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Posts Tagged ‘Lenses’

Vazen launches “world’s first” anamorphic lenses for Micro Four Thirds

04 Jun

Vazen, a Chinese optics manufacturer, is set to launch a trio of anamorphic lenses for Micro Four Thirds cameras. Showing at the Cine Gear Expo and spotted by Newsshooter, the company will be offering 28mm, 40mm and 65mm focal lengths with a 1.8x anamorphic effect.

The lens on show at Cine Gear is a 40mm T2 that will be shipping at the end of this month. When used on Micro Four Thirds cameras, such as the Lumix GH5/s, Blackmagic Pocket Cinema Camera or Z-cam E2, it will produce 2.39:1 aspect ratio images. Vazen claims the lenses will provide ‘buttery smooth oval bokeh, signature blue horizontal flare and the widescreen cinematic look’ as well as a minimum focus distance of 0.82m (2.7ft) for the 40mm example. The focus and aperture rings are fitted with gears and the front filter thread measures 110mm.

Below is sample footage captured with the 40mm T2 lens:

The 40mm version weighs 1.8kg (3.97lbs), is 110mm x 175mm (4.33in x 6.89in), and will cost $ 3,250. Users will have to wait until much later in the year for the 28mm and 65mm models. For more information see the Vazen website.

Articles: Digital Photography Review (dpreview.com)

 
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Sony’s US-only ‘Step up to Sony’ sales event is offering up to $1K off cameras, kits and lenses

03 Jun

Sony is currently running its ‘Step Up To Sony’ sales event, a summer sales event for U.S. customers that’s heavily discounting some of Sony’s most popular cameras, lenses and kits. The ‘Step Up To Sony’ event runs through Jun 22, 2019. We’ve rounded up some of the best deals from the sales event and have listed them below.

Cameras and kits

Sony a7R III (Adorama, B&H): $ 2,598 ($ 600 instant rebate)

Sony a9 (Adorama, B&H): $ 3,498 ($ 1000 instant rebate)

Sony a7R II (Adorama, B&H): $ 1,498 ($ 500 instant rebate)

Sony A7 II (Adorama, B&H): Body only for $ 898 ($ 500 instant rebate), kit for $ 1000 ($ 600 instant rebate)

Sony RX100 V (B&H): $ 898 ($ 100 instant rebate)

Sony RX10 IV (Adorama, B&H): $ 1,598.00 ($ 100 instant rebate)

Lenses

Sony FE 12-24mm F4 G (Adorama, B&H): $ 1,598 ($ 100 instant rebate)

Sony FE 70-200mm F4 G OSS (Adorama, B&H): $ 1,398 ($ 100 instant rebate)

Sony Planar T* FE 50mm F1.4 ZA (Adorama, B&H): $ 1,398 ($ 100 instant rebate)

Sony Distagon T FE 35mm F1.4 ZA (Adorama, B&H): $ 1,498 ($ 100 instant rebate)

Articles: Digital Photography Review (dpreview.com)

 
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Canon now offers a service to de-click the Control Ring on its RF lenses

23 May

In addition to a larger diameter mount and additional contacts, one of new features of Canon’s RF lenses—and one of its EF to RF adapters—is the Control Ring, a physical dial around the perimeter of the lens that can be customized to control various camera functions including aperture, ISO and shutter speed.

By default, the Control Ring is adjusted in predetermined steps, which click into place while rotating the ring. While this is beneficial when you need a tactile indication of how many steps you’ve adjusted various settings, it does cause a bit of movement and noise, which isn’t helpful if you’re filming video.

An illustration provided by Canon showing off the Control Ring on its RF 35mm F1.8 IS Macro lens.

Canon is addressing this problem by offering a de-clicking service for RF lenses. According to a pricing sheet, Canon will charge $ 79.99 to de-click any RF lens and $ 59.99 to de-click the Control Ring Mount Adapter EF-EOS R, not including the cost of taxes and shipping. Once de-clicked, the lens or adapter will be able to be switched between its default functionality and the de-clicked mode.

The service can be scheduled via Canon’s customer service phone number (1-800-652-2666) or its online support page.

Articles: Digital Photography Review (dpreview.com)

 
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Video: How to create an ‘anamorfake’ from old, inexpensive lenses

02 May

Shutterstock Tutorials, the YouTube channel of stock image company Shutterstock, has published a new video featuring Todd Blankenship with instructions on how to create ‘anamorfake’ lenses. The DIY anamorphic tutorial features inexpensive lenses sourced from eBay that are taken apart, fully modified, and reassembled.

The 13-minute tutorial is designed to equip budget filmmakers with the cinematic look of anamorphic lenses at a lower price. According to Blankenship, Shutterstock’s new tutorial was inspired by content found on Tito Ferradans’ YouTube channel, and it primarily revolves around adding the iconic flat line lens flare and oval-shaped aperture to an inexpensive lens.

The tutorial requires easily acquired components, including sandpaper, metal polish, fishing line, acetone, spray paint, gloves, and cotton pads. As well, DIYers will need oval aperture disks and a lens wrench. In addition to the video, which provides all the steps, Blankenship details a few notable points and a list of the required tools in a related blog post.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon US’s ‘Capture the Savings’ event offers instant savings on cameras, kits and lenses

28 Apr

Nikon US has announced its seasonal ‘Capture the Savings’ sales event and with it comes a number of impressive instant savings across its mirrorless, DSLR and Coolpix cameras, as well as Nikkor lenses.

The event, which starts Sunday, April 28, is limited to products sold in the United States by Nikon Authorized Dealers, including but not limited to Adorama and B&H. If multiple products are required for the instant savings, Nikon notes that the items must be bought at the same time and appear on the same receipt for the savings to apply.

The full list of deals can be found on Nikon USA’s website, but we’ve rounded up a few of our favorites below, with the links to the products on Adorama and B&H:

Coolpix

Coolpix P900 Camera (Adorama, B&H) — $ 100 Instant Savings (April 28, 2019 through June 1st, 2019)

Coolpix W300 Camera (Adorama, B&H) — $ 90 Instant Savings (May 12, 2019 through May 18, 2019)

DSLRs

Nikon D850 Body Only (Adorama, B&H) — $ 300 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon D750 Body Only (Adorama, B&H) — $ 400 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon D750 24-120 VR Kit (Adorama, B&H) — $ 1,000 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon D7500 Body Only (Adorama, B&H) — $ 200 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon D7500 16-80 VR Kit (Adorama, B&H) — $ 670 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon Z-series

Nikon Z6 Body Only (Adorama, B&H) — $ 200 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon Z6 24-70 Kit (Adorama, B&H) — $ 200 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon Z6 Filmmaker’s Kit (Adorama, B&H) — $ 200 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon Z7 Body Only (Adorama, B&H) — $ 600 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon Z7 24-70 Kit (Adorama, B&H) — $ 600 Instant Savings (April 28, 2019 through June 1, 2019)

Nikkor Lenses

24-70mm f/2.8E ED VR (Adorama, B&H) — $ 500 Instant Savings (April 28, 2019 through June 1, 2019)

70-200mm f/2.8E FL ED VR (Adorama, B&H) — $ 650 Instant Savings (April 28, 2019 through June 1, 2019)

105mm f/1.4E ED (Adorama, B&H) — $ 300 Instant Savings (April 28, 2019 through June 1, 2019)

85mm f/1.4G (Adorama, B&H) — $ 150 Instant Savings (April 28, 2019 through June 1, 2019)

58mm f/1.4G (Adorama, B&H) — $ 150 Instant Savings (April 28, 2019 through June 1, 2019)

35mm f/1.4G (Adorama, B&H) — $ 150 Instant Savings (April 28, 2019 through June 1, 2019)

28mm f/1.4E ED (Adorama, B&H) — $ 200 Instant Savings (April 28, 2019 through June 1, 2019)

The various prices are determined by the Authorized Nikon Dealers at the time of sale. Nikon also notes that all prices and specifications of these deals are subject to change without notice, and Nikon is not responsible for printing or typographical errors with pricing information.

Articles: Digital Photography Review (dpreview.com)

 
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Buying Guide: The best lenses for Fujifilm X-mount mirrorless cameras

25 Apr

Whether you’ve bought an inexpensive Fujifilm X-A5 with a kit lens, or a higher-end body like the X-T3, at some point you’re going to want some new glass. Whether you’re shooting portraits or want a versatile travel zoom, we’ve got you covered.

Before we go on, keep in mind that these lenses are for X-series cameras only. Fujifilm’s GFX medium format bodies use a different mount, which we’re not covering in this buying guide.


For each of the categories below the winner was the lens which we found to offer the best combination of quality and value. In most cases, we’ve also provided a more budget-friendly option, as well as a choice for those with more to spend.

  • Best kit lens replacement
  • Best prime / single focal length lens (all-around)
  • Best prime / single focal length lens (for portraits)
  • Best wide-angle zoom lens
  • Best telephoto zoom lens
  • Best macro lens
  • Best lens for travel

Here at DPReview we use a lot of lenses, but we can’t test every single product on the market. So if we’ve excluded your favorite lens, or if you disagree with any of our selections, please let us know in the comments below.


Best kit lens replacement

Standard (kit) zooms are just what they sound like – versatile, general-purpose lenses that start with a fairly wide angle of view and allow you to zoom in to a focal length traditionally used for portraits.

Our pick: XF 18-55mm F2.8-4.0 R OIS LM

If your camera didn’t already come with it, we’d suggest upgrading to the excellent 18-55mm F2.8-4.0 OIS. The 18-55mm is a significant step up from Fujifilm’s XC 16-50mm and 15-45mm kit lenses, albeit not quite as wide as either.

Check prices | More info

Also consider:

Money no object:
XF 16-55mm F2.8 R LM WR

It’s big, it’s heavy, it’s unstabilized, but more importantly, the 16-55mm F2.8 is optically excellent. It’s one of the most powerful ways to get the most out of your camera.

For more flexibility:
XF 18-135mm F3.5-5.6 R LM OIS WR

At time of publication, the 18-135mm is the best way of adding a lot more flexibility to your camera. Just bear in mind that it has a slightly slower aperture than the 18-55mm and doesn’t go any wider, so think carefully about what you’d gain.

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Best prime / single focal length lens (all-around use)

Removing the complexity of a variable focal length often allows for prime lenses to be smaller, lighter and sharper, while letting more light through and being more useful in dimly lit situations.

For all-around use we’d recommend a semi-wide-angle lens that can lend itself to a range of subjects.

Our pick: XF 23mm F2 R WR

The 23mm F2 isn’t the sharpest lens in the Fujinon lineup, but it’s small, relatively fast and sensibly priced. It makes for a respectably small combination with most X-series cameras and provides decent low light performance and some control over depth-of-field. The equivalent focal length of 35mm makes this a perfect everyday lens for walk-around shooting.

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Also consider:

Small/light/affordable:
XF 27mm F2.8

The 27mm lens offers a 40mm equiv. field-of-view, which can be great fun to shoot with. At F2.8 it’s not going to give much of a benefit in terms of light capture or depth-of-field compared with a kit zoom. Its major appeal is size: it’s convenient and discreet when paired with most X-series cameras.

Money no object:
XF 23mm F1.4 R

The Fujifilm 23mm F1.4 is optically excellent, making it a great do-everything prime. It’s not especially fast to focus but if you want the quality and improved low light performance it brings, then that’s the trade-off.

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Best prime / single focal length lens (for portraits)

Prime lenses are just a single focal length; removing the complexity of a zoom often allows for these lenses to be smaller, lighter and sharper, while letting more light through and being more useful in dimly lit situations.

For portraits we’d recommend a mid-telephoto lens that lets you shoot head-and-shoulders shots from a comfortable working distance.

Our pick: XF 56mm F1.2 R

The 56mm F1.2 is designed to give the same angle-of-view and depth-of-field as a classic 85mm F1.8 lens does on full frame. It’s one of the slower-focusing lenses in the system, but it’s impressively sharp and well-matched for portrait shooting. There’s a more expensive ‘APD’ version if you need smoother background blur.

Check prices | More info

Also consider:

For a bit more breathing room:
XF 90mm F2 R LM WR

The 90mm F2 isn’t cheap, but it’s extremely sharp, is faster to focus than the 56mm and gives plenty of control over depth-of-field. It also gives a longer working distance, which some people will prefer.

The inexpensive option:
XF 50mm F2 R WR

The 50mm’s equivalent focal length of 75mm is a bit shorter than the 56mm’s, but the magnification difference is minimal in normal use and it’s much less expensive, faster to focus and still pleasantly sharp. It’s also small enough to carry with you at all times.

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Best wide-angle zoom lens

Wide-angle lenses are often useful for taking photos of interiors, landscapes and architecture.

Our pick: XF 10-24mm F4 R OIS

The 10-24mm F4 is a mid-range stabilized zoom that extends out to a usefully-wide 15mm equivalent. It’s not cheap but the optical quality, solid build, constant aperture and inclusion of OIS help explain the price.

Check prices | More info

Also consider:

Money no object:
XF 8-16mm F2.8 R LM WR

If you need to go wider or brighter than the 10-24mm, there’s the 8-16mm F2.8. It’s well-corrected and generally superb optically. Just be aware: it’s big, heavy, and cannot accept screw-in filters.

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Best telephoto zoom lens

Telephoto lenses start out being fairly zoomed-in, and allow you to zoom in even further so you can fill your frame with more distant subjects.

Our pick: XF 55-200mm F3.5-4.8 R LM OIS

Although the range makes it sound like a budget ‘two lens kit’ filler, the Fujinon 55-200mm is a well built, fast-to-focus mid-price option. We used it as our autofocus test lens for many years and were impressed with its performance.

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Also consider:

Budget option:
XC 50-230mm F4.5-6.7 OIS II

The 50-230mm is a low-cost stabilized tele-zoom. Be aware of that F6.7 maximum aperture at the long end of the zoom: it’s not going to let in a lot of light, so your images are likely to be noisy in all but the best light.

Money no object:
XF 50-140mm F2.8 R LM OIS WR

The 50-140mm F2.8 makes a lot more sense when you realize it covers roughly the same range as the classic 70-200mm sports lenses do on full-frame cameras. It’s fast, well-built and offers image stabilization, and is much easier to wield than most lenses with this focal length.

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Best macro lens

Macro lenses allow you to focus very close to small subjects, which is handy for photographing flowers or bugs.

Our pick: XF 80mm F2.8 R LM OIS WR Macro

The 80mm F2.8 Macro is sharp, stabilized and gives a useful working distance, meaning you’re not bearing-down on your subject. A flexible, attractive choice for close-up shooting.

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Also consider:

Money no object:
Zeiss Touit 50mm F2.8M

We’ve been impressed by what we’ve seen of the Zeiss Touit series but they’re significantly more expensive than their Fujinon counterparts. We prefer the 50mm Macro to Fujifilm’s rather slow-to-focus 60mm F2.4 if you need something wider than the 80mm.

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Best travel zoom lens

If you want a versatile lens that can handle most shooting situation, then consider a travel zoom. You still start out with a fairly wide field-of-view and can zoom in almost as much as many telephoto lenses. This is convenient, but these lenses tend to let less light through them, so aren’t as useful in dimly lit situations, and they may not always give you the sharpest results.

Our pick: XF 18-135mm F3.5-5.6 R LM OIS WR

The 18-135mm offers a flexible range for whatever you encounter while traveling, which is fortunate, since it’s essentially your only choice at present. It would be nice if it went a little wider, but it covers a hugely useful range, offers image stabilization and a weather-resistant design, making it a solid choice for traveling.

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Also consider:

Worth waiting for?
XF 16-80mm F4 R OIS WR

If you haven’t got a specific trip already planned, it might be worth waiting for the forthcoming 16-80mm F4. Constant F4 may not sound too exciting on an APS-C camera but the 24-120mm equivalent range may prove more useful than the 27-203mm equiv reach of the 18-135, especially if the quality is better.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang announces new 85mm AF F-mount lens and its first two Z-mount lenses

15 Apr

Samyang has released a new lens for Nikon F-mount systems and two new lenses for Nikon Z-mount systems: the AF 85mm F1.4 F, the MF 14mm F2.8 Z and the MF 85mm F1.4 Z.

Samyang AF 85mm F1.4 F

As the name suggests, the AF 85mm F1.4 F is a weather sealed autofocus lens made for Nikon F-mount camera systems. Its optical construction consists of nine elements in seven groups with one hybrid aspherical element and it features a nine-blade aperture diaphragm. The front filter thread measures in at 77mm and it measures in at 74.5mm / 2.93in long, 88mm / 3.46in in diameter and weighs 480g / 1.06lbs

The Samyang AF 85mm F1.4 F isn’t currently listed on B&H or Adorama at the time of posting this, but the Sony E-mount version retails for $ 699, so the F-mount version should be around that price point when it does become available.

Samyang MF 14mm F2.8 Z

The first of the Z-mount offerings is the MF 14mm F2.8 Z. This manual focus lens is constructed of 14 elements in 10 groups and includes one aspherical element, one hybrid aspherical element, two extra-low dispersion elements and three high refraction elements. It features a six-blade aperture diaphragm, has a minimum focusing distance of 28cm / 0.92ft, weighs 810g / 1.79lbs and measures in at 124.1mm / 4.89in long by 87mm / 3.43in in diameter.

The Samyang MF 14mm F2.8 Z UMC is currently available for pre-order on Adorama for $ 499.

Samyang MF 85mm F1.4 Z

Last up is the MF 85mm F1.4 Z, a manual focus lens for Nikon Z-mount camera systems. The lens is constructed of nine elements in seven groups, including one hybrid aspherical element. It features an eight-blade aperture diaphragm, has a minimum focusing distance of 1m / 3.3ft and has a 72mm front filter thread. On the measurements, it comes in at 102.7mm / 4.04in long, 78.0mm / 3.07in in diameter and weighs 740g / 1.63lbs.

The Samyang MF 85mm F1.4 Z UMC is currently available for pre-order on Adorama for $ 399.

Articles: Digital Photography Review (dpreview.com)

 
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Multi Turret rotating prototype mounts three lenses on a single camera

13 Apr

The folks at Newsshooter recently published a demonstration of Multi Turret, a rotating mount that enables camera operators to quickly toggle between three different lenses. The Multi Turret originates from cinematographer Ian Kerr CSC, according to Newsshooter, and was showcased at NAB 2019.

Multi Turret is currently in the prototype stage; versions have been created that are compatible with the Sony FS7 Mk2, A7S/R, Venice, and other alpha-mount cameras. According to a website dedicated to the Multi Turret, future models compatible with Arri and Red cameras are expected ‘shortly.’

The prototype demonstrated to Newsshooter supports three Canon EF lenses, but other versions that support PL, K, F, and other mounts ‘are likely also possible,’ according to the Multi Turret site. Switching between lenses only requires the camera operator to rotate the mount, which repositions a different lens in front of the camera.

According to Kerr, who has registered the design with the USPTO, Multi Turret enables users to:

  • Switch quickly between lenses (prime or lightweight zoom) without an assistant, lens case or incurring the wrath of a director who won’t wait for a conventional lens change.
  • Select from multiple focal lengths while still using primes and the depth of field/ low-light capabilities they provide.
  • Select from a wider range of field of views (and speeds) than any zoom can provide. An example would be mounting 14mm, 35mm and 135mm high-speed lenses.
  • The length, weight and centre of gravity of the system is reduced compared to larger ratio zoom lenses. Great for shooting in cars or handheld.
  • The Multi Turret allows for the conversion of lens mount types and camera mount types. For example, you could mount a PL mount lens, and EF lens and an F mount lenses on the same turret and switch rapidly between them.
  • Love that unique visual “swing” effect that occurs when you switch between lenses.
  • Customize your lens package for the scene you’re shooting. Wildlife at night? All long primes! In-car work? A short zoom, a 20mm and a 35mm or whatever you prefer. Throw a Swing/ Tilt or Lens Baby in the mix!

Multi Turret is only a prototype at this time and therefore is not available commercially. Anyone interested in knowing more about the prototype and what lead to its creation can check out the team’s Multi Turret Manifesto.

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics shares details of upcoming zoom and prime cine lenses

07 Apr

Venus Optics is showing prototypes of its new Laowa cinema lenses at the NAB show in Las Vegas, and has released more details of their specification, what we should expect and a better idea of when they will be shipping. The lenses were first shown at Photokina in September, but in the meantime the company has confirmed more information regarding both models which were at a very early stage on their last outing.

The Laowa OOOM 25mm-100mm T2.9, it says, was designed with the aim of suppressing focus breathing, as well as distortion, chromatic aberrations, focus shift across the zoom range and variations in exposure – hence the fixed T2.9 aperture. The company also says that the OOOM name stands for ‘Out Of Our Minds’ and reflects the engineers ideology when it comes to lens design – meaning I suppose that the plans for the concept were ambitious. The lens has a 32mm covering circle which Venus Optics says makes it suitable for all Super 35mm aspect ratios. Using 20 elements in 16 groups the lens will have a closest focus position of 12.7in/32mm.

Venus Optics says we should expect delivery late this year at a price ‘well below USD $ 10,000’ – and that it is working on two more lenses to join it. One will be a wide angle zoom, and the other a telephoto model.

The company’s 12mm T2.9 Zero-D cine lens is also making progress, with details pointing to another late 2019 shipping date. New information on the specification shows the full frame lens will have a covering circle of 46.5mm and a 110mm filter thread. A 114mm step-up ring will be included for filmmakers to fit a rod-supported matte box onto the lens.

For more information see the Venus Optics website.

Press Release:

Laowa OOOM 25-100 t/2.9 and 12mm t/2.9 Zero-D will make their North America debut in NAB Las Vegas (Booth# C11738)

Venus Optics, the camera lenses manufacturer who had previously launched a number of unique Laowa camera lenses, is proud to display the new prototypes of Laowa OOOM 25-100mm t/2.9 and 12mm t/2.9 Zero-D in NAB Las Vegas show (Booth#C11738) and its the first time in America.

Laowa OOOM 25-100 t/2.9 Cine

Laowa OOOM 25-100 t/2.9 Cine is a high quality cinematic zoom lenses dedicated for PL/EF cameras with Super35-sized sensors. The name “OOOM” stands for “Out Of Our Minds” which properly describes our ideology of designing lenses. Unlike some other cine zooms in the market, the OOOM 25-100mm was designed with a goal to suppress focus breathing to the minimal at the beginning. Featuring a 32mm image coverage, the new OOOM lens covers a relatively bigger image than other S35 zoom lenses and should be able to cover most of the aspect ratios of cameras with Super35 sensors. The lens can focus up to 12.7” (32cm) away from the front element, which is comparatively closer than other lenses in the market with similar zoom factor. The 20 elements in 16 groups optics design successfully suppress distortion and chromatic aberration to the minimal and deliver outstanding resolution across the frame.

The 4X zoom factor provides a great deal of flexibility to shoot in most scenarios. This lens also has a par-focal and fixed t/2.9 aperture design that both the focus point & brightness will stay unchanged throughout the whole zoom range. The focus, aperture and zoom ring feature a cine-style 0.8 Mod gear teeth for fitting with focus units or motors. An industry standard 114mm front diameter is equipped for filmmakers to fit with their own matte boxes. A focus mark calibration mechanism is incorporated for filmmakers to micro-adjustment in case of front/back focusing. A user-interchangeable PL/EF mounts are available.

Venus Optics are currently preparing a similar cinematic zoom lens with wider focal length and the other one with a more telephoto perspective. The specifications will be announced in due course.

The retail selling price of the Laowa OOOM 25-100mm t/2.9 lens is not fixed yet but it will be well below USD 10,000. It will be available to ship from late 2019.

The lens will make its US debut in the coming NAB show in Las Vegas between 6-11 Apr in Venus Optics Booth (C11738).

Laowa 12mm t/2.9 Zero-D Cine

Laowa 12mm t/2.9 Zero-D Cine is one of the widest and fastest available lens for shooting with large format sensors. It is designed with a 46.5mm image circle, successfully covers both full frame and Vista Vision-sized sensors. Despite the ultra-wide 122° field of view, the image is perfectly rectilinear and features a close-to-zero distortion rate. The focus flow is extended to 270° for cinematographers to also take advantage of the 0.6 feet (18cm) closest focusing distance. The lens is super lightweight (650g, 1.4lbs) and comes with a 100mm front diameter. A 114mm step up ring is included for filmmakers to fit rod supported matte box onto the lens. Both EF and PL mount will be available.

The retail pricing of the 12mm t/2.9 Zero-D Cine is not ready yet and it will be ready to ship in around late 2019.

Articles: Digital Photography Review (dpreview.com)

 
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Canon launches its Sumire Prime collection with seven PL-mount cinema lenses

04 Apr

Canon has announced the Sumire Prime collection, a set of seven Canon cinema lenses that use the PL-mount — a first for Canon, who has previously only ever offered its cinema primes in its own EF-mount.

The Sumire Prime lens collection includes the 14mm T3.1 FP X, 20mm T1.5 FP X, 24mm T1.5 FP X, 35mm T1.5 FP X, 50mm T1.3 FP X, 85mm T1.3 FP X and 135mm T2.2 FP X. All of the lenses in the collection feature an 11-bladed iris, are color balanced across the lineup and have the same minimized focus breathing as Canon’s EF-mount cinema prime lenses.

Sumire — pronounced ‘soo-mee-ray’ — is a word of Japanese origin that is most often associated with ‘a floral gentleness and beauty,’ a characteristic Canon sees in its new lens collection.

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Beyond a whole host of third-party full-frame and Super 35mm PL-mount cameras, the Sumire Prime lenses will work with Canon’s entire lineup of Cinema EOS full-frame and Super 35mm 4K cameras as well. In the event an EF-mount is needed, Canon is offering the option to swap the PL-mount for an EF-mount at its Canon Factory Service and Repair center, a process that can be reversed if needed.

The Canon CN-E24mm T1.5 FP X, CN-E35mm T1.5 FP X, CN-E50mm T1.3 FP X and CN-E85mm T1.3 FP X lenses are scheduled to be available in Summer 2019; the Canon CN-E14mm T3.1 FP X lens in Fall 2019; and the Canon CN-E20mm T1.5 FP X and CN-E135mm T2.2 FP X lenses in Winter 2019/Spring 2020.

Press release:

CINEMATIC IMAGING REIMAGINED: INTRODUCING SUMIRE PRIME LENSES FROM CANON

The Company’s First Set of PL-Mount Cinema Prime Lenses Merge the Art and Science of Cinematography

MELVILLE, N.Y., April 3, 2019 – Covering the core range of focal lengths that cinema professionals desire, Canon U.S.A. Inc., a leader in digital imaging solutions, is excited to announce the company’s first set of seven cinema prime PL-Mount lenses, aptly named Sumire Prime. Pronounced“Soo-mee-ray,” the word is of Japanese origin and is associated with a floral gentleness and beauty. Sumire Prime Lenses offer a unique artistically pleasing look with gentle and beautiful skin tones and smooth bokeh, designed for use with large-sensor cinema cameras, including 35mm full-frame cameras such as the EOS C700FF Cinema Camera.

In addition to bright T-stops and Canon’s renowned warm-color imagery, a unique optical design introduces a nuanced look as the lens aperture approaches its maximum setting – subtly modifying the textural renderings of the human face closeup. It also smooths the transition to the fall-off portions of the scene resulting in a pleasing bokeh. This combination adds emotional expressiveness and provides creative flexibility to create a memorable scene.

“Sumire in Japan is the name of a flower, and like the petals of a flower, our lenses are most beautiful when fully opened. This is the inspiration behind the Sumire look,” said Kazuto Ogawa, president and COO, Canon U.S.A., Inc. “The feedback from cinematographers is crucial and their voices have beenheard loud and clear – they asked Canon to introduce a set of PL-mount cinema prime lenses. We went a step further and our new Sumire Prime Lenses produce the beautifully cinematic and unique images professionals desire. We can’t wait to see how the lenses will contribute to the art of filmmaking.”

The new set of seven Canon Sumire Prime Cinema Lenses include the following:

  • CN-E14mm T3.1 FP X
  • CN-E20mm T1.5 FP X
  • CN-E24mm T1.5 FP X
  • CN-E35mm T1.5 FP X
  • CN-E50mm T1.3 FP X
  • CN-E85mm T1.3 FP X
  • CN-E135mm T2.2 FP X

All Sumire Prime lenses feature an 11-bladed iris and bright T-stops that allow users to capture images that feature a more natural circular-like bokeh from both maximum to minimum aperture. The use of an odd number of iris blades also helps to diffuse light rays and produce what is generally considered a more sought after, artistically pleasing and cinematic look with warmer colors. The lenses also achieve uniform color balance throughout the lineup, helping to reduce the need for post grading, even when a production is frequently changing lenses.

The highly durable Sumire Prime lenses feature the same outstanding operability and reduced focus breathing as Canon’s well-established EF-Mount Cinema Prime Lenses. Manual operation provides users with the resistance they desire to make precise changes in focus. A 300-degree focus rotation angle and gear position is consistent across the entire Sumire Prime series of lenses – eliminating the need to adjust gear positions when changing lenses.

“The new Sumire Prime lenses are the perfect blend of science and art,” says cinematographer Matt Porwoll, who shot the first U.S. footage with the lenses. “The bokeh comes alive in ways that weren’t occurring with other lenses I’ve used. Lens flares have a dynamic feel to them, rather than behaving in a formulaic manner. I wish I had these on my last project!”

The Sumire Prime Lenses are compatible with the complete lineup of Canon Cinema EOS full-frame and Super 35mm 4K cameras, including the EOS C700 FF, EOS C300 Mark II and EOS C200. In addition to Canon cameras, the new lenses are also compatible with the latest full-frame and Super 35mm PL-mount cameras from leading manufacturers. Additionally, the mount on the Sumire Prime Lenses is interchangeable and can be converted from PL-Mount to EF-Mount at a Canon Factory Service & Repair center. A Canon representative will be able to perform the service or even revert back to original PL-mount upon request at an additional cost*.

Availability

The Canon CN-E24mm T1.5 FP X, CN-E35mm T1.5 FP X, CN-E50mm T1.3 FP X and CN-E85mm T1.3 FP X lenses are scheduled to be available in Summer 2019. The Canon CN-E14mm T3.1 FP X lens is scheduled to be available in Fall 2019. The Canon CN-E20mm T1.5 FP X and CN-E135mm T2.2 FP X lenses are scheduled to be available in Winter 2019/Spring 2020.

For more information, please visit: usa.canon.com/cinemalenses.

Articles: Digital Photography Review (dpreview.com)

 
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