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Review and Field Tests of the new Canon 5D Mark IV – Is it Worth Upgrading?

28 Nov

Canon recently announced the new incarnation of its 5D lineup, the Canon 5D Mark IV. I myself have owned the 5D Classic (Mark I), and I currently own the Mark III. Personally, I don’t have any plans to upgrade as I went another way instead, choosing to shift to the Fuji X-series as they are smaller and lighter for traveling. However, I am eyeing the new X-T2!

For those of you considering an upgrade on your Canon camera body, here are some reviews and field tests I found for the 5D Mark IV. Whether you’re going from an APS-C camera up to full frame, or just looking to upgrade from an older 5D model, do your own testing and decide if it’s the right move for you.

The Camera Store Guys

This store is in Calgary, AB, Canada – a mere four hours drive from my city. Not the place you’d expect world class camera reviews to come from – but these guys really do some great tests, in real-world situations and they produce some great videos that are totally impartial. If they find a flaw or sticky bit, they will tell you about it. I like that.

Let’s see what they had to say about the Canon 5D Mark IV:

Hmmm, interesting! Watch to the end where Chris sums up his thoughts on the 5D Mark IV they may surprise you. He’s very honest about it.

PhotoRec TV – Comparison of three cameras

The Canon 5D Mark IV, 5D Mark III and the Sony A7RII

Toby from PhotoRec TV has some notes for you comparing three different cameras including the 5D Mark IV’s predecessor, and the Sony A7RII full frame camera. He talks about what’s new and improved from the Mark III and how it compares to the Sony.

Dphog discusses the new dual-pixel RAW capability

This is a new introduction by Canon, dual-pixel RAW format. What does that mean? Quoted from Canon’s UK site:

Using the Dual Pixel RAW Optimizer in Digital Photo Professional software, users can make use of the Dual Pixel data recorded with the Dual Pixel RAW image for micro-adjustments of the position of maximum sharpness using the depth information contained within the file.

Is it worth it? Would you use this feature?

Pye from SLR Lounge shot a wedding with the Mark IV

Pye has done quite a few articles for us here on dPS, so you may be familiar with him. He took this camera to a wedding shoot and put it to work. He pushed the limits on it in many areas and tested ISO, dynamic range, the new dual-pixel RAW and some of the great new focus features.

Conclusion

So are you considering buying the Canon 5D Mark IV? If so you can price them out here:

  • On Amazon.com
  • On B&H Photo’s site

I would be remiss if I didn’t mention there have been some reported issues with the 5D Mark IV. So do some research and due diligence if you are thinking about buying this camera.

Have you tried one of these cameras out yet? Give us your thoughts in the comments below.

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The post Review and Field Tests of the new Canon 5D Mark IV – Is it Worth Upgrading? by Darlene Hildebrandt appeared first on Digital Photography School.


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Ultimate OM-D: Olympus E-M1 Mark II Review

23 Nov

Olympus’ OM-D EM-1 has been one of our favorite mirrorless cameras since its introduction in 2013. It impressed us with its build quality, image quality, ridiculous amount of manual control (that’s a compliment) and boatload of features. Three years later, it’s still very competitive.

To say that Olympus has topped itself with the E-M1 Mark II is an understatement. The company told us that this camera was overdeveloped, and it shows. Its blazing dual quad-core processors allow for 60 fps burst shooting (18 fps w/continuous autofocus) and ridiculously fast image playback. Combine that with one of the most advanced autofocus systems we’ve seen and 5-axis in-body image stabilization – along with what made the original so impressive – and the Mark II is a force to be reckoned with.

One thing about the Mark II that makes us pause is its price. Its MSRP of $ 2000 is higher than that of Nikon’s D500 and full-frame D750 (both are $ 1800), and the Mark II’s Four Thirds is small in comparison to the D500 and other APS-C cameras and tiny versus full-framers. 

Key Specifications

  • 20MP Live MOS sensor
  • 5-axis in-body image stabilization system
  • 121-pt hybrid AF system
  • 60 fps burst shooting (18 fps with continuous AF)
  • Fully articulating 3″ LCD display
  • High-res electronic viewfinder
  • Cinema (DCI) and UHD 4K video
  • 50MP High-Res Shot mode
  • Weather-sealed body
  • USB 3 (Type-C)

Compared to Olympus E-M1 and Nikon D500

We are including the D500 here since it’s target audience is in the same vein: those who want high-speed shooting and an advanced AF system. As mentioned above, they both have a similar MSRP.

  Olympus E-M1 II Olympus E-M1 Nikon D500
Sensor 20MP Four Thirds 16MP Four Thirds 21MP APS-C
ISO range (expanded) 64-25,600 100-25,600 50-1,640,000
Image stabilization In-body (up to 5.5 stops*) In-body (up to 4 stops) Lens only
Autofocus system 121-point hybrid 81-point hybrid 153-pt phase-detect
Burst mode (electronic) 60 fps (AF-S)
18 fps (AF-C)
11 fps (AF-S) N/A
Burst mode (mechanical) 15 fps (AF-S)
10 fps (AF-C)
10 fps (AF-S, no IS)
6.5 fps (AF-C, no IS)
10 fps
LCD 3″ fully articulating touchscreen 3″ tilting touchscreen 3.2″ tilting touchscreen
Viewfinder 2.36M-dot EVF (0.74x equiv. mag) Optical
(0.67x equiv. mag)
Flash GN 9.1 external GN 7 external None
Video capture DCI/UHD 4K (237Mbps) 1080/30p (24Mbps) UHD 4K (144Mbps)
Video output 4:2:2 over HDMI N/A 4:2:2 over HDMI
I/O ports Headphone, mic, remote, flash sync, USB 3, HDMI Mic, remote, USB, HDMI Headphone, mic, remote, flash sync, USB 3, HDMI
Storage Dual SD (UHS-II/UHS-I) SD (UHS-I) SD + XQD
Wireless Yes Yes Yes, with Bluetooth and NFC
Weather-sealed Yes Yes Yes
Battery life (CIPA) 440 shots 350 shots 1,240 shots
Dimensions 134 x 91 x 69mm 130 x 94 x 63mm 147 x 115 x 81mm
Weight (CIPA) 574g 497g 760g

* 6.5 stops with Olympus 12-100mm lens

Accessories

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At the time of its launch Olympus also debuted a number of accessories to go along with the E-M1 Mark II. The one most people will likely purchase is the HLD-9 battery grip ($ 249), which doubles battery life and offers two control dials and two custom buttons. It also features a DC-in jack, so the battery can be charged right inside the grip via an outrageously priced AC adapter.

Also available is the powerful FL-900R external flash ($ 299), which has a guide number of 58m, built-in video lamp, wireless control and the ability to fire at 10 fps. The STF-8 Macro Flash Set ($ 479) has fully adjustable (and removable) left and right flashes, manual control down to 1/128 power and support for focus stacking. Both of these flashes are weather-sealed.

For those who want to take the camera underwater there’s the PT-EP14 housing ($ 1299). It works down to 65m/196ft and numerous brackets, weights and arms are available. Naturally, you’ll need a housing for whatever lens you attach.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus OM-D E-M1 Mark II added to studio comparison scene

17 Nov

The Olympus OM-D E-M1 Mark II raised a lot of eyebrows when it was released. It comes with an all-new 121-point autofocus system, 20MP sensor and 60fps Raw + JPEG shooting. Oh, and a $ 2000 MSRP. Can’t forget that.

Nonetheless, Olympus’ new flagship is here, and it is seriously capable. We’re in the home stretch on our full review, but in the meantime, check out how it stacks up against the competition in our studio comparison scene.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus E-M1 Mark II real-world samples gallery and Iceland gallery update

13 Nov
Straight-out-of-camera JPEG – check out the Raw processed image in the gallery. Olympus 25mm F1.2 Pro, ISO 1600, 1/250 sec, F1.2. Photo by Carey Rose

As Olympus’ top-end flagship, the OM-D E-M1 Mark II isn’t small for a Micro Four Thirds camera, but it’s built to be incredibly tough and has room for some impressive technology on the inside and abundant, customizable controls on the outside.

We soaked it at a frisbee match, cranked the ISO at a rock show, took it to the streets and the studio, and tried out the new High Res Shot mode (we even tried it with a live subject with questionable success). Take a look at how the camera’s handled a variety of situations as we continue to work through our forthcoming review.

We’ve also gotten preliminary Adobe Camera Raw support, and have updated our previous Iceland gallery with some new Raw conversions.

Articles: Digital Photography Review (dpreview.com)

 
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Mount a Canon 5D Mark III to a custom drone and capture the beauty of nature

04 Nov

Polish photographer Miron Bogacki mounted a Canon EOS 5D Mark III to a custom-built octocopter and flew the drone over Northern Poland in the Valley of Drw?ca. We hope that you enjoy the gorgeous video footage he captured as much as we did! To see more of Miron’s work check out his website.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus E-M1 Mark II Iceland sample gallery

02 Nov

From waterfalls to the Northern Lights, Iceland is full of natural beauty. And, in October, lots and lots of rain. We’ve put together a sample gallery of photos taken over four days with Olympus’ new OM-D E-M1 Mark II on a company-sponsored trip.

Articles: Digital Photography Review (dpreview.com)

 
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66 Degrees North: Olympus E-M1 Mark II Shooting Experience

02 Nov

If there’s one thing I learned about the Olympus OM-D E-M1 Mark II, it’s that it can handle mother nature with the best of them. At an Olympus-sponsored press event in Iceland, the camera got pelted with rain, sleet, snow and hail, all of which occurred over a 20 minute period on more than one occasion. Despite both the camera and the photographer getting soaked, the Mark II kept on going.

Black Beach near Vik. ISO 200, 1/160 sec, F5.6, Olympus 12-100mm F4 lens @ 100mm equiv. Photo by Jeff Keller.

In most respects the E-M1 II feels very ‘Olympus.’ The controls aren’t radically different than other recent OM-D models, and the Super Control Panel (which is on by default) and a slightly restyled menu system are both there. The E-M1 II feels great in the hand and is well balanced. The build quality is superb, which I learned firsthand when the camera knocked the front plate off of the electronic lock on my hotel room door (oops).

Icelandic horses. ISO 200, 1/160 sec, F4.5, Olympus 12-100mm F4 lens @ 132mm equiv. Photo by Jeff Keller.

The E-M1 Mark II has an impressive 440 shots-per-charge CIPA battery life rating, though the battery drained a lot quicker than that in the roughly 4°C/40°F temperatures. Quite a few of my colleagues used the optional grip full-time, while I saved it for aurora shooting, where I really didn’t want the camera to run out of juice, since (ironically) I found it easier to hold the camera without it.

Given its spot as Olympus’ flagship mirrorless camera, it should be no surprise that the E-M1 Mark II has two memory card slots, located on its right side. The top one supports UHS-II media, while the bottom one is UHS-I only. The UHS-II slot is noticeably ‘thicker’ than the UHS-I one, which is another way to tell them apart. For this trip, I set up the camera to put all videos onto the UHS-II card – a necessity when shooting at very high bit rates – and all stills to the UHS-I card.

A break in the hail at Black Beach. ISO 200, 1/400 sec, F10, Olympus 12-100mm F4 lens @ 50mm equiv. Photo by Jeff Keller.

Something that affected my shooting quite a bit was the Mark II’s overly sensitive shutter release button. This resulted in many unwanted photos and, in one case, my memory card became filled with 2000+ shots while using in the Pro Capture mode, because I was unknowingly shooting the entire time I was waiting for a geyser to erupt. Other members of the press echoed my concerns about the touchy shutter release.

Skógafoss. ISO 200, 1/400 sec, F7.1, Olympus 7-14mm F2.8 lens @ 16mm equiv. Photo by Jeff Keller.

While the E-M1 II’s big claim to fame is its advanced autofocus system, the Olympus event in Iceland was essentially all landscape photography. Our journey included a lot of waterfalls and geysers, plus some shooting around Reykjavik, but fast-moving subjects were scarce, so I can’t comment on how well that part of the AF system works. What I can say is that in single AF mode the Mark II was both responsive and accurate, though it did miss focus (in both front and back directions) on a few occasions with the 12-100 and 300mm lenses.

Two features I got to test out were the Pro Capture and Live Time modes. The former works by buffering shots as you half-press the shutter release, saving up to 14 of them when you fully press it. My plan was to capture the moment a geyser erupted, but as mentioned earlier, I was actually recording images the entire time due to that oversensitive shutter release button. The fact that I chose the wrong geyser didn’t help matters, either. Another member of our group had better luck and got some great shots using Pro Capture, so maybe it was just me.

Northern Lights over Reyjavik. In-camera Raw conversion (I’ll update when ACR is available). ISO 800, 21 sec, F2.8, Olympus 8mm F1.8 fisheye. Photo by Jeff Keller.

I used the Live Time feature when shooting the Northern Lights, which unfortunately weren’t as strong as expected. Live Time is a long exposure mode that displays the current image at an interval of your choosing, so you can close the shutter when you’re happy with the result. For aurora shooting I turned on Live Time, set the 12-100mm lens wide-open at F4 and used an ISO value between 800 and 1600, depending on the current auroral activity. Just to be safe, I turned on anti-shock to prevent any shake caused by pressing the shutter release button. While the ‘show’ wasn’t great, Live Time was a valuable feature that made it easy to decide when to press ‘stop’ when the exposure looked right.

I came back pretty satisfied with the photos I took on the trip, though I had to dump a lot of photos due to water on the lens (did I mention it rained a lot? Every time I wiped it off, more would appear.) I have no complaints about color, though at default settings JPEG noise reduction is higher than I’d like. Normally I’d pop the images into Photoshop and use ACR to tweak that to my liking (and bump up the shadows in a few of my photos,) but the only option at time of publication was converting the Raws in-camera. If you’ve used Olympus’ in-camera Raw conversion, you’ll know that it’s quite confusing, though I appreciate the addition of shadow/midtone/highlight correction.

While I didn’t take a ton of video, I was impressed with the results. I shot exclusively at Cinema 4K (24p), which maxes out at 237Mbps. The bit rate never got that high, since it varies depending on your subject, but the quality was never in question. Despite Olympus’ claims of 5.5 stops of shake reduction, a few videos seemed a bit shakier than I was expecting. In continuous AF mode there was a bit of ‘hunting,’ but not enough to concern me.

Gullfoss in Dramatic Tone. ISO 200, 1/100 sec, F5, Olympus 12-100mm lens @ 36mm equiv. Photo by Jeff Keller.

The one thing that about the E-M1 II that remained a mystery until the very end of the trip was its price. Some of the group were guessing around $ 1500, while I was thinking $ 1800. As it turned out, the E-M1 II is a penny under $ 2000 — a full $ 600 over the MSRP of the original E-M1 and on par with the Nikon D500. That’s a lot of dough for a Micro Four Thirds camera and while my initial impressions of the camera were positive, I want to see how it performs in our tests – especially in terms of autofocus – to see if its worth the price.

Sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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Sony RX100 Mark V real-world samples

07 Oct

The RX100 Mark V is pretty crazy – at its full burst speed of twenty four frames per second, shooting full JPEG and Raw, I actually tended to dial it back to its ‘medium’ 10 fps burst-shooting speed. Think about that: you can literally make movies out of these 24 fps (importantly: long) bursts. With 315 on-sensor phase-detection autofocus points, I almost felt bad for doing so – but our 128GB cards were filling up fast. And though the buffer is huge, allowing you to keep shooting even as it’s clearing, it does have to clear completely (a slow process) before you can switch from photo to video mode. And given the variety of activities at Sony’s shooting experience, we wanted to shoot both.

Rishi and I have enjoyed a hands-on shooting experience with the RX100 V, and have a variety of straight-out-of-camera samples for you to peruse (no Raw support yet). We’re looking forward to uploading some more samples in the near future. This camera may well be the only serious photographic tool one would ever need. To get an idea of if the Mark V is right for you, take a look through our preliminary gallery.

Note: This is a preliminary gallery that we will be adding to. Keep in mind this was an indoor action shooting scenario, meaning all images in this gallery are taken at very high ISO, with default parameters, including default sharpening and noise reduction, and auto white balance. Given the high ISOs, detail retention is impressive, with apparently increased default noise reduction well balanced by smart sharpening. All images are straight-out-of-camera JPEGs with accompanying Raw files. 

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Sony announces Cyber-shot RX100 Mark V with 315 phase-detection AF points

07 Oct

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Sony has announced the latest version of its RX100 series: the Mark V. It maintains a 20MP sensor and 24-70mm equiv. F1.8-2.8 lens, but adds phase-detection AF to achieve focus speeds as fast as 0.05 sec, and a front-end LSI to improve speed of operation and buffering.

The Sony Cyber-shot RX100 V offers what Sony calls ‘professional level AF performance’ in the form of a new sensor with 315 phase-detection AF points over 65% of the frame, claiming the world’s fastest AF speed at 0.05 seconds. The front-end LSI gives a turbo boost to performance, allowing the sensor to be read faster and more data to be buffered. That means the Mark V now offers 24 fps shooting at full 20.1MP resolution with autofocus and auto exposure for up to 150 frames for JPEG + Raw. That’s stills shooting at movie frame rates, folks. Eye AF is also available in AF-C mode. 

The Mark V’s video is also improved. It creates UHD 4K from a 5028 x 2828 pixel region. This means it oversamples by 1.3x in each dimension (1.7x overall), to give highly detailed 4K footage. The faster sensor readout thanks to the LSI also means less rolling shutter in 4K video and electronic stills, inching these cameras ever closer to the global shutter ideal. The camera maintains the ability to use its phase detection AF during video shooting, but no touchscreen severely reduces usability. 960 fps and all other slow motion modes are now available with twice the recording duration of the RX100 IV – up to 8 seconds of 40x slow motion at 960 fps. S-Log2/S-Gamut and Picture Profiles are also available to videographers, as is 1080/120p. 

An ‘anti-distortion’ fully electronic shutter is available up to 1/32000 sec, and in fact the electronic shutter automatically kicks in for shutter speeds greater than 1/2000s, or frame rates greater than 10 fps. Turns out it’s hard to operate a leaf shutter at 24 fps…

The camera’s 3″ 1229k-dot, non-touchscreen LCD tilts a full 180 degrees upward and 45 degrees downward. It retains a pop-up viewfinder, with a 2.4M-dot OLED panel. Wi-Fi is available as expected, with the added benefit of being able to read QR codes to help make a wireless connection when NFC isn’t an option. A new underwater case is available, compatible with the entire RX100 series and making it possible to use the camera up to 40m underwater.

It will be available in October for $ 1000/€1200.

Press release

Sony Announces New Addition to Acclaimed Line of Cyber-shot® RX Cameras

New Compact RX100 V Model Boasts World’s Fastest AF Speed1, World’s Most AF Points and World’s Fastest Continuous Shooting1 for a Compact Camera1

NEW YORK, Oct. 6, 2016 – Sony – a worldwide leader in digital imaging and the world’s largest image sensor manufacturer – has today announced a new flagship model for their popular Cyber-shot RX100 series of compact cameras, the RX100 V (model DSC-RX100M5).

The exciting new camera brings a new level of AF performance and speed to today’s compact camera market. It is equipped with a Fast Hybrid AF system with the world’s fastest AF acquisition1 at 0.05 seconds2 and world’s highest number of AF points on sensor1 with 315 points covering approximately 65% of the frame. The camera can also shoot continuously at speeds of up to 24 fps3 – the world’s fastest for a compact camera1 – at full 20.1 MP (approx. effective) resolution with AF/AE tracking for up to 150 continuous shots4.

The RX100 V is equipped with a newly developed 1.0-type stacked Exmor RS™ CMOS sensor with a DRAM chip, a ZEISS® Vario-Sonnar T* 24-70 mm5 F1.8 – 2.8 large aperture lens and an enhanced image processing system with a new front-end LSI chip that maximizes processing speed, expands the memory buffer and optimizes image quality, in particular at high ISO settings. The camera also features 4K video recording with full pixel readout and no pixel binning6, super slow motion recording at up to 960 fps7 with extended recording time and more.

“Featuring a level of power and performance that has never before been achieved in a compact, the new RX100 V redefines what it means to be a ‘pocket camera’,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics. “This camera is yet another example of Sony innovating to a level far beyond what exists in the conventional marketplace.”

Fast Focusing, Fast Shooting

A first for Sony’s RX100 series of cameras, the new RX100 V model features a Fast Hybrid AF system that combines the respective advantages of focal-plane phase detection AF and contrast detection AF and ultimately enables the camera to lock focus in as little as 0.05 seconds2. This high speed focusing is a perfect complement to the 315 dedicated AF points that cover 65% of the sensor, and ensures that shooters will be able to capture their intended subject with high speed and accuracy, even if it’s moving rapidly in unpredictable directions.

Additionally, processing speed has been greatly enhanced through the addition of a front-end LSI that perfectly supports the camera’s BIONZ X® image processing engine. These two components combined with the powerful AF system allow the camera to shoot continuously at speeds of up to 24 fps 3 at full 20.1 MP (approx. effective) resolution for up to 150 shots4 with AF/AE tracking. Viewfinder blackout between shots has also been minimized in this high-speed shooting mode, which greatly improves photographers’ ability to follow fast action and capture the decisive moment. Silent shooting is also available in these high-speed modes as well8.

Other advancements to AF performance on the new RX100 V include the addition of AF-A mode, which allows the camera to automatically switch between continuous and single-shot AF modes. Users can also manually select if they’d like the continuous AF and phase detection AF areas to be displayed live on screen while they are framing a shot.

The RX100 V also has a high speed Anti-Distortion Shutter (maximum speed of 1/32000 second) that minimizes the “rolling shutter” effect commonly experienced with fast moving subjects. This fast shutter speed also allows the camera to capture sharp, crystal clear images with a wide open aperture at brightness levels up to EV199. Shooting at wide aperture with the fast shutter speed allows photographers and videographers to capture beautiful content with sharply focused subjects and defocused backgrounds under some of the most difficult, bright lighting conditions.

New on the RX100 V, users can freely select the initial magnification ratio when shooting in a mode with Focus Magnifier, and can select between “focus point” and “center of display” for the location of Focus Magnifier.

Professional Movie Functionality

The pocket-friendly RX100 V is packed with a variety of video capabilities that will satisfy even the most demanding video enthusiasts.

With Fast Hybrid AF, the focal plane phase detection AF sensor ensures accurate focusing and tracking performance, even for the severe focusing requirements of 4K movie shooting. AF drive speed and AF tracking sensitivity can also be adjusted via the menu system, giving shooters plenty of flexibility based on their focusing preferences.

In 4K mode 6, the new RX100 V utilizes full pixel readout without pixel binning to ensure that all the finer details of 4K video are captured with minimal moire and ‘jaggies’. These high-quality results are achieved through use of the XAVC S codec, which records video at a high data rate of up to 100 Mbps during 4K recording and 50 Mbps during full HD shooting10.

Additional professional caliber video features include Picture Profile, S-Log2/S-Gamut, 120p HD Full HD mode and more. Users also have the ability to manually select a frame from a recorded movie and save it as a still image file of approximately 8 MP during 4K shooting or 2 MP during HD shooting.

The RX100 V is able to record super-slow motion video7 at up to 40x slower than the standard rate, and can do this for about twice as long as the RX100 IV model. This extended time allowing users to capture a series of high-speed, fleeting moments of action with incredible detail, resolution and clarity.

Prior to shooting, users will have the ability to choose among 960fps, 480fps and 240 fps frame rates and among 60p, 30p and 24p playback formats to optimize the recording to fit the speed of the moving subject, with the option to use the movie record button as a ‘start trigger’ to begin recording once button is pressed or ‘end trigger’ to record footage up until the button is pressed.

Pocket-Friendly Design, Premium Performance

The new RX100 V maintains the convenient pocket-sized design of the remainder of the RX100 family and is equipped with a high-contrast 2.35 million dot XGA OLED Tru-Finder™, ensuring true-to-life image preview and playback functionality. The EVF conveniently retracts in and out of the camera body based on user preference, and features optics with ZEISS® T* Coating.

The new camera is also Wi-Fi® and NFC™ compatible and can access Sony’s growing range of PlayMemories Camera Applications. Learn more at www.sony.net/pmca.

Another convenient addition is the ability for users to freely set the leading three characters of saved file names for easier sorting and organization.

There will also be a new underwater housing (model MPK-URX100A) that will be available as a separate accessory for the RX100 V and all other RX100 series cameras. Designed exclusively to fit the RX100 cameras, the housing features a depth level of 40m/130ft.

Pricing and Availability

The new Sony Cyber-shot RX100 V (model DSC-RX100M5) compact camera will ship this month for about $ 1,000 US and $ 1,250 CA.

The new underwater housing (model MPK-URX100A) will ship in November for about $ 350 US and $ 450 CA.

Both products will be sold at a variety of Sony authorized dealers throughout North America.

A variety of exclusive stories and exciting new content shot with the new RX100 V camera and other Sony products can be found at www.alphauniverse.com , Sony’s community site built to educate, inspire and showcase all fans and customers of the Sony ? brand.

Sony Cyber-shot DSC-RX100 V specifications

Price
MSRP $ 1000/€1200
Body type
Body type Compact
Body material Aluminum
Sensor
Max resolution 5472 x 3648
Other resolutions 3:2 (3888 x 2592, 2736 x 1824), 4:3 (4864 x 3648, 3648 x 2736, 2592 x 1944), 16:9 (5472 x 3080, 3648 x 2056, 2720 x 1528), 1:1 (3648 x 3648, 2544 x 2544, 1920 x 1920)
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 21 megapixels
Sensor size 1″ (13.2 x 8.8 mm)
Sensor type BSI-CMOS
Processor Bionz X
Color space sRGB, AdobeRGB
Color filter array Primary color filter
Image
ISO Auto, 125-12800
Boosted ISO (minimum) 80
Boosted ISO (maximum) 25600
White balance presets 9
Custom white balance Yes
Image stabilization Optical
Uncompressed format RAW
JPEG quality levels Extra fine, fine, standard
File format
  • JPEG (Exif v2.3, DCF v2.0)
  • Raw (Sony ARW v2.3)
Optics & Focus
Focal length (equiv.) 24–70 mm
Optical zoom 2.9×
Maximum aperture F1.8–2.8
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (3.8x)
Manual focus Yes
Normal focus range 5 cm (1.97)
Macro focus range 5 cm (1.97)
Number of focus points 315
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,228,800
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.59×
Viewfinder resolution 2,359,296
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/2000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Auto
  • Program Auto
  • Aperture Priority
  • Shutter Priority
  • Manual Exposure
Scene modes
  • Portrait
  • Sports Action
  • Macro
  • Landscape
  • Sunset
  • Night Scene
  • Handheld Twilight
  • Night Portrait
  • Anti Motion Blur
  • Pet Mode
  • Gourmet
  • Fireworks
  • High Sensitivity
Built-in flash Yes
Flash range 10.20 m (at Auto ISO)
External flash No
Drive modes
  • Single
  • Continuous
  • Self-timer (single, continuous)
  • Single/continuous bracketing
  • WB bracketing
  • DRO bracketing
Continuous drive 24.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±3 (at 1/3 EV steps)
AE Bracketing ±3 (3 frames )
WB Bracketing Yes
Videography features
Format MPEG-4, AVCHD, XAVC S
Modes
  • 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 30p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 16 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 16 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 24p / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1280 x 720 @ 30p / 6 Mbps, MP4, H.264, AAC
  • 1280 x 720 @ 25p / 6 Mbps, MP4, H.264, AAC
Microphone Stereo
Speaker Mono
Storage
Storage types SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI with uncompressed 4K/30p output)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n with NFC
Remote control Yes (wired or smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NP-BX1 lithium-ion battery & USB charger
Battery Life (CIPA) 220
Weight (inc. batteries) 299 g (0.66 lb / 10.55 oz)
Dimensions 102 x 58 x 41 mm (4.02 x 2.28 x 1.61)
Other features
Orientation sensor Yes
Timelapse recording No
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Canon 5D Mark IV Reviews

06 Oct
Canon 5D Mark IV Review - Real World Tests

I recently put the new Canon 5D Mark IV through some very rigorous tests in the field. I put together a series of 7 videos covering a wide variety of tests that you may find interesting over on my YouTube channel All Things Photo. If you’ve been interested in learning more about what the Canon 5D Mark IV is capable of see the video links below:

Canon 5D Mark IV Speed Review
https://www.youtube.com/watch?v=NgRIAdvzPck

Canon 5D Mark IV Dynamic Range Review
https://www.youtube.com/watch?v=klAaMKQRWos

Canon 5D Mark IV ISO Performance
https://www.youtube.com/watch?v=tRNfKmzeLo0

Canon 5D Mark IV Dual-Pixel Still Photo Post-Processing Review
https://www.youtube.com/watch?v=lumzMn77MhU

Canon 5D Mark IV Dual-Pixel (AF) Autofocus Demo
https://www.youtube.com/watch?v=A0vAYJLy2RI

Canon 5D Mark IV Extreme Exposure & Sensor Noise Performance Review
https://www.youtube.com/watch?v=vjSvrvXXtOU

Canon 5D Mark IV Day-to-Night Timelapse Examples With Flicker Mode Active
https://www.youtube.com/watch?v=heLkKd1HFro

The post Canon 5D Mark IV Reviews appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.


JMG-Galleries – Landscape, Nature & Travel Photography

 
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