration sample on show at CP+ in Yokohama. The Olympus M.Zuiko Digital ED 150-400mm 1:4.5 TC1.25x IS PRO has a name that matches its considerable size.

Features (of some sort) galore

The side of the lens shows five switches, which we’d expect to give direct access to AF/MF, IS, focus limiting and two other things. Possibly including the control to engage and disengage the 1.25x teleconveter that’s built in. Bringing the TC into the optical path turns the lens into a 187.5-500mm F5.6. That’s 375-1000mm F11 equivalent, if those numbers aren’t already big enough for you.

Sensibly sized

Considering the range it covers it’s a relatively compact lens. While it’s easy to point out that it’s an F9 or F11 equivalent, it’s worth remembering that there aren’t many 300-800mm/375-1000mm lenses for other formats. If you need that impressive reach in a lens that you can actually pick up, this will be one of the only options.

There’s a predictably large lens hood/bucket to go with it.

Who’s it for?

Olympus says the lens will be available in 2020 and is intended for sport, wildlife and bird photographers.

M.Zuiko Digital 2x Teleconverter MC-20

Also on show was a non-built-in teleconverter: the MC-20, which will be available in Summer 2019. This doubles the focal length of a lens it’s attached to, but at the cost of 2 stops of light. The MC-20 can be used with 150-400mm F4.5 TC1.25x IS PRO as well as the existing M.Zuiko Digital ED 300mm F4.0 IS PRO and M.Zuiko Digital ED 40-150mm F2.8 PRO.

Combined with the forthcoming zoom and its internal teleconverter, we believe you’d get a 375-1000mm F11 lens (equivalent to a 750-2000mm F22 lens on full frame). Though the combination seems rather specialist.

Articles: Digital Photography Review (dpreview.com)

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Olympus E-M1X versus the E-M1 II, Panasonic G9, Fujifilm X-T3 and Nikon D500

24 Feb

Introduction

With ‘Deep Learning’ autofocus, crazy-fast burst speeds and refined ergonomics, the Olympus E-M1X is the most focused action and sports shooting camera that Olympus has ever made. And though it retains a Four Thirds sensor like the E-M1 II, Olympus is touting the X as a credible alternative to the flagship Nikon D5’s and Canon EOS-1D X II’s of the world: in the right circumstances.

We’ll look at comparisons against the D5 and 1D X II in a future article, but for now, we wanted to take a closer look at how the E-M1X stacks up against other Four Thirds and APS-C cameras with sports-shooting chops. It’s true that the E-M1X is the only camera in this comparison with a true double-grip chassis, but its competition is fierce nonetheless.

Against the E-M1 Mark II

Olympus has been clear that the E-M1X does not replace the existing E-M1 II, and both will live alongside each other in their lineup. But since the E-M1 II was already such a capable camera and you can get one at a steep discount compared to the X, we figured we’d start with a look at how these two stack up against each other.

The most immediate change is obviously the body. Not only in terms of size, but also battery life (doubled on the X, since it has…double the batteries). There are also significant differences between the two in terms of their controls. By and large, there are more buttons on the X that are dedicated to a single purpose, and the dual 8-way joysticks free up the four-way controller to act as four distinct custom buttons.

Against the E-M1 Mark II

Another benefit of the larger body on the E-M1X is that it makes room for an all new in-body image stabilizer, now rated at up to 7 stops without a stabilized lens, and up to 7.5 stops with certain lenses such as the Olympus 12-100mm F4 Pro. The E-M1X is also officially rated to IPX1 standards; the E-M1 II is certainly a well sealed camera, but Olympus makes no claims regarding formal ratings for it.

Both cameras have the same viewfinders, the same rear screens and the same
(or very similar) sensors

Olympus also doubled the processors in the X relative to the Mark II, enabling not only the ‘Deep Learning’ autofocus that detects motorsport vehicles, aircraft and trains, but also the hand-held high-resolution mode that spits out 50MB files. And Olympus has told us that it’s tweaked its C-AF algorithm in the X (note, this is not the C-AF + Tracking algorithm) to allow for better autofocus performance when you keep an AF area over your subject.

As for the rest, well, there’s not much to tell. Both cameras have the same viewfinders, same screens and the same (or very similar) sensors and very similar menu systems. For all intents and purposes, unless you need a tougher camera, want a beefier camera to use with bigger lenses or are in love with the Olympus ecosystem and want the best possible autofocus performance your bucks can buy, it’s probably best to just stick with the E-M1 II for now.

Against the Panasonic Lumix DC-G9

Let’s start with Panasonic’s Four Thirds stills-shooting flagship, the G9. Although at first glance there doesn’t appear to be much between the two in terms of core specs, the experiences of actually using each of them are more disparate than you might expect.

But let’s start with those specs, just ’cause. While the E-M1X shoots at 18fps with autofocus, the G9 ups the ante with 20fps. But they both have 20MP Four Thirds sensors with native ISO ranges of 200-25600, they both have fully articulating rear touchscreens, AF joysticks and in-body image stabilization.

But whereas the E-M1X has an on-sensor phase detection autofocus system that is able to recognize subjects like aircraft, trains and automobiles, Panasonic has stuck with its Depth from Defocus technology in the G9’s contrast-detection autofocus system. The result is that there is ‘flutter’ in the G9’s EVF when shooting moving subjects, as the lens rapidly wobbles in and out of focus to reconfirm critical focus. The ‘keeper rate’ of in-focus shots on the G9 is actually quite good, but it can be difficult to see while shooting if your subject is in focus at all. It’s a bit disconcerting until you get used to it.

Against the Panasonic Lumix DC-G9

There are other considerations, such as the G9’s top-plate LCD that displays shooting settings, something missing on the Olympus. Both cameras have high-resolution modes, but only the Olympus lets you hand-hold the E-M1X to get those extra pixels. The G9′ s video spec is rather more impressive too. It shoots 4K/60p, while the Olympus tops out at 4K/30p. Missing a built-in battery grip, the Panasonic is of course smaller, and with around half the rated battery life of the Olympus.

Both cameras give great results from their Four Thirds sensors given enough light. In the end, we lean towards the Olympus for outright autofocus performance, but the Panasonic is the stronger option for those who also dabble in video.

Against the Nikon D500

Okay, with the E-M1X’s main Four Thirds competitor out of the way, let’s look at how it stacks up against Nikon’s APS-C flagship, the D500.

With a resolution of 21MP, the D500 is only slightly above the E-M1X in this regard – but the larger sensor will come with less noise, more dynamic range and better low light performance than the E-M1X. Physics is physics, simple as that.

The larger sensor in the D500 will have less noise, more dynamic range, and better low light performance

And while the D500 comes without any form of ‘Deep Learning’ in its autofocus system, it does have a highly capable 3D Tracking mode to track moving subjects. So it won’t automatically detect, say, a car, but if you manually tell the camera what to track, the D500 will stick to it with remarkable tenacity. By contrast, Olympus’ non-subject specific tracking is nowhere near as ‘sticky’ as the Nikon.

Against the Nikon D500

The viewfinder experience differs from one camera to the next, and not just because one is optical (Nikon) and one is electronic (Olympus). The Olympus’ viewfinder is noticeably larger than that on the D500, but because it uses LCD technology, contrast is lacking and blacks can appear somewhat ‘washed out.’

The D500 also tops out at 10fps, slower than the E-M1X but still respectable. Despite only having a single battery, the D500 is rated for more shots per charge than the E-M1X, in part because it doesn’t have to power its viewfinder. But the Olympus has incredible image stabilization, and Nikon’s lens lineup offers limited solutions for getting near the reach of the Olympus lineup without spending more money and carrying more weight.

In the end, both cameras will reward you with an insane number of in-focus ‘keepers’ and good image quality – but the Nikon will handily beat the Olympus as light levels drop and ISO values rise, while Olympus gives you more reach in a smaller overall package.

Against the Fujifilm X-T3

Aha! You weren’t expecting Fujifilm to make an appearance, were you? But the X-T3 is a credible contender, offering further evidence that Fujifilm is quickly learning from both its past and its competitors. It wasn’t that long ago that Fujifilm offered dismal video and slow autofocus, yet now the X-T3 is a stills / video hybrid camera that is among the best APS-C cameras we’ve ever used. So how does the E-M1X look against it?

The X-T3 has the highest resolution of any camera in this slideshow

With a new sensor offering 26 megapixels of resolution, the X-T3 will have the highest resolution of any camera in this slideshow. It also reads out very fast, allowing for 20fps burst shooting using the electronic shutter, and 30fps with an added 1.25x crop that yields 16MP images.

But what good are burst speeds if your subject is out of focus? Good thing the latest autofocus system in the X-T3 is really good, with a solidly capable tracking mode that works similarly to Nikon’s 3D Tracking. Also like the Olympus, there’s no top-plate LCD to check your settings, but that may not matter if you make use of the analog dials. And one last small-but-significant distinction: the E-M1X has a large AF-L / AE-L button that can be assigned to AF-ON for back-button shooters, and the X-T3’s AF-L and AE-L buttons are comparatively small and placed less conveniently.

Against the Fujifilm X-T3

Despite its relatively large sensor, the X-T3 will also be the smallest camera in this comparison – but that portability comes with compromises. The Fujifilm’s smaller grip is less well-suited to large lenses than the Olympus, and battery life is comparatively poor. But build quality is excellent, even if Fujifilm won’t commit to an ingress protection rating like Olympus will. Despite having excellent video capabilities, the Fujifilm has no in-body stabilization, limiting video shooting possibilities for some users, though it has a much nicer electronic viewfinder and zero-blackout shooting in those electronic bursts.

Like Panasonic’s G9, the Fujifilm X-T3 may be best seen as a more appropriate all-rounder for most people. But Olympus should be concerned about the little Fujifilm, particularly as the system has some excellent lens support that signals how seriously the company is taking sports and action shooting (see the XF 100-400mm zoom and the 200mm F2 prime). Fuji also offers – arguably – some of the best JPEG color in the business, which is not only an Olympus strong suit but also very important to action shooters that don’t have time to process thousands of Raw files.

The wrap

In looking at the E-M1X in comparison to these excellent crop-sensor cameras on the market today, you can’t help but wonder if Olympus really has their work cut out for them.

It occupies an interesting niche in the market. Olympus is clearly catering to users that may either aspire to own a professional double-grip DSLR, or perhaps already own an SLR of some sort but are tired of carrying it around. These users must be shooting in pretty decent light to avoid ultra high ISO values compromising image quality on the Four Thirds sensor and yet, these users must not want to compromise at all on autofocus capability.

There’s no denying that the E-M1X is an amazing piece of technology wrapped in what is perhaps the best-built camera body any of us have laid our hands on. In the right hands and in the right circumstances, it’s capable of astounding imagery. We’ll continue to put the camera through its paces as we press on with our final review.

What do you think of the E-M1X? Do you own any of the other cameras mentioned in this comparison? Do you want to pick up a copy of the Olympus for your very own? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

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Olympus 12-200mm F3.5-6.3 pre-production sample gallery

13 Feb

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Covering a 24-400mm equivalent range, Olympus’ new zoom covers an awful lot of bases. It’s an ideal candidate for travel, whether you’re somewhere exotic or playing tourist in your hometown. That’s exactly how we put this lens to work – take a look at some samples from a pre-production lens.

See our pre-production Olympus 12-200mm F3.5-6.3 sample gallery

Articles: Digital Photography Review (dpreview.com)

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Olympus M.Zuiko Digital ED 12-200mm F3.5-6.3 boasts 16.6x magnification

13 Feb

Olympus has unveiled a super telephoto zoom for its Micro Four Thirds cameras: the M.Zuiko Digital ED 12-200mm F3.5-6.3. It’s a 24-400mm equiv. zoom boasting a class-leading 16.6x magnification. Though it lacks the ‘Pro’ designation of higher-end Olympus optics, the company claims that it offers the same dustproof and splashproof build quality as those lenses.

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The 12-200mm F3.5-6.3 does not offer built-in stabilization, and will rely on camera body IS. The lens uses Olympus’ MSC (Movie and Still Compatible) focusing mechanism and provides quieter operation – particularly useful for shooting video. The company’s ZERO (Zuiko Extra-low Reflection Optical) coating is also employed to reduce flare and ghosting.

The 12-200mm will go on sale in March for $ 900.

Official Olympus 12-200mm F3.5-6.3 sample images

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Press release

OLYMPUS ANNOUNCES M.ZUIKO® DIGITAL ED 12-200mm (35mm EQUIVALENT 24-400mm) F3.5-6.3 LENS

Powerful 16.6x Zoom is the Highest Magnification Available on an Interchangeable Lens for Mirrorless Systems

CENTER VALLEY, PA., February 13, 2019 – Olympus is pleased to announce the M.Zuiko Digital ED 12-200mm F3.5-6.3 (35mm equivalent 24-400mm) super telephoto zoom lens. Conforming to the Micro Four Thirds® System Standard, this lens features the highest magnification zoom available on an interchangeable lens for mirrorless systems at 16.6x . Users will experience excellent depictive performance across the entire focal length from wide-angle to telephoto, making it the perfect travel companion, packing high-speed and high-precision autofocus into an amazingly compact, lightweight form. The M.Zuiko Digital ED 12-200mm F3.5-6.3 lens features a dustproof and splashproof construction, making this lens durable enough to withstand the toughest shooting conditions, especially when paired with a weathersealed Olympus OM-D® camera body.

When shooting wide, the closest focusing distance is approximately 22 cm (approximately 10 cm from the end of the lens) from the main subject for capturing the subject along with an expansive background. When shooting telephoto, the maximum magnification of 0.46x (35mm equivalent) for close-up photography and for significant background defocusing. This do-it-all lens is perfect for close-ups of children’s expressions, indoor and outdoor situations and a variety of other subjects.

The M.Zuiko Digital ED 12-200mm F3.5-6.3 lens features the same reliable dustproof and splashproof performance as the M.Zuiko PRO lens series. When combined with a dustproof and splashproof camera , it can function in the most punishing of environments.

This lens is equipped with the MSC (Movie and Still Compatible) mechanism, an advanced inner focusing mechanism providing fast, smooth, quiet and accurate auto-focusing, ideal for video shooters. Users will enjoy a short shooting time lag, so split-second photo opportunities are not missed. Amazingly high-speed, precise autofocus performance on this high-magnification zoom lens will provide comfortable, fun shooting.

ZERO (Zuiko Extra-low Reflection Optical) coating, Olympus’ cutting-edge thin-coating technology, cultivated from multilayer film disposition technology used in microscopes, has been applied to the M.Zuiko Digital ED 12-200mm F3.5-6.3 lens to drastically reduce ghosts and flares, contributing to a clear, high-contrast image.

Separately Available Accessories

LC-72C Lens Cap: Equipped with a 72mm filter diameter that can be attached and removed without the need to remove the lens hood.

LH-76B Lens Hood: Protects the lens and reduces unnecessary light entering the lens when shooting in backlit conditions.

LSC-0914 Lens Case: A pouch-style lens case that protects lenses with three-layer construction. Lenses can be stored with the lens cap, protection filter and lens hoot (stored) attached.

ZUIKO PRF-ZD72 PRO Protection Filter: A lens filter equipped with ZERO coating and blackened glass edges, used to suppress flares and ghosting caused by reflections. The frame consists of a satin finish black aluminum. This filter is also compatible with other lenses of a 72mm filter diameter.

Specifications are subject to change without notice. Company names and product names contained in this release are trademarks or registered trademarks of their respective companies.

U.S. Pricing and Availability
The Olympus M.Zuiko Digital ED 12-200mm F3.5-6.3 lens has an expected availability of late March 2019 with suggested retail pricing of $ 899.99 (USD) and $ 1,149.99 (CAD). The LC-72C Lens Cap will retail for $ 14.99 (USD & CAD). The LH-76B Lens Hood will retail for $ 49.99 (USD) and $ 64.99 (CAD). The LSC-0914 Lens Case will retail for $ 31.99 (USD & CAD). The ZUIKO PRF-ZD72 PRO Protection Filter will retail for $ 79.99 (USD & CAD).

Olympus M.Zuiko Digital ED 12-200mm F3.5-6.3 specifications

Principal specifications
Lens type	Zoom lens
Max Format size	FourThirds
Focal length	12–200 mm
Image stabilization	No
Lens mount	Micro Four Thirds
Aperture
Maximum aperture	F3.5–6.3
Minimum aperture	F22
Aperture ring	No
Number of diaphragm blades	7
Optics
Elements	16
Groups	11
Special elements / coatings	3 Aspherical lenses, 2 Super ED, 2 ED, 1 Super HR, 2 HR elements + ZERO coating
Focus
Minimum focus	0.22 m (8.66″)
Maximum magnification	0.46×
Autofocus	Yes
Motor type	Stepper motor
Full time manual	Yes
Focus method	Internal
Distance scale	No
DoF scale	No
Focus distance limiter	No
Physical
Weight	455 g (1.00 lb)
Diameter	78 mm (3.07″)
Length	100 mm (3.94″)
Sealing	Yes
Colour	Black
Zoom method	Rotary (extending)
Power zoom	No
Zoom lock	No
Filter thread	72 mm
Hood supplied	Yes
Tripod collar	No

Articles: Digital Photography Review (dpreview.com)

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DPReview TV: Olympus E-M1X video features review

02 Feb

Chris and Jordan recently reviewed the Olympus E-M1X as a camera for still photography. Now they’re back with a whole episode about its video features. Watch to find out where this camera really excels – as well as a couple places where there’s room to grow.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

Introduction
Cinema 4K capture
1080p quality
Time-lapse
Flat and OM-Log profiles
Menus
Video autofocus
Image stabilization
Body design
Microphone and pre-amp
Wrap-up

Articles: Digital Photography Review (dpreview.com)

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DPReview TV: Olympus E-MX1 video features review

02 Feb

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

Introduction
Cinema 4K capture
1080p quality
Time-lapse
Flat and OM-Log profiles
Menus
Video autofocus
Image stabilization
Body design
Microphone and pre-amp
Wrap-up

Articles: Digital Photography Review (dpreview.com)

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‘Sensor size isn’t the answer’ – Olympus exec explains the thinking behind E-M1X

31 Jan

Aki Murata, VP of sales and marketing for Olympus America.

Long before the new Olympus OM-D E-M1X was officially announced, we had the opportunity to sit down with Aki Murata, VP of sales and marketing for Olympus America, to talk about the upcoming camera. While some details of the final specification were yet to be finalized (our conversation happened in October) Mr Murata was keen to explain the concept behind the pro-oriented E-M1X, and why in his opinion it doesn’t make sense for Olympus to go full-frame.

The following interview has been edited slightly for clarity and flow.

What kind of customers are you hoping to attract with the E-M1X?

We believe that there will be three types of users. One is users stepping up from existing M43 cameras, like the E-M1 Mark II. That’s a good camera, but in certain circumstances it doesn’t work for sports photography. For example having a joystick on the vertical and horizontal grips – that’s the kind of thing that’s needed for wildlife and sports. That’s the number one target group.

Second is photographers who are stepping up from APS-C, like Canon 7D users. Those people are buying APS-C to make use of tele lenses, to get longer focal lengths. And the system is smaller than full-frame. Those people aspire to EOS-1D X type products but they’re not affordable. And they’re big, it’s a hassle. This camera will create new demand. You can shoot at long focal lengths and still hand-hold.

For us, sensor size isn’t the answer

Obviously current APS-C users will be tough. ‘Step-up’ for some of them means going to full-frame. But we want to say to those people think again – what kind of pictures do you want to take? For us, sensor size isn’t the answer. We want to convey that message to the market. Full-frame is definitely a buzzword in the market, but maybe after carrying around full-frame lenses they’ll find they’re too big and give up!

The third group is people who are making an additional purchase, in addition to 5-series, 1D-series or D5 cameras who want to try the new system. Because what this camera does is basically the same. People may think that they need full-frame but once they’ve seen this camera’s performance I don’t think that that will be an argument, considering the difference in size and weight.

Arguably, the Olympus OM-D E-M1X represents the company’s most serious attempt to court professional photographers since the film-era OM-4, released in 1986.

The AF tracking will be very important for those demographics – how did you benchmark the new camera compared to competitors?

We don’t have any numbers around that, but in order to develop this camera’s AF system we gave it to many professionals here [in the US] and abroad to get their opinions about AF performance. So we’ve changed the algorithms a lot. It’s not so much about benchmarking about other cameras, more about listening to the voices of the professionals. And obviously the AI technologies.

Ultimate reliability goes far beyond strong build, and resilience to the elements

You said that the camera has been in testing for a long time – can you tell us how long it’s been in development, from the initial concept?

After the E-M1 II, we started to get feedback from the market. That was the first step. Our R&D guys wanted to develop the camera for ultimately reliability. The E-M1 was the first challenge, then the Mark II, when we really wanted to improve autofocus accuracy. But after listening to the pros we realised we had to make an even bigger effort to achieve maximum reliability. That was the starting point, when we were planning the new model.

‘Ultimate Reliability’ is a primary goal of Olympus’s R&D philosophy. This philosophy was established 48 years ago in a company memorandum created by Yosihisa Maitani [creator of the original OM product line]. This memorandum establishes three main R&D goals: compact, lightweight and ultimate reliability. Ultimate reliability goes far beyond strong build, and resilience to the elements, it also speaks to the cameras performance and consistent operation. This R&D policy is still followed today and is a cornerstone of our operation.

Is it very important to you that professionals use Olympus cameras?

Absolutely. Our target is that Olympus gear will be trusted by professionals. That’s what we want to achieve. And to achieve it, we need to achieve ultimate reliability. With the M43 system we want professionals to use our cameras and be satisfied by them.

Do you expect to see Olympus lenses at the 2020 olympics?

I hope so! We had the Asian olympic games a couple of months ago and that was our first time being inside the press center. There was only Olympus and one other manufacturer. We didn’t have many professional photographers there, but we had some and they came to us for professional service. That was a great first step for us.

The M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS Pro is equivalent to 300-800mm on Micro Four Thirds bodies, increasing to 375-1000mm with its built-in teleconverter activated. The lens will be available in 2020.

How will computational photography technology from smartphones change cameras in the future?

The speed of smartphone development means that those technologies can be incorporated into smartphones, first. The risk for the photo industry is that people lose interest in traditional photography because their smartphone is so good. If the next step is big lenses and huge cameras, a lot of people might just give up and use their phones instead. They’re not competitors in some ways, but in other ways they are.

How will you address that challenge?

First of all we won’t use any other mount other than Four Thirds. If we had more than one mount, that’s not really user-friendly, and we’re creating the risk that we’d lose customers. If we ask you to buy a camera and lens and then step up to another mount, you might not want to do that. We want to create one, cohesive system with M43. We know our strengths. We have a small and lightweight system, which is good for shooting telezoom lenses, outside. So we’re focusing on this area, to provide suitable products for this field of photography.

For this [kind of photography], you cannot utilize a smartphone. You need optics, and capable AF systems. This is the area we want to focus on. We think that there is growth in these areas. This differentiates us a lot compared to smartphones. We would like all users in these fields to test our product because once they do they will see how accurate the autofocus is, and we have 7.5 stops of stabilization now, you can make great images.

Many people buy $ 399 or $ 499 DSLRs and end up just abandoning them

Lastly, services – not in terms of repair, but what we can offer our customers. We are not a giant in the camera industry, we know that. So we cannot speak to all photographers, but for our users we want to provide good post-purchase experiences. This is a new vision we’ve been talking about in the past few months. If we meet in a year or two I hope that you’ll remember what I said in this meeting!

Many people buy $ 399 or $ 499 DSLRs and end up just abandoning them, because in some conditions the pictures might look worse than their phone. Unless we give proper training, information and proper hands-on experiences, it’s difficult to enjoy photography. Our responsibility is not only to create cameras, but to provide services after purchase. We’re currently thinking how we can use our current platform, or maybe a new digital platform.

The ultra-tough E-M1X is built for reliability and endurance in tough environments. Two batteries deliver a CIPA rated 800+ shots before the camera runs out of juice. In more representative shooting situations we’d expect much more.

This is a very uncluttered camera, compared to previous OM-D 1-series cameras. Does this represent a deliberate attempt to create a different kind of experience?

Many of those things come from direct feedback from photographers. They’ll tell us ‘it’s really good to have this button here, so I don’t press it by mistake’, or whatever. So we have made several changes after talking to professionals and finally we came up with the [E-M1 X]. We just wanted to make the perfect camera for them.

They didn’t want an LCD on top?

Do you need one? There are mixed feelings on that. We considered it, but the camera would become bigger and lose operability. Our R&D guys just sit next to professionals sometimes, and watch how they use the camera. That’s how they get inspiration.

This is still a fairly large camera – do you still have any interest in developing the smaller, lighter cameras?

specially last year we used a lot of R&D resources on this camera, not only because we want to have professional users, but because we wanted to add ultimate reliability to our lineup. We wanted to meet the requirement of professionals who shoot sports and wildlife. Now that [the E-M1X] has arrived, and it’s our 100th anniversary, you can expect more.

We don’t make full-frame, because we don’t believe that everyone needs it

Olympus is now the only camera manufacturer not to offer an APS-C or larger sensor. How will you differentiate your lineup in that context?

We have three strengths: Compactness and light weight, lens quality, and I.S. That combination is unique. Full-frame is kind of like a buzzword in the market, but lens size cannot be changed. If you compare the systems there are visible differences in terms of size and weight. We do what we believe is right. We don’t make full-frame, because we don’t believe that everyone needs it. For most photographers it’s better to have mobility – if you don’t have a camera with you, you can’t take the shot. We believe that our solution is better for most people. It’s good to have full-frame, but there is a need for a smaller system. This is why Maitani’s R&D philosophy is so important to us.

We believe that the market will be separated into two. One is larger, full-frame, and the other is more portable cameras and lenses. We’re happy that everyone else is going to bigger sensors, and we’re staying where we are. I’m confident, and I’m proud to say that we’re staying here. It doesn’t make sense for us to go full-frame. There is a place for full-frame, and a place for medium format, but our customers can’t [be limited to] three frames per second. There is a customer base that needs the products we offer now, and they need a compact and lightweight system.

Editors’ note: Barnaby Britton and Carey Rose

Perhaps the most striking takeaway from our conversation with Mr Murata is his confidence that Olympus is right to buck the general trend towards bigger sensors. He couldn’t have been clearer that whereas close competitors like Panasonic and Sony have opted to expand into full-frame, he isn’t interested in developing products for any mount other than Four Thirds.

It’s unusual to hear this kind of unequivocal – very specific – statement of intent from senior executives at major companies. Normally in conversations with press, we’re told that all possible doors are open ‘depending on the market’, but Mr Murata couldn’t have been clearer. “We won’t use any other mount other than Four Thirds […] we’re staying where we are”. You heard it here first.

It remains to be seen whether the E-M1X will attract the professional photographers that Olympus wants, but it’s certainly true that it can do some things that larger-format cameras cannot. There isn’t a full-frame camera on the market that can shoot Raw+JPEG frames at 60fps, or combine several frames taken in an instant to output an 80MP file. Likewise Live ND, which simulates the effect of an ND filter without the hassle of actually having to use one, and a stabilization system capable of 7.5EV of correction (thanks to a new gyro mechanism and tweaked software).

Will we see banks of Zuiko lenses on the sidelines at the Tokyo 2020 Olympics? Only time will tell

It’s quite likely, too, that the E-M1X is the toughest professional camera on the market. Durability and weather-sealing are notoriously hard to test (unless you test to destruction, which we don’t) but an officially-quoted IPX1 rating and a promise that the camera is sealed based upon experience learned from the ‘TOUGH’ series compacts is encouraging. Some DPReview commenters have balked at the E-M1X’s $ 3000 MSRP, but it’s worth remembering that this is only a little more than half the cost of a Nikon D5.

Alongside the Sony a9 (with upcoming firmware) the D5 is a benchmark camera for autofocus performance and reliability, and with the E-M1X Olympus is clearly launching a challenge for that crown. Using machine learning, Olympus’s engineers have effectively ‘trained’ a model to recognize certain subjects (automobiles, airplanes and trains, for now) and this model – which houses a large dataset – is integral to how the E-M1X’s autofocus tracking system operates. This isn’t artificial intelligence so much as machine learning (or ‘deep learning’) but if you’re shooting planes, trains or automobiles with the E-M1X you’d be forgiven for thinking otherwise.

While we’re told that some E-M1X features might be added to the E-M1 II via firmware, this predictive tracking model relies on the dual processors of the ‘X’. Will we see banks of Zuiko lenses lined up on the sidelines at the Tokyo 2020 Olympics? Only time will tell, but the E-M1X is definitely a step in the right direction.

Learn more about the new pro M43 Olympus OM-D E-M1X

Articles: Digital Photography Review (dpreview.com)

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Olympus adds wireless flash commander FC-WR and receiver FR-WR to OM-D system

27 Jan

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In addition to a new weather-resistant flashgun, Olympus has announced a new wireless flash receiver FR-WR and wireless commander FC-WR, bringing additional wireless flash functionality to its OM-D system. The commander and receiver claim the same splashproof, freezeproof (to -10°C/+14°F) and dustproof durability as the new FL-700WR flashgun.

The FC-WR commander can connect with up to three different groups, and offers quick access to individual group settings via three dedicated buttons. The FR-WR unit includes a sync terminal for connection with commercial flash equipment.

The FC-WR commander will cost $ 350; the FR-WR receiver will cost $ 230. Both will be available in February.

OLYMPUS ADDS TO OM-D® SYSTEM WITH WEATHER RESISTANT WIRELESS FLASH FL-700WR, WIRELESS COMMANDER FC-WR, AND WIRELESS RECEIVER FR-WR

Flash System Designed for Wireless Radiowave Shooting

CENTER VALLEY, PA., January 24, 2019 – Olympus has today announced a new Electronic Flash, the FL-700WR, Wireless Commander FC-WR, and Wireless Receiver FR-WR, all coming in late February 2019 and designed to meet the growing demands of professional photographers. The electronic flash features dustproof, splashproof, and freezeproof (14°F / -10°C)¹ performance, as well as wireless radiowave shooting compatibility with a maximum guide number of 42².

Designed for compatibility with the OM-D system, the FL-700WR wireless high-performance electronic flash offers radiowave-shooting capabilities. During wireless shooting, it functions as a commander or a flash with built-in receiver. The FL-700WR electronic flash, as well as the Wireless Commander FC-WR and the Wireless Receiver FR-WR, all feature dustproof, splashproof, and freezeproof (14°F / -10°C)¹ performance. This durable construction makes it possible to control multiple flash units from the camera in various shooting conditions.

High-Intensity, Weather-Resistant Performance with a Maximum Guide Number of 42
This flash features a maximum guide number of 42² (ISO 100/m). The compact, lightweight design delivers excellent portability with high flash output. The weather sealed performance offers reliability when shooting in a variety of environments, including rain, when paired with the Olympus® OM-D E-M1X and other weather sealed body and lens combinations. The user can enjoy full flash power after charging for approximately 1.5 seconds³ for quick, comfortable and easy shooting. Because of the short charging time, sequential flash photography⁴ at 10 fps is possible.

Wireless Radiowave Communication
This product is equipped with a wireless radiowave communication function, which operates even in bright conditions, or when there are obstructions in the area. It can communicate up to a distance of 30 meters, making accurate communication possible even when the flash is set behind the subject.

The FL-700WR can function as a commander or a flash with built-in receiver. When used as a commander, it has the ability to connect to three groups and an unlimited number of flash units. The user can select which group they want to fire and not to fire, and configure the flash intensity compensation. It can also function in the conventional RC mode (optical communication) as a slave flash.

Equipped with Multi Flash mode⁵
Multi Flash mode⁵ makes it possible to express subject motion by firing multiple times during long exposures or bulb shooting. The intensity, interval (frequency), and number of shots can be configured to match the ideal settings for the subject.

Compatible with High Res Shot⁶, Focus Stacking, and Focus Bracketing
Features such as High Res Shot⁶, Focus Stacking, and Focus Bracketing, included on camera models such as the OM-D E-M1X and OM-D E-M1 Mark II, can function with this flash.

Other Available Features

The super FP flash enables high-speed synchronization that exceeds the camera’s maximum sync speed.
First-curtain and second-curtain sync fires when the shutter curtain opens or closes .
TTL modes enable the pre-flash to measure the required intensity so the output automatically adjusts to the optimal level.
An LED light for movies features a 77° angle of illumination and 100-lux brightness emittance from one meter away.
The bounce angle can be adjusted within 180° horizontally and 90° vertically. It is equipped with a catchlight panel and wide panel. The firing angle covers the focal length of 7mm (14mm ) when using the wide panel.
Equipped with auto zoom , the firing angle is supported by lenses with a focal length of 12-75mm (24-150mm10).
The FL-700WR flash emits an electronic sound when charging is complete.

Wireless Commander FC-WR and Wireless Receiver FR-WR
The new wireless commander FC-WR and wireless receiver FR-WR offer the same dustproof, splashproof and freezeproof (14°F / -10°C)¹ performance as the FL-700WR electronic flash. When combined with a weather sealed body and lens such as the OM-D E-M1X, users can enjoy shooting in even the harshest environments.

The FC-WR and FR-WR are compatible with a variety of items, such as the FL-900R, for wireless radiowave communication. The commander can connect to three different groups and an unlimited number of flash units. The user can also select which group they want to fire and not to fire, and adjust the flash intensity.

The FC-WR is equipped with independent buttons for groups A, B, and C, making it possible to quickly configure settings for each group as well as adjust the shooting mode and flash intensity while viewing the monitor. Groups and channels can easily be set and checked using the dials on the FR-WR. This design makes the unit intuitive, comfortable and easy-to-use during multi-unit shooting.

The FR-WR is equipped with a sync terminal that can connect to commercial flash units, such as a monoblock flash, and can be remotely fired using wireless radiowave communication. When flash¹¹ charging is complete, the flash emits an electronic sound.

U.S. Pricing and Availability
The FL-700WR Electronic Flash, FC-WR Wireless Commander and FR-WR Wireless Receiver will be available in February 2019 with pricing as follows:

FL-700WR Electronic Flash $ 399.99 (U.S.), $ 449.99 (CAD)
FC-WR Wireless Radiowave Flash Commander $ 349.99 (U.S.), $ 399.99 (CAD)
FR-WR Wireless Radiowave Flash Receiver $ 229.99 (U.S.), $ 279.99 (CAD)

1 When using in a low temperature, please warm the battery by keeping it in a pocket etc.
2 Firing angle of 75mm / standard light distribution mode, ISO 100/m.
3 When using Ni-MH batteries. Approx. 2.5 seconds when using alkaline batteries.
4 Only when using OM-D E-M1X and OM-D E-M1 Mark II mechanical shutter. At a firing ratio of 1/16.
5 OM-D E-M1X, OM-D E-M1 Mark II, OM-D E-M10 Mark III, Olympus PEN E-PL9 only (As of January 2019). Continuous firing of the flash may adversely affect human subjects. Caution is required.
6 Only when using manual settings. The flash is not available while using Handheld High Res Shot on the OM-D E-M1X.
7 When the shutter curtain opens. (First curtain sync)
8 When the shutter curtain closes. (Second curtain sync)
9 35mm equivalent.
10 When using a Micro Four Thirds lens.
11 When connecting Olympus flash only.

Articles: Digital Photography Review (dpreview.com)

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Olympus announces weather-resistant FL-700WR flash

27 Jan

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Along with the announcement of the sports-oriented OM-D E-M1 X camera, Olympus has introduced a new wireless flash unit. The FL-700WR features a weather-resistant build that’s dustproof, splashproof and freezeproof (down to 14°F / -10°C). Sitting between the existing FL-600R and flagship FL-900R, it offers a guide number of 42 meters and claims a 1.5 second flash recycle time.

The flash also supports Olympus’ multi-frame modes such as High Res Shot, Focus Stacking and Focus Bracketing – though not the E-M1X’s Handheld High Res Shot mode. A Multi Flash mode makes it possible to fire the flashgun multiple times during a single shot, with adjustable intensity and frequency. The flash is also equipped with an LED light for constant illumination during video recording.

The FL-700WR will be available in February for $ 400.

OLYMPUS ADDS TO OM-D® SYSTEM WITH WEATHER RESISTANT WIRELESS FLASH FL-700WR, WIRELESS COMMANDER FC-WR, AND WIRELESS RECEIVER FR-WR

Flash System Designed for Wireless Radiowave Shooting

Other Available Features

The super FP flash enables high-speed synchronization that exceeds the camera’s maximum sync speed.
First-curtain and second-curtain sync fires when the shutter curtain opens or closes .
TTL modes enable the pre-flash to measure the required intensity so the output automatically adjusts to the optimal level.
An LED light for movies features a 77° angle of illumination and 100-lux brightness emittance from one meter away.
The bounce angle can be adjusted within 180° horizontally and 90° vertically. It is equipped with a catchlight panel and wide panel. The firing angle covers the focal length of 7mm (14mm ) when using the wide panel.
Equipped with auto zoom , the firing angle is supported by lenses with a focal length of 12-75mm (24-150mm10).
The FL-700WR flash emits an electronic sound when charging is complete.

U.S. Pricing and Availability
The FL-700WR Electronic Flash, FC-WR Wireless Commander and FR-WR Wireless Receiver will be available in February 2019 with pricing as follows:

1 When using in a low temperature, please warm the battery by keeping it in a pocket etc.
2 Firing angle of 75mm / standard light distribution mode, ISO 100/m.
3 When using Ni-MH batteries. Approx. 2.5 seconds when using alkaline batteries.
4 Only when using OM-D E-M1X and OM-D E-M1 Mark II mechanical shutter. At a firing ratio of 1/16.
5 OM-D E-M1X, OM-D E-M1 Mark II, OM-D E-M10 Mark III, Olympus PEN® E-PL9 only (As of January 2019). Continuous firing of the flash may adversely affect human subjects. Caution is required.
6 Only when using manual settings. The flash is not available while using Handheld High Res Shot on the OM-D E-M1X.
7 When the shutter curtain opens. (First curtain sync)
8 When the shutter curtain closes. (Second curtain sync)
9 35mm equivalent.
10 When using a Micro Four Thirds® lens.
11 When connecting Olympus flash only.

Articles: Digital Photography Review (dpreview.com)

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Olympus introduces 2X teleconverter, updates Micro Four Thirds roadmap

26 Jan

Olympus has announced its new 2X teleconverter, the MC-20, which is compatible with the company’s 40-150mm F2.8 Pro and 300mm F4 Pro lenses, as well as the 150-400mm F4.5 that will be arriving in 2020. Like Olympus’ pro lenses, the MC-20 is weather-sealed and should function down to -10°C/+14°F, according to the company. The MC-20 will be available this summer.

In addition, Olympus has released an updated Micro Four Thirds lens roadmap. There aren’t any dates on the roadmap, and the only lens called out is the 150-400mm F4.5 TC1.25x IS Pro, which is coming in 2020. The company is planning to release new zoom and fast prime Pro lenses as well as less expensive super telephoto and ‘high magnification’ (presumably travel zoom) lenses.

What Micro Four Thirds lenses are you hoping to see next? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

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