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Ten things we’re hoping for from the Nikon D850

25 Jul

Ten things we’re hoping for from the Nikon D850

Nikon has announced the development of a the D850 – the long-awaited successor to the D810. As we’ve come to expect from such announcements in the past, Nikon is being vague on exact details, but promises that the D850 will be ‘a formidable tool for creators who will not compromise on exceptional image quality and versatility.’

We don’t have detailed specs yet, so until more details emerge, we’ve made a wish list. Click through for ten features that we’re hoping to see either added or improved in the forthcoming D850. Feel free to add your own suggestions in the comments.

More pixels (but not too many more)

A well-processed Raw file from the D810’s 36MP sensor contains a lot of detail, but we’d expect the D850 to offer at least a modest increase in pixel count.

The D810’s resolution of 36MP is more than enough for most applications, but we’d be surprised if the D850 doesn’t come with a higher megapixel sensor. In general, more pixels means better images, but we hope that the increase in resolution is reasonably modest. After all, 36MP is fine, and more pixels = bigger file sizes, and more work for the camera’s processor.

The same or better low ISO DR

This shot from the D810 was exposed for the highlights at ISO 64 and selectively pushed by 4EV – while retaining highlights – post-capture.

One of our favorite things about the D810 is its incredible dynamic range at its true ‘base’ ISO of 64. If you’re a regular lurker in DPR comments threads you’ll know that whether or not you need more DR is still (for some reason) a topic of hot debate. We’ll save you a lot of research and just say once and for all that more dynamic range is always a good thing. More DR means greater potential for capturing a wider range of tones in a single, clean, exposure. In fact, ISO 64 on the D810 allows it to compete with medium-format image quality.

If you’re still unconvinced, read this.

The D5’s autofocus system

The D5’s 153-point AF system is superbly versatile, and much more effective in poor light than the D810’s older system.

It’s a pretty safe bet that the D5’s 153-point autofocus system will find its way into the D850. The D5 (and the D500, which uses the same AF array) offers truly state-of-the-art autofocus, including excellent accuracy in poor light (not a strength of the D810) and an extraordinarily capable 3D AF tracking system.

There’s a common misconception that AF tracking is only really useful when shooting sports, action and wildlife, but we’ve come to appreciate it for portraiture, too. Especially for kids and babies, who don’t always stand as still as photographers would like.

4K video

The D500 and D5 offer 4K video capture, with some restrictions – we’re hoping that the D850 improves on their video specification.

The D850 will probably offer some flavor of 4K video capture. If it does end up with a 42MP sensor like the one on the Sony a7R II, we’d love to see D850 provide the same kind of video resolution options as that camera, with full-frame 4K plus an option for higher-quality oversampled 4K with a Super 35 crop.

Even if the D850 doesn’t ship with a7R II-style 4K feature suite, we’d at least hope for the addition of more sophisticated highlight warnings, plus focus peaking, which is a glaring omission from the D500 and D5. Oh and the reason we’re not clamoring for on-sensor masked PDAF: the artifacts it can result in with most mirrorless cameras when shooting into back-light.

XQD support

CompactFlash has been around a long time, but XQD cards are the future. The D500 offers one XQD slot and one SD slot – we’d expect the D850 to provide the same configuration.

It’s had a good run, and honestly it’s hung around for a lot longer than we thought it would, but the venerable CompactFlash memory format has had its day. The XQD media used in the D500 and D5 is smaller, mechanically simpler, and much, much faster.

Since Nikon is pitching the D850 as having ‘high-speed capabilities,’ we’d expect that the D850 will at least offer a single XQD slot, probably with an SD slot as backup/overflow (like the D500).

An articulated, touch-sensitive LCD

The D500’s rear screen is touch-sensitive and semi-articulating. We’re hoping to see the same screen on the D850.

We’d expect the D850’s rear screen to at least offer the 2.36M-dot resolution and limited touch-sensitivity features of the D5, but we’re really hoping that it’s articulated, too. While potentially less robust than fixed displays, tilting screens are much more useful, especially for landscapes, and indeed any tripod-mounted shooting from low or high angles.

Proper electronic first-curtain shutter implementation

This is what mirror/shutter shock looks like at its worst. We’re hoping the D850 offers a more effective electronic first curtain shutter feature.

The D810 improved on the D800-series by offering electronic first-curtain shutter (EFCS) to reduce the risk of shutter shock, but in our opinion, it didn’t go far enough.

With the D850, we’d love to see Nikon implement this feature properly, which means decoupling it from the mirror lock-up drive mode. Essentially it could operate much like the existing exposure delay mode, but with a much shorter delay. When the shutter button is pressed, the shutter and mirror would lock up, and the exposure would be started electronically a fraction of a second later.

We’ve found even a quarter of a second (or less) to be long enough to allow mirror vibrations to die out. A proper EFCS implementation would go a long way to avoiding mirror and shutter-related shake, especially some of the odd results we saw with some Nikon VR lenses.

Built-in Wi-Fi (and improved SnapBridge)

Snapbridge has improved since we first encountered it in the D500, but it’s still not great. We’d expect some degree of built-in connectivity but are hoping Nikon has made a fair few steps forward.

The D810 arrived before built-in Wi-Fi was widespread in Nikon’s lineup and we’d expect the D850 to offer built-in connectivity of some kind, as opposed to being limited to using external Wi-Fi modules. Nikon’s beginner-focused ‘SnapBridge’ system provides full-time Bluetooth connection but it offers limited access to, or control over, Wi-Fi. As such, it would seem like an odd fit for a camera that promises both high speed and high resolution capture (but hey – Nikon put it into the D500, so who knows?)

If present, we’d expect the D850 to feature Nikon’s full ‘SnapBridge’ suite, which includes Wi-Fi, Bluetooth and NFC. We can only hope that the company continues its efforts to improve the system.

Improved Auto AF Fine Tune

Auto AF Fine Tune is a great feature, but there’s room for improvement. We’re hoping that Nikon has refined it in the D850.

The D5 and D500 offer automated AF point calibration, but it’s not as useful – or as easy to use – as we’d like. Since higher resolution bodies require even greater AF precision, we’d love for Nikon to do some work on this feature in the D850. Specifically, we’d like to see the Auto AF Fine Tune extended to all AF points, not just the center point, and we’d like to be able to calibrate for different subject distances, and for ends of a zoom lens’s range. We’d also like calibration to be made more consistent – often the obtained value varies every time you try it.

In theory, if Auto AF Fine Tune could be improved along these lines, the D850 owner would be able to all-but guarantee accurate autofocus on each of his/her lenses, in any shooting condition. This has become expected, thanks to mirrorless.

Smaller body, illuminated controls

If you’ve ever shot at night, or early in the morning, you’ll appreciate the value of backlit controls. Will the D850 inherit this feature from the D5 and D500? We hope so.

The D810 is a pretty beefy camera, and not the most comfortable DSLR to hold and use for extended periods of time. We’re really hoping that the Nikon D850 gets slimmed-down a little, in the same way as we’ve seen with the D750 and D7500.

Another feature that we’d like to see included in the D850 is backlit controls. The ability to illuminate key control points in the D5 and D500 is extremely useful for low light and night shooting.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon patents 35mm F2.0 lens for camera with curved full frame sensor

23 Jul
Nikon’s never-released DL18-50. Did Nikon abandon this series of 1-inch sensor compacts in order to focus on creating a full-frame mirrorless camera?

A new Nikon lens patent is causing quite a stir in the photo world today, but it’s not because of the lens itself. Instead, the patent has people excited because it describes a lens that is made for a curved full-frame sensor, possibly inside a mirrorless camera.

The latter bit is pure speculation—as Nikon Rumors points out, “the patent does not provide sufficient technical information to determine if this is a mirrorless or a DSLR lens,” especially since Nikon has patented curved sensors in the past—but the 35mm F2.0 lens described is definitely made to work with a full-frame curved sensor.

It’s possible this camera could be a fixed-lens system, bypassing the need to design multiple lenses or figure out how to make zoom lenses work on a curved sensor. For that matter, it’s also possible this design never makes it to market. But the fact that Nikon is dabbling in patents here, spending R&D time and money on some real innovation, is at least mildly heartening.

With multiple curved sensor patents and prototypes out in the wild, the correct question now seems to be “when” rather than “if” this technology will make it to the general public. Well, “when” and “who will get there first?”

You can see more diagrams from this patent here: P2017-125904A. And, of course, feel free to speculate your heart out in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon expands D750 shutter recall yet again, more cameras affected

14 Jul
The Nikon D750 shutter unit has been causing problems for 2 years. Photo: Nikon

It seems Nikon D750 shutter issues are still plaguing the company 2 full years after it initially issued a recall on some serial numbers produced between October 2014 and June 2015. In another update issued yesterday, Nikon expanded the recall to include more cameras—specifically: models produced between July 2014 through September 2014 and from July 2015 through September 2016.

This issue first cropped up on the Nikon advisory page in July of 2015. At the time, Nikon claimed the issue—which could result in the shutter shading a part of your photo—was limited to units made in October and November of 2014.

Then, in February of 2016, Nikon expanded the recall to include units made between December 2014 to June 2015.

Today’s update makes three, and expands the recall to include units manufactured between July 2014 to September 2014 and those made between July 2015 and September 2016. If you’re keeping score, that means that affected units were being manufactured from July of 2014 all the way through September of last year.

Check your serial number using Nikon’s website to find out if your camera is affected. Photo: Nikon

As with the original advisory and the previous update, D750 owners can check to see if their camera is affected by using Nikon’s serial number lookup tool at this link. If your camera is affected, that tool will provide instructions on sending your D750 to Nikon for repair free of charge regardless of warranty status.

Read the full service advisory text below for more details.

UPDATED NIKON D750 SERVICE ADVISORY AS OF JULY 12, 2017.

Technical Service Advisory for users of the Nikon D750 digital SLR camera

Thank you for choosing Nikon for your photographic needs.

In February of 2016, we announced in an update that the shutter in some Nikon D750 digital SLR cameras manufactured between October 2014 through June 2015 may not function normally, sometimes resulting in a shading of a portion of images. Since that time, we have learned that the same issue may affect D750 cameras manufactured from July 2014 through September 2014 and from July 2015 through September 2016.

For those who have already purchased a D750 and would like to have their camera serviced for this issue, free of charge, Nikon service centers will service cameras as indicated below. We sincerely apologize for any inconvenience this issue may have caused.

Identifying affected D750 cameras

To check whether or not your camera may be one of those affected by this issue, click the Check Your Serial Number link below and enter your D750’s serial number as instructed.

If your D750 camera is one of those that may be affected, instructions for obtaining service will be displayed. If your D750 camera is not one of those to which this issue may apply, rest assured that service to your D750 camera as to this issue is not necessary and you may continue using your D750 camera without concern for this issue.

Check Your Serial Number

The camera’s serial number is the 7-digit number indicated by the red frame in the image above.

Resolution

If your D750 camera may be affected, as confirmed with the serial number check above, you will be provided with the necessary information to obtain service for this issue free of charge. Once your D750 camera is received by Nikon, your D750 camera’s shutter will be examined and replaced, and your D750 camera returned to you free of charge, even if your D750 camera warranty has expired.

We sincerely apologize for any inconvenience this matter may have caused you.

Nikon will continue to take all possible measures to further improve product quality. Therefore, we hope that you will continue to choose Nikon for your photographic needs.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon releases several firmware and software updates, adds new features to the D5

13 Jul

Nikon has pushed out several updates today, increasing its D5 firmware from version 1.10 to 1.20, its D500 firmware from version 1.00 to 1.12, and its Coolpix B700 firmware from version 1.2 to 1.3. In addition to updating camera firmware, the company also updated its ViewNX-1 software from version 1.2.7 to 1.2.8, and its Camera Control Pro 2 software from version 2.25.0 to 2.25.1.

All of the updates are minor with the exception of the D5 firmware update, which brings a substantial number of changes including new features and a handful of bug fixes. The full change-logs for each update are listed below.

The updates are available via the following links:

  • Nikon D5
  • Nikon D500
  • Nikon Coolpix B700
  • Camera Control Pro 2
  • ViewNX-i

D5 Firmware Version 1.10 to 1.20:

  • Added two new AF-area modes: group-area AF (HL) and group-area AF (VL). The user selects a row (HL) or column (VL) of focus points; when AF-C is selected for focus mode, the camera will give priority to the point in the selected row or column containing the subject closest to the camera.
  • Updated the photo info display to show the color temperature for photos taken with Auto selected for white balance.
  • Added an Exif tag listing the difference between the local time zone and UTC, part of the Exif 2.31 specification.
  • Added the support for the following features of AF-P lenses:
    • If the standby timer expires after the camera has focused, the focus position will not change when the timer is reactivated.
    • In manual focus mode, the focus indicator in the viewfinder (or in live view, the focus point selected in the monitor) will flash to show that infinity or the minimum focus distance has been reached by rotating the focus ring.
  • Changed the checks performed when Clean image sensor > Clean now is selected in the SETUP MENU. We recommend that you perform image sensor cleaning after updating the firmware.

Fixed the following issues:

  • The higher the amount of Active D Lighting selected when optional flash units were used with auto aperture (AA), non-TTL auto (A), or distance-priority manual (GN) flash mode, the more the resulting images would be underexposed.
  • Changes to exposure (including exposure compensation) would not be reflected in the photo live view exposure preview while the display was zoomed in.
  • Photo live view display WB could not be selected in the i-button menu while the exposure preview was displayed in photo live view.
  • Taking long bursts of photos with On selected for Network > Options > Auto send would sometimes drastically slow the recording of data to the memory card.
  • Reduced the amount of time needed to connect to hidden SSIDs when WPA-PSK or WPA2-PSK is selected for Authentication.
  • Updated some help text.

Notice

Users of the software listed below will need to update to the following versions to support the changes in this firmware update:

    • Camera Control Pro 2 version 2.25.1 or later
    • ViewNX-i version 1.2.8 or later

Coolpix B700 Firmware 1.2 to 1.3

  • Fixed an issue that prevented the camera charging when connected to an AC charging adapter with Off selected for Charge by computer.

Nikon D500 Firmware 1.12 to 1.13

  • Fixed an issue that interfered with pairing or resulted in unreliable connections when the camera was used with the Android edition of the SnapBridge app.

Camera Control Pro 2.25.0 to 2.25.1

  • Added support for D5 “C” firmware version 1.20.
  • Added Group-area AF (HL) and Group-area AF (VL) options to AF-area mode (D5 “C” firmware version 1.20).

ViewNX-i 1.2.7 to 1.2.8

  • Added support for D5 “C” firmware version 1.20. Users can now:
    • View focus points for images taken using group-area AF (HL) and group-area AF (VL)
    • Use File and Camera Information to view the color temperature for photos taken using auto white balance

Articles: Digital Photography Review (dpreview.com)

 
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Nikon releases limited edition camera posters for 100th anniversary

12 Jul

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If a gunmetal grey Nikon D5 doesn’t really suit your fancy, and the thought of weighing down your stationary with a crystal Nikon effigy just doesn’t get the blood pumping, then maybe Nikon’s latest 100th anniversary product will hit the spot. Nikon has teamed up with portfolio and printing company Level.Press to create a series of limited edition camera posters that are actually pretty sweet.

There are 10 posters in all, each of them showcasing a different iconic Nikon camera model alongside the year the model was released as well as a small blurb about that model’s history. In order, they are the Nikon I, Nikon SP, Nikon F, the Calypso, Nikon Photomic FTn, Nikon F2 Photomic, Nikon F3, the Nikonos-V, the Nikonos-RS and the Nikon D1.

“These ten designs, each of an iconic Nikon camera and limited to just 100 first edition prints, will be printed on archival fine art paper, hand-numbered, embossed with a special seal and beautifully framed to your liking by Level Frames,” reads the product description on Level.Press. “Beautiful enough to adorn a home, office or studio, these 19.5″ x 19.5″ limited edition posters are the perfect gift for yourself or anyone passionate about photography and the simple, functional, classic design of these historic Nikon cameras.”

Perfect if you can afford them… that is. Given the high quality of the prints and the limited run, the framed posters sell for between $ 127 and $ 173 depending on how much matting you want. Not bad, when you really think about it, but quite a chunk of change for a poster.

Still, we like it a lot better than that crystal thing.

Articles: Digital Photography Review (dpreview.com)

 
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dPS Writer’s Favorite Lens: the Nikon 16-35mm F4

12 Jul

The Nikon 16-35mm f/4 lens is the one I use the most – here’s why!

As a full-time photographer, you quickly notice that your camera bag is constantly getting heavier and heavier as you find new equipment or gadgets that you need want. I’m not nearly as “bad” as many other photographers when it comes to purchasing gadgets and gear but I do have two camera systems and several lenses and extra equipment that I use on a regular basis. My main reason for having two systems is to have a lighter camera (the Fujifilm X-T2) for hikes but it’s also comforting to have a backup system in case something happens.

Nikon 16-35mm lens

I frequently get asked about the equipment I use, but the one question that sticks out the most is, “What is your most used or favorite lens?” This question is slightly difficult to answer as I have more than one favorite and it really depends on the situation. For example, if I’m photographing abstract shots I often use a telephoto zoom, while during the night I heavily rely on my ultra-wide angle Nikon 14-24mm. However, by looking at which lens I use the most and have relied upon more than the others, the question isn’t that hard to answer – it’s my beloved Nikon 16-35mm f/4.

Admittingly, when purchasing a Nikon D800 a few years back (which was my first full-frame camera), the Nikon 16-35mm was my lens of choice. For more than half a year it was the only lens I owned for this system. The lens is by far one of the most popular for those who use a full-frame Nikon camera but trust me, it’s not without a reason.

Wide Enough

Nikon 16-35mm

Landscape photography is my main genre of photography. While I’m often attracted to smaller scenes and more intimate shots, the majority of my images are captured with a wide-angle lens as I love photographing grand landscapes. The 16-35mm isn’t the widest lens I own (you’d be surprised how big the difference between 14mm and 16mm actually is) but it’s more than wide enough for most types of landscape photography.

Since it is a wide-angle zoom and not a prime lens, it’s a good option if you’re only able to bring one lens. I often use this lens at 35mm, especially when I’m in the woods and I want to remove unwanted parts from the image. Such was the case with the image below where I zoomed in to remove the blown out sky and tops of the trees.

Distortion is also fairly low with the 16-35mm and even enlarged the image is more or less sharp even in the outer corners. This is something that’s been a common challenge amongst other ultra wide-angle lenses. Vignetting is also close to non-existent even at the widest aperture, which is great for the few times I actually need to use f/4 (quite rare with this lens).

Nikon 16-35mm

Technical Info

If you regularly follow my articles and photography you’ll know that I’m not the most technical person and I rarely spend too much time focusing on the technical aspects of the gear. I’m more focused on the images I can produce with the specific lens and image quality. Anyways, I know many of you are curious about some of these technical aspects so let’s quickly look at the specs:

  • Focal length: 16-35mm
  • Maximum aperture: f/4
  • Minimum aperture: f/22
  • Angle of view: 107° – 63°
  • Closest focusing distance: 0.29 m (1.0 ft.)
  • Filter diameter: 77mm
  • Weight: 680 g/24.0 oz.

Writer's Favorite Lens: the Nikon 16-35mm F4

With a 77mm filter size, this lens is compatible with standard sized square filter systems such as the NiSi V5 Pro Holder (100mm square filters). That means that you don’t need a new filter system in order to use them on this lens. That’s something which is valuable for me personally as carrying more equipment than is actually needed can be exhausting on longer hikes.

Focus and Sharpness

I really love that you can focus almost directly in front of the lens, making it possible to place foreground elements extremely close in order to add extra depth in the images. As a landscape photographer I mostly use manual focus but whenever I’m without my tripod and I use the autofocus on this lens, I’m very satisfied. The lens easily focuses and the image looks sharp even when using a semi-slow shutter speed handheld.

Writer's Favorite Lens: the Nikon 16-35mm F4

Did I mention that it’s sharp? It’s incredibly sharp. In fact, it’s probably the sharpest Nikon lens I have ever tried. Still, several years after purchasing it I’m blown away at times by how sharp the images are when viewing large (zoomed in or 1:1).

The Negatives

I’ve been sitting here for a while trying to think of things I dislike about the Nikon 16-35mm f/4 but there’s honestly not much bad I can say. It’s by far one of the best lenses I’ve ever used and despite it being released in 2010, it’s still considered to be one of Nikon’s flagship lenses.

Writer's Favorite Lens: the Nikon 16-35mm F4

My only negative comment is that f/4 isn’t always enough. For night photography, you want to use the largest aperture possible to capture as many details in the sky as you can. In that case, the Nikon 16-35mm is not the ideal lens. However, we can’t expect everything in one lens, right?

Conclusion

Even though it was the first lens I purchased for my first full-frame camera and is a relatively old lens, it still remains my most used. Unless Nikon comes with a mindblowing update to it, I can’t see myself replacing this lens anytime soon.

The Nikon 16-35mm f/4 will continue to be my most used lens in the time to comes. It’s a lens I highly recommend to anyone wanting to get started with wide-angle photography.

The post dPS Writer’s Favorite Lens: the Nikon 16-35mm F4 by Christian Hoiberg appeared first on Digital Photography School.


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Nikon reveals full-frame AF-P Nikkor 70-300mm F4.5-5.6E ED VR

11 Jul

After introducing an AF-P 70-300mm telezoom for its crop-sensor DSLRs last year, Nikon is adding a full-frame version to the mix. The AF-P Nikkor 70-300mm F4.5-5.6E ED VR is the first FX Nikkor lens to offer a pulse (stepping) motor, with quieter autofocus ideal for video shooters.

It claims 4.5 stops of stabilization, which is two stops better than 2.5 claimed on Nikon’s website for the current 70-300mm F4.5-5.6. This updated version also provides a shorter minimum focus distance of 1.2m / 3.94ft (compared to 1.5m / 4.9ft), ‘dust and drip resistance,’ a 9-blade aperture and an ED element to reduce chromatic aberration. It also has electronic aperture control for smooth exposure transitions while shooting video and bursts.

The AF-P 70-300mm F4.5-5.6E ED VR will sell for $ 700 with availability to be announced later.

NIKON INTRODUCES NEW FULL-FRAME TELEPHOTO ZOOM LENS: THE AF-P NIKKOR 70-300MM F/4.5-5.6E ED VR

MELVILLE, NY (July 11, 2017 at 12:01 A.M. EDT) – Today, Nikon announced the new AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR, modernizing this popular zoom lens with a myriad of the latest Nikon technologies. The new lens features enhanced Vibration Reduction (VR) image stabilization capability and integrates a stepping motor for fast and quiet AF performance, making it Nikon’s first full-frame AF-P lens. This new NIKKOR lens is a versatile, compact telephoto option for intermediate FX and DX-format photographers looking to capture sports, wildlife, candids, travel and other subjects at long distances, all with stunning clarity.

“This latest lens reaffirms Nikon’s commitment to giving FX-format shooters of all levels the unparalleled quality of NIKKOR glass, with the benefits of our latest optical technologies,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc.

Updated with the Latest NIKKOR Lens Technologies
Whether capturing a baseball game from the bleachers or the sights of a scenic vacation, the new AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR is a versatile lens that helps users capture sharp images and video, even in challenging light. The new AF-P NIKKOR 70-300mm is lighter than its predecessor, despite packing new technologies that help those shooting photos and video achieve stellar results. Enhancements to the lens include:

  • Improved Vibration Reduction (VR) System: The new AF-P NIKKOR 70-300mm lens provides users with up to 4.5 stops* of VR stabilization, to help create sharp photos and smooth video, even in low light or while handheld. Users can choose from either Normal or Sport VR Modes for added stability when shooting from a non-stationary location.
  • Lightweight with Stepping Motor Technology: This AF-P lens uses a stepping motor for fast and quiet autofocus, which reduces the sound of lens operation while recording HD or 4K UHD video. This new technology also contributes to the lens’ reduced weight, making it easy to carry on all-day excursions.
  • Electronic Diaphragm: This lens takes advantage of the fast burst speed of Nikon DSLR cameras, as the Electronic Diaphragm not only provides smooth exposure transitions during video capture, but also helps maintain consistent exposure during high-speed shooting, such as when photographing sports.
  • Get Close: The AF-P NIKKOR 70-300mm lens features a minimum focus distance of only 3.94 ft. (1.2 meters) and a reproduction ratio of 0.25x, letting users get even closer to capture the most extravagant details, even at 300mm.
  • Lens Construction: The lens features dust and drip resistance, along with a metal lens mount for durability. It features a 9-blade diaphragm for a natural, circular bokeh. The lens also features an ED element to significantly reduce instances of chromatic aberration.

Price and Availability
The Nikon AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR lens will have a suggested retail price (SRP) of $ 699.95**, and availability will be announced at a later date. For more information on this new NIKKOR lens as well as the latest Nikon products, please visit www.nikonusa.com.

*Based on CIPA Standard. This value is achieved when FX-format compatible lenses are attached to a FX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.

**SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time. Specifications, equipment and release dates are subject to change without any notice or obligation on the part of the manufacturer.

AF-P Nikkor 70-300mm F4.5-5.6E ED VR specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 70–300 mm
Image stabilization Yes (4.5 stops)
Lens mount Nikon F (FX)
Aperture
Maximum aperture F4.5–32
Minimum aperture F5.6–40
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 18
Groups 14
Special elements / coatings 1 ED element
Focus
Minimum focus 1.25 m (49.21)
Maximum magnification 0.25×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Extending front
Distance scale No
DoF scale No
Focus distance limiter No
Physical
Weight 680 g (1.50 lb)
Diameter 81 mm (3.17)
Length 146 mm (5.75)
Sealing No
Colour Black
Zoom method Rotary (extending)
Power zoom No
Filter thread 67.0 mm
Hood supplied Yes
Hood product code HB-82
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Nikon issues battery recall: Overheating batteries from 2012 still causing problems

10 Jul

If you purchased a Nikon D800, D800E, D7000 or Nikon 1 V1 and are still shooting with the original EN-EL15 battery, or if you’ve ever purchased a spare EN-EL15 off the shelf, listen up. There’s a small chance you’re using a defective battery that could pose a danger to yourself and your camera body.

In an update to a recall first announced all the way back in 2012, Nikon is asking owners of certain EN-EL15 batteries to get in touch with the company about getting a complimentary replacement.

“The [affected] battery pack can experience a short circuit causing it to overheat and possibly causing the outside casing to become deformed, posing a potential hazard to consumers,” writes Nikon. “There have only been seven (7) confirmed reports of incidents of the problem worldwide, and while no injuries have taken place, Nikon Inc. has initiated this recall of the affected lot numbers as a reflection of its commitment to safety and product quality.”

Affected batteries can be identified by the serial number. If the 9th number of the serial on the back is either an “E” or an “F” your battery is affected, and you should reach out to Nikon Inc. through this form to get a replacement. Do not dispose of the battery in the trash. You’ll need to give the defective battery to the UPS guy who brings you the new battery in exchange.

You can read the full recall text below:

EN-EL15 Rechargeable Li-ion Battery Pack Recall

UPDATED EN-EL15 SERVICE ADVISORY AS OF JUNE 20, 2017. Technical Service Advisory for users of the EN-EL15 rechargeable lithium-ion battery pack.

Nikon Inc. is asking your cooperation in connection with a voluntary recall of certain lot numbers of its Nikon Model EN-EL15 rechargeable lithium-ion battery pack. The battery pack can experience a short circuit causing it to overheat and possibly causing the outside casing to become deformed, posing a potential hazard to consumers. There have only been seven (7) confirmed reports of incidents of the problem worldwide, and while no injuries have taken place, Nikon Inc. has initiated this recall of the affected lot numbers as a reflection of its commitment to safety and product quality. We are asking that owners of the affected battery pack contact Nikon Inc. to initiate a free product exchange.

The Nikon EN-EL15 battery pack is provided as a supplied accessory with the purchase of Nikon’s digital SLR D800, D800E, D810A, D810, D610, D600, D7200, D7100, D7000, D500 cameras and the Nikon 1 V1 advanced camera with interchangeable lens. However, EN-EL15 batteries supplied with D810A, D810, D610, D600, D500, D7200, D7100 are not included in this voluntary recall. It is also sold separately at retail under Nikon’s model number 27011. The EN-EL15 battery pack involved in this recall was first distributed by Nikon in March 2012 and is still being sold at retail.

No other Nikon battery packs are involved in this recall.

Nikon’s digital SLR D800, D800E, D810A, D810, D610, D600, D7200, D7100, D7000, D500 cameras and the Nikon 1 V1 advanced camera with interchangeable lens as well as any other Nikon cameras are also not subject to this recall.

What you should do:

1.) Determine if your EN-EL15 battery pack is affected
This voluntary recall is limited to EN-EL15 battery packs in lots E and F. First, please confirm that “EN-EL15” is printed on the label of your battery pack. Then, please locate the 14-digit lot number beside the recycle symbol, as shown on the photo below.

  • If the 9th character of the lot number is E or F, your battery is among those being recalled.
  • If the 9th character of the lot number is any other letter, your battery is not affected by this recall.

Click here to use our lot number lookup tool.

2.) If your EN-EL15 battery pack is affected

  • Immediately remove the battery from your camera or camera bag, but please do not dispose of it.
  • Complete the Nikon’s online EN-EL15 battery exchange form by clicking this link.
  • Once your request is processed Nikon will send a confirmation email.
  • On the day of your battery exchange, UPS will contact you by phone and email notifying you of the delivery.
  • A UPS courier will then deliver your new battery pack(s) AND collect the recalled battery pack(s).
  • Someone needs to be present for this exchange. If you need to make special arrangements, please contact UPS.

3.) If your EN-EL15 battery pack is not affected

No further action is needed. Please continue using your EN-EL15 battery pack as usual.

Nikon is committed to safety and to providing to its customers only the highest quality products. We regret any inconvenience this matter may cause you and appreciate your continued support of Nikon and its products.

If you have any additional questions or concerns, please contact Nikon at 1-800-645-6687.

Articles: Digital Photography Review (dpreview.com)

 
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These Nikon videos break down the gear and settings you need to shoot the eclipse

08 Jul

The total solar eclipse that’s about to take place next month presents an extremely rare photo opportunity. We have some pointers (and a little bit of opinion) coming at you from an expert in the coming days, but in the meantime, the folks at Nikon have put together a useful pair of tutorial videos that will help you nail that perfect eclipse shot when the time comes.

To be clear: these videos were created by the Nikon USA YouTube channel. To that end, there are a few points in the gear video specifically where the branding is laid on pretty thick; however, if you can get past the PR, the information is very useful and, in fact, brand-agnostic. Photographer Lucas Gilman knows his stuff.

Nikon broke down their tutorial into two 3-minute videos: Gear & Prep and Camera Settings. If you’re planning to shoot the eclipse, grab yourself a pen and pad, scroll down, and click play.

Part 1: Gear and Preparation

The first stop on the gear and prep train is safety—get proper eye protection and slap a solar filter onto your lens to prevent sensor damage. Then, Gilman touches on the kind of camera and lens you should choose.

For his needs, he’s picked a D500 APS-C body for a bit of extra reach, and a Nikkor 200-500mm lens attached to a Nikon 1.4x teleconverter.

Finally, Gilman outlines some of the accessories you’ll want to bring along. Namely: a stable tripod, extra memory cards, a few fully charged batteries, and a cable release.

Camera Settings

Now that you have the proper gear, it’s time to set up your camera. In the second video, Gilman discusses how to determine the proper exposure for two key eclipse shots: a closeup of the sun at totality and photographing the crescent.

While your settings will obviously vary depending on the conditions on the day you’re out there shooting, the tips in the video above will get you most of the way there.


Photos courtesy of Nikon USA

Articles: Digital Photography Review (dpreview.com)

 
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Nikon D7500 gallery update: more photos, Raw conversions

05 Jul

The Nikon D7500 is proving to be an outstanding general-use stills body. As we’re finishing up the full review on the camera, we wanted to share some additional images as well as a handful of Raw conversions (made using beta profiles in Adobe Camera Raw).

You’ll have to wait juuuuust a little longer to find out how the D7500 stacks up against the competition, but if you couldn’t already tell from the photos in the gallery, we’re having a lot of fun shooting with it.

See our Nikon D7500 sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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