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DPReview editor and music photographer Dan Bracaglia took the Nikon D7500 along with his D750 to shoot the Big Bldg Bash music festival in Seattle.
On Friday, June 9th at 1pm EST, he’ll join fellow editor Carey Rose on Facebook Live to talk candidly about how it fared as well as his thoughts on how it fits into Nikon’s current lineup. We’ll also be fielding your questions live – join us!
Join us on Facebook on June 9th, 1pm EST
Articles: Digital Photography Review (dpreview.com)
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Nikon has updated its NEF Codec to version 1.31.0, bringing new support to Windows Photo Gallery, Live Photo Gallery, and Photo Viewer. After updating, all three applications are able to display the previews embedded within NEF images. The software can be downloaded now from Nikon’s website.
Via: NikonRumors
Articles: Digital Photography Review (dpreview.com)
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The Nikon D7500 uses the same sensor and processor as the APS-C flagship D500, as well as the same high-res metering sensor. Though the 51-point AF system is unchanged from the D7200, the camera is seriously capable when it comes to photographing quickly moving subjects: It can shoot as fast as 8 fps with continuous autofocus and has an impressive buffer of up to 50 continuous Raw files.
We brought it along to an all day music festival in Seattle’s SoDo neighborhood where challenging lighting coupled with lively musicians thrashing around gave us the perfect chance to push the camera’s abilities. We mostly shot using 3D tracking in various auto exposure modes and initial impressions are positive.
Of course, these images could benefit from a little time in ACR. Once we get Raw support, we’ll add conversions as well as more samples.
See our Nikon D7500 sample gallery
Articles: Digital Photography Review (dpreview.com)
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| Jim Winters with his TRIAXEZ rig. Photo by Pete Boden |
The AF-S Nikkor 800mm F5.6 VR is an absolute beast of a lens. Shooting handheld with it for more than a few seconds is pretty much unbearable unless you’re a champion bodybuilder. Wanting it utilize it for aviation photography, Jim Winters built a rig to accommodate the lens and a camera body that he can use for hours.
His ‘triple axis’ TRIAXEZ rig includes a counterweight and 12V battery. The battery provides additional counterweight to balance the rig – an earlier evolution used lead pellets as counterweights – and also provides charge to the camera for long shooting sessions. Winters says he can even use it to charge his phone. The whole thing is easily transported to and from shooting locations thanks to a pair of wheels.
It’s a pretty clever piece of engineering, and the proof is in the images below, shot at the National Salute to America’s Heroes in Miami Beach over Memorial weekend.
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| Photo by Jim Winters |
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| Photo by Jim Winters |
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| Photo by Jim Winters |
It looks like the rig is working well for Winters, but he’s envisioning ways to improve it. ‘Due to the weight of the rig assembled with lens and counterweight, I was experimenting with a single shoulder mounted rig. You would look through a POV set of glasses so that you don’t have to look through the camera body, nullifying the need for a counterweight.’ That’s a pretty enticing solution, but in the meantime, we think he’s done an excellent job of adapting his equipment to his needs.
See all of his photos from the Miami Beach show at his Team Nikon Miami website.
Articles: Digital Photography Review (dpreview.com)
Nikon’s brand new midrange D7500 just arrived in our office. Announced back in April, the camera uses the same image sensor, metering sensor and processor as the APS-C flagship Nikon D500. It also gains 4K video capture and features a lighter design, with improved weather sealing and a deeper grip. Other improvements come in the form of a tilting touch LCD. Check out the video above for more on the Nikon D7500.
Articles: Digital Photography Review (dpreview.com)
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In addition to the AF-S Nikkor 28mm F1.4E ED, 8-15mm F3.5-4.5E ED fisheye and AF-P 10-20mm F4.5-5.6G VR lenses Nikon also announced the new Arcrest line of ‘professional-grade’ protection filters. The Arcrest filters are available in 67mm, 72mm, 77mm, 82mm and 95mm diameters and, according to Nikon, can survive heavy impacts while only having a minimal impact on image quality.
The filters are 2mm thick and come with special coatings that minimize color balance disturbance, reduce ghosting and flares and repel water/oil/dirt. Nikon says they are also less prone to ghosting when shooting night scenes.
It appears that at least for now the Arcrest line will only be released in the Japanese market. Prices range from ¥9,680 ($ 88) for the 67mm filter to ¥25,799 ($ 234) for the largest diameter version. The product page on the Nikon Japan website offers a good selection of sample images and comparison shots against filters from competing brands.
Articles: Digital Photography Review (dpreview.com)
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In our review of the Nikon D5600 we reported connectivity issues with the Nikon Snapbridge app that allows for automatic image transfer from the camera to your smartphone. It appears these issues might now have been resolved.
Nikon has released firmware updates for the Nikon D3400 and D5600 DSLRs to improve the pairing and connectivity between the Android version of SnapBridge and the cameras. Firmware version 1.12 for the Nikon D3400 and 1.02 for the D5600 are now both available to download and install via Mac OS or Windows PC from the Nikon website. Connectivity issues with the iOS version of the app had already been solved via a previous firmware update.
Articles: Digital Photography Review (dpreview.com)
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The Nikon AF-S Fisheye Nikkor 8-15mm F3.5-4.5E ED is a circular fisheye for the company’s full-frame DSLR bodies. At its wide end it has a 180-degree vertical and horizontal angle-of-view, changing to a non-circular 180-degree diagonal AOV at its long end. The lens has three ED and two aspherical elements as well as Nano Crystal and fluorine coatings.
The 8-15mm F3.5-4.5E ED is available immediately for $ 1249.95.
Press Release:
MELVILLE, NY (May 31, 2017 at 12:01 A.M. EDT) — Today, Nikon announced three exciting new wide-angle NIKKOR lenses to give a diverse array of users brilliant image quality and maximum versatility whether shooting vast landscapes, architecture, interiors, events and many other wide-angle applications. The new ultra-wide zoom and lightweight DX-format AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR is an excellent value for budding shutterbugs and novice shooters looking to explore a wide-angle point of view, while the new AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED is an FX-format circular fisheye zoom lens for photographers and content creators who desire a truly unique perspective. Lastly, the new AF-S NIKKOR 28mm f/1.4E ED is a superior prime lens that provides professional and advanced photographers the ultimate in wide-angle image quality. Both the AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED and AF-S NIKKOR 28mm f/1.4E ED are the latest additions to the Gold Ring Series of NIKKOR lenses, a mark identifying Nikon’s premium lens offerings.
“Nikon continues to push the limits of optical excellence, while making new perspectives more attainable than ever before with our latest wide-angle NIKKOR offerings,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “Whether a photographer is a novice learning the art of landscapes, an enthusiastic video creator or a working professional shooter, Nikon now makes the wide-angle perspective achievable for everyone.”
The AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR – Ultra-Wide Zoom Lens That’s Compact and Portable
The new NIKKOR 10-20mm is an ultra-wide-angle DX-format zoom lens that opens new perspectives and possibilities for those new to photography, and is ideal for shooting travel and scenery, real estate, large group portraits or vlogging. This new lens combines superior image quality and an attainable price to give consumers wide-angle versatility with a lens that’s remarkably compact and lightweight.
Like all NIKKOR lenses, the new AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR provides advanced optical technologies for stellar image quality in any light, whether shooting a sun-drenched coastal vista, tight spaces or the night sky. The lens features the equivalent of 3.5 stops1 of Vibration Reduction (VR) performance, to help capture sharp images while handheld or in challenging light. Additionally, it utilizes Nikon’s Pulse Motor technology for super-fast and whisper quiet AF operation- which is especially useful when recording video. The optical formula contains three aspherical elements for excellent image quality with minimal distortion even at the widest focal length.
This is a versatile lens that not only excels at shooting expansive horizons, but also offers a remarkably close working distance that’s useful for images or showing up-close details when making product-related videos or how-to content. To get closer to capture small objects with big details, the lens has a close minimum focusing distance of only 8.6 inches (0.22 meters), bringing small objects to life in glorious size.
AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED – Circular Fisheye for Photographers and Content Creators
Nikon’s first fisheye zoom gives photographers and filmmakers an FX-format lens with the look and feel of a circular fisheye and the versatility of a full-frame fisheye, all in one lens. The new lens design provides a creative circular 180-degree vertical / horizontal angle of view on full frame cameras, and zooms to a non-circular fisheye view (180-degree diagonal angle of view) on the long end of the focal range. The lens can also be used on DX-format cameras for a distinctive point-of-view and extreme wide-angle applications. When looking to push creative boundaries, the intriguing perspective from a fisheye lens should be considered to provide a distinct look to your photos and videos, such as a dramatic emphasis on a subject or an extremely wide interior point of view.
The AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED is also the latest in Nikon’s Gold Ring Series of premier lenses and features a next-generation design for high-resolution Nikon DSLR cameras. Made for advanced photographers and creators, this durable lens is constructed of lightweight magnesium alloy, and employs internal focusing (IF) to retain its compact size, even while focusing. It is also Nikon’s latest lens to use an electromagnetic diaphragm for consistent exposure during high speed shooting, or smooth exposure control while capturing video.
The optical formula of the Fisheye NIKKOR 8-15mm consists of three ED elements to reduce chromatic aberration, while two aspherical lens elements minimize coma even at the widest aperture, and enable a more compact lens size. Additionally, the front lens element is coated with Nikon’s non-stick Fluorine coat to help resist dirt, fingerprints and smudges, while Nikon’s exclusive Nano Crystal Coat helps reduce ghost and flare.
AF-S NIKKOR 28mm f/1.4E ED – The Latest in The Gold Ring Series of f/1.4 Primes in the NIKKOR Line
The new AF-S NIKKOR 28mm f/1.4E ED is Gold Ring glass that provides maximum versatility for outstanding definition and sharpness regardless of shooting scenario. With a fast f/1.4 maximum aperture and nine blade rounded diaphragm, it affords a shallow depth of field with gorgeous bokeh and stellar low light performance, making it a great choice for shooting low light landscapes, interiors and events.
The superbly balanced and solid body is composed of lightweight magnesium alloy, and features dust and water drop resistant sealing to withstand the elements, combined with a fluorine coating to resist dirt and smudges. The optical construction of the lens is engineered for the best possible wide-angle image quality. It consists of 14 elements in 11 groups, with three aspherical elements that virtually eliminate coma, aberration and distortion, with two ED glass elements that minimize chromatic aberration. The lens also uses Nikon’s Nano Crystal coat to reduce instances of ghosting and flare.
The new AF-S NIKKOR 28mm f/1.4E ED is a welcome addition to Nikon’s stable of impressive f/1.4 primes that give professional photographers and creators the highest levels of image quality and performance, which also include; The AF-S 24mm f/1.4G ED, AF-S NIKKOR 35mm f/1.4G, AF-S NIKKOR 58mm f/1.4G, AF-S NIKKOR 85mm f/1.4G and AF-S NIKKOR 105mm f/1.4E ED.
Price and Availability
The Nikon AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED will be available immediately for a suggested retail price (SRP)* of $ 1249.95. The AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR and AF-S NIKKOR 28mm f/1.4E ED will be available in late June for a suggested retail price (SRP)*, $ 309.95 and $ 1999.95, respectively. For more information on these NIKKOR lenses as well as the latest Nikon products, please visit www.nikonusa.com.
1: Based on CIPA Standard. This value is achieved when DX-format compatible lenses are attached to a DX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.
*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
| Principal specifications | |
|---|---|
| Lens type | Zoom lens |
| Max Format size | 35mm FF |
| Focal length | 8–15 mm |
| Image stabilization | No |
| Lens mount | Nikon F (FX) |
| Aperture | |
| Maximum aperture | F3.5–29 |
| Minimum aperture | F4.5–29 |
| Aperture ring | No |
| Number of diaphragm blades | 7 |
| Optics | |
| Elements | 15 |
| Groups | 13 |
| Special elements / coatings | Three ED + two aspherical elements, Nano Crystal and fluorine coatings |
| Focus | |
| Minimum focus | 0.16 m (6.3″) |
| Maximum magnification | 0.34× |
| Autofocus | Yes |
| Motor type | Ring-type ultrasonic |
| Full time manual | Yes |
| Focus method | Internal |
| Distance scale | No |
| DoF scale | No |
| Physical | |
| Weight | 485 g (1.07 lb) |
| Diameter | 78 mm (3.07″) |
| Length | 83 mm (3.27″) |
| Materials | Magnesium alloy |
| Sealing | No |
| Colour | Black |
| Zoom method | Rotary (extending) |
| Power zoom | No |
| Zoom lock | No |
| Hood supplied | Yes |
| Tripod collar | No |
Articles: Digital Photography Review (dpreview.com)
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Nikon has added a sixth lens to its collection of fast F1.4 primes (the others being 24mm, 35mm, 58mm, 85mm and 105mm). The AF-S Nikkor 28mm F1.4E ED lens features nine rounded aperture blades, two ED and three aspherical elements, and Nikon’s Nano Crystal Coating. The lens is made of magnesium alloy and is sealed against dust and moisture.
As you might imagine, this is a pricey lens – it’ll go on sale in late June for $ 1999.95.
Press Release:
MELVILLE, NY (May 31, 2017 at 12:01 A.M. EDT) — Today, Nikon announced three exciting new wide-angle NIKKOR lenses to give a diverse array of users brilliant image quality and maximum versatility whether shooting vast landscapes, architecture, interiors, events and many other wide-angle applications. The new ultra-wide zoom and lightweight DX-format AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR is an excellent value for budding shutterbugs and novice shooters looking to explore a wide-angle point of view, while the new AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED is an FX-format circular fisheye zoom lens for photographers and content creators who desire a truly unique perspective. Lastly, the new AF-S NIKKOR 28mm f/1.4E ED is a superior prime lens that provides professional and advanced photographers the ultimate in wide-angle image quality. Both the AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED and AF-S NIKKOR 28mm f/1.4E ED are the latest additions to the Gold Ring Series of NIKKOR lenses, a mark identifying Nikon’s premium lens offerings.
“Nikon continues to push the limits of optical excellence, while making new perspectives more attainable than ever before with our latest wide-angle NIKKOR offerings,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “Whether a photographer is a novice learning the art of landscapes, an enthusiastic video creator or a working professional shooter, Nikon now makes the wide-angle perspective achievable for everyone.”
The AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR – Ultra-Wide Zoom Lens That’s Compact and Portable
The new NIKKOR 10-20mm is an ultra-wide-angle DX-format zoom lens that opens new perspectives and possibilities for those new to photography, and is ideal for shooting travel and scenery, real estate, large group portraits or vlogging. This new lens combines superior image quality and an attainable price to give consumers wide-angle versatility with a lens that’s remarkably compact and lightweight.
Like all NIKKOR lenses, the new AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR provides advanced optical technologies for stellar image quality in any light, whether shooting a sun-drenched coastal vista, tight spaces or the night sky. The lens features the equivalent of 3.5 stops1 of Vibration Reduction (VR) performance, to help capture sharp images while handheld or in challenging light. Additionally, it utilizes Nikon’s Pulse Motor technology for super-fast and whisper quiet AF operation- which is especially useful when recording video. The optical formula contains three aspherical elements for excellent image quality with minimal distortion even at the widest focal length.
This is a versatile lens that not only excels at shooting expansive horizons, but also offers a remarkably close working distance that’s useful for images or showing up-close details when making product-related videos or how-to content. To get closer to capture small objects with big details, the lens has a close minimum focusing distance of only 8.6 inches (0.22 meters), bringing small objects to life in glorious size.
AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED – Circular Fisheye for Photographers and Content Creators
Nikon’s first fisheye zoom gives photographers and filmmakers an FX-format lens with the look and feel of a circular fisheye and the versatility of a full-frame fisheye, all in one lens. The new lens design provides a creative circular 180-degree vertical / horizontal angle of view on full frame cameras, and zooms to a non-circular fisheye view (180-degree diagonal angle of view) on the long end of the focal range. The lens can also be used on DX-format cameras for a distinctive point-of-view and extreme wide-angle applications. When looking to push creative boundaries, the intriguing perspective from a fisheye lens should be considered to provide a distinct look to your photos and videos, such as a dramatic emphasis on a subject or an extremely wide interior point of view.
The AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED is also the latest in Nikon’s Gold Ring Series of premier lenses and features a next-generation design for high-resolution Nikon DSLR cameras. Made for advanced photographers and creators, this durable lens is constructed of lightweight magnesium alloy, and employs internal focusing (IF) to retain its compact size, even while focusing. It is also Nikon’s latest lens to use an electromagnetic diaphragm for consistent exposure during high speed shooting, or smooth exposure control while capturing video.
The optical formula of the Fisheye NIKKOR 8-15mm consists of three ED elements to reduce chromatic aberration, while two aspherical lens elements minimize coma even at the widest aperture, and enable a more compact lens size. Additionally, the front lens element is coated with Nikon’s non-stick Fluorine coat to help resist dirt, fingerprints and smudges, while Nikon’s exclusive Nano Crystal Coat helps reduce ghost and flare.
AF-S NIKKOR 28mm f/1.4E ED – The Latest in The Gold Ring Series of f/1.4 Primes in the NIKKOR Line
The new AF-S NIKKOR 28mm f/1.4E ED is Gold Ring glass that provides maximum versatility for outstanding definition and sharpness regardless of shooting scenario. With a fast f/1.4 maximum aperture and nine blade rounded diaphragm, it affords a shallow depth of field with gorgeous bokeh and stellar low light performance, making it a great choice for shooting low light landscapes, interiors and events.
The superbly balanced and solid body is composed of lightweight magnesium alloy, and features dust and water drop resistant sealing to withstand the elements, combined with a fluorine coating to resist dirt and smudges. The optical construction of the lens is engineered for the best possible wide-angle image quality. It consists of 14 elements in 11 groups, with three aspherical elements that virtually eliminate coma, aberration and distortion, with two ED glass elements that minimize chromatic aberration. The lens also uses Nikon’s Nano Crystal coat to reduce instances of ghosting and flare.
The new AF-S NIKKOR 28mm f/1.4E ED is a welcome addition to Nikon’s stable of impressive f/1.4 primes that give professional photographers and creators the highest levels of image quality and performance, which also include; The AF-S 24mm f/1.4G ED, AF-S NIKKOR 35mm f/1.4G, AF-S NIKKOR 58mm f/1.4G, AF-S NIKKOR 85mm f/1.4G and AF-S NIKKOR 105mm f/1.4E ED.
Price and Availability
The Nikon AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED will be available immediately for a suggested retail price (SRP)* of $ 1249.95. The AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR and AF-S NIKKOR 28mm f/1.4E ED will be available in late June for a suggested retail price (SRP)*, $ 309.95 and $ 1999.95, respectively. For more information on these NIKKOR lenses as well as the latest Nikon products, please visit www.nikonusa.com.
1: Based on CIPA Standard. This value is achieved when DX-format compatible lenses are attached to a DX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.
*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
| Principal specifications | |
|---|---|
| Lens type | Prime lens |
| Max Format size | 35mm FF |
| Focal length | 28 mm |
| Image stabilization | No |
| Lens mount | Nikon F (FX) |
| Aperture | |
| Maximum aperture | F1.4–16 |
| Minimum aperture | F1.4–16 |
| Aperture ring | No |
| Number of diaphragm blades | 9 |
| Optics | |
| Elements | 14 |
| Groups | 11 |
| Special elements / coatings | 3 aspherical + 2 ED element, Nano Crystal and fluorine coatings |
| Focus | |
| Minimum focus | 0.28 m (11.02″) |
| Maximum magnification | 0.17× |
| Autofocus | Yes |
| Motor type | Ring-type ultrasonic |
| Full time manual | Yes |
| Focus method | Internal |
| Distance scale | No |
| DoF scale | No |
| Physical | |
| Weight | 645 g (1.42 lb) |
| Diameter | 83 mm (3.27″) |
| Length | 101 mm (3.98″) |
| Materials | Magnesium alloy |
| Sealing | Yes |
| Colour | Black |
| Filter thread | 77.0 mm |
| Tripod collar | No |
Articles: Digital Photography Review (dpreview.com)
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Nikon is preparing for the imminent shipping of its latest APS-C sensor DSLR by issuing updates to some of its supporting software applications. New versions of Capture NX-D, Camera Control Pro, ViewNX-i and Picture Control Utility have been made available in readiness for the Nikon D7500, which will begin to be distributed in early June in some regions.
Most of the updates deal principally with compatibility for the new camera, but Nikon has taken the opportunity to tackle a few bugs and to make some minor improvements to the user experience as well.
At the same time, new firmware has been issued for the KeyMission 170, which Nikon says makes the connection between the camera and iOS version of SnapBridge more reliable.
For more information, and to download the updates, see the support pages of Nikon’s website.
Manufacturer’s information
Changes from Version 1.4.3 to 1.4.5
• Added support for the D7500.
• Added support for Picture Control > Auto.
• Changed the Crop tool 11:7 crop to 10:7.
• Improved thumbnail display quality for JPEG images that contain only small thumbnails.
Fixed the following issues:
– White would print as light grey when Use this profile when printing was selected for Color Management > Printer Profile.
– Capture NX-D would quit unexpectedly if the Retouch Brush tool was displayed in full-screen view.
Changes from Version 2.24.0 to 2.25.0
• Added support for the D7500.
• Picture Control Utility 2 can now be launched from a Picture Control > Edit button in the Image Processing panel.
Changes from Versions 1.2.4/1.2.5 to Version 1.2.7
• Added support for the D7500.
• Added support for Picture Control > Auto.
Fixed the following issues:
– Facebook login could not be used.
– Images modified using Exposure compensation or White balance with On selected for Auto Red-Eye would sometimes not display correctly.
Changes from Version 2.2.2 to 2.3.0
• Added support for the D7500.
• With the release of Camera Control Pro 2 version 2.25.0, Picture Control Utility 2 can now be launched using the Edit button next to Picture Control in the Camera Control Pro 2 Image Processing panel.
Changes from Firmware Version 1.1 to 1.2
• Made improvements regarding an issue which resulted in connections between the camera and iOS 10.2-compatible versions of the SnapBridge 360/170 app becoming unstable.
Note: Users of iOS 10.2 will also need to upgrade the SnapBridge 360/170 app to the latest version, which supports iOS 10.2.
Articles: Digital Photography Review (dpreview.com)