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Posts Tagged ‘Love’

LOVE TV

28 Oct

Check out these visual art images:

LOVE TV
visual art
Image by nycstreets
LOVE TV, by Australian artist Rebecca McIntosh and art producer Victoria Johnstone, blended visual art, performance art and a talk show to invite New Yorkers to share their stories of life and love in New York City. LOVE TV explored the identity of people, places and diversity through the universal subject of love. The program followed artist Rebecca McIntosh, who posed as goddess Aphrodite, as she spoke with celebrities, musicians, historians, artists, local heroes and the public in her hot pink TV-shaped mobile studio. The performance encouraged creative conversation and provided the community with a chance to reclaim public space.

By partnering with artists like Rebecca McIntosh, DOT’s Urban Art Program aimed to enhance and enrich the public’s experience at Summer Streets, a three day closure of Park Avenue for recreation held on Saturdays in August. The LOVE TV performances took place at Foley Square and Centre Street at Pearl Street. Performances were also held as part of Weekend Walks in the Bronx, Brooklyn, Manhattan, Queens and Staten Island.

NYCDOT Urban Art Program, Summer Streets
LOVE TV by Rebecca McIntosh and Victoria Johnstone
Foley Square and Centre Street at Pearl Street, Manhattan
www.nyc.gov/urbanart
www.youtube.com/watch?v=YeuBlT0-k88&feature=youtu.be

Francis Bacon OBEY theme
visual art
Image by Leo Reynolds
building contractor’s site hoarding
Sainsbury Centre for Visual Arts
University of East Anglia, Norwich, Norfolk, England, UK

For Fame and Love – Gallery A
visual art
Image by Angels Gate
From the exhibition For Fame and Love, curated by Devon Tsuno, July19 – August 23, 2009.

Photo by AGCC Visual Arts Director Marshall Astor.

 
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Posted in Photographs

 

LOVE TV

28 Oct

Check out these visual art images:

LOVE TV
visual art
Image by nycstreets
LOVE TV, by Australian artist Rebecca McIntosh and art producer Victoria Johnstone, blended visual art, performance art and a talk show to invite New Yorkers to share their stories of life and love in New York City. LOVE TV explored the identity of people, places and diversity through the universal subject of love. The program followed artist Rebecca McIntosh, who posed as goddess Aphrodite, as she spoke with celebrities, musicians, historians, artists, local heroes and the public in her hot pink TV-shaped mobile studio. The performance encouraged creative conversation and provided the community with a chance to reclaim public space.

By partnering with artists like Rebecca McIntosh, DOT’s Urban Art Program aimed to enhance and enrich the public’s experience at Summer Streets, a three day closure of Park Avenue for recreation held on Saturdays in August. The LOVE TV performances took place at Foley Square and Centre Street at Pearl Street. Performances were also held as part of Weekend Walks in the Bronx, Brooklyn, Manhattan, Queens and Staten Island.

NYCDOT Urban Art Program, Summer Streets
LOVE TV by Rebecca McIntosh and Victoria Johnstone
Foley Square and Centre Street at Pearl Street, Manhattan
www.nyc.gov/urbanart
www.youtube.com/watch?v=YeuBlT0-k88&feature=youtu.be

C Finley – Patchwork Prototypes – I Just Can’t Get Enough
visual art
Image by Angels Gate
From the exhibition "I Just Can’t Get Enough.

Photo by AGCC Visual Arts Director Marshall Astor.

C Finley – Graphite Girl – I Just Can’t Get Enough
visual art
Image by Angels Gate
From the exhibition "I Just Can’t Get Enough.

Photo by AGCC Visual Arts Director Marshall Astor.

 
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Posted in Photographs

 

MACKLEMORE & RYAN LEWIS – SAME LOVE feat. MARY LAMBERT (OFFICIAL VIDEO)

18 Oct

Same Love feat. Mary Lambert on iTunes: itunes.apple.com We support civil rights, and hope WA State voters will APPROVE REF 74 and legalize marriage equality. Visit www.music4marriage.org for more info. Support Marriage Equality by ordering the limited edition Same Love vinyl here www.subpop.com Same Love, as featured on the debut album from Macklemore & Ryan Lewis, The Heist, will be available 10/09/2012 The Heist iTunes Pre-Order: itunes.apple.com Amazon: amzn.com Deluxe CD Pre-Order: www.macklemoremerch.com In-Stores 10 Same Love, A Film By: Ryan Lewis Jon Jon Augustavo Tricia Davis Directed by: Ryan Lewis Jon Jon Augustavo Produced by: Tricia Davis Director of Photography: Mego Lin Associate Producer: Honna Kimmerer Starring: Jairemie Alexander William Pontius Shelton Harris Sarita Valdez Jay Sommerville Cast: Jairemie Alexander William Pontius Shelton Harris Sarita Valdez Jay Sommerville Thomas Collins Tina Tsiakalis Kendall Kapsner Rosie Cole Rory King Josue Gonzalez Mia Clapp Perfetti Mary Lambert Robert Braxton Jaida Kimmerer Brooklyn Thornton Crew: Tricia Davis – Producer Mego Lin – Director of Photography Honna Kimmerer – Production Design Miles Johnson – Lead Green Evelyn Brodersen – Lead Green Jennifer Terrana – Lead Green Jennifer Popochock – Makeup Artist David Herberg – Key Grip Wil Drake – Best Boy Grip Mike Dyrland – Best Boy Grip Yu Chen Lin – Gaffer Blueboy Sguiggley – Production Assistant Seth McDonald – Production Assistant Chris Duerkopp – Steadicam
Video Rating: 4 / 5

 
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Posted in Photography Videos

 

Perils of Love…

18 Oct

A cute French animated short with accompanying French love song. By Cube.
Video Rating: 4 / 5

Facebook: www.facebook.com Music Remix by The Icarus Kid www.theicaruskid.com Original gif nyan cat– www.youtube.com Deviant Art GIF – stevied33.deviantart.com All made in Adobe After Effects and Premiere
Video Rating: 4 / 5

 
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Posted in Animation Videos

 

Love At First Heist – A Short Film

16 Oct

Love At First Heist is a short film made of still images by director Elizabeth Anweis (Hung, Southland) and shot by Bryan Koss (Discovery Channel, Director of Photography)

The interview below was submitted by Guy Birtwhistle, producer of the film.

We tracked down actress, Elizabeth Anweis in Los Angeles to ask her about her new short film, ‘Love At First Heist’, which uses a blend of still photography and live footage.

You’re a working actress in Hollywood, where the heck did you learn how to edit?

A book. Books are amazing.

For our techie reeaders what did you shoot and edit on?

I think Bryan [Bryan Koss, Director of Photography] used the 5d and 7d. The video footage of the stabbing being shot on the 5d. Post consisted of PS 5 and FCP 7.

We associate LA with sunshine and palm trees, yet you chose to show us rain and downtown, can you talk about your reasoning behind this?

Downtown LA was written into the script almost as it’s own character. As for the rain, we were lucky with it.

Still from Love At First Heist

Still from Love At First Heist

How many photos did you shoot?

Roughly 2600 photos. We were attempting to capture a lot in one day and moving quickly. It was incredible of Bryan to get all the coverage we needed in addition to the stylized experiments I wanted, most of which didn’t make the cut in the end.

What was the shooting photo count to editing photo count ratio?

2600 photos were shot of which 500 were then processed. I’m not sure how many ended up in the film as there were two different edits. The final one being scaled back and more simple.

Please talk about the process of editing all those photos, what was your criteria for selecting the photos in the video?

Pretty basic. The first pass involved separating out my favorites which were then edited in Photoshop to inspire the look and feel. Next came forming the skeleton of the story and then it was a matter of filling it in with the music in mind.

There is minimal sound design, no voiceover, can you talk about your decisions with respect to sound?

It’s good to hear that it sounds minimal as it’s not meant to stand out much and there’s actually quite a bit going on. I think the music acted as more powerful an agent than any true dialogue or voiceover could have in 3 min. It also, I think, allows a more individualized experience for a viewer to fill in who the characters are.

Still from Love At First Heist

Still from Love At First Heist

Why did you chose black and white?

It’s less distracting and offers more control over the focus of an image. I didn’t want the difference between all the lighting situations to stand out and detract from the short story. Within the three minute time frame I think the black and white images provided a stronger and faster emotional impact.

Can you talk about the challenges of shooting on the street, were you hampered by weather, light, police?

We weren’t stopped or questioned at any point which was surprising to me. Security guards watched us but never said anything. At one point we were even standing in front of a jewelry store as I was pulling a knife from my bag while masked, and nothing. The weather was the biggest challenge for me. On the one hand it was great for lighting because it was overcast all day but on the other it was freezing with the added rain. Some burly men (ahem, Bryan and Guy [Guy Birtwhistle, actor/ writer/ producer]) might disagree but as the day progressed my limbs and hair froze with icicles, I was shaking uncontrollably and by the end I could barely communicate. The words were stumbling off my tongue and tripping over my lips. Thank god Guy and Bryan are both proficient mind readers.

Learn more about the film at Guy Birtwhistle‘s website


dslrBlog

 
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Posted in Photography

 

Nifty Fifties – Why I Love 50mm Prime Lenses

16 Oct

This article was written by Andrew S Gibson, the author of Understanding Lenses: Part II, and is part of a series of lessons about camera lenses. Links to the others are at the bottom of the article.

01

Before zoom lenses became the norm most cameras came with a 50mm lens as standard. Since then, the humble 50mm prime has fallen somewhat out of favour. Which is a shame, because 50mm prime lenses can give you high quality and versatility at a low price point. On an APS-C camera it’s one of my favourite focal lengths. Let’s take a look at why.

50mm prime lens vs. kit lens

If you own a kit lens or zoom that covers the 50mm focal length you may be wondering why you would buy a 50mm prime. After all, you already have that focal length covered. The answer is that 50mm lenses have some advantages that kit lenses don’t:

Better image quality

50mm lenses are simple beasts from a design point of view. Lens designers figured out a long time ago how to make a good quality 50mm lens, and the result is that the optical performance of even the least expensive 50mm prime outshines many zooms.

I used a Canon EF 50mm f1.8 II lens (Canon’s cheapest) on a full-frame camera to take the photo below, my first time using it for photographing architecture, and I was amazed at the detail it captured when I enlarged it to 100%.

02

03

Price

50mm lenses are simple. They tend to have six to eight elements inside – zoom lenses may have more than double that. That means manufacturing costs are lower. It is likely that the cheapest lens in your camera manufacturer’s range is a 50mm prime. Most 50mm lenses represent excellent value for money.

However, when making a purchase (of any lens, not just a 50mm) it is wise bear in mind that more expensive models of the same lens have better build quality, autofocus performance, weatherproofing and maybe a wider maximum aperture.

Canon, for example, has three 50mm prime lenses (plus a 50mm macro lens) in its current range. You may not notice much difference in image quality between the 50mm f1.8 II and 50mm f1.2L – but you will notice the difference in build quality and autofocus performance. I opted for the middle option and bought the mid-range 50mm f1.4.

Wide maximum apertures

For me this is the most exciting aspect of 50mm primes (indeed, any prime lens). If you have a kit lens the long end (around 55mm) has an aperture of f5.6 or thereabouts. A prime 50mm lens has an aperture of f1.8 or wider. That’s over three stops. It makes a difference when shooting in low light as you can open up the lens rather than increasing ISO. It also helps you take photos with shallow depth-of-field.

This photo was taken at f1.8 with a 50mm lens:

04

Getting the best out of a 50mm prime lens

Once you have a 50mm prime lens the next step is learning to get the best out of it. These are the things that I use my 50mm lens for:

Walk-around lens

A 50mm lens is a nice walk-around lens to take on a day out. I took these photos with my 50mm f1.4 lens in China. On a full-frame camera it’s a convenient focal length for this very casual style of photography. On an APS-C camera it will help you close in on interesting details.

05

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Portraits

On an APS-C camera a 50mm prime lens effectively becomes a short telephoto lens, ideal for portraits. It works well on a full-frame camera as well, as long as you don’t mind a little distortion. The photos below show a couple of portraits taken with an 85mm lens.

07

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Close-up photography

You can use a close-up lens or extension tubes with a 50mm lens to take close-up photos. You can also reverse mount it onto another lens to take macro photos (the techniques are covered in detail in the linked articles). This greatly increases the versatility of the lens. If you already own a 50mm lens these are cheaper options than buying a macro lens.

09

Previous articles

These are the previous articles in the series:

Why your Kit Lens is Better than You Think

7 Ways to Get More Out of a Wide-angle Lens

Why Lens Quality Doesn’t Matter Quite as Much as You Think it Does

How to Prevent Lens Flare

How a Humble 85mm Lens Became my Favourite

Understanding Lenses: Part II

10

If you liked this article then take a look at my latest eBook, Understanding Lenses: Part II – A guide to Canon normal and telephoto lenses. If you hurry, you’ll get a discount – scroll down for details.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Nifty Fifties – Why I Love 50mm Prime Lenses



Digital Photography School

 
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Rest in Love

16 Oct

Anastasia Katoa | 1993 – 2012

I shot this image of Anastasia in November of 2009. It was our first and only shoot, though we discussed shooting again we had a bit of trouble synching up again… I’m bad at that sometimes.

In February of this year, when news came to me that she had passed away, I visited her facebook page in tears. I gasped when I saw she had used this image as the cover on her facebook timeline. Then I sobbed.

I hope we all take advantage of every opportunity to capture something beautiful. Life is fleeting but what we do with our lives can be immortal.

Rest in love Anastasia Katoa, thank you for gracing me with your smile that one November night.  You are missed.


Jake Garn Photography

 
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Posted in Uncategorized

 

Love is being stupid together (Music – Bibio)

14 Jun

A spontaneous portrait of 2 Friends the week before their wedding. Shoot handheld with Nikon D90. 50mm f1.4..( Some color correction in Pinnacle studio 12)

This is my first video clip. I love my NSR 150 sp (first bike) and there isn’t much NSR clip on youtube so I decided to try to make one. hope you guys like it 🙂 it was film by my nikon D90 with the 10.5 fisheye
Video Rating: 4 / 5

 
 

Pogo – Go out and Love Someone

04 Mar

Song – Pogo – Go out and Love Someone www.youtube.com NIkon D90 test

Enjoy it ! Take with Nikon d90 and Samyang 8mm
Video Rating: 4 / 5

 
 

LOVE AFFAIR 3D Affair to Remember

10 Jan

3D 3-D Anaglyph Red Cyan Red-Cyan 3DGLASSES
Video Rating: 3 / 5

 
6 Comments

Posted in 3D Videos