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Festival Friendly: The Canon G7 X Mark II at Sasquatch! 2016

07 Jun

Canon G7 X Mark II at Sasquatch! Music Festival

The Sasquatch! Music Festival, which takes place at the Gorge Amphitheater in the town of George in eastern Washington State, is loud, expensive, crowded, beautiful and dirty. Leaving behind the ‘expensive’ part, that about sums up why this is the fourth year I’ve attended, and why I’ve brought a camera (or three) with me each time.

The first year I went, I attended chiefly for the music (i.e., for fun). But having seen friends cover it for college publications ‘back in the day,’ I decided I had to bring a camera just to document the absolute spectacle of it all. So for that year, I had a friend with a real press pass smuggle my D700 in for me along with a couple of lenses. Ever since, I’ve been hooked, though with less smuggling – the following two years were all X100 classic all the time (100% kosher with the official rules), though that eventually resulted in some big pieces of dirt stuck in my hybrid viewfinder.

Going bananas – I was excited to see the G7 X Mark II has a screen that now tilts downward as well as upward, for easier shooting above the crowd. Of course, constant jostling from the crowd meant I still had some cropping to do to get the composition I wanted. Good thing there’s 20MP on tap. Processed and cropped to taste from Raw. F2.5 | 1/100 sec | ISO 1000 | 40mm equiv. Photo by Carey Rose.

This year, I was hoping to bring the Nikon D5 to further supplement our recent review, but the festival has gotten stricter with its ‘big camera’ policy (DPR was, shockingly, denied a press pass). And since this was a personal trip more than anything else, I didn’t want my expensive festival wristband cut off for breaking some rules. Luckily, the Canon G7 X Mark II had just arrived the day before my departure – with a capable 1″ CMOS sensor, a fast zoom lens with a useful range and sturdy metal build, what better festival camera could I have brought?

Taking the good with the bad – the G7 X Mark II’s lens can produce some nice sun stars, but at F11, you’re running into sharpness-ruining diffraction territory. With such a good amount of dynamic range available from the Raw file, I’d still take this image over a cellphone JPEG any day. Processed and cropped to taste from Raw. F11 | 1/200 sec | ISO 125 | 24mm equiv. Photo by Carey Rose.

Getting to know the Mark II

Despite my shooting full-frame Nikons for personal work, I’ve always had a soft spot for Canon compacts (my first digital camera ever was a PowerShot A75). Having extensively used the G5 X (which is, beneath its skin, very similar to the original G7 X), it’s clear that the G7 X Mark II is more refining than revolutionizing in a lot of ways. That’s not necessarily a criticism.

Sure, the sensor and lens are essentially unchanged from the Mark I to the Mark II; the sub-par continuous autofocus performance still encourages ‘Single-AF and recompose’ behavior, and the rear controls are still a little fiddly. But even so, Canon has managed to take what was already an engaging compact camera and make it appreciably better.

The view from Terrace Camping at The Gorge with the G7 X Mark II at maximum zoom. Processed and cropped to taste from Raw. F4 | 1/1250 sec | ISO 125 | 100mm equiv. Photo by Carey Rose

The ‘cons’ list of the original G7 X review contains a number of not-insignificant criticisms we had with Canon’s first foray into the 1″-sensor compact market. But when I looked at them, and then compared them to the Mark II model, I was pretty surprised.

Specifically, this new model features increased battery life, 8 fps continuous shooting even in Raw, an option for 24p video, smoother menu operation, re-damped front and exposure compensation dials (and the front dial can even be de-clicked, if you like) and in-camera Raw processing. Plus, the more standard Canon GUI has been refined. In all, more than half the previous ‘cons’ list has been taken care of (with many thanks to the DIGIC 7 processor). That’s not too shabby.

Festival-friendly features

The new, more-robust screen mechanism on the G7 X Mark II tilts both upward and downward to make working at odd angles a breeze, with responsive touch-to-focus functionality to boot. Processed to taste from Raw. F1.8 | 1/320 sec | ISO 200 | 24mm equiv. Photo by Carey Rose.

What isn’t all that eye-catching from a spec sheet or press release point-of-view – yet makes a very real difference in the real world – is the new grip on the front of the Mark II. It adds very little bulk, but does absolute wonders as far as how this camera feels in the hand. I had a thin neck strap on it, but if I just wanted to grab the camera for a quick snap, the grip inspired some confidence.

Perhaps most crucially for this sort of trip was the appreciably increased battery life on the Mark II, plus the new USB charging option. In the past, I’ve not always been a fan of USB-only charging, but when camping and using communal USB power banks, it made perfect sense and meant that I rarely needed to swap in the second battery I carried with me.

The G7 X Mark II won’t let you turn backgrounds into butter at moderate distances, but for more casual documentary and portrait work, some context can be useful. Also, I promise this isn’t just an informercial for cheap beer. Processed to taste from Raw. F2.2 | 1/320 sec | ISO 250 | 38mm equiv. Photo by Carey Rose.

As stated earlier, the 20MP sensor in the G7 X Mark II is the same as its predecessor, which is to say, it’s a peach. The Raw files are very malleable, and they respond well to pushes and pulls (though you might need a touch of noise reduction).

Speaking of noise reduction, the default JPEG noise-reduction on the Mark II is a little heavy-handed, though as is typical of Canon cameras (even compacts), the colors are great. As a matter of personal preference, I still like processing out Raws (even when shooting for fun – I’m a nerd), but wirelessly transmitting the above-average JPEGs from the G7 X Mark II to my phone for posting to social media was quick and easy.

Even at high ISO values, the G7 X Mark II’s Raw files retain a fair amount of flexibility. F2.8 | 1/200 sec | ISO 4000 | 100mm equiv. Photo by Carey Rose.

Lastly, the video mode on this camera might not be 4K, but the image stabilization is incredibly effective, making casual shooting look far nicer than it has any right to.

Not-so-festival friendly

So while the G7 X Mark II ended up being a near-ideal companion for most of the long weekend, there were still a couple of things I had to keep in mind.

Press pass – Sasquatch! style. Straight-out-of-camera JPEG – click through to the full-size to see the noise reduction robbing detail on his palm, even at base ISO. F2.8 | 1/400 | ISO 125 | 28mm equiv. Photo by Carey Rose.

The build quality of the Mark II is very, very good – but there are no claims of weather-sealing. Remember how I said Sasquatch! was dirty? Between high-speed gusts of dusty wind and large quantities of people carrying large quantities of beer, I ended up treating the Mark II pretty carefully. I didn’t actually experience any issues with dust (or liquid) intrusion, but like I said – I was being careful.

Straight-out-of-camera JPEG with some spectacularly rich red tones. F2.8 | 1/400 sec | ISO 125 | 24mm equiv. Photo by Carey Rose.

And while the tilting touchscreen is very good and very responsive, it can be hard to see in bright sun – especially when it’s covered in sunscreen-y fingerprints and dust. At least that new grip means it’s easier to hold the camera with one hand and shield the screen with the other.

Lastly, Canon’s ‘auto lighting enhancer’ works a little less effectively than competing models in high-contrast scenes, giving an awful lot of weight to preserving highlight detail at the expense of overall underexposure of your scene – and in JPEGs, that means a potential loss of shadow detail that you can’t get back.

In the G7 X Mark II’s dust-filled natural habitat, at least for that weekend.

The wrap

The updates Canon has brought to the PowerShot G7 X Mark II cement it, for me, as an impressively engaging photographers’ compact. The improvements to overall responsiveness finally make the camera feel as premium in general operation as it feels in your hand. The autofocus performance still doesn’t quite match up to the improved burst speed (and the autofocus modes are still a little confusing), but being able to shoot at 8fps will help you catch moments that you might have missed with its predecessors’ 1.1fps burst speed in Raw.

The real story for me is that I still brought two other cameras along ‘just in case’ – a Ricoh GR and my trusty D700 – and I used the G7 X Mark II for over 90% of the photographs I took, with no regrets.

Until next year. Processed to taste from Raw. F1.8 | 1/60 sec | ISO 4000 | 24mm equiv. Photo by Carey Rose.

More real-world G7 X Mark II samples from Sasquatch! 2016

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Canon G7 X Mark II Real-world Samples Gallery

69 images • Posted on Jun 3, 2016 • View album
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Articles: Digital Photography Review (dpreview.com)

 
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Day at the track: Canon EOS-1D X Mark II samples

17 May

The EOS-1D X Mark II is the latest flagship body from Canon, boasting a 20.2MP CMOS sensor, 14 fps continuous viewfinder shooting and a new 61-point autofocus system. Built like a tank, the 1DX II is as pro-level as pro-level bodies come.

To get some basic impressions of its AF performance and image quality we brought it out to Evergreen Motocross Park in Monroe, Washington to photograph an all-day practice. While this gallery represents only our initial samples with the camera, we will be adding to it frequently in the coming days and weeks. Also, check back later in the week for an in-depth article about the experience of shooting these samples alongside the Nikon D5.

Note: All of the images in the gallery were processed using Adobe Photoshop CC with adjustments made mainly to exposure parameters and saturation only.  All images were edited using the Camera Standard profile.

Canon EOS-1D X Mark II motocross samples

Articles: Digital Photography Review (dpreview.com)

 
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Quick Intro to the New Sony Cyber-Shot RX10 Mark III

24 Apr

At the end of March (2016) Sony released the new version of their Cyber-shot RX10 Mark III. The main difference between it and its predecessor, the Mark II, is the lens, which is a lot longer. Let’s take a quick look at its main features:

  • 24-600mm f/2.4-4 zoom lens with 3 control rings for focus, zoom and aperture
  • 4K video quality
  • Fast autofocus
  • Magnesium alloy body

This video from B&H photo will show you what the new camera looks like, check it out.

This video by Chakru shows some of the key features and specs:

If you are a travel photographer and want to go light, this might be a good option for you. Or maybe even as a a backup camera to a heavy pro SLR. Perhaps an upgrade from a point and shoot camera is in order, give it a go and see if this is the right one for you.

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The post Quick Intro to the New Sony Cyber-Shot RX10 Mark III by Darlene Hildebrandt appeared first on Digital Photography School.


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Break it down: iFixit disassembles the Canon PowerShot G1 X Mark II

02 Apr

iFixit disassembles the Canon PowerShot G1 X Mark II

Taking apart a camera isn’t for the faint of heart, but if you’ve chosen to do so you don’t have to go alone. Our friends at iFixit publish disassembly guides to empower owners of electronic devices to make some fixes themselves. And who hasn’t wanted to see what’s underneath the plastic shell of Canon’s top-of-the-line compact camera? Take a look at what lies beneath the surface of the Canon PowerShot G1 X Mark II.

See the full Canon PowerShot G1 X Mark II Disassembly Guide on iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

As always, the first and most important step – remove the battery from the camera. 

All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

With the battery safely set aside, you’re free to go about the business of taking your camera apart. 

All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

After removing the screws on the left, right and bottom of the camera, there are four more to remove under the flip-up LCD.

All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

Now that those pesky screws are out of the way, the back panel comes right off, though be sure to disconnect the ribbon cable attaching it to the body before pulling too hard.

All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

Unsurprisingly there are additional screws to remove, this time for this copper plate (possibly used to dissipate heat). Underneath that there’s yet another plate, this one silver.

All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

With those plates off there are three ribbon cables to remove with your trusty spudger.

All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

After removing a screw behind the pop-up flash and another on the front just below the Canon logo, you can ‘pop the top’ on the G1 X Mark II.

All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

Once you’re removed even more screws, you can spudge the left side of the camera right off.

All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

Finally, after much spudging of ribbon cables, you can remove the front panel of the camera. The round thing toward the right is the G1 X II’s speaker.

All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

Two screws must go in order to remove the metal plate surrounding the I/O ports. There are ports for HDMI and USB output as well as a wired remote.

All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

With the back and side plates of the camera removed, the time has come to take off the front panel…

All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

… and the lens has been liberated from the rest of the camera. That’s the capacitor for the flash on the right – definitely not something you want to handle.

All images courtesy of iFixit

iFixit disassembles the Canon PowerShot G1 X Mark II

After the removal of countless screws and ribbon cables, here’s Canon’s flaghsip compact camera, the PowerShot G1 X Mark II, in pieces.

All images courtesy of iFixit

Articles: Digital Photography Review (dpreview.com)

 
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Upgrading a classic: Canon 100-400mm F4.5-5.6L IS USM Mark II review

02 Mar

Canon 100-400 F4.5-5.6L IS USM Mark II Review

The king is dead, long live the Mark II. After 15 long years, Canon finally upgraded one of the biggest-selling telezooms of all time – the 100-400mm F4.5-5.6L IS USM. The Mk II version has the same headline specifications but with enhanced features and improved performance all-round. While the new model is better for sure, when comparing the Mk I and Mk II side by side it quickly becomes clear just why it took Canon so long: the MkI version was, and still is, a decent lens. It’s always been very popular too, and known for holding its value well on the used market, so Canon was in no rush to change a winning formula.

The 100-400mm Mk II retains the same focal length and F4.5-5.6 overall maximum apertures as the original model. Both lenses change up to F5 at around the 125mm mark, and the Mk I then goes to F5.6 at 250mm while the Mk II holds on slightly longer, making the final switch at just over 300mm. Apart from a little extra weight, the physical dimensions are basically unchanged, but everything else is new and upgraded. There’s a totally new state-of-the-art optical design with more elements, a much-improved image stabilization system, a minimum focusing distance that’s been cut in half and faster autofocus drive. Build quality has been taken up a notch, now with a full set of weather seals, and the push-pull zoom control (unloved by some) is swapped for a more conventional twist-ring. It’s finished in Canon’s newer light gray L-color, as opposed to the old creamy-white. 

Headline features

  • Improved optical design with 21 elements in 16 groups (versus 17 in 14 for Mk I)
  • Upgraded image stabilization with 4-stops benefit (vs. 2-stops)
  • Twist-ring zoom control (vs. push-pull)
  • Extensive weather-resistant seals (vs. partly sealed)
  • Faster USM autofocus drive
  • Close focusing down to 98cm, 0.31x magnification at max focal length (vs. 180cm, 0.2x)
  • Same size as Mk I, though slightly heavier at 1570g (vs. 1380g)

Canon now offers the broadest selection of telezooms of any brand, at a variety of price points. In the premium sector, there are four 70-200mm L-grade zooms, with a choice of F2.8 or F4 maximum apertures, with and without image stabilization. The 70-200mm F2.8 L IS USM Mk II is relevant here as it works well with 1.4x or 2x extenders, as an alternative to something longer.

More recently, Canon added a third lens to its options in the versatile 70-300mm category, with the 70-300mm F4-5.6L IS USM being an excellent zoom that is essentially a scaled-down version of the 100-400mm Mk II (and considerably cheaper, too). There is also the Canon 200-400mm F4L IS USM with its unique built-in 1.4x extender, though the stratospheric price puts it in a rather different class, and Canon has a couple of excellent prime telephotos in this focal length range, too. The image-stabilized 300mm F4L IS USM and 400mm F5.6L USM both hail from the same era as the original 100-400mm Mk I, and have also stood the test of time well.

Looking at other brands, the Nikon AF-S 80-400mm F4.5-5.6G ED VR is a close rival to the Canon 100-400 II in terms of specification, design and high performance. Likewise, the Sony 70-400mm F4-5.6 G SSM II for A-mount is another proven performer. Both lenses feature a slightly wider angle of view at the short end, but have notably longer minimum focusing distances than the Canon 100-400 Mk II. Compare Nikon vs Sony performance data here.

Surprisingly, no third-party manufacturer currently offers anything similar, though anyone in the market for an extra-long lens should be sure to check out the trio of 150-600mm F5-6.3 superzooms from Sigma (which has two versions) and Tamron that have caused quite a stir, bringing new standards of performance to this market segment at an affordable cost. But while they might appear to cover much the same ground as the Canon 100-400mm Mk II on paper, they’re very different in the hand – much bigger, much heavier, and arguably, harder to get the most from. The new Nikon AF-S 200-500mm F5.6 E ED VR and as yet unproven Pentax D FA 150-450mm F4.5-5.6 ED DC AW also fall into the larger/heavier category, and with longer minimum focusing distances compared to the Canon Mk II.

Angle of View

100mm F4.5, full-frame (Canon 5DS R)

400mm F5.6, full-frame (Canon 5DS R)

Shire Hall, Cambridge, UK, is one of my favorite subjects for comparisons (also used for the Tamron 16-300mm VC review) though unfortunately it was partly obscured by scaffolding on this occasion.  Sharpness is very high, and unusually consistent – throughout the zoom range, at all apertures, and across the frame. It’s at larger apertures where the Mk II shows most sharpness improvement over the MkI. The images above are both at maximum aperture, F4.5 at 100mm and F5.6 at 400mm, using a Canon 5DS R (full-frame), and are shown without any software corrections applied for chromatic aberration, distortion or vignetting.

The 100-400mm zoom range, with a generous 4:1 ratio, provides a 24.4° to 6.2° angle of view on full-frame, measured across the diagonal from corner to corner. It’s very versatile and well suited to a wide range of popular subjects, including all kinds of field sports, and wildlife from safaris to zoos. At a motor race or air display, the spectator fences are often lined with Canon 100-400mm zooms. Compared to a fixed focal length lens, when photographing sports or anything where the shooting distance varies, you can zoom to pull in subjects from a distance, then zoom back when the action gets closer. Longer focal length settings are also perfect for sniping candid portraits, say at a wedding or other social occasion. At the shorter end, while it may not be the obvious choice for portraiture, at around 100-135mm it’s just about perfect on full-frame.

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ABOVE: With a broad 4:1 zoom range, unusually close focusing, and excellent image-stabilization, the Canon 100-400mm Mk II can turn its hand to more than just sports and wildlife. It’s sharp at all focal lengths and apertures. Check the fly on the flamingo’s beak – the fine veins on its wings are barely more than 1-pixel wide (Canon 5DS R, monopod, 400mm F5.6, 1/250 sec, ISO 400).

The Canon 100-400mm Mk II goes very well on APS-C cameras like the Canon 7D Mk II, with its excellent AF and fast frame rate. The 1.6x crop factor gives more effective reach and creates a megazoom 160-640mm equivalent angle-of-view. The Canon 100-400mm Mk II is also compatible with the Canon 1.4x extender, though it will only autofocus on higher-end Canon DSLRs that retain AF up to F8 (currently 7D Mk II, 5D Mk III, 5DS/R, 1DX/II). The 2x extender will physically fit, but all AF functions are disabled.

Articles: Digital Photography Review (dpreview.com)

 
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CP+ 2016: Canon shows off new EOS-1D X Mark II, EOS 80D and G7 X Mark II

26 Feb

CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

As usual at the CP+ show in Yokohama, one of the longest lines can be found Canon’s booth. This year, Canon’s EOS 80D and EOS-1D X Mark II were in huge demand from both press and public attendees alike, and we fought our way through the crowd to get hands on with both new models – and the surprisingly nice PowerShot G7 X Mark II.

CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

First up is the Canon EOS 80D. The 80D features a 24MP APS-C CMOS sensor, 45-point all cross-type autofocus system, and the company’s DIGIC 6 processor. Cosmetically similar to the popular 70D, the new model offers a number of significant updates.

CP+ 2016: Canon shows off new DSLRs and G7 X Mark II 

The 80D will be familiar to users of the 70D of course, but operationally it shares a lot of features from much earlier cameras in Canon’s EOS lineup, going right back to the original D30 of 2000. It’s easy to dismiss this kind of homogeneity as conservative – even unimaginative, but there’s a reason that DSLRs in 2016 still look and function much like DSLRs from the early 2000s. It works. 

CP+ 2016: Canon shows off new DSLRs and G7 X Mark II 

When using live view or recording video users can take advantage of the 80D’s improved Dual Pixel CMOS AF system, which provides phase-detection autofocus with the mirror locked up in Live View. This particular iteration is Canon’s first attempt at Servo AF using Dual Pixel technology – and it works very nicely in our initial testing with moving subjects. So nicely, in fact, that we can’t to see it extended to all Canon DSLRs… and maybe even, well, that’s a lot of wishful thinking.

The 3″ rear LCD is touch sensitive and fully articulating, which is handy for shooting from low and high angles, and also for video. The 80D can record 1080/60p video and offers sockets for both a microphone and headphones. Wi-Fi is also built in, with support for NFC.

CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

Although it lacks 4K, the 80D is a capable HD video camera. With the addition of the PZ-E1 Power Zoom Adapter (currently only compatible with the new 18-135mm kit zoom) and DM-E1 shotgun microphone it’s a powerful and surprisingly ergonomic package. We suspect that most serious Canon videographers will look towards the Cinema EOS line but students and beginner filmmakers will appreciate the 80D’s ease of use, and potentially its excellent autofocus – with no hunting – in video. 

CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

One camera that is definitely of interest to professionals is Canon’s new flagship stills model the EOS-1D X Mark II. The 1D X Mark II builds on the basic concept behind the 1D X, but offers increased resolution (from 16 to 20MP) increased speed (14fps in live view mode, 12fps in conventional DSLR mode) and 4K video capture. 

CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

The EOS-1D X Mark II’s autofocus system has also been upgraded. The 61-point AF array covers a greater area, and these AF points work in concert with a 360,000 pixel metering sensor which should, in theory, mean better tracking of moving subjects. 

CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

Ergonomically, the EOS-1D X Mark II is – like the 80D – very similar to its predecessors. Professional users are even less accepting of change than enthusiasts because with years of muscle memory built up, they need key controls to stay more or less in the same place from model to model. As such, the EOS-1D X Mark II looks and operates a lot like its predecessor, and indeed some key controls have barely moved since the original film EOS-1.

CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

The EOS-1D X Mark II’s battery (which fits horizontally inside the base of the camera) should be good for more than 1200 images in normal use – a major differentiator of professional DSLRs compared to lower-end models (and any current mirrorless camera). Needless to say, the EOS-1D X Mark II is fully weather-sealed and feels like it’s been milled from a solid lump of something very solid, very expensive and very heavy.

CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

Who would have thought that after 16 years, professional Canon DSLRs would still be using CompactFlash cards? But here we are in 2016, and the same media that fit inside the original EOS-1D can still be used in the EOS-1D X Mark II. New in the current flagship though is a second slot for cosmetically similar (but physically incompatible) C-Fast cards. C-Fast cards are capable of greater data throughput, which will help if you’re one of those people that likes to shoot extended bursts of 170 Raw files at 14fps.

CP+ 2016: Canon shows off new DSLRs and G7 X Mark II 

If you are one of those people, you should pay attention ti the warning inside the EOS-1D X Mark II’s card slot. Don’t go burning your fingers after shooting. It gives a new meaning to the term ‘blazingly fast’…

CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

Ethernet? Why yes. Although the EOS-1D X Mark II features built-in Wi-Fi, a 330Mbps wired connection is still the best option for absolute speed when shooting intensely at (say) the Olympics. It’s no coincidence that Canon (like Nikon) likes to release new professional cameras in Olympic years. 

CP+ 2016: Canon shows off new DSLRs and G7 X Mark II 

At the other end of Canon’s camera range is the 20MP PowerShot G7 X Mark II. We really liked the original G7 X for everyday ‘carry everywhere’ shooting but it had some limitations. The Mark II has not been significantly changed when it comes to ergonomics or core features (inside you’ll find the same excellent 20MP 1-inch sensor and 24-100mm equivalent lens), but Canon has made some improvements. 

CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

One of those improvements is a front dial that can be switched from clicking to non-clicking operation, and a subtle front grip, in place of the smooth body of the original G7 X. 

CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

A new Digic 7 processor brings very welcome performance improvements, especially in Raw mode. Raw capture is now possible at 8fps and while standing at Canon’s booth we shot for more than 20 frames before the camera that we used started to slow. Finally, a Canon PowerShot G-series compact that is genuinely usable in Raw mode… 

CP+ 2016: Canon shows off new DSLRs and G7 X Mark II 

The G7 X Mark II’s rear screen is a multi-angle 3.0-inch capacitive  model with 1.04 million dots, capable of tilting up to 180° upwards (for selfies) and 45° down (for other things). The G7 X Mark II will be available in May for $ 699.

Articles: Digital Photography Review (dpreview.com)

 
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Canon PowerShot G7 X Mark II boasts faster performance and improved ergonomics

19 Feb

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Canon has introduced the PowerShot G7 X Mark II with a new DIGIC 7 processor, bringing much-needed improvements to camera performance. Maintaining its predecessor’s 20.1MP 1″-type CMOS sensor and 24-100mm equiv. F1.8-2.8 lens, the G7 X II brings some updates to the camera’s exterior as well, with a re-designed grip, bottom-hinged 3″ 1.04M-dot LCD and a front control dial that can switch between clicking or smooth-turning operation.

The new processor allows for face registration and better subject detection in scenes of low saturation or similar colors. In addition, it dramatically speeds up camera performance, with Canon claiming continuous 8 fps Raw shooting. Battery life is also 25% better than the original G7 X, with a CIPA-rated number of 265 shots per charge.

Full 1080/60p HD video is offered, as in its predecessor, along with Wi-Fi and NFC. The G7 X II provides Picture Style processing modes borrowed from the EOS DSLR line, and time-lapse movie mode is included.

The Canon PowerShot G7 X Mark II will be offered for $ 699 with availability in May.

Press release:

TAKE THAT CAMERA TO GO!  CANON U.S.A LAUNCHES COMPACT POWERSHOT G7 X MARK II AND POWERSHOT SX720 HS DIGITAL CAMERAS

Newest Canon PowerShot Digital Cameras Offer Outstanding Quality in Convenient Compact Size 

MELVILLE, N.Y., February 17, 2016 – Ideal for both advanced amateur and pro photographers looking for a convenient, high performance compact camera with the ability to connect to compatible digital devices, Canon U.S.A. Inc., a leader in digital imaging solutions, proudly introduces the compact PowerShot G7 X Mark II1 and lightweight PowerShot SX720 HS digital cameras.

Canon’s new PowerShot G7 X Mark II digital camera pairs a 1.0-inch, 20.1 Megapixel* CMOS sensor with Canon’s new DIGIC 7 Image Processor to help reduce noise and deliver outstanding image quality, even in low light shooting situations. The PowerShot SX720HS digital camera boasts a new 40x Optical Zoom lens (equivalent to 24-960mm), providing outstanding performance, reach and resolution for everyday use and when shooting memorable family events, while easily slipping into a pocket or purse.

“In today’s world, compact cameras must work well with other devices and still offer superb quality. The PowerShot G7 X Mark II and PowerShot SX720 HS cameras both provide outstanding image quality with amazing optical zoom lenses and they easily connect with compatible phones, tablets and other smart devices so great images can be shared and enjoyed” stated Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.  

Sleek and Sophisticated 
The first Canon camera to feature Canon’s new high-speed DIGIC 7 Image Processor, the PowerShot G7 X Mark II digital camera is a model of compact sophistication and speed with a high-quality sleek body and optimum comfort grip. Building on the success of Canon’s PowerShot G7 X digital camera, the PowerShot G7 X Mark II digital camera features a fast startup and improved RAW continuous shooting speed of up to eight frames per second (fps) with short intervals between shots. Additional features include: 

  • Bright f/1.8 (W) – f/2.8 (T), 4.2x (24–100mm equivalent) optical zoom lens with Canon’s Intelligent Image Stabilizer (IS) and a 9-blade iris diaphragm;
  • Multi-angle 3.0-inch capacitive touch panel LCD with a screen resolution of 1.04 million dots and tilt options of 180° up and 45° down;
  • Ability to capture 1080p Full HD video in MP4 format with stereo sound;
  • Built-in Wi-Fi®** and Near Field Communications (NFC™)*** capability with a dedicated Wi-Fi button for easy sharing and transferring of images and videos;
  • Picture Style function that offers superb command of in-camera color, contrast, and sharpness;
  • In-camera RAW conversion, making it possible to preview customized image processing modifications on the camera, without the use of a computer;
  • Convenient control ring lever that enables users to quickly switch between stepped and continuous ring movement; 
  • Time-Lapse Movie feature to help capture images at preset intervals and combine them to create a short movie clip;
  • Panning feature that allows the camera to lock onto the main subject using Canon’s Intelligent IS technology to automatically adjust the shutter speed for beautiful background blur.

The Canon PowerShot G7 X Mark II digital camera is currently scheduled to be available in May 2016 for an estimated retail price of $ 699.992.

Powerful Zoom Delivers Virtually Shake-Free Images
The Canon PowerShot SX720 HS digital camera is equipped with a new powerful zoom lens and is the ideal choice for amateur photographers looking to take a step up from a smartphone or entry-level digital camera to a lightweight, compact camera. The PowerShot SX720 HS digital camera’s new 40x Optical Zoom lens (24-960mm equivalent focal length range) uses one Hi-UD, three UD and three aspheric lens elements to help achieve high image quality and high magnification, while also utilizing Canon’s Intelligent Imaging Stabilizing (IS) technology for greater optical performance. 

As the successor to Canon’s PowerShot SX710 HS digital compact camera, the PowerShot SX720 HS digital camera features increases its zoom range while maintaining compact size for maximum convenience. Additional features include:

  • A dedicated Wi-Fi® button for easy sharing and transferring of images and videos utilizing the camera’s built-in WiFi and NFCtechnology;
  • 20.3 Megapixel* CMOS sensor with Canon’s DIGIC 6 Image Processor to help deliver outstanding image quality, even in low light;
  • 1080p/60 Full HD video capture with stereo sound;
  • 3.0-inch LCD (approx. 922,000 dots) to allow for easy viewing, even from a wide angle;
  • Zoom Framing Assist that allows the lens to automatically zoom in or out while the camera follows subject movement  and helps keep it in focus;
  • Story Highlight feature that enables the camera to automatically compile images and videos3 from a certain day or event into a mini-highlight reel with music and effects;
  • Creative Shot mode that uses composition, color and lighting from an original image to create artistic images.
  • Canon’s PowerShot SX720 HS digital camera is currently scheduled to be available in March 2016 for an estimated retail price of $ 379.992.  

1 This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.

2 Availability, pricing and specifications are subject to change without notice.  Actual prices are set by individual dealers and may vary.

3 Videos must be shot in Hybrid Auto or Short Clip.

* Image processing may cause a decrease in the number of pixels.

** Compatible with iOS® versions 7.1/8.4/9.0, AndroidTM smartphone and tablet versions  4.0/4.1/4.2/4.3/4.4/5.0/5.1.  Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

*** Compatible with Android smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1.

PowerShot G7 X Mark II specifications

Price
MSRP $ 699
Body type
Body type Compact
Sensor
Max resolution 5472 x 3648
Other resolutions 5472 x 3080, 4864 x 3648, 4320 x 2880, 4320 x 2432, 3840 x 2880, 2304 x 1536, 2048 x 1536, 1920 x 1080, 720 x 480, 720 x 408, 640 x 480
Image ratio w:h 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 21 megapixels
Sensor size 1″ (13.2 x 8.8 mm)
Sensor type BSI-CMOS
Processor DIGIC 7
Color space sRGB
Color filter array Primary color filter
Image
ISO Auto, 125-12800 (expandable to 25600)
Boosted ISO (maximum) 25600
White balance presets 8
Custom white balance Yes
Image stabilization Optical
Uncompressed format RAW
JPEG quality levels Super fine, fine
File format
  • JPEG (EXIF v2.3)
  • Raw (Canon CR2, 12-bit)
Optics & Focus
Focal length (equiv.) 24–100 mm
Optical zoom 4.2×
Maximum aperture F1.8 – F2.8
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (4x)
Manual focus Yes
Normal focus range 5 cm (1.97″)
Macro focus range 5 cm (1.97″)
Number of focus points 31
Screen / viewfinder
Articulated LCD Tilting
Screen size 3″
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type None
Photography features
Minimum shutter speed 15 sec
Maximum shutter speed 1/2000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
  • Custom
Scene modes
  • Self Portrait
  • Portrait
  • Panning
  • Star Portrait
  • Star Nightscape
  • Star Trails
  • Star Time-Lapse Movie
  • Handheld Night Scene
  • High Dynamic Range
  • Underwater
  • Fireworks
Built-in flash Yes
Flash range 7.00 m
External flash No
Flash modes Auto, on, slow synchro, off
Continuous drive 8.0 fps
Self-timer Yes (2 0r 10 secs, custom)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±3 (at 1/3 EV steps)
AE Bracketing ±3 (3 frames at 1/3 EV steps)
Videography features
Resolutions 1920 x 1080 (60p, 30p, 24p), 1280 x 720 (30p), 640 x 480 (30p)
Format MPEG-4, H.264
Videography notes Also has time-lapse (normal and star), miniature effect, and digest modes
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (UHS-I compatible)
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n with NFC
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NB-13L lithium-ion battery and charger
Battery Life (CIPA) 265
Weight (inc. batteries) 319 g (0.70 lb / 11.25 oz)
Dimensions 106 x 61 x 42 mm (4.17 x 2.4 x 1.65″)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Eric Kim launches ‘Henri’ Neck Strap (Mark II) and Wrist Strap

10 Feb

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If you’re one to be tempted by fancy camera straps, you may be interested that street photographer Eric Kim has announced two new ‘Henri’ straps: the ‘Henri’ Neck Strap (Mark II) and the ‘Henri’ Wrist Strap. The newest neck strap is made from a darker leather than the previous version, the same color as ‘a good cup of coffee,’ according to Kim. The wrist strap is also made of leather and offers a similar design.

The straps are handmade by a leather-maker in Saigon, and are then polished and packaged in Berkeley. Both items are available with limited stock. Buyers in the U.S. can purchase the neck strap for $ 79.95 and the wrist strap for $ 39.95 through Amazon. International buyers can purchase the straps through PayPal via Kim’s website for the same rates plus $ 15 USD for shipping.

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces flagship EOS-1D X Mark II full-frame digital SLR

02 Feb

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Canon has announced its new flagship DSLR, the full-frame EOS-1D X Mark II. It features a new 20.2MP CMOS sensor with Dual Pixel AF, and uses a pair of Dual DIGIC 6+ processors to capture 4K video and shoot continuously at up to 16 fps. The camera has a native ISO of 100-51200, expandable to 409600.

The new 61-point autofocus system has 41 cross-type sensors and 24% larger frame coverage than its predecessor. Its center point is sensitive to -3EV in OneShot AF. In live view the camera uses the latest iteration of Canon’s Dual Pixel AF technology for high-speed focusing in OneShot mode. The metering system has also been updated to use a 360k-pixel RGB+IR sensor, which the company says improves subject – including face – detection and tracking.

As with its predecessors, the 1D X is as rugged a camera as you’ll find. It’s magnesium alloy body is fully weather-sealed and has a shutter that will last for approximately 400,000 cycles. In addition to its large optical viewfinder (now with better, adjustable AF point illumination), the Mark II has a 3.2″ Clear View II LCD with 1.62 million dots, up from 1.04 million dots. The screen is touch-enabled, but only for autofocus point selection in Live View. Another new addition is a built-in GPS (with an e-compass), which sits in a ‘hump’ on the top of the viewfinder. Otherwise, the design of the Mark II is very similar to that of its predecessor.

Performance-wise, the 1D X II can shoot continuously at 14 fps with autofocus, and if you lock the mirror up, you can shoot up to 16 fps with locked focus and exposure. If you’re using the older LP-E4N battery, the top shooting speeds drop to the same frame rates as the 1D X (12/14 fps). If you’re using a CFast card you can take an unlimited number of JPEGs or a whopping 170 Raw images in a single burst, or 12 seconds of shooting at 14 fps. The 1D X II also has a slot for standard CompactFlash cards. When it comes to connecting to a PC you can choose from the camera’s USB 3.0 or Ethernet ports. Wi-Fi requires the use of Canon’s $ 600 WFT-E8 wireless file transmitter.

One of the most significant additions to the 1D X II is support for 4K (DCI) video capture. It can capture 4K video at 60p using the M-JPEG codec (which allows for easy frame grabs) as well as 1080p at frame rates of up to 120 fps. You’ll need to use a CFast card in order to record more than a few seconds of 4K video though. Dual Pixel AF enables continuous autofocus in video, and touch focus makes the experience a breeze. The camera does not offer focus peaking or zebra patterns natively, but they are visible when using an external recorder. As one would expect given its place in Canon’s lineup, the 1D X Mark II has both headphone and mic jacks.

The EOS-1D X Mark II will be available in April for $ 5999 (body only), or bundled with a 64GB CFast card and reader for $ 6299.

Read our EOS-1D X Mark II hands-on preview

Learn more about the technical features of the EOS-1D X II

Press release:

Fast, Formidable, and 4K, All-in-One Camera: CANON U.S.A. Introduces the EOS-1D X Mark II Professional Digital Camera 

Delivering Precise and Reliable Performance with Versatility for Any Photo or Video Professional

MELVILLE, N.Y., February 1, 2016 – Rising to meet the rigorous and evolving demands of professional photographers and videographers, Canon U.S.A., Inc., a leader in digital imaging, is proud to announce the new EOS-1D X Mark II DSLR camera. With a new 20.2 megapixel 35mm Full Frame Canon CMOS sensor and Dual DIGIC 6+ Image Processors, the EOS-1D X Mark II professional digital camera delivers stunning image quality and speed. Combining the ability to capture high-resolution still images at speeds up to 14 frames per second as well as stunning high-definition video up-to-4K 60P featuring Canon’s proprietary Dual Pixel CMOS Autofocus (AF) technology, the Canon EOS-1D X Mark II camera becomes the ideal camera for any professional image creator. 

The new flagship Canon EOS-1D X Mark II features several firsts for EOS cameras including:

  • Newly developed 20.2 megapixel 35mm Full Frame Canon CMOS sensor;
  • Continuous shooting speeds of up-to-14 frames per second (fps) with Auto Exposure (AE) and predictive AF for viewfinder shooting and up to 16 fps1 in Live View mode; 
  • Dual DIGIC 6+ Image Processors that transfer image data at extremely high speed for extended bursts during continuous shooting – up-to-170 consecutive RAW images at 14 fps. When shooting JPEG images you’re only limited by memory card capacity2
  • Capable of shooting 4K 60P and Full HD 120P video with Dual Pixel CMOS AF;
  • Enhanced wireless functionality (with the optional accessory Wireless File Transmitter WFT-E8) that supports the new high-speed IEEE 802.11ac standard and the  ability to easily transfer photos and videos to compatible smartphones using Canon’s Camera Connect app*; 
  • Digital Lens Optimizer to help correct aberrations in-camera (a feature that previously required post-processing on an external computer); 
  • Improved 61-point viewfinder AF with expanded coverage and all AF-points selectable and supported to a maximum aperture of f/8; 
  • Improved AI Servo III+ predictive AF algorithm for better accuracy; 
  • Continuous red illumination of all AF points within the camera’s Intelligent Viewfinder II.
  • Compatibility with both CF and CFast memory cards for optimal performance and versatility.

The Ultimate EOS Camera: Continuing a Legacy of High Speed and Performance

Building on the success of the Canon EOS-1D X professional digital camera, the Canon EOS-1D X Mark II camera is designed to deliver high-performance, speed, and image quality, with improved comfort for professional photographers. In addition to the new 20.2 megapixel full-frame CMOS sensor and Dual DIGIC 6+ Image Processors, the new EOS-1D X Mark II DSLR camera includes an improved 61-point High-Density Reticular AF II system with all AF points selectable by the user (and up to 41 cross-type points depending on the lens in use). The improved AF system includes expanded coverage that supports AF at maximum apertures up to f/8 with all 61 points for high precision autofocus even when using EF super-telephoto lenses with an EF extender. The camera also boasts excellent dynamic range and reduced color noise compared to its predecessor throughout its standard ISO speed range of 100 – 51,200. Expansion ISO speeds of 50, 102,400, 204,800 and 409,600 are also available.  A first for the Canon EOS-1D series, this camera also features a 360,000-pixel RGB+IR metering sensor with enhanced precision and performance compared to its predecessor, improving facial recognition and tracking, as well as nature scenes. Additionally, the advanced AE system can detect and compensate for flickering light sources such as sodium vapor lamps that are often used in gymnasiums and swimming pools. When enabled, this anti-flicker system automatically adjusts shutter release timing to help reduce disparities in exposure and color especially during continuous burst shooting.

For filmmakers and photographers looking to do more than still photography alone with a DSLR camera and EF lenses, the EOS-1D X Mark II camera offers high resolution DCI 4K video at frame rates up-to-60p, with smooth movie recording to an in-camera CFast 2.0 memory card. An additional card slot supports standard CF memory cards up to UDMA 7. The built-in headphone jack supports real-time audio monitoring. Two additional EOS ‘firsts’ include 4K Frame Grab and 120p Full HD recording. The camera’s 4K Frame Grab function allows users to isolate a frame from recorded 4K video and create an 8.8 megapixel still JPEG image in-camera. When combined with the EOS-1D X Mark II’s high-sensitivity full-frame CMOS sensor, the new camera’s ability to record Full HD video at frame rates up to 120p will allow videographers to produce high quality slow motion video even in extremely low light. To make video shooting even more intuitive, the Canon EOS-1D X Mark II camera’s touch-screen LCD allows videographers to select the camera’s AF point before and during video recording with Dual Pixel CMOS AF, which provides responsive, accurate and quiet camcorder-like video autofocus to DSLRs.

“The innovations within Canon’s new EOS-1D X Mark II DSLR camera clearly set a new standard for professional cameras,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “In developing the EOS-1D X Mark II camera, we looked to incorporate user-requested performance enhancements to bring professional photographers the ultimate EOS camera, a camera that has matured and been developed to meet their evolving needs.” 

“Having f/8 capability on all 61 AF points is a tremendous benefit to wildlife photographers,” noted nature photographer and Canon Explorer of Light Charles Glatzer. “In order to capture tight shots of animals without disturbing them, I frequently have to use very long lenses—sometimes with an extender attached, which further diminishes the aperture. The improved AF allows me to frame the shot exactly the way I envision it, without having to compromise.”

“This camera is a huge step forward,” remarked acclaimed photographer and Canon Explorer of Light Damian Strohmeyer. “Shooting sports in a gym at 8,000 ISO, it looked as good as 800 ISO from a generation or two ago. The images are tack-sharp, and the autofocus just doesn’t miss. I’ve been amazed by what I’ve seen so far.”

“The autofocus was awesome,” agreed Peter Read Miller, sports photographer and Canon Explorer of Light.  “The higher frame rate coupled with the speed of the CFast card was a definite advantage. It just never buffered out, even shooting RAW.”

The new EOS-1D X Mark II camera also offers a built-in GPS** receiver with compass for precise geo-tagged information of latitude, longitude, elevation and direction. This is especially valuable to wildlife photographers and photojournalists who need to track their locations, as well as providing sports photographers the ability to sync a multiple-camera setup with extreme accuracy and precision. It is also possible to use the camera’s built-in GPS to automatically sync the camera’s time to the atomic clock, an invaluable feature to professionals.  An improved grip also makes the camera easier for photographers to hold and maneuver while shooting. In response to feedback from professional EOS users, the AF points in the EOS-1D X Mark II camera’s Intelligent Viewfinder II can be illuminated in red for improved visibility, especially when shooting in dark locations. AF sensitivity in low light has been doubled from EV -2 to EV -3 at the center AF point when the camera is set to One-Shot AF, enabling the camera to autofocus in extremely dark shooting conditions such as a moonlit nightscape. Viewfinder AF coverage has also been increased for greater compositional flexibility.

As with all EOS-1D series cameras, the EOS-1D X Mark II’s rugged construction and magnesium alloy body is weather resistant. The camera also features improved controls and more in-camera image quality enhancements than ever before, including a Digital Lens Optimizer function offering high quality aberration correction which can now be achieved without an external computer. This feature makes it easier for professional photographers to deliver finished files to their clients, especially in situations when access to a personal computer is impractical or inconvenient. 

The estimated retail price for the Canon EOS-1D X Mark II is $ 5999 (MSRP) for the body or $ 6299 for the Premium Kit which includes a 64 GB CFast memory card and card reader. The new camera is scheduled to begin shipping to authorized Canon USA dealers in April 2016***. For more information and the full list of product specifications, visit: usa.canon.com/EOS1DXMarkII 

* With the download of the free Canon Camera Connect app. This software enables you to upload images to social network services. Before uploading images, please be aware that image files may contain privacy-related information such as people and places. If necessary, please delete such information. Canon does not obtain, collect or use such images or any information included in such images through this software. 
** In certain countries and regions, the use of GPS may be restricted. Therefore be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.
***Availability, pricing and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

1. Continuous shooting speed may vary depending on the shutter speed, the aperture, the lens being used, the battery charge and various camera settings
2. Burst rate using CFast card

EOS-1D X Mark II specifications

Price
MSRP $ 5999 (body only)
Body type
Body type Large SLR
Body material Magnesium alloy
Sensor
Max resolution 5472 x 3648
Other resolutions 4368 x 2912, 3648 x 2432, 2736 x 1824
Image ratio w:h 3:2
Effective pixels 20 megapixels
Sensor photo detectors 22 megapixels
Sensor size Full frame (36 x 24 mm)
Sensor type CMOS
Processor Dual DIGIC 6+
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-51200 (expands to 50-409600)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 409600
White balance presets 6
Custom white balance Yes (5 slots)
Image stabilization No
Uncompressed format RAW
File format
  • JPEG (Exif v2.3)
  • Raw (Canon CR2, 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Manual focus Yes
Number of focus points 61
Lens mount Canon EF
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Fixed
Screen size 3.2″
Screen dots 1,620,000
Touch screen Yes (for AF point selection only)
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (pentaprism)
Viewfinder coverage 100%
Viewfinder magnification 0.76×
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync)
Flash X sync speed 1/250 sec
Continuous drive 16.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±3 (3 frames at 1/3 EV, 1/2 EV steps)
Videography features
Resolutions 4096 x 2160 (60p, 30p, 25p, 24p, 23.98p), 1920 x 1080 (120p, 60p, 50p, 25p, 24p, 23.98p)
Format MPEG-4, H.264, Motion JPEG
Microphone Mono
Speaker Mono
Storage
Storage included CompactFlash + CFast 2.0
Connectivity
USB USB 3.0 (5 GBit/sec)
HDMI Yes
Microphone port Yes
Headphone port Yes
Wireless Optional
Wireless notes requires WFT-E8
Remote control Yes
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description LP-E19 lithium-ion battery & charger
Battery Life (CIPA) 1210
Weight (inc. batteries) 1530 g (3.37 lb / 53.97 oz)
Dimensions 158 x 168 x 83 mm (6.22 x 6.61 x 3.27″)
Other features
Orientation sensor Yes
GPS BuiltIn
GPS notes with e-compass

Articles: Digital Photography Review (dpreview.com)

 
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Good sport: a closer look at Canon’s EOS-1D X Mark II

02 Feb

Introduction

The Canon EOS-1D X Mark II is the company’s latest pro-level DSLR, now built around a 20.2MP CMOS sensor with Dual Pixel AF technology. It uses a body that’s the most subtle possible evolution of the classic 1D design, which makes sense, given how many of its long-standing professional users will need to find it familiar the moment they use it. Inside, though, almost every aspect of the camera’s feature set has been overhauled – from the autofocus system to the video capability, the ISO range to the card format it uses. Let us talk you through the biggest changes.

Autofocus improvements

The EOS-1D X II features a similar AF module to that found on the previous flagship 1D X, as well as on the 5D Mark III and 5DS/R, but comes with some notable improvements. For a start, the coverage is larger, with the central region expanding vertically by 8% and the 20 points on the left and right flanks extending vertically 24% more than before.

All 61 points can now focus at F8, which will be very useful when shooting telephoto lenses with 1.4x and 2x teleconverters. 41 of those points are cross-type, having both horizontal and vertical line sensitivity. 5 central points are dual cross-type and have wider baselines that offer high precision focusing for F2.8 and faster lenses. The center point works down to -3EV in One-Shot AF. It’s not available in AI Servo because it requires a longer sampling interval, which would slow down AI Servo.

Also improved is AF point illumination, based particularly on feedback from wedding and event photographers. Points can now remain lit red when focusing, which helps you keep your AF point over your subject in dim situations. Additionally, two brightness levels are available so you can fine tune brightness based on your preference.

You can read more specifics about the very similar previous 61-point module in our EOS 5DS coverage here.

Metering Sensor

The 1D X Mark II gets a new metering module. It’s now a 360,000 pixel sensor that is used both for metering and to provide scene awareness to Canon’s ‘Intelligent Tracking and Recognition’ (iTR) autofocus system.

The sensor itself is a two-layer CMOS chip, with red, green and blue information captured by the top layer and infrared detected further down into the silicon.

Touchscreen LCD

The LCD screen on the back of the camera has received a significant upgrade. It’s now 1.62 million-dot, up from 1.04 million-dot. This represents a move from 720 x 480 to 900 x 600 pixels and the increase in resolution is noticeable. Images look crisp and clear on the back, thanks especially to Canon’s ‘Clear View’ technology that uses optical coatings to reduce reflections.

The LCD is also touch-enabled, but you can only use touch to select a focus point in Live View, either for stills shooting, or to refocus on subjects during movie shooting. It cannot be used to operate menus, nor (annoyingly) is it enabled in playback.

Battery

The Canon EOS-1D X Mark II ships with a new battery, which allows for 1210 shots on one charge. The nice thing is, the battery compartment remains backwards compatible with the older 1D X battery. However, if you use the older battery, frame rates will drop to 1D X levels (12 fps with AF, 14 fps in live view or with the mirror locked up). Heartbreakingly slow, we think you’ll agree. 

Dual Pixel AF

Dual Pixel AF makes its debut on a full-frame sensor with the 1D X II. Every pixel on the sensor is split into two separate photodiodes, one left-looking and one right-looking. Comparing the phase difference between strips of left-looking vs. right-looking pixels essentially allows the camera to determine exactly how much to move the focus element to acquire focus, much as the dedicated phase-detect module in DSLRs do. Approximately 80% of the frame is available for focus using Dual Pixel AF, and the technology is particularly useful not just for this extensive coverage, but for the inherently accurate focus it provides – because focus is performed at the imaging plane, there’s little possibility for mis-focus and the inaccuracy issues dedicate phase-detect sensors in DSLRs display.

Perplexingly, Dual Pixel AF can only be used in One-Shot AF in Live View, meaning it can’t be used to continuously focus (though it can for movies). We weren’t given any reasons as to this limitation, and given that continuous focus is certainly possible – as it works during movie shooting – it seems an odd omission.

Read our original coverage of Dual Pixel AF, with an in-depth look at how it works, here.

Canon embraces CFast (and Compact Flash)

Canon has decided to adopt the CFast standard while also providing a CompactFlash slot for backwards compatibility. The logic of this move is to ‘futureproof’ the camera. For now, Canon has provided the option for super high-speed data rates without alienating its existing audience, who most likely have a large collection of CF cards.

Should you own a CFast card, you’ll be able to capture 170 Raw files in a burst: just a fraction below the 180 JPEGs that its predecessor could manage (the Mark II will shoot JPEGs continuously until you run out of card space). CFast is also required for 4K video recording.

Video capabilities

On paper, the EOS-1D X Mark II has very impressive video specifications – moving far beyond what its predecessor was capable of and incorporating most of what the more niche EOS-1D C offered. The standout spec is the ability to shoot DCI 4K footage (4096 x 2160 pixels) at up to 60 frames per second. This capability is the same as the 1D C, though the X II doesn’t include that camera’s Log Gamma option.

To give faster access to video shooting there’s a Video/Live View switch around the live view button just to the right of the viewfinder. In addition, the camera gains a headphone socket for audio monitoring during recording.

Full HD options

In terms of 1080 video, the camera can record at up to 120 or 100 frames per second (without audio) or at 60, 50, 30, 25, and 24 frames per second, depending on whether you’ve got the camera set to PAL or NTSC mode. Interestingly there’s also the option to capture true 24p footage, as well as the 23.98p approximation offered in NTSC mode.

The camera can output a ‘clean’ signal across its HDMI port, for use with an external recorder or monitor (which could be used to provide focus peaking and zebra warnings, if needed), but this stream is 1080 only, not 4K.

Touch-to-focus video

The other video-friendly hardware change on the 1D X II is the addition of touch sensitivity to the rear LCD. This is only used for a very limited number of features but one of these is to position and re-position with autofocus point during video recording. Combined with the camera’s Dual Pixel AF sensor design, this should make it easy to adjust focus in video without the risk of the lens over-shooting or adding distracting focus wobble to video clips, as can happen with contrast detection autofocus.

Touch to focus can also be used for One-Shot AF in stills Live View shooting. 

Articles: Digital Photography Review (dpreview.com)

 
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