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Posts Tagged ‘Olympus’

Olympus posts second teaser for upcoming sports camera

10 Jan

Last week, Olympus published a teaser about a sports-oriented mirrorless camera set to launch on January 24th. The video didn’t reveal much, giving just a quick glimpse of a DSLR-shaped body with a built-in battery grip taking photos at volleyball and water polo matches.

There’s not a whole lot new in this video, aside from someone taking photos at an auto race. The camera is still well-hidden, with Olympus offering a very quick glimpse of the back.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus teases new enthusiast mirrorless camera due in January

03 Jan

Olympus has posted a teaser video for a high-end mirrorless camera that the company plans to launch on January 24th. The video is short – under 20 seconds – and highlights the camera being used at sporting events. It also features everyone’s favorite: a shadowy camera silhouette. Wouldn’t be a teaser video without one, would it?

Scenes in the video suggest that the camera will be rugged enough to stand up to some tricky conditions like a sand volleyball match, a point that’s driven home as the clip closes on the OM-D logo. Take a look for yourself at the video above and let the speculation begin.

Articles: Digital Photography Review (dpreview.com)

 
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Review of the Olympus 300mm F4 PRO Lens

29 Aug

Review of the Olympus 300mm F4 PRO Lens

About six months ago, I made a heart-wrenching, painful, and difficult decision: I switched from Canon to Olympus.

Now, I’m not some crazy, brand-loyal photographer. I think the Canon versus Nikon argument is ridiculous. But I had invested thousands of dollars, tens of thousands really, in my Canon gear.

However, my photographic priorities have been changing. I’ve established something of a niche in Alaska wilderness photography and the size and weight of my Canon kit was becoming a hindrance.

bird in a tree - Review of the Olympus 300mm F4 PRO Lens

I’ve been extremely impressed by the sharpness and clean bokeh of this lens. Swainson’s Thrush, Alaska. Lumix G9 with Olympus 300mm F4 PRO.

Size and weight were a factor

Access to many of the places I work on assignment or lead photo workshops and tours is via small plane or on foot. In other words, the weight of my gear is a major consideration.

More and more often, I was forced to pass over my beloved Canon 500mm f4L, because it was just too darn heavy and bulky. Rather, I’d pack something more compact, even if it wasn’t as good. Leaving that big lens behind was painful, but necessary, and I constantly wished for something comparable that wasn’t so darn big.

As a result of leaving the big glass behind, my wildlife work suffered. So I started experimenting with a variety of alternative lenses for the Canon system: Tamron’s and Sigma’s 150-600mm lenses, and Canon’s 100-400mm and the 70-200mm f/2.8 with a 2x teleconverter.

All were decent, but none matched the quality and dreamy bokeh of the 500mm f4.

Review of the Olympus 300mm F4 PRO Lens - spruce grouse

Spruce Grouse, Denali National Park, Alaska. Lumix GX85 and Olympus 300mm F4 PRO.

Some smaller options

Unrelated to this search, I purchased a little Lumix GX85 as a backup camera for wilderness trips. Surprised by the quality of the micro 4/3rds system, I rented a couple of long lenses for it. First the Lumix/Leica 100-400, (which I’ve previously reviewed here on DPS), and then the Olympus 300mm f4 PRO.

While the Lumix/Leica 100-400mm combo gave me a staggering reach (200-800mm equivalent on the 4/3rds system), the sharpness at the long end was imperfect, and the bokeh was lacking. It’s a great lens, but just doesn’t quite compare to the 500mm f/4.

The Olympus 300mm F4 on the other hand… that one took me completely by surprise.

Review of the Olympus 300mm F4 PRO Lens

A tough, all-metal housing and full weather sealing mean the durability of the Olympus 300mm F4 PRO easily compares to the best lenses by Canon and Nikon.

Six months after first renting the Olympus, I sold all of my Canon gear and purchased a Lumix G9 body, a variety of Lumix/Leica lenses and the Olympus 300mm f4 PRO lens.

Here is what I think of it.

Price – Olympus 300mm F4 PRO

Review of the Olympus 300mm F4 PRO Lens - moose in a field

Bull moose. Denali National Park, Alaska. Made with the Olympus 300mm F4 PRO on a Lumix GX85 body.

A new Canon 600mm F4L currently sells for $ 11,500. The Olympus 300mm F4 PRO is about $ 2,500.

Yeah, no contest there. You could buy the Olympus and still have enough left over for a trip to Alaska to photograph brown bears AND a trip to Africa to see lions and elephants (travel is always money well spent).

Size and Weight

Review of the Olympus 300mm F4 PRO Lens

At 9 inches long (with the hood retracted) and 3.25lbs, the Olympus 300mm F4 PRO is a third the weight and half the length of the Canon 600mm F4L.

Thanks to the smaller sensor of the 4/3rds system, you can fit equivalent or greater magnification into a lens while retaining the same maximum aperture in a MUCH smaller package. Canon’s 600mm F4 lens weighs in at a whopping 8.6lbs (3.9kg) while the Olympus with the same equivalent magnification and maximum aperture is a comparably dainty 3.25 (1.47kg).

Physically, it is also much more compact. At about 9 inches (22.9 cm) long it is roughly half the length of the Canon lens. When it comes to size, the Olympus is a clear winner for a wilderness photographer like myself.

But how is the quality?

Sharpness

Review of the Olympus 300mm F4 PRO Lens - bird in the grass

I made this image of a Smith’s Longspur in Alaska’s Arctic National Wildlife Refuge with a Canon 5D Mark III and 500mm F4L. It’s sharp and crisp, as you would expect.

When I first considered replacing my Canon gear with Olympus I took both systems out in the field for a week-long photo workshop I was leading. On the trip, I was able to shoot both under similar conditions. Later, when I examined the images at 100%, I felt the sharpness was more or less equivalent even when they were shot wide open at F4.

Review of the Olympus 300mm F4 PRO Lens - fox in the grass

Just as sharp as the Canon 500mm. Fox. Umnak Island, Aleutian Islands, Alaska. Lumix G9 and Olympus 300mm F4 PRO.

With a sigh of relief, I moved on to . . .

Bokeh

Review of the Olympus 300mm F4 PRO Lens - brown wren

Few lenses can compare to the dreamy bokeh of the Canon 500mm F4 L. (Canyon Wren, Joshua Tree National Park, CA.)

The bokeh of a lens is one of the most important aspects of image quality. In wildlife photography, the ability to separate your subject from the background is a huge asset, meaning you need a shallow depth of field. The big Canon can achieve this with aplomb. Its bokeh is smooth and creamy and creates a perfect background for your subject. This, I knew, would be the greatest challenge for the Olympus 300mm F4 PRO.

And it is the one place the Olympus fell short… but only just (and I mean by the narrowest of margins). Since a 4/3rds sensor crops rather than physically magnifies an image, the depth of field is the same as you would achieve with 300mm f4 on the full-frame Canon camera if you cropped the image by 50%.

Which is to say, it still has a great, shallow depth of field, but the bokeh retains more form than it does with the 500mm or 600mm.

Review of the Olympus 300mm F4 PRO Lens - black raven close up

Though not quite the amazing bokeh of the Canon 500mm, the Olympus 300mm f4 PRO attains something VERY close and just look at that sharpness! (Common Raven. Juneau, Alaska. Lumix G9 and Olympus 300mm F4 PRO.)

When it comes to bokeh, the Canon had the edge, but not by much.

Performance

Autofocus

The Canon 500mm F4 has lightning-fast autofocus. That is not up for debate and is one of the reasons that so many pro wildlife and sports photographers select that lens.

So how does the Olympus compare?

Review of the Olympus 300mm F4 PRO Lens - crane in flight

This image made with the Canon 500mm F4L was easy to grab with the lightning fast autofocus system.

This was a harder comparison to make because autofocus ability is a combination of camera body and lens and how the two communicate. When I use the Olympus, my choice of a camera body is the Lumix G9. At first, I expected that this mixing of manufacturers would hinder the performance, but I’ve been relieved to find that is not the case. Lumix bodies are fully compatible with all features of Olympus lenses with no apparent loss in performance.

I’ve found the autofocus of the Lumix/Olympus combination to be precise and extremely fast, attaining focus as quickly as the Canon.

Review of the Olympus 300mm F4 PRO Lens - birds in flight and snowy mountain

Birds in flight, particularly against a background like this are hard for any autofocus system to handle. But the Olympus 300mm F4 PRO was able to make it happen and fast.

Another nifty feature of the Olympus 300mm F4 PRO is you can switch between auto and manual focus simply by giving a little tug on the focus ring. It snaps down, and suddenly you are in manual focus, click it back, and autofocus returns. There is no fumbling around for switches.

Stabilization and Handhold-ability

Review of the Olympus 300mm F4 PRO Lens - waterfall in Alaska

Waterfall, Umnak Island, Alaska. Made at 1/15th of second handheld (!!!) with the Olympus 300mm F4 PRO on a Lumix G9 body.

Canon’s image stabilization is extremely good, but they’ve stubbornly refused to integrate stabilization into their camera bodies. Lumix, however, has stabilization built into the body which communicates with simultaneous stabilization in the lens!

Here, the Lumix/Olympus combo is a clear winner. I’ve found I can hand hold the Olympus 300mm f4 PRO on the Lumix G9 as low as 1/15th of a second and still get acceptably sharp images. The small, easily handled size certainly helps with this, but I would NEVER be able to hand hold the Canon 500mm at 1/15th.

The overall performance winner? The Olympus 300mm f4 PRO.

Conclusion

Review of the Olympus 300mm F4 PRO Lens - bald eagle

Bald Eagle, Unalaska Island, Alaska. Lumix G9 body with the Olympus 300mm F4 PRO.

I’ll be honest here, from time to time I miss the big Canon 500mm f4L. But not for reasons of image quality or field performance. Rather, I miss the snob appeal of that big glass. It’s the stupidest of stupid reasons, but it’s a real one.

As a pro photographer, the big lens was a badge of honor. Fortunately, I’ve (mostly) outgrown the need to be seen as a pro when I’m in the field shooting. Now, I try to concentrate on making images good enough that they speak for themselves, and leave the lens size contests to others.

Review of the Olympus 300mm F4 PRO Lens - caribou

Caribou in Alaska’s Northwest Arctic. Lumix G9, Olympus 300mm F4 PRO.

When I put aside the size and snob appeal, I’m not at all sorry to have moved away from Canon. Now, my big lens is small enough that I carry it everywhere (even on my evening dog-walks). It’s light and unobtrusive and I can even carry it backpacking. The quality is so close to that of the bigger glass, that the differences are almost unimportant.

So yeah, I like the Olympus 300mm f4 PRO. A lot.

The post Review of the Olympus 300mm F4 PRO Lens appeared first on Digital Photography School.


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You can now use Elinchrom’s ELB 500 TTL light with Sony, Olympus cameras

31 Jul

Elinchrom has announced a firmware update for its Transmitter PRO — formerly named Skyport Plus HS — that brings support for its ELB 500 TTL for Sony and Olympus cameras.

Firmware version 2.1 for Sony and Olympus now includes TTL, High Speed Sync (HSS) and Hi-Sync (HS) functionality when used with the ELB 500 TTL. These features, which are described in detail on Elinchrom’s website, bring more robust creative control to Sony and Olympus camera systems. Now, Canon, Nikon, Sony and Olympus users can all take full advantage of Elinchrom’s different flash modes.

Below is a full list of the release notes for firmware version 2.10 for Sony and Olympus (Canon and Nikon are on firmware version 2.20):

  • Skyport Plus HS is now named Transmitter PRO.
  • 2 modes are available: Manual, compatible with all Elinchrom units, and TTL for the ELB 500 TTL.
  • Swapped position of unit selection and modeling light feature on main dashboard.
  • Improved menu ergonomics – access features in the setup menu with the wheel and setting selection is clearer.
  • Automatic switch to HS mode – the camera’s shutter speed dictates which mode is activated.
  • Possibility to display power in F-Stops or Ws.
  • Unit name or unit ID can now be displayed.

Elinchrom also notes in the press release that Fujifilm users ‘will soon be rewarded for their wait.’ According to Elinchrom, the Transmitter PRO for Fujifilm will be available in September 2018.

You can download the latest firmware on Elinchrom’s firmware updater page.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus launches blue edition of the Pen E-PL9 for denim lovers

02 Jun

Denim lovers will be delighted to know that there is soon to be a camera that will go with all of their outfits. In honor of this ubiquitous fabric “that suits everyone” Olympus has launched a denim-blue version of its new Pen E-PL9 compact system camera to appeal to fashionable photographers everywhere.

The camera will sit alongside the existing white, black and brown models, but will be a special edition likely to be available from a limited number of retailers in each market. It will feature a blue leatherette on the front and back of the body, along with the silver top plate and accents around the buttons on the rear, and will come with a silver barreled lens.

In the UK the blue E-PL9 will only be sold through John Lewis stores, at the same price as the standard colors – £649.99 with the 14-42mm F3.5-5.6 pancake lens – and will be available early this month.

Press release

Recently launched Olympus PEN E-PL9 now available in blue, white, black and brown

Denim love: Olympus launches special edition of their latest PEN camera model in blue

London, 01.06.2018 – To quote the British Elle Magazine in March, “denim is a fabric that suits everyone”.* To celebrate the ongoing love affair with this perennial material, Olympus is introducing a special blue edition of their recently launched PEN E-PL9 camera.
This special edition of the compact and lightweight PEN E-PL9 not only takes great pictures and movies but is also an easy and stylish addition to any denim outfit.

Already a firm favourite with the blogging community, the Olympus PEN series combines performance, superb build quality, and discrete take-anywhere size with a visual style that makes it as much part of an outfit as any key accessory. The new special edition blue version joins the existing white, black and brown models launched in March.

We sent lifestyle blogger and photographer Debs Stubbington of @bangonstyle to Miami with fashion photographer Jay McLaughlin to bring the blue colour to life:

“Miami’s sunny skies and blue waters were the perfect backdrop for the blue Olympus PEN. With all the incredible features and image quality of the
E-PL9 but a new bold colour, the blue model has fast become my new favourite”

Pricing & availability
> Olympus PEN E-PL9 blue with M.Zuiko Digital 14-42mm 1:3.5-5.6 EZ Pancake lens at £649.99 RRP** from early June 2018

Articles: Digital Photography Review (dpreview.com)

 
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Olympus PEN E-PL9 headed to the US and Canada

06 Apr

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The Olympus PEN E-PL9, the company’s entry-level mirrorless camera, is coming to North America two months after launching everywhere else. The E-PL9 features a 16MP Four Thirds sensor, 3-axis image stabilization, a tilting LCD, 4K/30p video capture and Bluetooth support.

The camera is available immediately for $ 599 USD / $ 699 CAD body only and $ 699 USD / $ 899 CAD with a 14-42mm F3.5-5.6 EZ lens, custom bag and strap and a 16GB memory card. It will initially ship in three colors: Pearl White, Onyx Black and Honey Brown. A limited edition blue model is expected in early summer.

View our E-PL9 sample gallery

Press Release

IMAGING MADE SIMPLE: THE EYE-CATCHING OLYMPUS PEN E-PL9

New PEN Is a Compact, Lightweight Interchangeable Lens Camera That Delivers Outstanding Image Quality and Creativity for the Trendy Shooter

CENTER VALLEY, Pa., April 5, 2018 — Olympus introduces the Olympus PEN® E-PL9, a compact, lightweight interchangeable lens camera packed with features to enhance your photography with stunning image quality and sophisticated design. The PEN E-PL9 is the newest model in the award-winning PEN lineup and combines Olympus’ latest touchscreen controls with an array of interchangeable lens options to go beyond smartphone photography, perfect for those looking to capture and share their lifestyle in attention-grabbing detail with friends and followers.

The Olympus PEN E-PL9’s sophisticated design is bolstered by aluminum accents, metal dials, and leather grain that perfectly complements each color option to match your personal style — Pearl White, Onyx Black, and Honey Brown. The 180-degree flip-touch LCD monitor simplifies selfie stills and videos with an easy-to-use interface that automatically switches the camera to Selfie Mode when the monitor is flipped downward to its front-facing position.

In-body image stabilization delivers sharp images and smooth 4K video even in low light environments or when using a telephoto lens. The latest Olympus TruePicTM VIII Image Processor, the same processor included on the Olympus flagship OM-D™ E-M1 Mark II, improves image quality and responsiveness. Built-in Bluetooth® and Wi-Fi™ allow you to easily connect your PEN E-PL9 to your smartphone to wirelessly transfer images and upload to social channels.

With the PEN E-PL9’s Auto Mode, the camera instantly detects a scene and chooses the best settings. Scene Modes let you choose from preset scenarios like People, Motion, Indoors, Nightscapes, Scenery, or Close-ups for easy setting customization. Advanced Photo Modes are readily available using the touch LCD monitor and facilitate high-end photo techniques such as nighttime Live Composite and multi-exposure shooting, so anyone can capture stunning images without worrying about difficult settings.

U.S. Pricing and Availability
The Olympus PEN E-PL9 will be available in Pearl White, Onyx Black, and Honey Brown beginning on April 5, 2018 for a street price of $ 599.99 USD / $ 699.99 CAD for the camera body and $ 699.99 USD / $ 899.99 CAD for the one lens kit. The one lens kit includes the PEN E-PL9 camera body, M.Zuiko 14-42mm F3.5-5.6 EZ lens, custom camera bag, custom camera strap, 16GB memory card, Quick Tip Card, and Quick Start Guide.

For a complete list of specifications, visit the Olympus website: http://www.getolympus.com/digitalcameras/pen/e-pl9.html

Olympus PEN E-PL9 specifications

Price
MSRP £579/€549 (body only), £679/€699 (with 14-42mm EZ lens)
Body type
Body type Rangefinder-style mirrorless
Body material Composite
Sensor
Max resolution 4608 x 3456
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 16 megapixels
Sensor photo detectors 17 megapixels
Sensor size Four Thirds (17.3 x 13 mm)
Sensor type CMOS
Processor TruePic VIII
Color space sRGB
Color filter array Primary color filter
Image
ISO Auto, 200-6400 (expandable to 100-25600)
Boosted ISO (minimum) 100
Boosted ISO (maximum) 25600
White balance presets 6
Custom white balance Yes (4 slots)
Image stabilization Sensor-shift
Image stabilization notes 3-axis
CIPA image stabilization rating 3.5 stop(s)
Uncompressed format RAW
JPEG quality levels Super fine, fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (Olympus 12-bit ORF)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 121
Lens mount Micro Four Thirds
Focal length multiplier 2×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type None
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/16000 sec
Exposure modes
  • Auto
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Scene modes
  • Portrait
  • e-Portrait
  • Landscape with Portrait
  • Night Scene with portrait
  • Children
  • Hand-held Starlight
  • Night Scene
  • Fireworks
  • Light trails
  • Sports
  • Panning
  • Landscape
  • Sunset
  • Beach and Snow
  • Backlight HDR
  • Panorama
  • Candle
  • Silent mode
  • Macro
  • Nature Macro
  • Documents
  • Multi Focus
Built-in flash Yes
Flash range 7.60 m (at ISO 200)
External flash Yes
Flash modes Auto, manual, redeye reduction, slow sync w/redeye reduction, slow sync , slow sync 2nd-curtain, fill-in, off
Flash X sync speed 1/250 sec
Drive modes
  • Single
  • Sequential
  • Self-timer
  • Bracketing
Continuous drive 8.6 fps
Self-timer Yes (2 or 12 secs, custom)
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV, 1 EV steps)
AE Bracketing ±5 (3, 5 frames at 2/3 EV, 1 EV steps)
WB Bracketing No
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 102 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 102 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 52 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 52 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 52 Mbps, MOV, H.264, Linear PCM
  • 1280 x 720 @ 120p, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC card (UHS-I supported)
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging No
HDMI Yes (micro HDMI)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth 4.0 LE
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description BLS-50 lithium-ion battery & charger
Battery Life (CIPA) 350
Weight (inc. batteries) 380 g (0.84 lb / 13.40 oz)
Dimensions 117 x 68 x 39 mm (4.61 x 2.68 x 1.54)
Other features
Orientation sensor Yes
Timelapse recording Yes (Video up to 4K)
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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CP+ Olympus interview: “It’s time to enhance the imaging business”

30 Mar
Shigemi Sugimoto, Head of Olympus’s imaging business unit. Pictured at the CP+ show in Yokohama, Japan.

At last month’s CP+ show in Yokohama, we met up with Shigemi Sugimoto, Head of Olympus’s imaging business unit. During our interview, Mr. Sugimoto explained where he sees the most opportunity for Olympus, and how his company will continue to differentiate itself from the competition.

This interview (which was conducted through an interpreter) has been edited for clarity and flow.


You’re relatively new in your role as head of the imaging business unit. How will your leadership change the company?

We’ve gone through a painful period, in the past. We had to shrink the size of the business, and that was reflected in our product lineup – especially the compact cameras. But now it’s time to enhance [and grow] the imaging business and catch up in terms of market share. Part of this will be enhancing our lineup.

How long have you been with Olympus?

I joined Olympus 32 years ago, initially in the accounting department. I’ve been with the imaging division for ten years. In 1997-2002 I worked in Hong Kong, where I established our factory in China.

What was your first Olympus camera?

A compact, at first but I replaced it with a PEN E-P1.

Our first priority is what we call system mobility – not just the size of our camera bodies, but the entire system

What are your ambitions for Olympus’ range of photography products going forward?

We’re focused on the mirrorless ILC category, because we’re concentrating on portability and reliability. This is our value in the market. Our first priority is what we call system mobility – not just the size of our camera bodies, but the entire system, such as our telephoto lenses. Because of the benefit of the 2X crop factor we can provide a dramatically different solution [compared to other manufacturers].

We see the OM-D system truly as a system, including accessories and other equipment. We need to expand the capability of the entire system – not only bodies and lenses.

The 300mm F4 PRO behaves like a 600mm on full-frame, giving Olympus shooters a powerful and sharp telephoto option at a fraction of the size and weight of a ‘true’ 600mm lens.

Are you still aiming primarily at a still photography-oriented audience, when you develop new products?

Our position hasn’t changed. We’re focused on stills photography – this is our basic stance. But if we see that our customers want to take more video with our equipment, we’ll [include] video features. But our main focus is stills. Video technology is not our first priority. On the other hand, we can also provide the benefits of the OM-D system’s mobility to video users, for example our high-performance 5-axis image stabilization.

Considering the film-making audience, we’re not going to be going in the direction of large [dedicated] video cameras. Rather, [hybrid cameras], for handheld use, which can shoot high-quality video just with a single operator. That’s a benefit that [I think will be] appreciated by videographers.

We don’t have a strong line of communication with the video audience

Do you have a sense of how many of your OM-D E-M1 Mark II customers use the camera to shoot video as well as stills?

We don’t have a strong line of communication with the video audience, so we don’t have many people using that feature in our cameras. We know our cameras and lenses are capable of capturing high-quality video, and we’d like to get this message across. Olympus makes nice, multi-operation handheld cameras that can shoot good video.

Would you like to increase the number of people who use your cameras for video creation?

Yes, of course.

Advanced amateurs and professionals tend to want more robustness, and improved operability

A number of enthusiasts and some professionals have adopted the OM-D E-M1 Mark II. What are they asking for?

The demands are different depending on their level. Advanced amateurs and professionals tend to want more robustness, and improved operability. For entry-level users, they want new technology, which they can’t find in DSLRs. Olympus is a pioneer in digital photography in the camera field, and our users expect that.

The OM-D E-M1 Mark II is an uncommonly tough camera, which can take a lot of punishment. From the jungles of Thailand to the snowy mountains of British Columbia, we’ve soaked it, frozen it, and dropped it in the mud but it keeps on shooting.

Is there an engineering limit to the effectiveness of image stabilization systems?

When we introduced the OM-D E-M1 Mark II, the IBIS system in that camera represented the limit at the time. But of course the technology is still developing. After the OM-D E-M1 Mark II was announced, our engineers have tried to [push the barriers] of performance and recently they’ve come up with some solutions. So there is still room for improvement in terms of stabilization.

The next generation may be even more effective?

Yes, you can expect so.

Going forward, is there any value left for Olympus in the compact camera segment?

We are focused on the TG tough range of compact cameras, and mirrorless cameras. From a profitability point of view we’re focused on these high value products, even though the volume [of sales] is lower.

The Tough TG-5 is a class-leading waterproof camera, in a market segment that remains profitable for Olympus.

Can you tell us anything about how the Tough camera range might evolve over time?

At this point, we’re not looking to [develop] this range too aggressively. That’s based on the current situation. Of course, the market is always changing, and flexibility is really important to meet customer demands.


Editors’ note:

Mr. Sugimoto has been with Olympus for a long time, but he was only recently promoted to his current position as head of the imaging business. It’s a tough job, especially in such a competitive landscape, but during our conversation he seemed confident that Olympus can bring a unique value to the marketplace. By his own account, Olympus has gone though some difficult years, but now the time has come to invest and grow its market share.

That’s not to say that we’re expecting Olympus to suddenly start churning out cameras like they used to – it’s very clear that Mr. Sugimoto sees most value in the mirrorless ILC segment, and the high-profit Tough line of compacts. He is hoping that what he calls ‘system mobility’ will continue to attract enthusiast photographers to the OM-D and PEN lines, and all but confirmed his engineers are working on even more effective 5+ EV IBIS. DSLR and full-frame mirrorless photographers can only dream of this kind of stabilization, which is equally useful for video, as well as stills.

It’s extremely unlikely that we’ll see Olympus creating a Panasonic Lumix DC-GH5S competitor any time soon

Speaking of video, Mr. Sugimoto confirmed that it still isn’t the main priority for Olympus, but he did frame the issue partly in terms of communication. Unlike competitors like Panasonic, Olympus has never really dealt with video creators in the past. Clearly, Mr. Sugimoto believes that his company makes products that will have value to this constituency, but is concerned that up to now, Olympus hasn’t found a way of effectively communicating with them.

Products like the OM-D E-M1 Mark II with its spookily effective IBIS, and high-quality 4K video are impressively capable when it comes to video, but it’s extremely unlikely that we’ll see Olympus creating a Panasonic Lumix DC-GH5S competitor any time soon. Instead, after talking to Mr. Sugimoto we’re predicting a consolidation of Olympus’s mid-range and high-end ILC lineup and more high-end lenses. In a landscape increasingly dominated by chunky APS-C and full-frame cameras and lenses, Olympus will need to start selling the ‘system mobility’ message aggressively. New products will help, but communication is definitely part of the challenge.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus E-PL9 sample gallery

13 Mar

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Olympus’ latest update to its light-and-compact Pen series comes in the form of the E-PL9. The camera incorporates some design updates, including a more substantial grip, as well as some hardware improvements, like a built-in flash and a newer sensor capable of 4K video. Throw on a prime or the svelte 14-42mm F3.5-5.6 EZ kit lens and it starts looking like a pretty attractive camera to toss in your bag for the day. See how we’ve fared with it so far.

See our Olympus E-PL9 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Olympus offers major firmware update for OM-D E-M1 II, E-M5 II and Pen-F

28 Feb

Olympus has announced updates for its OM-D E-M1 Mark II, OM-D E-M5 Mark II and Pen-F cameras in the lead up to CP+ 2018. All three cameras get a new Bleach Bypass Art Filter and added support for the Panasonic Leica 200mm F2.8 Power OIS lens, but the improvements go beyond that for the individual camera models.

The E-M1 II’s list of updates is the longest. Firmware 3.0 brings improvements to Pro Capture Mode, increasing the pre-shutter buffer depth from 14 to 35 frames. Pro Capture Mode H can also now be used with any Four Thirds or Micro Four Thirds lens. Focus Stacking mode now works with the 12-100mm F4 Pro, and the camera will now provide in-body distortion correction for the 8mm F1.8 Fisheye Pro.

Olympus OM-D E-M5 II firmware 4.0 adds the focus stacking feature found on the
TG-5 and E-M1 II

Other E-M1 II improvements include the ability to set smaller AF target points in S-AF and C-AF, a 100% magnification option in image playback and a Flicker Scan feature to help choose a shutter speed that avoids flickering from problematic light sources. Olympus also says that C-AF performance has been improved overall, as has stabilization in video shooting, among other minor feature updates.

Olympus OM-D E-M5 II firmware 4.0 adds the focus stacking feature found on the TG-5 and E-M1 II. In this mode, eight images are captured as focus is shifted to create a composite final image with greater depth of field.

Firmware 3.0 for the Pen-F adds the ability to save Monochrome and Color Profile Control settings to the camera by way of a computer. Shading effects are also added to Color Profile Control and Color Creator.

For the full list of improvements, see the press release below or head to Olympus’ website.

YOUR UPGRADE AWAITS: OLYMPUS UNLEASHES POWERFUL NEW FIRMWARE FOR ITS OM-D AND PEN CAMERAS

New Functions and Improved Performance Are Delivered Through Firmware Version 2.0 for OM-D E-M1® Mark II, Version 3.0 for PEN-F®, and Version 4.0 for OM-D E-M5 Mark II

CENTER VALLEY, Pa., February 28, 2018—Today Olympus announces a series of new firmware updates that are available immediately for several of its latest interchangeable lens cameras. The firmware upgrades include Version 2.0 for the flagship Olympus OM-D E-M1 Mark II, Version 3.0 for the Olympus PEN-F, and Version 4.0 for the Olympus OM-D E-M5 Mark II.

Olympus is dedicated to providing ongoing product functionality and performance improvements to deliver cameras that users can depend on long after their initial purchase. The latest firmware updates are designed to bolster Olympus’s interchangeable lens cameras with the latest functionality, improved performance, and expanded creative options. Many of the firmware updates were implemented in response to users’ requests.

For example, Firmware Version 3.0 for the PEN-F adds the ability to save the settings of the Monochrome and Color Profile Control from the user’s computer onto the camera. Firmware Version 4.0 for the OM-D E-M5 Mark II adds the Focus Stacking function available on the OM-D E-M1 and E-M1 Mark II. In addition to these upgrades, videographers will now have access to the Look Up Table (LUT) file for the OM-D E-M1 Mark II and the OM-D E-M5 Mark II, allowing for advanced control and optimal color grading using DaVinci Resolve®.

Other new features include improved Pro Capture Mode functionality in the OM-D E-M1 Mark II’s Firmware Version 2.0, while the PEN-F’s Firmware Version 3.0 includes shading effects that were previously only available in Monochrome Profile Control and are now available in Color Profile Control and Color Creator.

Main Features

OM-D E-M1 Mark II Firmware Version 2.0 Details

1. Improved Pro Capture Mode functionality
Pro Capture Mode provides lag-free shooting so users can capture high-quality, full-resolution images at precise moments without compromise. Pro Capture buffers a running series of JPEG and RAW images when users press the shutter release halfway. With Firmware Version 2.0, the maximum number of pre-shutter frames that can be recorded once the shutter button is fully pressed has increased from 14 to 35.

Additionally, a new display icon shows users that they have initiated Pro Capture Mode and the camera is currently buffering frames.

All attachable lenses are now compatible with Pro Capture H (focus locks after first image is buffered).

Lens Pro Capture L Pro Capture H
Olympus Micro Four Thirds System standard lenses Yes Yes
Other Micro Four Thirds System standard lenses No Yes
Four Thirds System standard lenses No Yes
Lenses without electrical contacts (MF only) Yes Yes

2. Focus Stacking now supports the M.Zuiko Digital ED 12–100mm F4.0 IS PRO
Firmware Version 2.0 now allows the M.Zuiko Digital ED 12–100mm F4.0 IS PRO to support in-camera focus stacking. Additionally, seven other lenses support focus stacking, including the M.Zuiko Digital ED 8mm F1.8 Fisheye PRO, ED 30mm F3.5 Macro, ED 60mm F2.8 Macro, ED 300mm F4.0 IS PRO, ED 7–14mm F2.8 PRO, ED 12–40mm F2.8 PRO, and ED 40–150mm F2.8 PRO.

3. Small AF Target setting added to S-AF and C-AF
In response to feedback from Olympus users looking for a greater level of precision when choosing a specific AF target, Small AF Targets have been added to the single target (1-point) AF area.

4. In-body Fisheye Correction when using M.Zuiko Digital ED 8mm F1.8 Fisheye PRO
Fisheye Distortion Correction is now available in-camera so that the M.Zuiko Digital ED 8mm F1.8 Fisheye PRO can be used as a wide-angle lens without the fisheye effect. Fisheye Correction effects can be viewed by the user in real time on the rear monitor or EVF before shooting.

5. The magnify setting now offers a 100-percent enlargement ratio for use during image playback
Due to Olympus user feedback, pixel size display has been added to the magnification ratio options, making it possible to review images at a 1:1 pixel ratio.

6. New Flicker Scan function removes flickering when using the electronic shutter
The Flicker Scan function allows users to preview the scene and choose the proper shutter speed to avoid flickering, a phenomenon that is common when using the camera’s electronic shutter under fluorescent or LED light sources.

Other Improvements

  • Continuous AF (C-AF) performance has been improved.
  • AF response has been improved when using back-button focus AF settings with the AEL/AFL button.
  • IS performance has been improved when shooting video, enabling more natural camera work (IS-equipped lenses require simultaneously released firmware update).
  • Tethered shooting responsiveness and stability using Olympus Capture has been improved, providing an easier shooting workflow.
  • The remaining battery level icon has been fine-tuned.

PEN-F Firmware Version 3.0 Details

1. Monochrome and Color Profile Control settings can be saved onto camera via computer
It is now possible to save Monochrome and Color Profile Control settings in images recorded on the PEN-F to the camera via a computer. Using the latest Olympus Digital Camera Updater (Ver. 2.1), simply select the image with the profile you want to use and save the settings to the camera.

2. Shading effects in Monochrome Profile Control are available in Color Profile Control and Color Creator
Due to popular demand, shading effects have been added to Color Profile Control and Color Creator for a wider range of photographic expression.

OM-D E-M5 Mark II Firmware Version 4.0 Details

1. In-Camera Focus Stacking function
The Focus Stacking function available on the Tough TG-5 and OM-D E-M1 Mark II is now available on the OM-D E-M5 Mark II. The focus is shifted in half-pixel increments while capturing eight images, which are then composited to form a single image that is in focus from the foreground to the background. A total of eight lenses are supported (the same lenses supported by OM-D E-M1 Mark II Firmware Version 2.0).

Common Features for OM-D E-M1 Mark II, PEN-F, and OM-D E-M5 Mark II

1. New Bleach Bypass Art Filter option
The Bleach Bypass Art Filter included in the OM-D E-M10 Mark III (released in September 2017) is now available with these firmware updates. This option replicates the bleach bypass effect used to develop film creating images with a beautiful metallic sheen.

2. Support for Panasonic LEICA® DG ELMARIT 200mm/F2.8/POWER O.I.S. interchangeable lens
This firmware update improves the compatibility with the Panasonic LEICA DG ELMARIT 200mm/F2.8/POWER O.I.S. (H-ES200) interchangeable lens.

Please visit the following URL for more details on the firmware updates: getolympus.com/firmware

Movie-exclusive picture mode: “Flat” LUT file release
An LUT file is released for movies recorded in the movie-exclusive picture mode “Flat” with the OM-D E-M1 Mark II and E-M5 Mark II. This file converts recorded videos to BT.709 in DaVinci Resolve from Blackmagic Design Pty. Ltd. for color grading.

Please visit the following URL for more details: getolympus.com/firmware

Articles: Digital Photography Review (dpreview.com)

 
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Why Olympus Mirrorless Cameras are Top Notch for Travel Photography

14 Feb

From entry-level to pro, the Olympus Mirrorless Four Thirds OM camera series has something for every aspirational travel photographer.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Camera – Olympus Mirrorless E-M1 with kit lens at 38mm, 1/250th, f/14, ISO 400.

Are you looking to get serious about your digital photography and move up to an interchangeable lens system? Or maybe you are looking to upgrade to a pro level weatherproof transportable system?

Are you off on a journey of a lifetime and looking to record every moment? You want to be sure there’s no danger the camera won’t be up to the task – so which will you take along?

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Camera – Olympus mirrorless E-M10 Mark II, Lumix G 20mm lens, 1/125th, f/2.2, ISO 200.

The Olympus OM Micro Four Thirds system could be heaven sent. In this article, we’ll look at the OM-D E-M10 entry-level camera and the top of the range OM-D E-M1 through almost 12 months of use.

Why Olympus mirrorless systems are phenomenal travel cameras

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus EM1, kit lens at 14mm, 1/5th of a second, f/22, ISO 3200.

This was taken handheld, showing just how good the image stabilization is on these cameras.

The important considerations for travel cameras are size and weight, versatility, durability, performance, and picture quality. Ideally, you want a light-weight system that will easily move between landscape, street, and portrait photography.

Let’s look at each of these considerations in turn.

Size and weight

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

The flagship model Olympus EM-1 weighs in at just under 500g (1.1 pounds), the smaller and lighter EM-10 at an incredible 342g (0.75 pounds). Both are smaller in size than my hand.

Incredibly, they both fit in a parka-style coat pocket when fitted with a 14-42mm kit lens. Look at the size of my Sony DSLR in this picture below to see just how much of a space saving there is comparatively.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

There are obvious advantages to the smaller cameras in regards to luggage on a plane, and carrying gear around all day. But the small size is also non-threatening if your shots include passers-by. Plus you can take it places where professional style cameras are not allowed.

The Micro Four Thirds System also means lenses are much more compact. For instance, the Olympus 75-300mm zoom lens measures 130mm and weighs in at 430g (just under a pound). The equivalent focal range for a full frame camera is 150-600mm. That kind of glass for a DSLR would weigh in at about 3kg (6.5 pounds)!

Versatility

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

There is a good range of lenses available for the Micro Four Thirds mount including ranges by Lumix and Panasonic, as well as Olympus. The range will take you from a fish-eye pancake lens, through wide-angle primes to long zooms. The image stabilization system built into the camera means the lenses are both light and affordable.

Extension rings with electronic connections to allow your lens and camera talk to each other are also available allowing you to make the best use of your available lenses. Two lenses and one converter will take you from wide-angle to macro to long zoom without missing a beat.

Durability

Both these cameras look and feel solid and durable. Having used them both for almost a year in sometimes inhospitable conditions and on long hikes, I have had no issues with these cameras or the lenses I use.

If you look at the pictures the condition is still like new. They even get taken along on motorbike and camping trips in the winter!

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M10, 40-150mm zoom at 150mm, 1/400th, f/7.1, ISO 200. Despite the dark and overcast day, the camera produced good detail straight out of the camera in this JPEG image.

Performance and Picture Quality

Firstly, I should mention I am using systems that were current when they were purchased at the beginning of 2017. They have both been upgraded since with some notable improvements. The EM-1 now has a Mark II version with a 20MP sensor rather than 16MP chip, and improved AF tracking. The EM-10 moves up from Mark II to Mark III with more minor improvements.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

The camera has a fantastic viewfinder with 100% picture coverage as well as a touch-control rear screen, a feature that will feel familiar if you use a smartphone. A massive range of buttons allows you to set up the camera to suit your style with several where you can assign the functions. The menu system will feel familiar if you’re a DSLR user. It has a very useful one-click user “Myset” comprising four customizable options for configurations that you use frequently.

My set screen - Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

The 5-axis stabilization is excellent, making handheld shooting easy and rewarding. The AF system has 81 points and is surprisingly good though tracking is not up to that of the weightier and roomier APS-C cameras. This is one of the trade-offs for having the compact size.

As the cameras use electronic viewfinders or the rear LCD screen, batteries get used up quickly. Battery packs are available, but this adds to the size. So if you attach one the camera won’t fit in a pocket anymore.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M1, kit lens at 35mm, 16mm extension tube, 0.3-second exposure, f/7.1, ISO 400. I adjusted levels in post-processing to lighten the image and create a fine art feel.

All the photographs in the article are taken with either one or the other of these two cameras, so you can judge for yourself the quality of the results. The newer versions of these cameras can only be even better.

The cameras provide great results for landscape photography, handling a range of tones well, especially with the added use of the HDR function to bring out details at both ends of the scale.

At lower ISO levels, up to 1600, there is little evidence of noise, although it increases in the dark areas as you approach that mark. Quality is acceptable up to ISO 6400, in my opinion.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M1, 82mm, 1/200th, f/9, ISO 1600. Look, I’m Pinnochio! Grab shot – love the skin tones and the AF got the near eye, spot on.

Skin tones are good, producing great portraits and color handling is great. Low light shooting isn’t a problem for this camera, especially at the lowest ISO.

Millstone beach - Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M10, Lumix 20mm, 1/80th, f/1.8, ISO 200. Fabulous colors despite the overhead canopy and reduced light.

CONCLUSION

Both of these Olympus mirrorless cameras are fantastic pieces of kit for almost every situation. Picture quality is good, handling with the stabilization is awesome, AF and exposure are solid. With an entry-price of about $ 500 for the EM-10, the value is terrific.

The pricier EM-1 is also a good value, especially when considering the price of additional lenses. A Mark I at less than $ 1100 represents astonishing value. However, I do aim to upgrade to the EM-1 Mark II when finances allow, knowing I already have a decent range of accessories for it.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M1, 75-300mm lens at 270mm, 1/40th, f/6.7, ISO 400. The quality of this shot is fantastic, just look at that tail!

As a travel camera, I don’t think these two Olympus mirrorless cameras can be beaten at their respective price points. If you are new to system cameras, the EM-10 would be a fantastic introduction, with its straight-forward layout. A more seasoned photographer may prefer the customizable options and total control of the EM-1

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M1, kit lens at 22mm, 1/60th, f/22, ISO 2000 using Aperture Priority. Straight out of the camera JPEG file. Great results even if you’re not a Photoshop fan.

Either way, you won’t be disappointed with the results. You can take that once in a lifetime trip knowing you’ll bring back images of your travels to be extremely proud to show off to friends.

The post Why Olympus Mirrorless Cameras are Top Notch for Travel Photography by Janice Gill appeared first on Digital Photography School.


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