RSS
 

Posts Tagged ‘Lenses’

Photokina 2018: Hands-on with new Voigtländer M and E-mount prime lenses

30 Sep

New Voigtländer lenses for M and E-mount

Voigtländer is one of the oldest names in photography. These days licensed by Japanese lensmaker Cosina, the Voigtländer brand is still going strong. We’re at Photokina, where we got our hands on the company’s newest lenses.

First up is a lens that was quietly released earlier this year for Leica M-mount. The Nokton 50mm F1.2 Asph is a fast standard prime lens designed for high-resolution digital imaging on modern Leica rangefinder cameras.

New Voigtländer lenses for M and E-mount

While at 1,099 Euros ($ 999) it’s not exactly cheap, it’s a good deal more affordable than Leica’s 50mm F0.95 Noctilux. The all-metal Voigtländer doesn’t have quite the same high-quality feel as the Leica, but it’s very nicely built. The focus and aperture dials rotate with a lovely smoothness and crisp clickiness (respectively) that set this lens apart from most of today’s polycarbonate lenses.

New Voigtländer lenses for M and E-mount

Unlike Leica’s own lenses, the Voigtländer doesn’t offer 6-bit coding for Leica’s digital rangefinder bodies.

The Nokton 50mm F1.2 is priced at 1,099 Euros ($ 1,059) and is available now. A companion lens, the medium-wide Nokton 35mm F1.2 Asph II is also available now, for 1,299 Euros ($ 999).

New Voigtländer lenses for M and E-mount

In addition to M-mount lenses, Voigtländer was also showing off its new primes for the Sony E-mount. This is the new 110mm Macro APO-Lanthar, also first announced earlier this year at the CP+ show in Yokohama Japan.

New Voigtländer lenses for M and E-mount

The 110mm offers 1:1 macro capability and a closest focusing distance of 35cm (13.7 in). It uses three floating lens groups for focusing to ensure optimal quality at all distances – according the Cosina – and apochromatic correction to satisfy the resolution requirements of 40MP+ sensors.

Electronic contacts on the mount communicate the lens’s focal length, focus distance and aperture settings to Sony E-mount cameras.

New Voigtländer lenses for M and E-mount

The 110mm is a beautifully-made lens, but at 771g (27 oz) it’s fairly weighty and as you can see in the previous image, it gets fairly long at its minimum focus distance, too. As well as effective macro photography, the APO-Lanthar could provide a useful portrait capability for Sony E-mount shooters.

The 110mm Macro APO-Lanthar will be available soon for 1,199 Euros ($ 1,099).

New Voigtländer lenses for M and E-mount

Voigtländer’s Nokton 40mm F1.2 Asph for Sony E-mount is an E-mount version of the M-mount Nokton that Voigtländer has been selling for many years. It offers a minimum focus setting of .35m (13.7 in) in a body weighing 420g (14.8 oz).

New Voigtländer lenses for M and E-mount

The Nokton 40mm F1.2 features a 58mm filter ring, and a ten-bladed aperture.

New Voigtländer lenses for M and E-mount

Like the 110mm, the 40mm has electronic contacts to communicate lens settings to Sony E-mount cameras. First announced last year, it is available now for 1,099 Euros ($ 1,099).

New Voigtländer lenses for M and E-mount

Voigtländer’s new 21mm F3.5 Color-Skopar is another E-mount prime. The lens is constructed of nine elements, including one aspherical element and one anomalous partial dispersion element, in eight groups.

New Voigtländer lenses for M and E-mount

The 21mm F3.5 Color-Skopar has a minimum focusing distance of 20cm/7.87in and uses a ten-blade aperture diaphragm. The lens will start shipping soon for 749 Euros (US price TBD).

New Voigtländer lenses for M and E-mount

Also on show are two ‘concept’ lenses, which may or may not enter production, depending on feedback from the market. This is the first one, an ultra-compact ‘Ultron’ 35mm F2 for Leica M-mount. Finished in a classic-looking combination of black and chrome, the Ultron could be a very attractive option for users of film and digital rangefinders looking for a compact and lightweight medium-wide prime.

New Voigtländer lenses for M and E-mount

Next up is another 21mm F3.5 Color-Skopar, but again in Leica M-mount. Much smaller than its E-mount equivalent, this tiny prime is almost a pancake lens.

New Voigtländer lenses for M and E-mount

Despite its size, the 21mm F3.5 is very nicely made. It features a large, nicely-machined aperture dial and a pegged focus ring for one-finger focusing.

New Voigtländer lenses for M and E-mount

The third and final concept lens is an E-mount version of the new Nokton 50mm F1.2 Asph.

New Voigtländer lenses for M and E-mount

We believe that optical construction is the same as the M-mount version, but the addition of electronic contacts will ensure that the SteadyShot stabilization systems in Sony’s E-mount cameras work properly with this lens, as opposed to an M-mount version fitted via an adapter.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Photokina 2018: Hands-on with new Voigtländer M and E-mount prime lenses

Posted in Uncategorized

 

Sigma confirms that its current lenses are fully operational on the Nikon Z7 with FTZ adapter

29 Sep

Sigma has issued a statement confirming that its current lenses operate without any issues when mounted on the Nikon Z7 via FTZ adapter. The company notes that interchangeable lenses lacking AF drive motor will function only in manual focus, and that some older lenses that aren’t compatible with current DSLRs will not operate on the Z7. Sigma plans to keep testing and verifying whether discontinued lenses will function on the camera.

Read the full statement below.

Operating condition of Nikon “Z7” and SIGMA’s interchangeable lenses for Nikon mount

Thank you for purchasing and using our products.

We would like to announce that we have confirmed that SIGMA’s interchangeable lenses for Nikon mount in the current lineup do not have any issues with general operation when they are used on the “Z7”, released by Nikon Corporation, via their “Mount Adapter FTZ”.

In addition, please note the information below when using the following lenses.

  • Interchangeable lenses that do not incorporate an AF drive motor will operate only in manual focus.
  • Some interchangeable lenses shipped out before November 2013 that are not compatible with the latest DSLR cameras will not operate.

We will continue verification and provide updates on the operating conditions including discontinued models.

For further information, please contact your nearest authorized SIGMA subsidiary / distributor.
https://www.sigma-global.com/en/about/world-network/

We appreciate your continued support for our company and products.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sigma confirms that its current lenses are fully operational on the Nikon Z7 with FTZ adapter

Posted in Uncategorized

 

Photokina 2018: Hands-on with Sigma’s new Global Vision lenses

26 Sep

A closer look at Sigma’s new Global Vision lenses

Six years after launching the Global Vision line at this very show in 2012, Sigma took the wraps off five new lenses at Photokina this year, and we were there at the launch event to see (and handle) them for ourselves. Click through for more information and some early first impressions.

First up is the new 56mm F1.4 DC DN ‘Contemporary’ for Sony APS-C format E-mount cameras and M43 – where it provides an equivalent focal length of 84mm and 112mm, respectively.

A closer look at Sigma’s new Global Vision lenses

At 280g (9.9 oz) the 56mm is a very lightweight lens, and with the lenshood (shown in the previous slide) removed, it’s actually the smallest of Sigma’s current fast-aperture E-mount / M43 primes.

A closer look at Sigma’s new Global Vision lenses

Optical construction consists of 10 elements in six groups, and the lens features a nine-bladed aperture. We weren’t able to use it on a camera, but Sigma claims that ‘smooth autofocus’ should make this lens ideal for video use. Pricing and availability will be confirmed at a later date.

A closer look at Sigma’s new Global Vision lenses

Next up is the latest in Sigma’s range of wide-aperture ‘Art’ series primes for full-frame ILCs – the 28mm F1.4 DG HSM. Compared to the 56mm, this fast wideangle prime is quite a hefty piece of glass, but if performance is in line with its stablemates, it should be capable of great things.

Sigma tells us that its benchmarks were Nikon and Zeiss’s 28mm F1.4 primes, and performance from its new Art-series option should be ‘best in class’.

A closer look at Sigma’s new Global Vision lenses

Key to the 28mm F1.4’s claimed performance is its optical makeup, which comprises 17 elements in 12 groups, including no fewer than three aspherical elements, two FLD and three SLD (“F” low-dispersion and ‘Special’ low-dispersion respectively) elements. Sigma claims that this design provides ‘thorough’ correction of chromatic aberration and minimal distortion.

A closer look at Sigma’s new Global Vision lenses

Unlike Sigma’s earliest Art-series primes, the new range are weather-sealed, and employ water and oil-repellant coating on their front elements. The 28mm F1.4 certainly feels like a solid professional tool, but Sigma has yet to confirm its actual weight.

A closer look at Sigma’s new Global Vision lenses

Price, likewise, is TBD but we understand that the upcoming 28mm F1.4 will be somewhere around $ 1300, pre-tax.

A closer look at Sigma’s new Global Vision lenses

Even larger and even heavier is the 40mm F1.4DG HSM. Created from Sigma’s 40mm cine lens, the company claims that this fast standard prime is its sharpest ever lens of this type.

A closer look at Sigma’s new Global Vision lenses

As you can hopefully tell from our pictures, it’s a big lens, measuring 87.8mm x 131mm (3.5in. x 5.2in) and weighing in at 1.2 kilos (43 oz). An 82mm filter ring is bigger than most, but not quite as bonkers as the 95mm thread on Canon’s new 28-70mm F2!

Like Sigma’s 28mm F1.4, the 40mm F1.4 is dust and moisture-sealed.

A closer look at Sigma’s new Global Vision lenses

Designed to satisfy the resolution requirements of 50MP sensors and 8K video, the 40mm F1.4 is highly corrected for distortion (which, it is claimed, is below 1%) and coma. Optical construction consists of 16 elements in 12 groups, including three FLD and three SLD elements. Pricing and availability have yet to be confirmed.

A closer look at Sigma’s new Global Vision lenses

This is a lens that Sigma fans (and photography fans in general) have been waiting for, for some time: the new 70-200mm F2.8 DG OS HSM ‘Sports’ While not an ‘Art’ series lens, the 70-200mm was designed to meet the needs of the most demanding professional photographers, and the company claims that it will be competitive with own-brand equivalent lenses from the other major camera manufacturers. This shot shows off the various focus and OS switches, and the removable Arca-Swiss compatible tripod mount collar.

A closer look at Sigma’s new Global Vision lenses

The 70-200mm F2.8 makes generous use of magnesium alloy in its construction, for strength and low weight. Sigma processes this material in-house, at a brand new factory built at its existing site in Aizu, Japan. In keeping with other Sport-line lenses, it is dust and weather-sealed, and features and oil and water-repellant coating on the front element.

A closer look at Sigma’s new Global Vision lenses

Optical construction of this internal zoom lens is pretty impressive on-paper, comprising 24 elements in 22 groups, including ten low-dispersion elements – nine ‘FLD’ and one SLD. Sigma claims that this advanced optical makeup ensures attractive bokeh and excellent correction of color aberrations. On the mechanical side, ‘intelligent OS’ is capable of correcting for shake in all directions, with total shake-reduction effectiveness still to be confirmed. Ergonomically, while we couldn’t mount it on a camera (we’re hoping to do that soon!) the lens feels exceptionally nicely made and very well-balanced, and some photographers will be pleased to see that Sigma has put the zoom ring at the front of the lens.

An AF function button can be customized either via the host camera or Sigma’s USB Dock, and the 70-200mm will be available in Canon EF, Nikon F and Sigma SA mounts, pricing and availability still TBD.

A closer look at Sigma’s new Global Vision lenses

Last but definitely not least is the 60-600mm F4.5-6.3 DG OS HSM. A beast of a lens (that’s a technical term) this 10X sports zoom is among Sigma’s most versatile, capable of covering everything from goalmouth action at one end of a football pitch to goalmouth action at the other end without swapping lenses.

A closer look at Sigma’s new Global Vision lenses

Relatively compact at 60mm (relatively…) at 600mm, this lens is quite a handful, and in terms of optical construction it just beats out the other four lenses released by Sigma by featuring 25 elements, in 19 groups. Like the 70-200mm, the 60-600mm is partially constructed using magnesium alloy from Sigma’s new factory.

A closer look at Sigma’s new Global Vision lenses

The 60-600mm is highly customizable, and usefully it features a zoom lock at all zoom positions, to help prevent ‘zoom creep’ when you’re trying to frame shots. It will be available in late October for $ 1999.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Photokina 2018: Hands-on with Sigma’s new Global Vision lenses

Posted in Uncategorized

 

Sony to release 12 more E-mount lenses in two years, add AI to cameras

26 Sep

At Sony’s press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years, bringing the total to 60.

In addition, the company emphasized its focus on both speed and integrating artificial intelligence into its approaches. One application of the latter Sony talked about was using machine learning to train its Eye AF algorithm to detect and track eyes of animals, with benefits to both wildlife and pet photography.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony to release 12 more E-mount lenses in two years, add AI to cameras

Posted in Uncategorized

 

Hasselblad announces three XCD lenses, including its fastest lens ever

25 Sep

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_7667143633″,”galleryId”:”7667143633″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Hasselblad has announced three new lenses and one teleconverter for its XCD lens system. The lenses are the XCD 80mm F1.9, the XCD 65mm F2.8 and XCD 135mm F2.8, all of which are designed for the X1D digital medium format camera. In all, this brings the system to nine focal lengths covering 21-230mm (16.6-178mm full-frame equivalent).

The standout lens for most users will be the XCD 80mm F1.9, which is not only the fastest lens currently in the X System, but the fastest lens Hasselblad has ever released. Offering a field of view equivalent to 63mm and depth-of-field equivalent to F1.5 on a 35mm full-frame system, Hasselblad claims that the lens comes with ‘superior optical surface precision’ on its aspherical elements to allow for smooth bokeh and a twin motor drive for quick autofocus.

At 1045g (2.3lb), the 80mm F1.9 is currently the heaviest lens in the XCD lineup.

It has 14 elements in 9 groups and, at 1045g (2.3lb), it’s currently the heaviest lens in Hasselblad’s XCD lineup.

Hasselblad has also announced the XCD 65mm F2.8, with a 51mm equivalent field of view. With a close-focus distance of 0.5m (20in), the lens is positioned as a versatile option for street and travel photography.

Lastly, the company has announced the XCD 135mm F2.8 alongside the X Converter 1.7. On its own, the 135mm F2.8 provides roughly a 107mm field of view and a close focus distance of 1m (3.3ft). The lens and 1.7x teleconverter were designed to be paired without any loss of optical quality, and together offer a 230mm (178mm equivalent) field of view, F4.8 maximum aperture and a minimum focus distance of 1.05m (3.5ft).

As with all current XCD lenses, the 80mm, 65mm and 135mm lenses come with built-in leaf shutters to allow for full flash synchronization up to 1/2000s shutter speed.

They are all available for pre-order now, and will begin shipping in December 2018. The 80mm F1.9 will retail for $ 4845 / £3690 / €3990; the 65mm F2.8 will retail for $ 2750 / £2090 / €2290; the 135mm F2.8 will retail for $ 4050 / £3090 / €3390; bundling the 135mm F2.8 with the X Converter 1.7 brings the retail price to $ 4845 / £3690 / €3990.

Official sample images

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_5855843269″,”galleryId”:”5855843269″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Press release:

Hasselblad expands its X1D lens lineup with three new XCD lenses, including XCD 1,9/80, Hasselblad’s fastest lens ever

Increasing the capabilities of the X1D-50c mirrorless medium format camera, Hasselblad adds three new lenses to its XCD lens family, including the XCD 1,9/80, with the largest aperture of a Hasselblad lens ever, the XCD 2,8/65 and the XCD 2,8/135 telephoto lens with X Converter 1,7. The three new lenses and one dedicated teleconverter expand the XCD family to nine different focal lengths.

The XCD 1,9/80 represents a major milestone for Hasselblad with an impressive f/1,9 aperture, Hasselblad’s largest lens aperture, offering an extremely shallow depth of field and light-gathering ability. Thanks to Hasselblad’s optical design expertise and rigorous calibration standards, the XCD 80mm boasts superior optical surface precision, avoiding poor bokeh results or out of focus highlights often seen in high aperture lenses with aspherical surfaces. The lens’ distinct twin motor drive provides quick autofocus performance, while offering a precise manual focus experience. Maximizing the artistic potential of X1D image makers for a stunning shooting experience with a field of view similar to 63mm on a full frame system, it is especially suitable for portrait, nature and product photography with its ability to produce pleasing bokeh through excellent subject isolation and shallow depth of field.

The XCD 2,8/65 is the ideal standard lens in any X System photographer’s kit. With a 50mm full frame equivalency, it’s designed to achieve the ‘normal’ focal length and mimic the human field of view. Thanks to its f/2,8 maximum aperture and 0.5 m (20 in.) minimum focus distance, the XCD 65mm is the versatile option for street, travel and general photography.

Growing the telephoto range, the XCD 2,8/135 and X Converter 1,7 expand the reach of Hasselblad’s X1D-50c. Available as both a paired kit or as a stand-alone lens, the XCD 135mm and dedicated teleconverter have been designed as a cohesive unit to ensure no decrease in image quality when the teleconverter is used. Without the teleconverter, the XCD 135mm has an aperture range of 2,8-32 and a field of view similar to 105mm lenses on full frame cameras and features a minimum focus distance of 1 m. With the X Converter 1,7, the lens’ focal length grows to 230mm (178mm full frame equivalent) with a f/4,8 maximum aperture and minimum focus distance of 1.05 m. The telephoto focal length is ideal for portrait, outdoor, and landscape photographers looking to document details and subjects with stunning image quality.

Like the other XCD lenses, the XCD 80mm, XCD 65mm and XCD 135mm feature an integral central shutter, offering exposure times from 60 minutes to 1/2000s with full flash synchronization through the entire range.

The XCD 80mm, XCD 65mm and the XCD 135mm lenses are now available for pre-ordering and will begin shipping in December 2018.

The XCD 80mm lens has an MSRP of €3,990, $ 4,845, £3,690, JPY¥ 576,000 (excl. VAT) / CNY¥ 38,500 (incl. VAT).

The XCD 65mm lens has an MSRP of €2,290, $ 2,750, £2,090, JPY¥ 331,000 (excl. VAT) / CNY¥ 22,100 (incl. VAT).

The XCD 135mm lens has an MSRP of €3,390, $ 4,050, £3,090, JPY¥ 489,000 (excl. VAT) / CNY¥ 32,700 (incl. VAT).

The XCD 135mm lens with X Converter 1,7 has an MSRP of €3,990, $ 4,845, £3,690 , JPY¥ 576,000 (excl. VAT) / CNY¥ 38,500 (incl. VAT).

For full specs, sample images and more info, please visit:
www.hasselblad.com/x-system-lenses/xcd-19-80mm/
www.hasselblad.com/x-system-lenses/xcd-28-65mm/
www.hasselblad.com/x-system-lenses/xcd-28-135mm/

About Hasselblad

Founded in 1941, Hasselblad is the leading manufacturer of medium format cameras and lenses. Made in Sweden, Hasselblad cameras are renowned for their iconic ergonomic design, uncompromising image quality and Swedish craftsmanship. For over half a century Hasselblad cameras have captured some of the world’s most iconic images – including the first landing on the moon – and helped shape the way we look at the world through genuine photographic artistry. Trusted by NASA and used by the greatest photographers in the world, Hasselblad continues to create products with uncompromising image quality that inspire.

The Hasselblad H Camera System with its professional lens family and unique advancements is widely acknowledged as the most comprehensive digital camera system of its kind available today. Hasselblad was the first to launch the fully integrated medium format camera system incorporating the latest in CMOS sensor technology. In 2016 Hasselblad launched the H6D, a technological feat with an all new electronic platform, delivering superior craftsmanship and image quality. Later the same year, Hasselblad introduced the world’s first compact mirrorless digital medium format camera – the X1D. Hasselblad’s X1D sensor benchmarked the highest score in the history of DxO Mark’s independent testing.

Headquartered in Gothenburg, Sweden, Hasselblad is a global brand with offices in New York, London, Tokyo, Paris, Copenhagen, Hamburg and Shenzhen with distributors throughout the world.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Hasselblad announces three XCD lenses, including its fastest lens ever

Posted in Uncategorized

 

Sigma adds three new lenses to cinema range and promises LPL mount compatibility

13 Sep

Lens manufacturer Sigma has announced a trio of fast cinema lenses for full frame camera systems that will also be available in the ‘Large Positive Lock’ (LPL) mount for Arri’s large format camera system. The new models share the same T1.5 maximum aperture of the majority of the Sigma FF High Speed Prime cine lens range and will come in 28mm, 40mm and 105mm focal lengths.

This news brings the number of lenses in the company’s high speed full frame cinema lens system to 10, all of which share a T1.5 maximum aperture other than the 14mm T2. The new models will all have a 9-bladed iris and the 28mm and 40mm models will have a 82mm filter thread – the 105mm doesn’t have a thread at all. They will all be available in Canon EF, Sony E and PL mounts, and we should expect models in Arri’s LPL mount in ‘2019 or later’.

The first lens to arrive will be the 105mm T1.5, which will be available in October 2018 for £4749, or £5649 for the luminous version. Between then and the end of the year the 40mm will begin shipping, and those after the 28mm will have to wait until the early part of next year. No pricing has been released for the later two lenses. For more information see the Sigma Imaging website.

Press release

SIGMA CINE LENS New Product Update

The SIGMA Corporation is pleased to announce the development of three new SIGMA CINE lenses in the FF High Speed Prime Line: 28mm T1.5 FF, 40mm T1.5 FF and 105mm T1.5 FF. With these additions, the FF High Speed Prime Line will comprise of ten lenses covering 14mm to 135mm and T1.5 to T2, empowering cinematic expression to an even higher degree.

These new SIGMA CINE LENS models will be available for test shooting at the 2018 IBC Show to be held in Amsterdam between 14th to 18th September. For further details about the new FF High Speed Prime Line lenses and updates about previously released SIGMA CINE LENSES, please refer to the sections below.

Overview

1. FF High Speed Prime Line to welcome new 28mm T1.5 FF, 40mm T1.5 FF and 105mm T1.5 FF models
2. Development of LPL mount

1. FF High Speed Prime Line to welcome new 28mm T1.5 FF, 40mm T1.5 FF and 105mm T1.5 FF models

The FF High Speed Prime Line will grow with the addition of three new lenses. Compatible with a full-frame image circle and optimized for ultra-high-resolution 6K-8K shooting, the lineup exceeds even high-end prime sets. Combining all the main specifications that exist in other lenses in the lineup, this addition further expands the potential of movie production in the current digital era.

28mm T1.5 FF
Delivery: Early 2019
Price: TBD
Lens support foot and lens cap included
Mounts: PL, EF and E-mount.
Note: For further details, please refer to the specification chart.

40mm T1.5 FF
Delivery: End of 2018
Price: TBD
Lens support foot and lens cap included
Mounts: PL, EF and E-mount.
Note: For further details, please refer to the specification chart.

105mm T1.5 FF
Delivery: October, 2018
Price: £4749.00 (Inc. VAT) (Standard Version)
£5649.00 (Inc VAT) (Fully Luminous Version)
Lens support foot and lens cap included
Mounts: PL, EF and E-mount.

2. Development of LPL mount
The SIGMA CINE LENS series will soon include LPL mount, the new lens mount optimized for the large format sensor released by ARRI in 2018. The planned release date for SIGMA CINE LENSES in LPL mount is 2019 or later.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sigma adds three new lenses to cinema range and promises LPL mount compatibility

Posted in Uncategorized

 

Four RF-mount lenses kick off Canon’s new full-frame mirrorless system

08 Sep

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8760634600″,”galleryId”:”8760634600″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Canon’s first full-frame mount in more than 30 years is here, in the shape of the RF-mount. Featuring the same diameter as the venerable EF-mount but with a much shorter flange back distance, RF is designed from the ground up for mirrorless cameras. It’s still early days, but four lenses have been unveiled alongside the consumer-grade EOS R, providing a tantalizing glimpse into Canon’s future ambitions.

Today sees the unveiling of the Canon RF 28-70mm F2L USM, RF 50mm F1.2L USM (pictured below), RF 24-105mm F4L IS USM and RF 35mm F1.8 Macro IS STM. This quartet covers common focal lengths from 24mm to 105mm and includes an exceptionally fast aperture zoom lens, a macro and – in a throwback to the early days of the EF system in the late 1980s – a flagship fast 50mm (shown below on the EOS R).

Perhaps the most interesting of the four new lenses is the 28-70mm F2, which weighs in at a very substantial 1430g (3.15lbs) – a 77% weight increase compared to the wider but slower EF 24-70mm F2.8 II. Boasting 19 elements in 13 groups, the 28-70mm F2 is a large lens, with a determinedly non-standard front filter diameter of 95mm. The RF 24-105mm F4 appears somewhat more conventional, weighing in at a much more manageable 700g (1.5lb) and featuring a standard filter thread of 77mm. It’s no surprise that this is the lens that Canon is kitting with the EOS R at launch.

The RF 24-105 F4L IS USM has been designed to be video-friendly, with minimal focus breathing, a fast, silent ‘Nano USM’ focus motor and the ability to control its aperture in 1/8th EV steps.

The RF 50mm F1.2 looks to be a pretty substantial chunk of glass, featuring 15 elements in nine groups, and weighing 950g (2.1lb). Meanwhile the lightweight (305g, 0.7lb) RF 35mm F1.8 Macro covers both a useful focal length, and offers a handy 0.5X magnification macro capability. Considering its comparatively smaller size and lighter weight, the RF 35mm F1.8 looks like it could be a very attractive walk-around prime for the small and light EOS R.

The EF-RF adapters will allow the millions of existing EF lenses in circulation to be used “without compromise”

In addition to the four new lenses, Canon has also introduced three EF to RF adapters. The most basic is a simple mount converter, with an additional two adapters which add a customizable control ring (to match the clicking, customizable control rings on native RF lenses), and a tray for drop-in filters, respectively. The drop-in filter adapter makes it possible to add a Vari ND or circular polarizer to all lenses, including the traditionally awkward super-wides.

Canon promises that the EF-RF adapters will allow the millions of existing EF lenses in circulation to be used “without compromise” on the new EOS R and future RF-mount cameras.

The RF 28-70mm F2L USM will cost $ 2,999 and will be available in December. The RF 24-105mm F4L IS USM will also be available in December for $ 1099 ($ 3399 as a kit with the EOS R). The RF 50mm F1.2L USM will cost $ 2,299 and will start shipping next month, while the RF 35mm F1.8 Macro IS STM will cost $ 499 and will be available in December. All three of the ‘L’ lenses are weather-sealed.

Press Release

BEYOND THE REALM OF TRADITIONAL POSSIBILITIES:
CANON INTRODUCES FOUR RF MOUNT LENSES

Canon Also Introduces Three RF Mount Adapters, Providing EF & EF-S Lenses with Full Compatibility and Enhanced Functionality ?with the New EOS R Camera

MELVILLE, N.Y., September 5, 2018 – Helping to rewrite the rules of visual expression, Canon U.S.A. Inc., a leader in digital imaging solutions, today introduced a variety of new RF lenses and accessories to accompany the newly announced EOS R Full-Frame Mirrorless Camera System. The four new RF lenses are built around Canon’s new RF mount, which features a large 54mm diameter and shorter back focus distance than on current EOS DSLR cameras. The new RF mount enables new possibilities in optical design and lens formulation, allowing for faster and lighter lenses with higher performing optics.

The four new lenses, the Canon RF 28-70mm F2 L USM, RF 50mm F1.2 L USM, RF 24-105mm F4 L IS USM and RF 35mm F1.8 MACRO IS STM capitalize on the robust optic foundation of Canon’s new EOS R system. The design behind Canon’s new EOS R camera and RF lens system started with the concept of the optimal rear lens element diameter and shorter distance (back focus) for a Full-Frame image sensor.

With over 130 million EF lenses in circulation since Canon launched the mount in 1987*, the Company is enhancing the possibilities for its loyal customers who own and love their EF glass. Canon is introducing three RF Lens Mount Adapters that expand the capabilities of existing EF lenses when paired with the EOS R camera. The Canon Mount Adapter EF-EOS R allows photographers to utilize the full breadth of Canon’s EF, EF-S, TS-E, and MP-E lenses on the newly introduced EOS R camera system. The Control Ring Mount Adapter adds a customizable control ring via the adapter that provides photographers with added functionality to their fingertips. The Drop-in Filter Mount Adapter now easily places circular polarizing or variable neutral density filters behind the lens, opening up new options for lenses such as the EF 11-24mm where using optical filters were previously not an option.

“Knowing exceptional optics are a vital tool in shaping the image a photographer captures, Canon designed the EOS R camera system from the ground up with optics as the starting point,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “Canon is very excited about the world-class optics we have developed to marry with the new RF mount. With our rich history and more than 130 million EF lenses being used across the globe, Canon optics will continue to be at the forefront of our digital imaging development now and into the future.”

New Canon RF Series Lenses

Three of the newly announced Canon RF lenses are counted among Canon’s top-of-the-line L-series optics; incorporating rugged, dust and water-resistant construction. All four new RF lenses feature a customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture or ISO.

The Canon RF 28-70mm F2 L USM lens, the world’s first standard zoom lens with an f/2 aperture is excellent for capturing landscapes, weddings and portraits with its large aperture for stunning bokeh. Initial testing within Canon has shown this new lens to produce better optical image quality and sharpness over similar focal length EF-series lenses, including the extremely popular and highly regarded EF 24-70mm f/2.8L II USM.

A portrait photographer’s must-have, the Canon RF 50mm F1.2 L USM lens sports an ultra large-diameter f/1.2 aperture and Canon’s Air Sphere Coating (ASC) technology to dramatically reduce flares and ghosting. This amazing new lens is capable of rendering subjects life-size on the full-frame sensor with its minimum focusing distance of only 0.59 inches.

Photographers seeking an all-around utility lens for the new EOS R camera system need to look no further than the Canon RF 24-105mm F4 L IS USM lens. Coming in nine percent shorter in length than the EF 24-105mm f/4L IS II USM, this compact lens employs a CIPA standard of 5 stops of IS and is equipped with NANO USM technology, the first L-series lens with the technology. This small chip-shaped ultrasonic motor is engineered to help deliver high-speed, smooth, precise and near-silent operation, plus full-time manual focus (when using one-shot AF).

A fast, wide-angle single focus lens, the Canon RF 35mm F1.8 MACRO IS STM lens is an excellent option for photographers looking for an affordable compact lens. Featuring a maximum shooting magnification of 0.5x, the lens can easily shoot macro photography of subjects such as flowers, food and even insects. The lens also utilizes a CIPA standard of 5 stops of IS and is compatible with Hybrid IS, compensating for both angular and shift camera shake.

Enhanced Capabilities for Canon EF Lenses

Thanks to its large lens mount design, Canon’s new EOS R series camera system delivers new capabilities in both design and function, but for existing Canon lens owners it does something incredible. It enhances the capabilities of existing EF and EF-S lenses with full compatibility and in some cases, enhanced functionality when paired with one of three RF mount adapters.

Canon lenses are historically top-rated, and the Company is looking to help customers gain even more value in their investment with three new RF mount adapters.

The Canon Mount Adapter EF-EOS R is a standard adapter that provides full compatibility with EF lenses. Autofocus, metadata, and Optical Image Stabilization on EF lenses all continue to work seamlessly with the new EOS R camera through this adapter.
The Control Ring Mount Adapter EF-EOS R continues full EF lens compatibility with the addition of a customizable control ring. Functions that can be assigned and adjusted by the control ring include aperture, shutter speed, ISO speed and exposure compensation.
In addition to full EF lens compatibility, the Drop-In Filter Mount Adapter EF-EOS R allows for lens filters to be used behind any EF lens and help photographers conveniently utilize variable ND and circular polarizing filters with any EF lens.

New Speedlite Series

Canon is also introducing a new compact and lightweight Speedlite, the EL-100. Designed for photographers who are just beginning to use an external flash or are in need of a secondary unit, the new Speedlite delivers both soft and natural lighting reproduction. In addition, the EL-100 can rotate upwards and to the left and right enabling photographers to bounce the flash off of nearby ceilings, walls or surfaces.

Additional Features of the Canon Speedlite EL-100 include:

  • Maximum Guide Number of Approx. 85 ft./26m at ISO 100
  • 24mm Wide-angle Coverage
  • Optical Wireless Flash Function (Sender and Receiver)
  • Flash Exposure Control Including Support for Stroboscopic Flash and Continuous
  • Shooting Camera-linked Functions Including Interlocked External Flash Power On/Off
  • Mode Dial with AUTO Position

Availability and Pricing

The Canon RF 50mm F1.2 L USM will be available in October 2018 for an estimated retail price of $ 2299. The Canon RF 28-70mm F2 L USM, RF 24-105mm F4 L IS USM and RF 35mm F1.8 MACRO IS STM will all be available for purchase in December 2018 for an estimated retail price of $ 2999, $ 1099 and $ 499.99 respectively.

The Canon Mount Adapter EF-EOS R and Control Ring Mount Adapter EF-EOS R will be available for purchase in October 2018 for an estimated retail price of $ 99.99 and $ 199.99 respectively. The Drop-in Filter Mount Adapter EF-EOS R will all be available for purchase in February 2019 for an estimated retail price of $ 399.99 with a variable ND filter or $ 299.99 with a circular polarizing filter.

The Canon Speedlite EL-100 will be available for purchase in October 2018 for an estimated retail price of $ 199.99.

For more information on the new Canon RF lenses and accessories, please visit usa.canon.com/eosrsystem.

Canon RF 35mm F1.8 IS STM / RF 50mm F1.2L specifications

  Canon RF 35mm F1.8 IS STM Macro Canon RF 50mm F1.2L USM
Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 35 mm 50 mm
Image stabilization Yes No
CIPA Image stabilization rating 5 stop(s)
Lens mount Canon RF
Aperture
Maximum aperture F1.8 F1.2
Minimum aperture F22 F16
Aperture ring No
Number of diaphragm blades 9 10
Optics
Elements 11 15
Groups 9
Special elements / coatings 1 aspherical element, Super Spectra Coating Ground aspherical + aspherical _+ UD elements, Air Sphere and fluorine coatings
Focus
Minimum focus 0.17 m (6.69) 0.40 m (15.75)
Maximum magnification 0.5× 0.19×
Autofocus Yes
Motor type Stepper motor Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 305 g (0.67 lb) 950 g (2.09 lb)
Diameter 74 mm (2.91) 90 mm (3.54)
Length 63 mm (2.48) 108 mm (4.25)
Sealing No Yes
Colour Black
Filter thread 52 mm 77 mm

Canon RF 28-70mm F2L USM / RF 24-105mm F4L IS USM specifications

  Canon RF 28-70mm F2L USM Canon RF 24-105mm F4L IS USM
Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 28–70 mm 24–105 mm
Image stabilization No Yes
CIPA Image stabilization rating 5 stop(s)
Lens mount Canon RF
Aperture
Maximum aperture F2 F4
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 19 18
Groups 13 14
Special elements / coatings UD + aspherical elements, Air Sphere, SWC and fluorine coatings Aspherical + UD elements, Air Sphere and fluorine coatings
Focus
Minimum focus 0.39 m (15.35) 0.45 m (17.72)
Maximum magnification 0.18× 0.24×
Autofocus Yes
Motor type Ring-type ultrasonic Nano ultrasonic
Full time manual Yes
Focus method Internal Rear
Distance scale No
DoF scale No
Physical
Weight 1430 g (3.15 lb) 700 g (1.54 lb)
Diameter 104 mm (4.09) 84 mm (3.31)
Length 140 mm (5.51) 107 mm (4.21)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 95 mm 77 mm

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Four RF-mount lenses kick off Canon’s new full-frame mirrorless system

Posted in Uncategorized

 

Olloclip announces Multi-Device Clip for smartphone lenses

05 Sep

Olloclip has built a reputation as one of the most successful manufacturers of smartphone accessory lenses. However, so far most Olloclip lenses have had one important limitation: they were device-specific. If you had more than one smartphone you could not use the lenses with all your devices, or if you upgraded to a new handset you usually needed to get new lens clips and/or lenses.

This is now a thing of the past, however. Today Olloclip has announced its new Multi-Device Clip. The clip is designed to work with the company’s Connect X line of interchangeable lenses, which includes several wide-angle options, macro lenses, a telephoto and a fisheye, and works with most smartphones.

The Multi-Device-Clip can expand to fit devices of up to 12mm thickness, meaning it is compatible with screen protectors and you can usually leave your case on as well, when snapping an image with your Olloclip lenses.

Olloclip’s new Multi-Device Clip will be available with any of the Connect X lenses mid-September starting at $ 60. You can sign up for more information on the upcoming release on the Olloclip website.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Olloclip announces Multi-Device Clip for smartphone lenses

Posted in Uncategorized

 

Real World Test: Using the Sony A7R III with Canon Lenses

31 Aug

Here’s a review from Julia Trotti who has been testing the Sony A7R III mirrorless camera alongside Canon lenses. With mirrorless technology coming to the forefront, but the number of native Sony lenses available being limited, using third-party lenses like this is not far from a necessity.

Trotti has spent her entire 10-year photography career shooting with Canon, but recently got the Sony A7R III and wanted to integrate that camera into her workflow with the Canon glass she already owns. This is a similar boat to that which many photographers moving from DSLR to mirrorless may find themselves in. By using an adaptor (and making sure you keep the firmware for it up to date) you are able to use your DSLR glass on mirrorless bodies.

?

While adaptors are great, Trotti does point out their shortcomings. She found some issues with focusing while testing the combination, meaning that her workflow was slowed down by having to wait for the lens to catch up with her (thanks to the adaptor).

Trotti loves the Sony A7R III, as well as her Canon glass, but advises that you should be aware of the limitations of the adaptation when it comes to shooting situations where you might only have one chance to get it right, such as weddings.

Check out the full video above to see all of her thoughts and some example photos from the shoot.

The post Real World Test: Using the Sony A7R III with Canon Lenses appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Real World Test: Using the Sony A7R III with Canon Lenses

Posted in Photography

 

Nikon FTZ adapter lets you use over 360 F-mount lenses on Z-series bodies

26 Aug

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_6905215642″,”galleryId”:”6905215642″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

One question many people have when a new camera system is announced is ‘but will my old lenses work?’ In the case of the Nikon Z system, the answer is ‘yes’ in the vast majority of cases, with no reduction of image quality or performance, according to the company.

With the optional FTZ adapter over 90 AF-S lenses will be fully compatible with the Z 7 and Z 6. They can take advantage of the camera’s in-body image stabilization and, if you’re using a VR-equipped lens, it will have 5-axis stabilization. (Non-VR lenses will now have 3-axis VR.)

Take an in-depth look at the FTZ’s functionality and our initial performance impressions

The adapter supports the silent shooting and focus peaking functions of the Z-series cameras and, like the Z 7 and Z 6, it’s also weather-sealed.

The FTZ adapter will ship at the end of September for $ 249. When purchased with a Nikon Z 6 or Z 7 through December 31 2018, Nikon will offer a $ 100 discount.

Press Release

NIKON RELEASES THE NIKKOR Z 24-70mm f/4 S, NIKKOR Z 35mm f/1.8 S, NIKKOR Z 50mm f/1.8 S, AND THE MOUNT ADAPTER FTZ, AND DEVELOPS THE NIKKOR Z 58mm f/0.95 S NOCT

Designed Exclusively for the Nikon Z Mount System, Featuring a New, Larger-Diameter Mount

MELVILLE, NY (AUGUST 23, 2018 AT 1:01 A.M. EDT) – Nikon Inc. is pleased to announce the release of three new lenses designed for the next-generation Nikon Z mount system’s full-frame (Nikon FX format) mirrorless cameras, for which a new larger-diameter mount has been adopted. The three new lenses are the standard zoom NIKKOR Z 24-70mm f/4 S, the wide-angle prime NIKKOR Z 35mm f/1.8 S, and the standard prime NIKKOR Z 50mm f/1.8 S. Nikon has also announced the Mount Adapter FTZ for Z System compatibility with existing NIKKOR F mount lenses and development of the NIKKOR Z 58mm f/0.95 S Noct lens1.

NIKKOR Z lenses pursue a new dimension in optical performance, by taking advantage of the superior design flexibility made possible by the combination of the larger Z mount with its inner diameter of 55mm, and a short flange focal distance of 16mm. The lenses offer sharp resolution with both still-image and video recording, and are equipped with functions that include: compensation for focus breathing (the shifting of the angle of view when focus is adjusted), quiet operation, smooth exposure control, a control ring and performance that is well suited for video capture.

The NIKKOR Z 24-70mm f/4 S, NIKKOR Z 35mm f/1.8 S, and NIKKOR Z 50mm f/1.8 S are S-Line interchangeable lenses. The S-Line is a newly designated grade of NIKKOR Z lenses that adhere to a new benchmark in optical performance, realizing rendering performance that surpasses that of conventional f/4 standard zoom lenses and f/1.8 wide-angle or standard prime lenses. From maximum aperture, clear and sharp resolution can be achieved as well as beautiful bokeh characteristics.

Additionally, the Mount Adapter FTZ has been designed to allow users of Nikon SLR cameras to utilize their existing NIKKOR F mount lenses with the Z mount system and enjoy taking advantage of an even wider variety of lens characteristics with their photography.

Development of the NIKKOR Z 58mm f/0.95 S Noct

Nikon is currently developing the NIKKOR Z 58mm f/0.95 S Noct, a standard prime manual focus lens and the fastest lens in Nikon’s history. The design of the Noct lens exemplifies Nikon’s mission to pursue the ultimate optical performance in the mirrorless category. As the result, the Noct is positioned at the top of the S-Line. In addition, Nikon is planning on releasing a variety of new lenses that will continue to expand its line of attractive, high-performance NIKKOR Z lenses that further extend photographers’ creative expressions.

NIKKOR Z 24-70mm f/4 S Primary Features

  • Standard focal-length range from wide-angle 24mm to medium-telephoto 70mm can effectively cover a wide variety of scenes and subjects with rendering performance that will change the perception of what is possible with zoom lenses with a maximum aperture of f/4
  • Optical design that suppresses variations in aberrations from shooting distances of close-up to infinity, demonstrating sharp resolution even in the peripheral areas of the frame from the maximum aperture, as well as fine point-image reproduction
  • Achieved a minimum focus distance of just 0.3 m across the zoom range
  • Adoption of an ED glass element, an aspherical ED lens element, and three aspherical lens elements
  • Nano Crystal Coat adopted to suppress ghosting and flare
  • Has the size needed to deliver an extremely high standard of optical performance, yet provides outstanding portability; employs a retracting mechanism that can be set on/off without pressing a button and reduces total length for a compact lens that can easily be taken anywhere
  • In consideration to a dust- and drip-resistance, the entire lens, including moving parts, has been sealed
  • Fluorine coat applied to front lens surface

NIKKOR Z 35mm f/1.8 S Primary Features

  • Rendering performance that redefines perceptions of what a 35 mm f/1.8 lens can do
  • Sharp resolution even in the peripheral areas of the frame from the maximum aperture, effective suppression of sagittal coma flare that enables superb point-image reproduction when capturing point light sources in night landscapes, and the soft and natural bokeh characteristics expected of a fast (bright) lens
  • Adoption of a new multi-focusing system featuring two AF drive units providing driving power at high speed and with high accuracy that achieves quiet, fast, and accurate AF control, as well as high image-forming performance at any focus distance
  • Adoption of two ED glass elements, and three aspherical lens elements
  • Nano Crystal Coat adopted to suppress ghosting and flare
  • In consideration to a dust- and drip-resistance, the entire lens, including moving parts, has been sealed

NIKKOR Z 50 mm f/1.8 S Primary Features

  • Superior rendering ignites creativity, and redefines perceptions of what a 50mm f/1.8 lens can do
  • Thorough suppression of axial chromatic aberration ensures superior resolution with faithful reproduction of the fine textures in subjects, even from maximum aperture
  • Sharp and clear rendering of details from the center of the frame to the peripheral edges, regardless of the shooting distance
  • The soft and beautiful bokeh characteristics at any shooting distance possible only with a fast (bright) lens
  • Adoption of two ED glass, and two aspherical lens elements
  • Nano Crystal Coat adopted to suppress ghosting and flare
  • Adoption of a new, powerful stepping motor (STM) enables quiet and accurate AF control during both still-image capture and video recording
  • In consideration to a dust- and drip-resistance, the entire lens, including moving parts, has been sealed

Mount Adapter FTZ Primary Features

  • Full compatibility with more than 90 lenses and functionality with approximately 360 existing NIKKOR F lenses from AI type onwards2
  • The unique characteristics of NIKKOR F mount lenses can be applied to Z mount system image quality
  • In-camera VR (Vibration Reduction) with three-axis VR is available when attaching a NIKKOR F lens without built-in VR; in-camera VR also performs well with stills and video recording
  • When attaching a NIKKOR F lens with built-in VR, lens VR and in-camera VR effectively work together to compensate for camera shake by enabling three-axis VR.
  • Various sections of the adapter are effectively sealed to ensure dust- and drip-resistant performance equivalent to that of NIKKOR F lenses
  • Designed to be lightweight yet tough with consideration for superior operability as a part of a complete system

Development of the New NIKKOR Z 58mm f/0.95 S Noct Lens that Pursues Ultimate Optical Performance

The NIKKOR Z 58mm f/0.95 S Noct that Nikon is currently developing will be a large aperture, standard 58mm prime focal-length, the fastest lens in Nikon’s history3, manual-focus lens positioned at the very top of the S-Line. It will stand to symbolize the Nikon Z mount system’s new dimension in optical performance.

It has inherited the design concept behind the original AI Noct-NIKKOR 58mm f/1.2, a standard prime lens released in 1977, named for “Nocturne” (a musical composition inspired by or evocative of the night), and was popular for its ability to finely reproduce point light sources as point images. This new Noct lens that is currently in development will take advantage of the advanced design flexibility afforded by the Z mount, pursuing ultimate optical performance. Development continues with the goals of achieving an extremely fast maximum aperture of f/0.95, offering the ultimate in NIKKOR rendering performance with superior detail and sharpness. Additionally, the goal is to achieve beautiful blur characteristics, or bokeh, with good continuity, and ensure outstanding point-image reproduction capabilities for more compelling, three-dimensional imaging.

The NIKKOR Z Lens Roadmap

Information in the roadmap, including release dates, are subject to change. Product names after the NIKKOR Z 58mm f/0.95 S Noct are not yet finalized.

Price and Availability

The NIKKOR Z 24-70mm f/4 S and NIKKOR Z 35mm f/1.8 S will be available September 27 for the suggested retail prices (SRP) of $ 999.95* and $ 849.95*, respectively. The NIKKOR Z 50mm f/1.8 S lens will be available in late October for the SRP of $ 599.95*. The Mount Adapter FTZ will be available September 27 for $ 249.95* SRP (Additional $ 100 savings when purchased together with a Z 7 or Z 6, through 12/31/2018). For more information on these and other Nikon products, please visit www.nikonusa.com.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Nikon FTZ adapter lets you use over 360 F-mount lenses on Z-series bodies

Posted in Uncategorized