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Posts Tagged ‘Lenses’

Irix announces 100mm filter system for wide angle lenses

21 Oct

Lens manufacturer Irix announced earlier today that it plans to release a filter holder and a collection of filters in 100x100mm and 100x150mm sizes—a system designed especially to fit its 15mm F2.4 lens. The holder accepts a special bayonet mount adapter to attach to the front of the 15mm lens, while a range of additional screw thread adapters will allow the holder to be used with other lenses.

The Irix Edge 100 system will consist of a dual slot holder that the company claims is the lightest in its class. The holder is made from ‘aluminium alloy’ and features a rotating joint to allow easy positioning of graduated filters and polarisers.

Irix says that the holder, called the IFH-100, has a profile that’s slim enough to avoid mechanical vignetting even when two filters are held in front of the 15mm lens, and that a layer of black velvet covering the forward surfaces prevents light leak during long exposures.

The filter system includes 2mm-thick filters in the 100x100mm and 100x150mm sizes—to begin with the company will launch mostly NDs, ND grads and a polarizer, but has plans to offer a filter that cuts the effect of pollution. The holder accepts filters from other systems as well, and the company plans to offer adapter rings for lenses with threads of between 67mm and 82mm. Irix already has a series of circular screw-in filters under the Edge brand.

Price and availability have yet to be announced. For more information visit the Irix website.

Press Release

Irix presents its Edge 100 filter system

The TH Swiss company would like to announce the expansion of its range of Irix accessories with the Edge 100 series filter system. Among new products, there will be a versatile holder – the IFH-100 – with dedicated adapters and a wide choice of 100x100mm and 100x150mm filters.

The Irix Edge IFH-100 filter holder

The Irix IFH-100 is a universal filter holder designed for size 100mm filters. Its lightweight compact construction and bayonet adapter are created especially for the Irix 15mm f/2.4 lens, allowing the use of two filters at the same time without any vignetting effect. The construction of the filter holder base on the removable adapters allows for quick and easily attachment to the lens, along with free rotation around the optical axis when using the graduated or polarizing filters.

The ability to use removable adapters with thread diameters from 67mm to 82mm means that the holder can be used with lenses produced by Irix in the future, along with other brands. Each adapter has an additional thread for attaching the cap to the lens.

The filter holder is made of an aluminium alloy, which guarantees the high strength and stiffness of its structure. This has enabled to get an extremely compact size while keeping wide functionality, along with an aesthetic design together with the whole Irix product line. It is worth mentioning that the IFH-100 is the lightest holder of its class. The front surface of the filter holder is covered with a light-absorbing velvet fabric that blocks access to the side light, what is especially important when using high density optical ND filters.

The Irix Edge 100 filters

With the introduction of the IFH-100 filter holder, the Edge 100 series filters will also be available in two formats. The first, size 100×150, will contain gradual filters with a soft and hard transition, and also a reversed gradual filter dedicated to taking pictures of sunrises and sunsets. These rectangular filters will be available in ND4, ND8 and ND16 versions. In the square format, Neutral Density filters with densities ND32, ND128, ND1000, ND1000K will be available for the 100x100mm, along with a polarizing filter. There are future plans by the manufacturer to introduce filters which reduce light pollution.

Edge 100 series filters have a thickness of 2mm and are made from high quality optical glass which is also used in the production of the optical elements in lenses. Filters are coated on both sides with an anti-reflective nano-coating to keep high contrast and natural colours in pictures. The additional water and oil repellent coating also ensures easy cleaning of the surface.

The premiere at Photo Plus Expo 2017

The Edge series will be available at the Irix booth (No.929) during the Photo Plus Expo in New York City on October 26-28, 2017.

The full range of new Irix Edge accessories, along with pricing and availability information, will be published in the near future.

Articles: Digital Photography Review (dpreview.com)

 
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Canon hit two milestones today: 90 million cameras and 130 million lenses

18 Oct

Canon has hit two couple major production milestones today. Specifically, Canon says it has now produced 130 million EF-series interchangeable lenses and 90 million EOS cameras. And in case you’re curious, the camera maker revealed that an EOS 5D Mark IV was its 90 millionth EOS camera to go through production, while the 130 millionth interchangeable lens distinction goes to an EF 16-35mm f/2.8L III USM.

Both the EOS and EF series made their debut in March 1987, eventually picking up production speed in the early 2000s as DSLRs became more popular.

The company boasts a 14-year consecutive No. 1 share of the global interchangeable lens digital camera market, as well as the distinction of being first to bring certain features to the market with its EF lenses, including image stabilizer tech and an ultrasonic motor. Canon’s EOS Series also has some notable distinctions in its past, including being the first to offer an electronic lens mounting system and fully digitized communication between the lens and camera body.

Articles: Digital Photography Review (dpreview.com)

 
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Review: Struman Lenses for Mobile Phones

18 Oct

As the use of mobile phones as cameras become more popular people want to get the best possible images with them. In some ways, they are very limited in how you can take photos. There are many companies now making lenses for mobile phones to help you get much better images.

Some are better than others with most requiring a magnetic ring to attach them to your phone, over the camera lens. They can have varying degrees success. Some have good lenses, but the rings don’t work, while others are designed for a particular camera and aren’t good on other models.

Review: Struman Lenses for Mobile Phones

The Struman Optics case, the clip, and three phone lenses.

Struman Optics has come up with a set of lenses that consider all aspects of using them along with different phone products. Through phone cases for the most popular brands, or a special clip for the others, you can now use their lenses (the macro, fisheye, wide-angle and telephoto) with any phone.

Phone cases

Unlike many other lenses for mobile phones, the Struman Optics ones have covers for the top two brands – both iPhone and Samsung. The phone covers have a section where the camera is that allows you to screw in the lens so it is aligned perfectly with the camera.

The case makes taking photos a lot easier as you can hold your phone in any manner, and not worry about the lens coming off. It makes the whole system much sturdier.

Review: Struman Lenses for Mobile Phones

The phone case with a lens screwed into it ready to be used.

Clip

If you have one of the lesser known phone brands or models, the lenses come with a clip that allows you to put them over the phone. They come with a spongy surface that sits against the screen so it won’t scratch. This takes a little more mucking around to get the lens correctly aligned, but once it’s done you can take your photos.

You can put the empty clip to help you work out where it should go. You can then screw in the lens that you want to use and take your images. If you decide you want to change to another lens, it isn’t a problem as they are easy to swap out.

Review: Struman Lenses for Mobile Phones

The clip on the phone with a lens in it.

The Lenses

There are two kits available. The first includes a macro, wide-angle and fish-eye lens. The second is a telephoto lens that also has a holder for your phone and small tripod that you can use to help you steady the camera.

Macro Lens

Trying to get really close to objects for macro photography with your phone seems to be something that so many of us try to achieve. Some phones do it well, while others struggle. My current phone has trouble getting close and it can be frustrating. I do like macro photography, so having a lens I can put on my phone is great.

The Struman Optics macro lens is incredible. It will allow you to get a lot closer to your object than your phone can. It gives you a great amount of detail and is very sharp. When you go to take an image you can get as close as a couple of centimeters or an inch away from the subject.

Review: Struman Lenses for Mobile Phones

This photo was taken with my phone and the macro lens screwed into the phone case.

Perhaps the one negative thing about this is that you don’t have a lot of choices, you only get the one focal range. All images have to be taken from the same distance, which is really close. However, if your intention is to get as near as possible, then you will love this lens.

Review: Struman Lenses for Mobile Phones

This is as close as you can get with just my phone and no added lens.

Review: Struman Lenses for Mobile Phones

When you screw in the Struman macro lens, you can get a whole lot closer and capture a lot more detail.

If you decide you want to get a little further away the wide-angle lens is what you need.

Wide-Angle Macro Lens

The wide-angle lens will let you take photos at any distance. You can get a wider angle than what your phone will take. If you have a subject that is hard to photograph because you can’t quite get it into the frame, then this lens will allow you to get a wider angle of view.

Compare the images below. The first image shows you the lighthouse taken with the phone and no lens. It is a tight image, and to get more distance I would have to move farther back. But as there was a cliff behind me so that was not an option.

Review: Struman Lenses for Mobile Phones

The lighthouse taken with the phone and no lens attached.

The Struman wide-angle lens was attached to the phone and now you can see that there is a lot more room around the lighthouse. This made it a better image.

Review: Struman Lenses for Mobile Phones

Same Lighthouse, but with the wide-angle lens attached.

The lens also has macro capabilities. If you find that you don’t want to get as close as you have to with the macro lens, put the wide-angle on and you can get that distance. It is good for photographing the whole flower or getting more than one in the shot. It is a great lens to go with the macro.

Fish-eye Lens

The fish-eye lens is a lot of fun. When you use one for the first time it is addictive to see what you take with it. This lens is similar to other fish-eye lenses for phones in that the image is a circle. If you give your subject enough space you can crop it so it is square or rectangle. However, if you do that you are reducing the size of the file.

Review: Struman Lenses for Mobile Phones

Fish-eye lens used to photograph the lighthouse and then cropped to make a normal rectangular image.

Like the wide-angle lens, the fish-eye can also do macro. It can be used when you want to highlight an object in particular. It creates a bokeh effect with everything around it.

Review: Struman Lenses for Mobile Phones

Some shelves with an assortment of things, taken with the fish-eye lens.

Carry Case

The above three lenses and the clip all come in a little case that fits in your bag or your pocket. It makes it very easy to carry them around. There is a little pocket that has some instructions and a cleaning cloth for the lenses. The case is not soft and is quite solid, so it keeps everything inside safe.

Telephoto Lens

As stated earlier, Struman Optics also makes a telephoto lens which you can purchase in a kit with a stand and a holder for the phone. This also fits into the phone cover case or the clip to help hold it still. You do really need the stand and phone holder as it’s a large lens. It is hard to hand-hold it to take photos.

When you find a subject you want to photograph, you have to be a certain distance from the object, a meter or a yard away. You do have to focus it manually, so if you find it is too hard to focus that could your subject is either too close or too far away.

Out of all the Struman lenses, this is the hardest to use. You do need to use the stand, or a stand with the phone holder. It does mean you have to carry a bit more equipment with you if you want to use this lens.

Review: Struman Lenses for Mobile Phones

The telephoto lens in the phone case, with the phone secured by the holder and kept up-right on the stand.

Stand and Phone Holder

The stand is basic and not very big, though it is easy enough to carry around. You do need to have a surface to put it on and that isn’t always possible.

The phone holder screws onto the top of the stand and you put your phone in it. It is easy to use, though it can be a bit stiff to mount your phone. The holder will also fit on other tripods or Gorillapods. That allows you to use it with your other gear if you decide to throw the holder and lens in your kit when you go out.

Review: Struman Lenses for Mobile Phones

This flower image was taken with the wide-angle lens, shot very close to the flower.

In Practice

When I went away recently I put the cover on my phone so I could use the lenses anytime I wanted. I didn’t take the telephoto lens with me, but I most definitely packed the other three. They were always with me, either in my bag, or my pocket.

They are the best mobile phone lenses I’ve seen yet. The images are amazing and the detail you can get in your images is so sharp. If you love using your phone for photography and want to get more out of it, then here are the lenses that may be perfect for you. Struman Optics is an Australian company, but they ship all over the world.

I would give these lenses 9 out of 10, I love them.

The post Review: Struman Lenses for Mobile Phones by Leanne Cole appeared first on Digital Photography School.


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Five Creative Lenses That Will Make Your Photos Pop

15 Oct

The drive to be creative is what focuses many people in photography. One variable you can alter to help you create photographs that really stand out is the lens. There are several different options for choosing creative lenses, depending on your taste.

In this article, you’ll see five very different kinds of lenses, and what they are capable of bringing to your photography. It’s always a good idea to have a lens that capable of something totally different, which will allow your photos to stand out from the crowd.

Five Creative Lenses That Will Make Your Photos Pop

The fisheye lens is used in this photo has captured a wide scene. There is some distortion on the edge of the image, but with the lines all leading in, this works well.

1 – The fish-eye lens

This lens is always great fun to work with, it’s a versatile lens that can be used for both portraits and landscapes. A fish-eye lens has several great applications so let’s take a look at those:

  • Wide-angle lens – This can act as a super wide-angle lens, and if you decide not to carry a wide angle lens the fish-eye makes a decent alternative. The main constraint is the distortion, this means keeping the horizon line straight.
  • The Earth’s not flat! – You can prove the Earth is not flat with a fish-eye lens. Simply position the horizon line near the top or bottom of the frame, and let distortion do the rest.
  • Embrace the distortion – Using a fish-eye means working with the way lines get distorted. This has great application for portrait photos, as those lines lead up to your model.

The fish-eye is a great lens to play with, which is why it’s such a popular lens. It’s great for getting a lot of the scene in your frame, but is, therefore, challenging to use. Those who embrace the challenge of this lens will be reward with some amazing results, so go out and try one.

Five Creative Lenses That Will Make Your Photos Pop

The fish-eye lens can be great for super wide landscape photos.

2 – The Lensbaby for something quirky

Lensbaby is a company that makes a range of lenses that are small, comparatively cheap, and not too heavy. The lenses they make have diversified over the years. The Lensbaby Composer was their original concept. The Composer lens allows the user to change the area in the frame that has the sharpest focus. It does this by allowing you to change the plane of focus using a swivel head.

  • Abstract bokeh – Shifting the angle of the composer lens will give you stretch bokeh. The best way to get this effect is to photograph some fairy lights, that are deliberately out of focus.
  • Portrait photos – Lensbaby lenses are excellent at drawing your eye to the model, by minimizing the background. Once again with the Composer, you can focus your sweet spot on the persons face, and surround them with bokeh!
  • Landscape photos – While not its strength, a Lensbaby can be used for interesting landscape photos. This works best when there is an out of focus area in the frame, which the Lensbaby Composer can further blur out into stretch bokeh. The effect is not dissimilar to a tilt-shift lens, and the subject of the photo should be sharp.

The Lensbaby Composer creates interesting bokeh around the subject.

3 – The 50mm f/1.2 is a creative lens

The nifty fifty is one of the first lenses that many photographers buy, with the less expensive f/1.8 version being a popular choice. There are a plethora of other prime lenses that can be used creatively like the 50mm f/1.2, though f/1.2 is at the extreme end of the large aperture scale. The comparison to make is a fish-eye lens to a wide angle, and here, an f/1.2 to an f/1.8 lens.

The 50mm f/1.2 is an excellent choice for those wanting to explore bokeh in their photographs. The depth of field is incredibly narrow, and getting sharp focus on your subject can be tricky. In the evening, positioning lights behind the subject, in the out of focus area will produce bokeh.

Want to get even more creative? Try creating different shaped bokeh, by placing a circular disk with a cut-out area in front of your lens.

Five Creative Lenses That Will Make Your Photos Pop

At f/1.2 the bokeh is very smooth in this image, and the plane of focus is very narrow.

4 – Up close it’s a different world! Use a macro lens.

The world can look very different with just a little bit of magnification, and macro lenses are a good place to start. This form of photography is a niche all of its own, and there are many pieces to it. Those who wish to really excel at macro photography will need to invest in the correct lighting gear and a good tripod. There is plenty you can achieve with a macro lens to start you on the path of macro photography.

  • Flower photography – A good macro lens is often the starting point for flower photography. Now, of course, you can take photos without doing macro photography, but getting in closer allows for more dramatic results.
  • Water droplets – Combined with the correct off-camera flash there is a lot of photography you can do with water droplets.
  • Detail photos – Macro lenses are very good for focusing on one area, and bringing out the detail. Close up photos of money is one example of how this can be applied.
Five Creative Lenses That Will Make Your Photos Pop

Food photography can be a good subject for your macro lens.

5 – Use a tilt-shift lens for more interesting landscapes

The tilt-shift lens has two main purposes, these are to correct the perspective of a photo, and to create a miniature world look. These lenses were originally designed with architectural photographers in mind, so that tall buildings didn’t bow inwards in the frame. The more creative use of these lenses is to create a miniature world. The lens can selectively focus the middle area of the frame, with the top and bottom blurred out. The lens is on the expensive end, and as the effect can be produced by

A tilt-shift lens can selectively focus the middle area of the frame, with the top and bottom blurred out. The lens is on the expensive end, and as the effect can be produced by post-processing you will need to consider whether or not you want to invest in this kind of creative lens.

Five Creative Lenses That Will Make Your Photos Pop

The tilt-shift effect miniaturizes objects in the frame. This effect can be achieved both in camera and by post-processing.

Which creative lens will you choose?

There are many lenses available, so which of these creative lenses would you choose if you were to buy one? Have you already have a lens like this, how has your experience with it been?

Is there a project you’d like to work on, where you’d need a lens like one of those listed above? Do you use another creative lens, not mentioned here? As always we look forward to your comments and feedback.

Five Creative Lenses That Will Make Your Photos Pop

The macro lens is great for exploring nature, be it flowers or insects.

Five Creative Lenses That Will Make Your Photos Pop

The Lensbaby can be used to create abstract bokeh.

Five Creative Lenses That Will Make Your Photos Pop

The 50mm f/1.2 lens can create shaped bokeh, this is done by covering the lens with a disc, and cutting the shape in the center of that disc.

The post Five Creative Lenses That Will Make Your Photos Pop by Simon Bond appeared first on Digital Photography School.


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Zeiss offering €12,000 in lenses and €3,000 trip in annual photo contest

13 Oct
Photo by the 2017 winner, Kevin Faingnaert

German optics manufacturer Zeiss has opened its annual photography competition for entries, and this year it will be offering lenses to the value of €12,000 for the best collection of images. The winning photographer will also get €3,000 to spend on travel for a photography-related project.

Now in its third year, the Zeiss Awards partner with the Sony World Photography Awards. Winners get to go to the ceremony in London, and will have their work exhibited alongside the SWPA winners in the finalists show.

The theme this year is ‘Seeing Beyond – Untold Stories’ and entrants are expected to submit between five and ten images that operate as a single series, along with a short description of the project.

The Brief:

Seeing Beyond – Untold Stories

Photographers are again asked to look beyond the ordinary and everyday to present judges with strong series of 5-10 images that capture an ‘untold story’. The brief is intended to be understood in its broadest sense – the work could explore a familiar theme told from a different perspective or address an issue that has previously had little attention. All forms of photography are welcome, but judges are specifically looking for series of works that have a strong narrative. The ‘untold story’ the photographer is addressing must be visually clear in the submitted image.

The competition is free to enter, and you have until February 6th, 2018 to do so. For more information, including terms and conditions, see the Zeiss Photography Awards website.

Press Release

ZEISS Photography Award

Photographers from all over the world are invited to submit a photo series by 6 February 2018 in response to the topic “Seeing Beyond – Untold Stories”.

The third round of the ZEISS Photography Award is underway – and ambitious photographers from all over the world are invited to present their work on the topic of “Seeing Beyond – Untold Stories” to an international expert jury. The photographers have until 6 February 2018 to submit a series of five to ten images here.

“Untold Stories” can be understood in all manner of ways, but the end result should be stories that have not yet been told (in full). The works can bring to life familiar tales from a wholly new perspective – or be dedicated to topics that have received little attention to date.

A renowned jury

All submissions will be reviewed by a renowned jury comprising three international photography experts: British Art Director Chris Hudson from National Geographic Traveller, Publisher of Dutch photo magazine GUP Magazine Peter Bas Mensink, and Patricia Morvan from French photo agency Agence VU’ who is in charge of exhibitions and cultural projects. The submissions will be judged on both their quality and creativity. All forms of photography are welcome and judges are specifically looking for series of works that have a strong narrative.

Attractive prizes: ZEISS lenses to the value of €12,000 and a photo trip

The winner and shortlist will be announced on 3 April 2018. The winner can look forward to fantastic prizes: ZEISS camera lenses of their choosing to the value of €12,000 and €3,000 to put towards a photo trip. An award ceremony will take place on 19 April 2018 in London. The winning photos plus a selection of those shortlisted will be on display at Somerset House in London alongside the Sony World Photography Awards Exhibition; the winner will attend the opening of the exhibition. ZEISS will also invite the winner to the company headquarters in Germany, where they will get a peek behind the scenes of the ZEISS world and the opportunity to get to know its lenses. They will also get the chance to work with ZEISS and the World Photography Organisation.

“Due to photo editors having seen my work through the news of winning the ZEISS Photography Award, my personal documentary work has since gone on to be printed in magazines and newspaper around the world,” says last year’s winner Kevin Faingnaert, who wowed the judges with his photos of life on the Faroe Islands. “Winning the award helped secure more clients but, more importantly, my self-confidence as a photographer has certainly grown since the win.”

The ZEISS Photography Award is hosted jointly by ZEISS and the World Photography Organisation. Last year, around 4,700 photographers from 132 countries submitted more than 31,000 photos.

Dates

All the dates for the ZEISS Photography Award 2018 are listed below:

  • 10 October 2017: Competition open for submissions
  • 6 February 2018: Competition closed for submissions
  • 3 April 2018: Winner and shortlist announced
  • 19 April 2018: Award ceremony and gala dinner in London
  • 20 April to 6 May 2018: Winner’s photos and selected photos from the shortlist on show at Somerset House in London

For further details about the ZEISS Photography Award, the Terms and Conditions of Participation and to apply, please visit www.zeiss.com/zpa2018.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm releases firmware updates for X-T2, X-Pro2 and two lenses

06 Oct

Fujifilm has released firmware updates for its X-T2 and X-Pro2 camera bodies. The update to version 2.12 on the X-T2 and version 3.12 on the X-Pro2 fixes an issue that could occasionally cause the cameras to lock up when shooting in continuous high speed mode.

The X-T2 and X-Pro2 firmware updates are available to download at the links below:

  • X-T2 Firmware ver. 2.12
  • X-Pro2 Firmware ver. 3.12

Additionally, the company released updates for its XF 18-55 and XF 10-24 lenses. The new versions of the lens firmware fix an issue that could cause the focal length to be displayed incorrectly, and/or cause shaking in peripheral parts of images, even with focal length focus fixed.

You can download those updates by clicking on the links below.

  • XF18-55 Firmware ver. 3.22
  • XF10-24 Firmware ver. 1.12

Articles: Digital Photography Review (dpreview.com)

 
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New product overview videos: Sony a9 and FE lenses

03 Oct

We’re always expanding our collection of product overview content, and we’ve just added videos for the Sony a9, as well as a brace of recent FE lenses – the 12-24mm F4 and 16-35mm F2.8 GM wideangles, and the 100-400mmF4.5-5.6 GM telezoom.

Take a look at some of the key features these products offer – demonstrated in the shooting scenarios they were built to handle. For more overviews and gear tests, be sure to subscribe to our YouTube channel.

Product overview: Sony FE 12-24mm F4 G

Product overview: Sony FE 16-35mm F2.8 GM

Product overview: Sony FE 100-400mm F4.5-5.6 GM


This is sponsored content, created with the support of Amazon and Sony. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic firmware debugs GH4, improves stabilization on 42.5mm and 30mm lenses

02 Oct

Panasonic has released new firmware for the Lumix DMC-GH4 camera, its 42.5mm f/1.2 portrait lens and the 30mm f/2.8 macro. The firmware was introduced the same day as the V2.0 for the Lumix DC-GH5, but was rather over-shadowed by the bigger news (for obvious reasons). That doesn’t mean it’s not worth mentioning though.

On the camera side, the update for the GH4 fixes an issue that prevented image stabilization from functioning with some third party lenses when working in the variable frame rate video mode.

For the lenses, the update brings Dual IS 2 to both the (H-HS030) Lumix G Macro 30mm f/2.8 ASPH Mega OIS and (H-NS043) Leica DG Nocticron 42.5mm f/1.2 ASPH Power IOS lenses, with individual updates for each of the models.

The version 2 of the stabilization system that combines in-camera sensor movement with in-lens anti-shake units is said to provide better performance for stills shooters as well as stabilization in movie mode and 4K/6K Photo modes via a new gyro system in Dual IS 2 compatible bodies. At the moment only the DC-GH5 and G80/G85 support the system, which differs from the Dual IS modes used in the GX8 and GX80/85.

For more information visit the Panasonic website, or follow the direct links to the firmware pages for the Lumix DMC-GH4, Lumix G Macro 30mm f/2.8 ASPH Mega OIS and Leica DG Nocticron 42.5mm f/1.2 ASPH Power IOS. Panasonic also publishes a chart that shows the version of Dual IS each lens/body combination will deliver.

Articles: Digital Photography Review (dpreview.com)

 
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RevolCam adds three accessory lenses and an adjustable light to any smartphone camera

02 Oct
When we reviewed the Shiftcam for the iPhone 7 Plus earlier this year we found it to be one of the most user friendly and versatile lens attachments for the iPhone. The team behind Shiftcam has now returned to Kickstarter to launch a new multi-lens smartphone attachment: the RevolCam.
Like the Shiftcam the RevolCam adds wide angle, fisheye and macro lenses to your smartphone camera but lacks a tele option. On the plus side it adds a built-in mirror for selfies and a detachable and adjustable LED light, providing additional illumination in dim conditions. Instead of the Shiftcam’s slider mechanism it uses a revolving design to allow for lens swapping on the fly.
In contrast to the Shiftcam, which is device-specific, the RevolCam comes with a universal design and its makers promise easy and secure attachment to any smartphone via a clamp mechanism. This should also work on the main camera of dual-camera equipped devices.

If you can live without a tele-attachment the RevolCam looks like an interesting accessory for mobile photographers who like to expand the camera feature set using attachment lenses. You can currently secure one by pledging $ 29 plus shipping on the RevolCam Kickstarter page which also makes it an affordable option. Delivery is planned for November 2017.

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Voigtlander reveals pricing for 40mm F2 Ultron and 40mm F1.2 Nokton lenses

28 Sep

The new version of Voigtlander’s 40mm Ultron lens and the brand new 40mm Nokton lens are both ready to ship, and the company has finally revealed pricing as well. The more affordable Ultron will cost you ¥60,000/£479/$ 515, while the more expensive (and faster) Nokton will cost ¥135,000/£749 (~ $ 1000 USD).

The Ultron 40mm f/2 SL ll-S is the third generation 40mm f/2 for Nikon that the company has made, and brings with it the distinctive ‘bunny ears’ coupling fork so it can now be used with non-Ai film cameras. The lens has enjoyed an external make-over to deliver a Nikon-like retro look, while internally a new helicoid ring allows a closer minimum focusing distance of just 25cm, and 1:4 reproduction.

The lens is obviously manual focus, but contacts with the body transmit shooting information for EXIF data purposes. The lens is available now in a black or silver rim finish.

Voigtlander makes quite a range of lenses for the Sony E-mount, and the latest is the 40mm f/1.2 Nokton, which the company claims is the fastest 40mm available for the system.

It features a 10-bladed f/1.2 iris and electronic contacts ensure EXIF data is recorded and Sony’s in-camera image stabilization system is fully functional with the lens. The Nokton offers both clicked and clickless aperture rotation, and its eight-elements-in-six-groups construction makes for a minimum focusing distance of 35cm. The lens goes on sale on 5th October.

For more information, check out the translated versions of the Voigtlander pages for the Voigtlander Ultron 40mm f/2 SL ll-S for Nikon and the Voigtlander Nokton 40mm f/1.2 for Sony E mount.

Articles: Digital Photography Review (dpreview.com)

 
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