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Posts Tagged ‘mirrorless’

Manager says Canon is willing to cannibalize DSLR sales with mirrorless cameras

06 Mar

Scroll through your photo news feeds this morning, and you’ll get a lot of “Canon manager confirms: Canon is shifting focus from SLRs to mirrorless” type headlines. But you may want to wait before you grab your hammer and smash that piggy bank in anticipation of new high-end mirrorless option from Canon, because the ‘manager’ in question confirmed no such thing.

The reports we’re seeing are based on a late-February report in Nikkei Asian Review titled, admittedly, “Canon shifts focus from SLR to mirrorless cameras.” The article was written the day after Canon released the M50 mirrorless camera, and in it, Nikkei quotes the president of Canon Marketing Japan, Masahiro Sakata, who identified mirrorless as a ‘growth market’ that Canon needed to invest in:

[Canon must] actively roll out products for a growth market even if there is some cannibalization.

Needless to say, this is not the same as confirming that “Canon is shifting focus from SLR to mirrorless cameras.”

The quote is still intriguing, however, especially in the light of recent shipment and sales numbers out of Japan. Quoting last year’s CIPA numbers, Nikkei points out that the Japanese market for interchangeable lens cameras dropped by 10% while mirrorless increased by just over 29%.

Over the years, the generally accepted narrative has been that Canon doesn’t want to invest in mirrorless because it will cannibalize its SLR sales. Sakata’s statement indicates that those days are over—Canon has noticed the industry trends, and is willing to “actively roll out” mirrorless cameras even if it means eating into sales of its affordable DSLRs.

Canon wants to be more active in the mirrorless space, but that doesn’t necessarily mean ‘high-end’ mirrorless like the full-frame Sony a7 III

When it comes to high-end mirrorless, however, Sakata was much more reserved. He tells Nikkei that Canon will “look at the timing and consider [releasing a high-end mirrorless cameras],” which makes it seem like Canon’s immediate mirrorless future might look more like the M50 than Sony’s a7 line.

Of course, only time will tell, and rumor sites are still speculating that Canon (and Nikon) will both debut full-frame mirrorless offerings at Photokina 2018. We just wouldn’t take these sparse quotes from Masahiro Sakata as “confirmation” that this will, in fact, happen.

Articles: Digital Photography Review (dpreview.com)

 
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Sony launches a7 III: sub-$2000 24MP full frame mirrorless with a7R III’s advances

27 Feb

Sony has announced the a7 III, a sub-$ 2000 image-stabilized 24MP full frame mirrorless camera that incorporates many of the features and improvements brought in with the a7R III. Primary among these are the introduction of a BSI sensor, along with the larger capacity ‘Z’ battery, AF joystick and the EyeAF feature that impressed us so much on the 42MP model.

The company says the AF system is derived from the one in the a9 and performs twice as fast as the one on the a7 II. Its 693 AF points offer 93% frame coverage and are supported by 425 contrast-detection AF points.

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The a7 III gains the same ‘Front End LSI’ pre-processor that enabled many of the feature and speed improvements in the a7R III. This includes 10 frame per second shooting that can be combined with continuous AF and a buffer of up to 177 JPEG images.

24p 4K video capture is taken from a 6K region of the sensor, while 30p shooting comes from a roughly 5K region with a 1.2x crop. The camera offers both S-Log2 and S-Log3 gamma curves for shooting wide dynamic range scenes or Hybrid Log Gamma for playing back directly on high dynamic range displays without the need for post-processing.

Both internal video capture and HDMI output remain limited to 8-bit, which can limit the degree of processing flexibility for Log footage. Internal recording is up to 100 Mbps 8-bit 4:2:0, while HDMI out is 8-bit 4:2:2, meaning twice the color resolution. It can also shoot 1080/120p, which can be output either as normal-speed video or conformed down as slow-motion footage.

As with the a7R III, the a7 III inherits the same body shape and battery first introduced in the sports-orientated a9. This not only means a more comfortable hand grip but also the NP-FZ100 battery that gave a 2.2x increase in battery life on the high-res model. The Z-type battery allows the camera to offer 610 shots per charge (710 using the rear screen). This is a little more than double that of its predecessor an the most of any mirrorless camera yet.

The larger body also means the a7 III gains the AF joystick and button layout from the a7R III, including dedicated AF-On and Protect/Rate buttons. These, along with the revised menus, made the a7R III easier than ever to configure and work with, so should be a similarly big step forward for the basic a7 series. The a7 III also gains touchscreen control.

The a7 III uses the same 2.36m dot OLED viewfinder as its predecessor, giving a 1024 x 768 pixel view, rather than the higher-res version in the a7R III. However, updated optics mean the panel now provides a larger view with 0.78x magnification, up from 0.71x on the previous camera.

In keeping with recent Sony models, there is no support for the in-camera ‘Playmemories Camera Apps.’

The camera will be available from April at a cost of $ 1999, body-only or will be available in a kit with a 28-70mm lens.

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Press Release:

Sony Expands Full-frame Mirrorless Lineup with Introduction of New ?7 III Camera

Versatile New Model Combines all the Latest Imaging Technologies into a Compact Package

  • Newly Developed Full-frame 24.2MP[i] Back-Illuminated Exmor R™ CMOS Image Sensor with Evolved Image Processing
  • Wide ISO range of 100 – 51200 (expandable to ISO 50 – 204800 for still images) and 15-Stop[ii] Dynamic Range at low sensitivities
  • World Class AF system featuring 693 phase-detection AF points covering 93% of image area, 425 contrast AF points and fast and reliable Eye AF
  • Continuous Shooting at up to 10 fps[iii] with either Mechanical Shutter or Silent Shooting[iv] and full Auto Focus/Auto Exposure tracking
  • 5-axis optical in-body image stabilization with a 5.0 step[v] shutter speed advantage
  • High Resolution 4K[vi] Movie Shooting with full pixel readout and no pixel binning across full-width of full-frame sensor
  • The longest rated battery life of any Mirrorless camera[vii] at 710 shots[viii] per charge
  • Upgraded operability and functionality including addition of joystick for adjusting focus points, Dual SD Card Slots, SuperSpeed USB (USB 3.1 Gen 1) USB Type-C™ Terminal and more

LAS VEGAS, Feb. 26, 2018 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced yet another impressive addition to their full-frame mirrorless camera lineup, the ?7 III (model ILCE-7M3).

Sony’s unmatched innovation within the image sensor space is at the forefront of the new ?7 III, as it features a brand new 24.2MPi back-illuminated Exmor R CMOS image sensor with increased sensitivity, outstanding resolution and an impressive 15 stopsii of dynamic range at low sensitivities. By combining this sensor with a variety of impressive features including extreme AF coverage of 93%, fast shooting at up to 10 fpsiii with either mechanical shutter or silent shootingiv, diverse 4Kvi video capabilities and more, Sony has created a new tool that gives all types of creators – from enthusiast to professional – the ability to capture content in new and different ways than they ever have before.

“We are continually pushing to deliver more for our customers – more versatility, more functionality and most importantly, more innovation,” said Neal Manowitz, Vice President of Digital Imaging for Sony Electronics. “With the new ?7 III, we’ve taken many of our newest and most advanced imaging technologies from the acclaimed ?9 and ?7R III models and paired them with an all-new 24.2 MP back-illuminated sensor to deliver the ultimate full-frame camera for enthusiasts, hobbyists and professionals alike. It’s a camera that punches far above its weight class in every capacity. Combined with our impressive selection of 26 native full-frame E-mount lenses, it provides a level of performance that is simply unmatched in the industry.”

Spectacular Full-frame Image Quality

The newly developed 24.2MPi back-illuminated Exmor R CMOS image sensor is paired with a front-end LSI that effectively doubles the readout speed of the image sensor, as well as an updated BIONZ X™ processing-engine that boosts processing speed by approximately 1.8 times compared to the ?7 II. These powerful components work together to allow the camera to shoot at faster speeds while also enabling its impressive ISO range of 100 – 51200 (expandable to ISO 50 – 204800 for still images) and an overall 1.5 stopix improvement in image quality. The camera also features a massive 15-stopii dynamic range at low sensitivity settings, ensuring outstanding overall performance at all settings and in all shooting conditions, with significant advancements in accurate color reproductions of skin tones and the vibrant colors of nature.

This new full-frame model can also output 14 bit RAW format[ix] even in silent and continuous shooting modes, and is equipped with a 5-axis optical image stabilization system that results in a 5.0 stepv shutter speed advantage.

Significant Advances in AF Speed and Performance

The innovative new ?7 III full-frame mirrorless camera features a level of AF performance that has been largely improved over the ?7 II, including the addition of 4D FOCUS™ capabilities. The new camera has 425 contrast AF points that work with a 693-point focal-plane phase-detection AF system inherited from the acclaimed ?9 model. This innovative AF system covers approximately 93% of the frame, ensuring reliable focusing and tracking for even the most difficult to capture subjects.

AF response and tracking has also been greatly improved in the new camera, with almost 2xii the focusing speed in low-light condition and 2xii the tracking speed compared to the previous model as a result of the faster image sensor readout. This allows complex and unpredictable motion to be captured with far greater precision and accuracy.

The acclaimed Eye AF feature is also available in the new camera, even in AF-C mode, which is extremely useful for situations where the subject is turning around, looking down or otherwise obstructed. It also works when the ?7 III is being used with Sony’s A-mount lenses with an optional LA-EA3 adaptor[x]. Additional improvements in focusing flexibility include the addition of a multi-selector or ‘joystick’ for moving focusing points quickly, the addition of touch focusing capability, AF availability in Focus Magnifier mode, an ‘AF On’ button and much more.

Speed to Capture Every Decisive Moment

The new ?7 III is equipped with an updated image processing system that allows it to shoot full resolution images at up to 10 fpsiii with continuous, accurate AF/AE tracking for up to 177 Standard JPEG images, 89 compressed RAW images or 40 uncompressed RAW images[xi]. This high speed mode is available with either a mechanical shutter or a completely silent shootingiv, adding to the immense flexibility of the camera. The camera can also shoot continuously at up to 8 fpsiii in live view mode with minimal lag in the viewfinder or LCD screen.

For added convenience, while large groups of burst images are being written to the memory card, many of the cameras key functions are operable, including access to the ‘Fn’ (Function) and ‘Menu’ buttons, image playback and several other menus and parameters including image rating and other functions that facilitate on-location image sorting.

Additionally, if there is fluorescent or artificial lighting present in a shooting environment, users can activate the Anti-flicker[xii] function to allow the ?7 III to automatically detect frequency of the lighting and time the shutter to minimize its effect on images being captured. This minimizes any exposure or color anomalies that can sometimes occur at the top and bottom of images shot at high shutter speeds.

High Quality 4K Video

The new ?7 III is an outstanding video camera as well, offering 4Kvi (3840×2160 pixels) video recording across the full width of the full-frame image sensor. In video mode, the camera uses full pixel readout without pixel binning to collect about 2.4x[xiii] the amount of data required for 4K movies, and then oversamples it to produce high quality 4K footage with exceptional detail and depth.

An HLG (Hybrid Log-Gamma)[xiv] picture profile is available on the ?7 III as well, which supports an Instant HDR workflow, allowing HDR (HLG) compatible TV’s to playback beautiful, true-to-life 4K HDR imagery. Further, both S-Log2 and S-Log3 are available for increased color grading flexibility, as well as Zebra functionality, Gamma Display assist and proxy recording. The camera can also record Full HD at 120 fps at up to 100 Mbpsvi, allowing footage to be reviewed and eventually edited into 4x or 5x slow motion video files in Full HD resolution with AF tracking.

Upgraded Build, Design and Customization

Sony’s newest full-frame camera is equipped with a variety of enhanced capabilities that were first implemented in the ?9 and then again in the ?7R III. These include dual media slots, with support in one slot for UHS-II type SD memory cards. Users have a variety of options for storing their content in each of the cards, including separate JPEG / RAW recording, separate still image / movie recording, relay recording and more. Battery life has been greatly extended as well – with a CIPA measurement of up to 710 shots per chargeviii, it offers the world’s longestvii battery life of any Mirrorless camera, as the new camera utilizes Sony’s Z series battery NP-FZ100 that have approximately 2.2 times the capacity of the W series battery NP-FW50 utilized in the ?7 II.

The new camera features “My Menu” functionality which allows up to 30 menu items to be registered for instant recall when needed. Users can also apply star ratings to their still images through the camera controls for easier image playback and review, and edit the first three characters of all still image files. Additionally, there is a total of 81 functions that are assignable to 11 custom buttons, and the camera is both dust and moisture resistant.[xv]

The ?7 III features high-resolution, high-contrast, fast-start XGA OLED Tru-Finder™ with approximately 2.3 million dots for extremely accurate, true-to-life detail reproduction. “Standard” or “High” display quality settings are also available for both the viewfinder and monitor as well. It also is capable of seamlessly transferring files to a smartphone, tablet, computer or FTP server via Wi-Fi®, while also offering a SuperSpeed USB (USB 3.1 Gen 1) USB Type-C™ Terminal for increased flexibility in power supply and faster image transfer speed during tethered shooting.

The ?7 III model also comes with Sony’s new software suite “Imaging Edge”, which extends the creative capabilities of the entire shooting process – from pre-processing to post-processing. “Imaging Edge” provides three PC applications called ‘Remote’, ‘Viewer’ and ‘Edit’, available for free download, which support live-view PC remote shooting and RAW development. In the latest Version 1.1, several improvements have been implemented including about 10%[xvi] faster data transfer speed for remote shooting from PC (PC tether shooting) and about 65%[xvii] improvement in the response speed for RAW image editing. For more information, please visit Imaging Edge support page. www.sony.net/disoft/d/.

The camera is also compatible with a wide variety of Sony E-mount accessories including the BC-QZ1 Battery Chargerxviii, VG-C3EM Vertical Grip.

Pricing and Availability

The Sony ?7 III Full-frame Interchangeable Lens Camera will ship this April for about $ 2000 US for the body and $ 2200 in a kit with the FE 28?70 mm F3.5?5.6 kit lens. In Canada, it will be sold for $ 2600 CA for the body and $ 2800 in a kit with the FE 28?70 mm F3.5?5.6 lens. The camera and kits will be sold at a variety of Sony authorized dealers throughout North America.

A variety of exclusive stories and exciting new content shot with the new ?7 III camera and other Sony ? products can be found at www.alphauniverse.com, a site built to educate and inspire all fans and customers of the Sony ? brand.

The new content will also be posted directly at the Sony Photo Gallery and the Sony Camera Channel on YouTube. Detailed information pages within Sony.com for the new products can be found at:

  • (US) – LINK
  • (CA) – LINK

[i] Approximate, effective
[ii] Sony test conditions
[iii] In continuous “Hi+” mode. Max. fps depends on camera settings.
[iv] Some distortion may occur with fast-moving subjects.
[v] CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off.
[vi] Class 10 or higher SDHC/SDXC card required for XAVC S movie recording, UHS speed class 3 or higher for 100 Mbps recording.
[vii] Among non-reflex interchangeable lens digital camera equipped with auto focus function as of February 2017, based on Sony research.
[viii] CIPA standards. When using the LCD monitor. 610 images when using the viewfinder.
[ix] Limited to 12 bits during compressed RAW continuous shooting, BULB exposure, or when Long Exposure NR is ON.
[x] With SSM or SAM lenses only. With the LA-EA3 mount adaptor. Eye AF not supported for movie recording. AF-C can only be used when the “Phase detection” AF system is selected, but focus is fixed at the first frame during continuous shooting in any mode other than “Continuous: Lo” (Hi+, Hi, Mid).
[xi] Continuous “Hi+” mode. UHS-II compatible SDXC memory card required. Sony test conditions.
[xii] Only 100 Hz and 120 Hz flicker is detected. Continuous shooting speed may decrease. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording.
[xiii] 24p recording. Approx. 1.6x at 30p.
[xiv] Connect to an HDR (HLG) compatible Sony TV via a USB cable to view HDR (HLG) movies.?
[xv] Not guaranteed to be 100% dust and moisture proof.
[xvi] The transfer speed has been measured with multiple images using ?7R III, SuperSpeed USB (USB 3.1 Gen 1), and Uncompressed RAW ( L: 7952 x 5304)?JPEG Extra fine.
[xvii] Measured with: CPU Intel® Core™ i7-6700 Processor 3.40GHz, Memory 8GB, OS Windows® 7 Professional, and Uncompressed RAW (?7R III ?L: 7952 x 5304)
[xviii] Not supplied in box

Sony a7 III specifications

Price
MSRP $ 2000
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6000 x 4000
Other resolutions 6000 x 3376, 3936 x 2624, 3936 x 2216, 3008 x 1688, 3008 x 2000
Image ratio w:h 3:2, 16:9
Effective pixels 24 megapixels
Sensor photo detectors 25 megapixels
Sensor size Full frame (35.8 x 23.8 mm)
Sensor type BSI-CMOS
Processor Bionz X
Color space sRGB, AdobeRGB
Color filter array Primary color filter
Image
ISO 100-25600
Boosted ISO (minimum) 50
Boosted ISO (maximum) 204800
White balance presets 11
Custom white balance Yes
Image stabilization Sensor-shift
CIPA image stabilization rating 5 stop(s)
Uncompressed format RAW
JPEG quality levels Extra fine, fine, standard
File format
  • JPEG (DCF 2.0, EXIF 2.3)
  • RAW (ARW 2.3)
Image parameters
  • Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps))
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (4)
Manual focus Yes
Number of focus points 693
Lens mount Sony E
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 921,600
Touch screen Yes
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.78×
Viewfinder resolution 2,359,296
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Auto
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
  • Scene Selection
  • Slow & Quick Motion
  • Movie
Scene modes
  • Portrait, Landscape, Macro, Sports Action, Sunset, Night Portrait, Night Scene
Built-in flash No
External flash Yes (via Multi Interface shoe)
Flash X sync speed 1/250 sec
Drive modes
  • Single, continuous, speed priority continuous, self-timer, bracketing (AE, white balance, DRO)
Continuous drive 10.0 fps
Self-timer Yes (2 or 10 sec; continuous (3 or 5 exposures))
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (3, 5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes
Videography features
Resolutions 3840 x 2160 (30p, 24p) 1920 x 1080 (120p, 60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p)
Format MPEG-4, AVCHD, XAVC S, H.264
Videography notes Supports XAVC S codec (100Mbps), S-Log2 and S-Log3, and HLG
Modes
  • 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 25 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 16 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Linear PCM
  • 1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo
Connectivity
USB USB 3.1 Gen 1 (5 GBit/sec)
HDMI Yes (micro-HDMI port with 4K still, uncompressed video output)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes with NFC and wireless control via PlayMemories Mobile app
Remote control Yes (wired)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-FZ100 lithium-ion battery and charger
Battery Life (CIPA) 610
Weight (inc. batteries) 650 g (1.43 lb / 22.93 oz)
Dimensions 127 x 96 x 74 mm (5 x 3.78 x 2.91)
Other features
Orientation sensor Yes
Timelapse recording No
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Tamron is working on a 28-75mm F2.8 lens for full-frame Sony mirrorless cameras

22 Feb

Tamron is working on a fast standard zoom lens for full-frame Sony E-mount cameras. Details are thin at this point, but the 28-75mm F2.8 Di III RXD will offer a minimum focus distance of 19cm/7.5in at wide-angle, will measure 11.7cm/4.6in long and weigh in at 19.4oz/1.2lb. Tamron claims the lens will offer excellent optical performance and high-quality bokeh. An ‘RXD’ stepping motor autofocus unit provides quiet operation for video applications, and the whole thing will be moisture-resistant.

Press Release

Tamron announces the development of a high-speed standard zoom lens for Sony full-frame mirrorless cameras

28-75mm F/2.8 Di III RXD (Model A036)

February 22, 2018, Commack, New York – Tamron announces the development of a new high-speed standard zoom lens for Sony full-frame mirrorless cameras, the 28-75mm F/2.8 Di III RXD (Model A036). This signals Tamron’s plans to further expand and improve its lens lineup for full-frame mirrorless cameras, in addition to its lenses for DSLR and other mirrorless camera formats.

Model A036 delivers superb optical performance, including both outstanding image quality and beautiful background blur effects (bokeh). Photographers may enjoy dynamic wide-angle expressions like never before thanks to a minimum object distance of 7.5 in at the wideangle zoom setting. Usefulness and versatility are enhanced by its compact size and light weight, measuring only 4.6 in and weighing 19.4 oz. Model A036 incorporates an all-new high-speed and precise AF driving system. The RXD (Rapid eXtra-silent stepping Drive) stepping motor unit operates with remarkable quietness, making it perfect for video use. The lens also features Moisture-Resistant Construction that is helpful in outdoor photography, plus hydrophobic Fluorine Coating that is highly resistant to fingerprints and debris. In addition, A036 is compatible with the “Direct Manual Focus (DMF)” system feature of Sony cameras, enabling this new zoom to take full advantage of the advanced functions that ensure comfortable user experiences.

PRODUCT HIGHLIGHTS

1. Superb optical performance, including both outstanding image quality and beautiful background blur effects (bokeh), provided by fast F/2.8 aperture.

2. Comfortably light weight (19.4 oz.) and compact (4.6 in).

3. Close-focusing; Minimum Object Distance: 7.5 in at wide-angle setting and 15.3 in at the telephoto position.

4. All-new “RXD” stepping motor AF unit is extremely quiet and therefore perfect for video capture.

5. Exciting next-generation design keeping the brand consistency that is ergonomically superb.

6. Moisture-Resistant Construction and Fluorine Coating for weather protection.

7. Compatible with the “Direct Manual Focus (DMF)” feature that enables Sony cameras to instantly switch between autofocus and manual focus.

* Specifications, appearance, functionality, etc. are subject to change without prior notice.

Tamron 28-75mm F2.8 Di III RXD specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 28–75 mm
Image stabilization No
Lens mount Sony FE
Aperture
Maximum aperture F2.8
Aperture ring No
Optics
Special elements / coatings Fluorine coating
Focus
Minimum focus 0.19 m (7.48)
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 550 g (1.21 lb)
Length 117 mm (4.61)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No

Articles: Digital Photography Review (dpreview.com)

 
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Why Olympus Mirrorless Cameras are Top Notch for Travel Photography

14 Feb

From entry-level to pro, the Olympus Mirrorless Four Thirds OM camera series has something for every aspirational travel photographer.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Camera – Olympus Mirrorless E-M1 with kit lens at 38mm, 1/250th, f/14, ISO 400.

Are you looking to get serious about your digital photography and move up to an interchangeable lens system? Or maybe you are looking to upgrade to a pro level weatherproof transportable system?

Are you off on a journey of a lifetime and looking to record every moment? You want to be sure there’s no danger the camera won’t be up to the task – so which will you take along?

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Camera – Olympus mirrorless E-M10 Mark II, Lumix G 20mm lens, 1/125th, f/2.2, ISO 200.

The Olympus OM Micro Four Thirds system could be heaven sent. In this article, we’ll look at the OM-D E-M10 entry-level camera and the top of the range OM-D E-M1 through almost 12 months of use.

Why Olympus mirrorless systems are phenomenal travel cameras

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus EM1, kit lens at 14mm, 1/5th of a second, f/22, ISO 3200.

This was taken handheld, showing just how good the image stabilization is on these cameras.

The important considerations for travel cameras are size and weight, versatility, durability, performance, and picture quality. Ideally, you want a light-weight system that will easily move between landscape, street, and portrait photography.

Let’s look at each of these considerations in turn.

Size and weight

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

The flagship model Olympus EM-1 weighs in at just under 500g (1.1 pounds), the smaller and lighter EM-10 at an incredible 342g (0.75 pounds). Both are smaller in size than my hand.

Incredibly, they both fit in a parka-style coat pocket when fitted with a 14-42mm kit lens. Look at the size of my Sony DSLR in this picture below to see just how much of a space saving there is comparatively.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

There are obvious advantages to the smaller cameras in regards to luggage on a plane, and carrying gear around all day. But the small size is also non-threatening if your shots include passers-by. Plus you can take it places where professional style cameras are not allowed.

The Micro Four Thirds System also means lenses are much more compact. For instance, the Olympus 75-300mm zoom lens measures 130mm and weighs in at 430g (just under a pound). The equivalent focal range for a full frame camera is 150-600mm. That kind of glass for a DSLR would weigh in at about 3kg (6.5 pounds)!

Versatility

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

There is a good range of lenses available for the Micro Four Thirds mount including ranges by Lumix and Panasonic, as well as Olympus. The range will take you from a fish-eye pancake lens, through wide-angle primes to long zooms. The image stabilization system built into the camera means the lenses are both light and affordable.

Extension rings with electronic connections to allow your lens and camera talk to each other are also available allowing you to make the best use of your available lenses. Two lenses and one converter will take you from wide-angle to macro to long zoom without missing a beat.

Durability

Both these cameras look and feel solid and durable. Having used them both for almost a year in sometimes inhospitable conditions and on long hikes, I have had no issues with these cameras or the lenses I use.

If you look at the pictures the condition is still like new. They even get taken along on motorbike and camping trips in the winter!

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M10, 40-150mm zoom at 150mm, 1/400th, f/7.1, ISO 200. Despite the dark and overcast day, the camera produced good detail straight out of the camera in this JPEG image.

Performance and Picture Quality

Firstly, I should mention I am using systems that were current when they were purchased at the beginning of 2017. They have both been upgraded since with some notable improvements. The EM-1 now has a Mark II version with a 20MP sensor rather than 16MP chip, and improved AF tracking. The EM-10 moves up from Mark II to Mark III with more minor improvements.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

The camera has a fantastic viewfinder with 100% picture coverage as well as a touch-control rear screen, a feature that will feel familiar if you use a smartphone. A massive range of buttons allows you to set up the camera to suit your style with several where you can assign the functions. The menu system will feel familiar if you’re a DSLR user. It has a very useful one-click user “Myset” comprising four customizable options for configurations that you use frequently.

My set screen - Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

The 5-axis stabilization is excellent, making handheld shooting easy and rewarding. The AF system has 81 points and is surprisingly good though tracking is not up to that of the weightier and roomier APS-C cameras. This is one of the trade-offs for having the compact size.

As the cameras use electronic viewfinders or the rear LCD screen, batteries get used up quickly. Battery packs are available, but this adds to the size. So if you attach one the camera won’t fit in a pocket anymore.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M1, kit lens at 35mm, 16mm extension tube, 0.3-second exposure, f/7.1, ISO 400. I adjusted levels in post-processing to lighten the image and create a fine art feel.

All the photographs in the article are taken with either one or the other of these two cameras, so you can judge for yourself the quality of the results. The newer versions of these cameras can only be even better.

The cameras provide great results for landscape photography, handling a range of tones well, especially with the added use of the HDR function to bring out details at both ends of the scale.

At lower ISO levels, up to 1600, there is little evidence of noise, although it increases in the dark areas as you approach that mark. Quality is acceptable up to ISO 6400, in my opinion.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M1, 82mm, 1/200th, f/9, ISO 1600. Look, I’m Pinnochio! Grab shot – love the skin tones and the AF got the near eye, spot on.

Skin tones are good, producing great portraits and color handling is great. Low light shooting isn’t a problem for this camera, especially at the lowest ISO.

Millstone beach - Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M10, Lumix 20mm, 1/80th, f/1.8, ISO 200. Fabulous colors despite the overhead canopy and reduced light.

CONCLUSION

Both of these Olympus mirrorless cameras are fantastic pieces of kit for almost every situation. Picture quality is good, handling with the stabilization is awesome, AF and exposure are solid. With an entry-price of about $ 500 for the EM-10, the value is terrific.

The pricier EM-1 is also a good value, especially when considering the price of additional lenses. A Mark I at less than $ 1100 represents astonishing value. However, I do aim to upgrade to the EM-1 Mark II when finances allow, knowing I already have a decent range of accessories for it.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M1, 75-300mm lens at 270mm, 1/40th, f/6.7, ISO 400. The quality of this shot is fantastic, just look at that tail!

As a travel camera, I don’t think these two Olympus mirrorless cameras can be beaten at their respective price points. If you are new to system cameras, the EM-10 would be a fantastic introduction, with its straight-forward layout. A more seasoned photographer may prefer the customizable options and total control of the EM-1

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M1, kit lens at 22mm, 1/60th, f/22, ISO 2000 using Aperture Priority. Straight out of the camera JPEG file. Great results even if you’re not a Photoshop fan.

Either way, you won’t be disappointed with the results. You can take that once in a lifetime trip knowing you’ll bring back images of your travels to be extremely proud to show off to friends.

The post Why Olympus Mirrorless Cameras are Top Notch for Travel Photography by Janice Gill appeared first on Digital Photography School.


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2018 Japan BCN camera rankings: Canon dominates DSLRs, tops Sony in mirrorless

18 Jan
Photo by Mario Calvo

The 2018 Japan BCN camera rankings are in, and they show that (surprise, surprise) Canon is still veritably dominating the DSLR space with 61.1% marketshare, only a slight drop from its previous 63.3% share. More impressive is Canon’s performance in the mirrorless category where Canon took the number 2 position, hitting 21.3% versus Sony’s 20.2%. Olympus beat both to take top slot in mirrorless at 27.7%, though, a small increase over its previous 26.8% marketshare.

According to BCN, Canon also topped the “digital camera with integrated lens” category, holding 27.9% of marketshare over Nikon’s 25.5% and Casio’s 17.2%. The BCN rankings also look at action cameras, which saw GoPro take top slot with 67.2% marketshare (not that this has helped the company’s outlook lately…), as well as digital video cameras, which has Panasonic on top with a 42% marketshare.

When looking at previous figures, the rankings show Nikon growing in DSLR sales while Canon and Ricoh both saw decreases. Olympus, Canon, and Sony all experienced growth in the mirrorless category, while Canon and Nikon both experienced growth in the integrated lens digital camera market.

Notably, Canon continues to show strong growth in Japan’s mirrorless market despite Sony’s recovery from the disruption caused by the 2016 Kumamoto earthquake.

That earthquake had impacted Sony’s nearby image sensors facility, which supplied sensors for both Nikon and Olympus, among others. In its early 2017 fiscal quarterly results, Olympus had noted that the 2016 Kumamoto earthquake had a negative impact on its Imaging Business sales. Likewise, Nikon had revealed its own Imaging Products Business impact during the same time, resulting in downwardly revised forecasts.

However, despite Sony’s facility restoring operations in the many months since the earthquake, Canon is still outpacing Sony in the mirrorless segment.

Though Nikon saw DSLR marketshare growth in 2017, whereas Canon saw a slight decrease, the latter company still trounces its closest competitor at 61.1% versus Nikon’s 34.4%. Whether Canon’s biggest competitors will see any significant 2018 gains on the company in their respective categories is anyone’s guess.

Articles: Digital Photography Review (dpreview.com)

 
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Rumor: Nikon’s full-frame mirrorless will sport an all new ‘Z-Mount’

13 Jan
Photo by Lilly Rum

Nikon Rumors has gotten wind of a very interesting bit of plausible speculation—at this point, we’re not comfortable calling it any more than that. According to the rumor site, the Nikon full-frame mirrorless people are hoping and praying for will sport an all-new so-called “Z-Mount”.

The name is probably still not final at this stage, but NR is reporting with some confidence that the Z-Mount will have an external diameter of 49mm and a flange focal distance of 16mm.

We obviously can’t know if these numbers represent a real mount in the works at Nikon, but we can confirm that the numbers add up. While 16mm is very short, if you have a camera with a wide enough diameter it kind of doesn’t matter. The back of the lens could be further forward than 16mm, so long as the mount doesn’t intrude.

For comparison’s sake, Sony’s E-Mount (the shortest to be used with a full frame sensor) sports an external diameter of 46.1mm and a flange distance of 18mm.

As always, we have contacted a Nikon representative for comment, and will update this post if and when we hear anything official from Nikon USA.

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DJI introduces Ronin-S stabilizer for DSLR and mirrorless cameras

07 Jan

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DJI has announced the Ronin-S, its first single-handed stabilizer designed for use with DSLR and mirrorless cameras.

It will be available in two frame sizes (referring to the frame that holds the camera), one for mirrorless cameras such as the Sony Alpha system and Panasonic GH series, and another for larger DSLRs like the Canon 5D Mark IV. Additionally, the 3-axis gimbal is fully compatible with both in-camera and in-lens stabilization systems.

DJI tells us that it put a lot of work into making the system easy to use. It comes with a tripod that screws into the base, allowing the Ronin to stand upright on its own while rigging the camera, axis locks to prevent gimbal movement during setup, and a calibration process that it describes as quick and easy. Also included is a feature called Push Mode, activated in the Ronin app, that allows users to tune settings like pan and tilt while the Ronin-S is still turned on, eliminating the need to shut down the system to make these adjustments.

The Ronin app also provides a number of features designed to automate complex camera moves. These include CamAnchor, which allows you to set designated camera positions and toggle between them, Panorama and Hyperlapse tools, and also DJI’s ActiveTrack technology. SmoothTrack enables you to adjust gimbal responsiveness on each axis, along with the ability to save profiles for later use.

The Ronin app also provides a number of features designed to automate
complex camera moves

The Ronin-S includes dedicated control buttons for both camera and gimbal, including the ability to quickly toggle between settings, activate recording on the camera, and adjust camera position using the built-in joystick.

The Ronin-S is also compatible with some very useful accessories, including a focus dial with built-in screen that can be used as a follow-focus (primarily on Sony cameras, we’re told) or used to select SmoothTrack profiles saved in the Ronin app. There’s also a cheese plate for attaching other accessories and a car mount for shooting on vehicles.

Over the past couple years we’ve seen quite a few products designed for the growing market of small production companies and emerging filmmakers, including more cameras with advanced features like Log video, as well as a number of budget-oriented cinema lenses. A compact, affordable stabilization system should be very appealing to this audience.

Pricing for the Ronin-S has yet to be announced, but DJI indicated it will be available in the second quarter of 2018. If you’re attending CES 2018 in Las Vegas you can see the Ronin-S in person at the DJI booth.

Press release:

DJI Reveals New Handheld Camera Stabilizers At CES 2018

A Redesigned Osmo Mobile 2 Turns Smartphones Into Smart Steadycams and Ronin-S Becomes DJI’s First Single-Handed Stabilizer for DSLR and Mirrorless Cameras

January 7, 2018 – DJI, the world’s leader in creative camera technology, introduced two new handheld camera stabilizers at CES 2018 – Osmo Mobile 2 and Ronin-S. Built for smartphones, DSLRs, and mirrorless camera systems, they give consumers, professional videographers and photographers new tools to capture smooth, steady videos and stunning photos wherever they go.

  • Osmo Mobile 2: The handheld smartphone camera stabilizer from DJI, redesigned for the storyteller in all of us. Using a lightweight design that supports portrait orientation, with simpler controls with cinematic zoom, a longer battery life for more filming, and intelligent features to help you share a professional-looking story wherever you go.
  • Ronin-S: DJI’s first single-handed stabilizer for DSLR and Mirrorless Cameras. Built for efficient setup and ease of use with a compact form and dedicated buttons to control camera settings and precise positioning, plus intelligent features for advanced shooting modes all designed to help bring a steady shot to any set.

“With the introduction of these two stabilizers, DJI now offers gimbal technology to help unlock the creative storyteller in everyone no matter what camera they’re using,” said Paul Pan, Senior Product Manager at DJI. “Osmo Mobile 2 offers the best in smartphone stabilization at an affordable price, and Ronin-S brings the quality of DJI’s professional gimbal technology to a new form factor that is perfect for run-and-gun filming using your favorite DSLR or mirrorless camera system.”

Osmo Mobile 2 – Redesigned for the Storyteller in All of Us

Osmo Mobile 2 is a smartphone camera stabilizer that captures smooth videos and high-definition panoramas with cinematic movement and incredible ease. DJI’s industry-leading three-axis gimbal technology cancels out movement in three directions so your video stays steady even if your hands shake or wobble, while DJI’s built in SmoothTrack technology detects and compensates for your movement of the camera to ensure a smooth cinematic shot every time.

Designed to be lightweight and portable, Osmo Mobile 2 is made from high-strength modified nylon and features a folding design that makes it perfect for all-day use. The two-way mobile clamp lets you easily pivot between landscape and portrait orientation so that you can chose the most engaging full-screen format for your audience. In addition, a 1/4” universal screw mount ensures compatibility with your favorite photography accessories, making Osmo Mobile 2 more versatile than ever.

Simpler controls let you use your phone’s camera like a professional camera with integrated settings for ISO, shutter speed and more. A new zoom slider lets you completely operate your smartphone camera from the handle and you can even produce dolly zoom, a visual effect usually created only on professional film sets.

A more powerful built-in battery system lets you film for up to 15 hours, over three times longer than the original Osmo Mobile’s battery. The new USB port enables phone charging during use and serves as a power bank for charging other electronics while on the go.

Smart software in the DJI GO mobile app unlocks intelligent photo and video features that help you create professional-looking content automatically. Videographers can use modes including ActiveTrack to automatically follow of subjects in motion, Motion Timelapse with up to five different camera positions, Hyperlapse to create dramatic time-lapse videos with the camera in motion, or stream live to popular social platforms like Facebook and YouTube. Photographers can expand their creativity with options such as Panorama, Long Exposure and LightTrail modes.

Ronin-S – Bring a Steady Shot to Any Set

Ronin-S is DJI’s first single-handed stabilizer for DSLR and mirrorless camera systems. Available in two frame sizes for either camera type, DJI’s powerful three-axis gimbal technology delivers smooth, shake-free video and crisp photos, adding a cinematic and professional look to your work.

Powerful high-torque motors support the most popular camera and lens combinations including the Canon 5D, Panasonic GH and Sony Alpha systems. Its stabilization system compensates for zoom lenses with higher magnification ratios and an external zooming barrel, while its advanced stabilization algorithms work with both in-camera and in-lens optical stabilization technology.

Capturing stabilized video has never been easier because Ronin-S was designed for easy setup and use. A new Push mode lets you adjust the pan and tilt axis by hand while the Ronin-S is powered on and axis locks speed up the setup process so you can spend more time filming and less time prepping your gear. Ronin-S has a comfortable, ergonomic curved design that helps capture smooth cinematic movements from upright to underslung positions without obstructing the camera’s display. Ronin-S also features DJI’s intelligent battery technology that can be hot-swapped during operation for extended shoots.*

Dedicated control buttons for the camera and gimbal let you toggle between SmoothTrack settings, record and stop the camera, and the high-precision joystick changes the camera position to help frame your shot perfectly. A new Sport mode allows for fast movements with tight and quick subject following speed.

Harness intelligent shooting modes on Ronin-S through the DJI Ronin mobile app to create complex camera moves automatically like Panorama, Hyperlapse, Track and CamAnchor that lets you designate specific camera positions in a scene and rotate between them on demand. Directly customize SmoothTrack settings with dedicated controls for responsiveness of each axis. Camera settings can be directly adjusted as well.**

Ronin-S is compatible with a variety of DJI Pro Accessories to capture any scene and expand your creative freedom on set or location. Supported accessories include a Focus Control Center consisting of a focusing dial and a screen allowing advanced gimbal and focus control without a mobile device, a vehicle mount solution, DJI Master Force, DJI Master Wheels, an external focus motor, and a cheese plate adapter so you can use your favorite third-party accessories. A dual-handle support will also be available for when an added level of comfort and stability is required.

Price and Availability

Osmo Mobile 2 retails for $ 129 USD and will be available exclusively for pre-order at Apple.com on January 23, 2018. Starting in early February, it will also be available at store.dji.com, DJI Flagship Stores, and DJI Authorized Retailers, with additional availability later in February at Apple Stores in select regions worldwide. For more information on all the new features and capabilities of Osmo Mobile 2, please visit www.dji.com/osmo-mobile-2.

Ronin-S will be available in the second quarter of 2018 from dji.com, DJI Flagship Stores, DJI Authorized Retail Stores, and DJI Resellers worldwide***. Pricing will be announced prior to availability. Additional information on Ronin-S can be found at www.dji.com/ronin-s.

?Osmo Shield for Osmo Mobile

Osmo Shield is a coverage plan that extends the warranty of any Osmo series product by one additional year, including accidental hardware damage coverage, that covers up to one free replacement and provides repair solutions for two years. Osmo Shield is currently available in select countries, including China, the United States, and Canada.

Photos and Videos Available for Download

Osmo Mobile 2 photos: http://bit.ly/2CGwrPf

Ronin-S photos: http://bit.ly/2lXk4E8

DJI at CES 2018

Visit the DJI booth at CES to see the new Osmo Mobile 2 and Ronin-S, and experience the entire DJI product portfolio of camera drones and image stabilization systems. Onsite activities and promotion for CES attendees at the DJI booth include:

  • Rent an Osmo Mobile 2 for free each day
  • Compete in DJI’s daily flight simulator challenge to win a DJI Spark Fly More Combo
  • Register to enter a daily raffle for Ronin-S and receive a $ 100 USD discount coupon

DJI’s main booth is located in the Las Vegas Convention Center South Hall, Level 2, booth #26002. Drone flight demos will also take place at DJI’s booth in the Central Hall, booth #14710T.

*Can be utilized with dual-handheld accessory as well

**For supported camera models

***The Ronin-S products shown at CES 2018 are prototypes and the final specs and features may vary

Articles: Digital Photography Review (dpreview.com)

 
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Hasselblad unveils XPan lens adapter for the mirrorless medium format X1D

22 Dec

Hasselblad has announced an adapter that will allow owners of its XPan film camera to mount their old lenses onto the mirrorless medium format Hasselblad X1D. The new adapter’s launch coincides with yesterday’s v1.2 firmware update for the X1D, which introduced an XPan crop mode to the viewfinder and rear LCD.

The adapter is purely mechanical and transfers no data to the camera. It is designed to accept Hasselblad’s 30mm, 45mm and 90mm XPan lenses, but will of course also take the lenses of the Fujifilm TX-1 and TX-2. All lenses in use will need to have apertures manually adjusted; focus is manual too, of course.

Interestingly, the company that manufactured the XPan lenses also manufactures the lens for the X1D, and the covering circle of the XPan models is slightly wider than those designed for the X1D, as the film the XPan lenses had to cover was wider than the sensor of the X1D.

The adapter will go on sale mid-January and will cost €180 / US $ 180 / £160 including VAT. The company says it also plans to make an adapter that will allow V system lenses to be used on the X1D, but hasn’t revealed when that adapter might see the light of day.

For more information, visit the Hasselblad website.

Press Release

Hasselblad Launches XPan Lens Adapter for the X System

Hasselblad expands its range of accessories for the X System with the new XPan Lens Adapter, allowing photographers to use their legacy XPan lenses on the award-winning X System

The Hasselblad XPan lens series was released in 1998 and the new adapter bridges the iconic optics with the latest imaging capabilities from the mirrorless X1D system, just recently benchmarking the highest score by DxO Mark. The sleek new adapter is lightweight, compact, and works seamlessly into the setup.

“The original XPan lenses inspired us when we introduced the current X1D lenses,” said Ove Bengtsson – Product Manager. “The new XPan Lens Adapter speaks to two major aspects of Hasselblad, our drive to innovate and push medium format technology such as the X1D and also to our respect for the legacy equipment that many photographers still rely on to this day. This adapter is the merger of those ideas and that’s what makes this announcement so exciting.”

Customers utilizing the new XPan Lens Adapter first are advised to update their X1D to Firmware 1.20, launched on December 19, 2017. This update also includes a new Selectable Crop Mode that features the classic proportions of the XPan system. Hasselblad will continue to support its legacy and new products alike with plans to create a V to X system adapter and a dual battery charger for the X1D.

The XPan Adapter will be available in mid-January and will retail at €179 / US $ 179 / £159 / RMB ¥ 1,580 / JPY ¥ 21,999 incl. VAT.

Supported XPan lenses:

  • 30mm f5.6
  • 45mm f4
  • 90mm f4

XPan Lens Adapter:

  • Diameter: 73mm
  • Height: 21.4mm
  • Weight: 112g

*XPan lenses are no longer manufactured nor sold by Hasselblad.

Articles: Digital Photography Review (dpreview.com)

 
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CIPA figures show disappointing October sales, but mirrorless continues to rise

05 Dec
Graph: CIPA

The Camera & Imaging Products Association (CIPA) has released its statistics for October 2017, and in contrast to previous years, we did not see the Black Friday/Thanksgiving induced spike we’re used to seeing, with month-to-month shipments remaining fairly flat (read: disappointing).

In fact, year-on-year total camera shipments in October are down a whopping 13 percent, although we did see an overall year-over-year increase of 11 percent in the digital camera market for the January-to-October timeframe, and 6 percent for ILCs. Part of this development could be due to production coming back online after the Kumamoto earthquake; however, this trend is likely to continue for another couple of CIPA reporting periods or so.

Compared to October 2016, only 78 percent of DSLRs were shipped globally, but 112 percent for mirrorless, indicating that mirrorless is continuing its rise while simultaneously cannibalizing market share from its DSLR cousins. Most of the mirrorless shipments are going to the Asia region, though, which still accounts for more than 50 percent of all mirrorless cameras shipped. Globally, mirrorless is now 36 percent of the total market for ILC.

With smartphones fulfilling most consumer imaging needs and a big manufacturer like Nikon thinking about re-entering the mirrorless segment, we’ll be watching closely to see how those numbers develop over the coming months into 2018.

Articles: Digital Photography Review (dpreview.com)

 
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CAMS unveils new camera plates for small DSLRs and mirrorless cameras

02 Dec

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Following in the footsteps of its successful Kickstarter campaign to fund the Pro Camera plate system, accessory manufacturer CAMS is looking to the crowdfunding platform once more to create scaled down plates for smaller DSLR and CSC bodies. The company hopes to raise $ 20,000 to fund a project that it says brings a host of new features to the plate and sling strap system.

The new CAMS standard and Mini Plates are designed to fit smaller camera systems while still allowing access to the battery compartment door so batteries can be changed without having to remove the plate. The plates also have their own storage slots for a spare SD card and to hold the hex key that fits the plate to the camera.

Those using Arca-Swiss type tripod heads will be able to mount the plate directly onto their tripod, while a further thread in the base allows the plates to attach to a standard 1/4in-20 tripod screw.

Here’s a quick intro to the new plates from the Kickstarter campaign:

A sling strap comes as an optional accessory and connects to the plate via a quick-opening attachment, while a hand strap can be used with the smaller lug close to the camera’s handgrip. In addition to the usual neoprene strap, the company is now offering Minima webbing strap and a Pelle leather version.

Prices start from $ 50 for either plate with no strap or $ 65 with a Minima strap. For more details, visit the CAMS Kickstarter campaign page or the CAMS website.

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