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Posts Tagged ‘Lenses’

Sony firmware for NEX-7, NEX-6, NEX-5R,NEX-5N and E-mount lenses

06 Feb

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Sony has announced a series of firmware updates for its NEX-7, NEX-6, NEX-5R, NEX-5N mirrorless APS-C cameras and two E-mount lenses. Version 1.02 for both NEX-7 and 5N adds automatic lens correction with the 16-50mm E mount lens, as well as a number of other improvements and bugs fixes. Firmware v1.01 for NEX-6 and 5R provides Fast Hybrid AF support with multiple E-mount lenses. Owners of NEX-6 and 5R cameras who use the 50mm f/1.8 or 30mm f/3.5 E mount lenses must first update the latest lens firmware that adds the Fast Hybrid AF capability. Click through for more details and a link to the updates. 

News: Digital Photography Review (dpreview.com)

 
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Olympus Micro 4/3 and Nikon AI Lenses for Movies and Photos

04 Feb

Combine the brilliant Olympus Pen series of Micro 4/3 cameras with the classic awesome lenses of Nikon manual focus primes. Achieve smashing depth of field and impressive bokeh for photos and movie clips. Your movies take on a Hollywood feel with blurred backgrounds and crisp sharp subjects. Observe the focus move up and down with amazing simplicity of turning the focus ring of the lens. Any Olympus or Panasonic micro 4/3 camera will be applicable for this video. Olympus currently has several models like the E-P1, E-PL1, E-P2, E-PL2, EP3 and other variants.
Video Rating: 5 / 5

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CP+ 2013 – lenses from Nikon and Sigma

01 Feb

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CP+ 2013: Nikon has several examples of its 18-35mm F3.5-4.5G ED consumer-level wide-angle full-frame zoom on show, while Sigma has re-designed and re-worked several of its most interesting lenses, which are being shown in prototype form at its stand. This includes a new version of its 30mm F1.4 for APS-C DSLRs. And, while none are available to shot with yet, we got a chance to handle them, along with the portrait-friendly Sigma DP3 Merrill. 

News: Digital Photography Review (dpreview.com)

 
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Roger Cicala compares three 24-70mm F2.8 lenses

31 Jan

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LensRentals’ Roger Cicala has published an interesting article comparing 24-70mm F2.8 lenses from Canon, Nikon and Tamron, using both an optical test bench and Imatest results from Canon EOS 5D Mark III and Nikon D800E bodies. This provides some insights about the interaction between the sharpness of the lens and resolution of the camera’s sensor, and under what practical circumstances you might see any difference. It’s worth reading for anyone interested in the long-running question: what provides more detail, a higher resolution sensor with a good lens, or a lower resolution sensor with a great lens?   

News: Digital Photography Review (dpreview.com)

 
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CP+ 2013 – Micro Four Thirds lenses from Tamron and Olympus

31 Jan

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CP+ 2013: Tamron is showing off it newly-announced 14-150mm F3.5-5.8 Di III VC, stabilized superzoom lens for Micro Four Thirds, while Olympus has a revised version of its 75-300mm F4.8-6.7. While Tamron hasn’t yet announced the price or availability of the 14-150mm, the prototype it has on display is working and the company gave us a hint about how much it will charge.

News: Digital Photography Review (dpreview.com)

 
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Tokina exhibits 70-200mm F4 FX and 12-28mm F4 DX lenses at CP+

29 Jan

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Tokina has announced it will be exhibiting two soon-to-be-released lenses at the CP+ trade show in Japan. The AT-X 70-200 F4 PRO FX VCM-S is a telephoto zoom that’s designed for use on both full frame and APS-C SLRs, and features both optical image stabilisation and a ring-type ultrasonic autofocus motor with full-time manual override. Meanwhile the AT-X 12-28 F4 PRO DX is a replacement for the company’s existing 12-24mm F2 wideangle zoom for APS-C cameras. But rather than making the lens wider to match its competitors, Tokina has chosen to extend it further into the ‘normal’ range, to give an 18-42mm equivalent zoom.         

News: Digital Photography Review (dpreview.com)

 
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getitdigital review: Battle of the Inexpensive 70-300mm lenses- HD Video Samples

17 Jan

getitdigital review: This is the full review video portion of a review which can be found here: getitdigital.wordpress.com We tested the Nikon AF Zoom-NIKKOR 70-300mm f/4-5.6G and the Tamron AF70-300mm F/4-5.6 Di LD 1:2 Macro lenses using a Nikon D300s. You can get great delas on all sorts of camera gear at http:getitdigital.com.
Video Rating: 4 / 5

 
 

Canon announces 14mm T3.1 and 135mm T2.2 Cinema EOS prime lenses

10 Jan

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Canon has announced two additions to its range of Cinema EOS prime lenses, a 14mm T3.1 and 135mm T2.2. The CN-E14mm T3.1 L F and CN-E135mm T2.2 L F are both designed to be used on movie cameras with image sensors up to 35mm full frame in size, and include a range of features optimized for movie shooting. These include geared focus and aperture rings with markings designed to be read from the side of the camera, 11-bladed circular aperture diaphragms, and all-metal weather-resistant construction. The 14mm T3.1 will be available from April 2013 at an estimated retail price of $ 5,500, while the 135mm T2.2 will appear in May for $ 5,200.

News: Digital Photography Review (dpreview.com)

 
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Nikon launches 1 S1 and 1 J3 1-system mirrorless camera and 1 Nikkor lenses

08 Jan

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Nikon has launched two additional camera and two lenses to the Nikon 1 mirrorless system. The 10MP 1 S1 and 14MP 1 J3 are two small mirrorless camera both featuring hybrid-AF. The 1 J3 looks a lot like the previous 1 Js but sees the mode dial moved it the camera’s top plate. The S1, meanwhile is a smaller, less expensive model aimed squarely at point-and-shoot users. In addition Nikon has announced the 1 Nikkor 6.7-13mm F3.5-5.6 VR 18-35mm equivalent wide-angle zoom and a retractable superzoom lens, the 1 Nikkor 10-100mm F4-5.6 VR.

News: Digital Photography Review (dpreview.com)

 
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Carl Zeiss Lenses – Distagon T* 2,8/15

28 Dec

Michael Schiehlen, Sales Director at Carl Zeiss, introduces the new super wide angle lens Distagon T* 2,8/15. The super wide angle Distagon T* 2,8/15 will be available with an EF (ZE) or F bayonet (ZF.2). With an extra-large angle of view of 110 degrees in combination with a fast f/2.8 aperture, the lens enables the features for dramatic perspectives and performance demanded by the most ambitious landscape and architectural photographers.

info: www.apple.com .99 on iTunes Store: itunes.apple.com Requirements: iPhone 4, iPhone 4S, iPad 2 and iPad 3.Requires iOS 5.1 or later.