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Posts Tagged ‘Lens’

AI-powered Google Lens visual search tool is now available on iOS devices

17 Mar

The AI-powered Google Lens feature uses visual recognition to provide information about whatever your smartphone’s camera is pointed at. For example, it can identify landmarks, a type of flower, or provide information about a restaurant or other businesses you’re photographing.

Google first showed of this feature at the I/O 2017 event, then integrated it into the company’s Pixel phones, and later made available for all Android devices. Now, the final step of the natural Google Lens evolution is complete: the company has announced that Google Lens is coming to Apple’s iOS operation system:

iOS users should see a preview of Google Lens appear in the latest version of the Google Photos app over the next week. So, look out for the update and, if you haven’t got the Google Photos app already, you can download and install it from the iOS App Store.

Articles: Digital Photography Review (dpreview.com)

 
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How to Add a Lens Flare Effect in Photoshop

13 Mar

Do you put a hood on your lens to avoid lens flare? Are you always moving and reframing so that the light source is behind you? Then you have missed out on some great creative opportunities. But not to worry, in this tutorial you can learn how to add a lens flare effect in Photoshop.

Before after lens flare effect tutorial

What is lens flare?

A lens flare usually occurs when you have an intense light source hitting the camera either directly or by reflection. This light then gets scattered inside the lens and creates visible marks on your photo like colored circles, starbursts or a haze that covers the image.

How it’s manifested and how big the flare is depends on the intensity of the light, the angle at which it hits the camera, and also the elements inside the lens that cause the refraction. You can recreate a lens flare in Photoshop by going to Menu > Filter > Render > Lens Flare.

Photoshop Lens Flare Filter Tutorial -

A window will pop up where you’ll see a thumbnail of the picture, just click on the area where you want to place the source of the flare, typically in the brightest point. You can also adjust the brightness of the flare, just by dragging the slider.

Finally, you can choose the type of lens. As I mentioned at the beginning, lens flare is caused by the scattering of light inside the different parts of the lens and therefore lenses with different components will cause different kinds of flares. When you are done just click OK.

Photoshop Lens Flare Filter Tutorial Menu

That’s pretty straightforward right? But the result is pretty basic.

35mm Prime lens flare effect Photoshop tutorial

Well, there’s a bit more to it in order to really make the most of this effect. You probably noticed that you set up your flare only with a thumbnail preview, therefore you would probably want to go back to it for adjustments after you see it in the full-size screen, but this is not possible.

So the first trick to mastering the lens flare effect is to turn it into a Smart Filter.

What is a Smart Filter?

Smart Filters is a tool to apply filters in a non-destructive way, so you can adjust, remove, or hide it as many times as you like. To do this go to Menu > Filter > Convert for Smart Filters. A warning window pops up to tell you that in order to make your filters Smart, it needs to convert the layer into a Smart Object, click OK.

To learn more about Smart Objects you can read about them in my previous tutorial How to Create with a Good Workflow Using Smart Objects in Photoshop.

Now you can now go back to apply the filter as you did before: Menu > Filter > Render > Lens Flare. Each time you want to go back to change anything you just have to double-click on the filter.

Photoshop Lens Flare Smart Filter Tutorial

You can now go back and adjust the brightness, type of lens and re-position the light source. That’s better don’t you think?

50 300mm zoom lens flare effect Photoshop tutorial

Map out where to put your flare using coordinates

However, you still have to do this in the small thumbnail which can be difficult to do if you want to place the flare in a really specific spot. To overcome this problem, there is a simple way to get around it.

Before you open the filters, decide where you want to put the source, zoom into the image and check the coordinates. If your Info tab is not already opened, you can get to it by going to Menu > Window > Info or just pressing F8. There you will see all the color information for each pixel but also the exact coordinate of it in the spaces called X and Y.

Just hover over the place where you want to place your source and take a note of the coordinates.

Info Coordinates Photoshop Lens Flare Filter Tutorial

Now that you know where you want to put your lens flare you can go ahead and do your filter normally. Setup the filters as Smart Filters and then go to Render > Lens Flare filter. Adjust the brightness and type of lens that you want.

To position the source this time though, hold the Alt key when you click on the thumbnail and a new window will open. You can then enter the exact coordinates you selected before.

Position Photoshop Lens Flare Filter Tutorial

In the end, just process the image as you would normally for exposure and color and you’re done!

105mm Prime lens flare effect Photoshop tutorial

One last trick!

When you want to change the direction of the flare, you won’t find this as an option offered in the adjustments of the filter. What you can do is apply it separately and then move it.

First, create a new layer by going to Menu > Layer > New Layer and fill it with black. You can do this by going to Menu > Edit > Fill and choose to use Black as Content. This new empty black layer is where you’re going to apply your Lens Flare without turning it into a Smart Filter because there’s no information to protect in this layer.

Photoshop Lens Flare Filter Tutorial New Layer

With the Lens Flare being independent of the main image, you can move it around as you want. Just select the layer by going to Menu > Edit > Free Transform and then you can rotate and move it until you’re satisfied.

Photoshop Lens Flare Filter Tutorial New Layer Free Transform

There you have it, three tips to really master the Lens Flare in Photoshop. Please show us your best results in the comments section below.

Lens flare effect tutorial Photoshop

The post How to Add a Lens Flare Effect in Photoshop by Ana Mireles appeared first on Digital Photography School.


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Shiftcam 2.0 iPhone add-on offers 6-in-1 lens-slider and ‘Pro’ lens options

13 Mar

The makers of the Shiftcam lens slider case for the iPhone have returned to Kickstarter to fund mass production of their latest development: the ShiftCam 2.0, an iPhone lens case that offers six integrated lenses in a single easy-to-use package, as well as a set of ‘pro’ lenses that slide into the same rail system.

Depending on the shooting requirements of a scene, Shiftcam users can pick a lens and slide it into place over the phone’s built-in camera, using a sliding mechanism and magnetic lens cap. Shiftcam 2.0 comes with a 2x tele lens, a 20x macro, a 10x macro, a 120-degree wide-angle lens, and a 180-degree fish-eye for the rear camera. There is also a 120-degree wide-angle adapter for the front-facing selfie camera.

The system is available in versions for the iPhones 7/Plus and 8/Plus, as well as the iPhone X.

If you want to move past the 6-in-1 slider, the ShiftCam ProLens expansion set adds that option to the Shiftcam product lineup. This series of individual interchangeable lenses includes a telephoto, wide-angle, 238-degree fisheye, “traditional” macro, and “long-range” macro options.

The lenses slot into the same rails on the Shiftcam case as the multi-lens slider, but offer what Shiftcam is characterizing as “pro level image quality.”

Pledging at least $ 50 on the Shiftcam 2.0 Kickstarter page gets you the basic 6-in-1 lens slider and case, but prices go up all the way to $ 350 for the slider, a full set of Pro lenses, and accessories. Delivery is estimated for May of 2018.

If you are interested in Shiftcam 2.0, check out the introduction video above for a quick overview. And before you put down your pledge, you might also want to have a look at our review of the original Shiftcam to get a better idea of how (and how well) the system works.

Articles: Digital Photography Review (dpreview.com)

 
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AI-powered Google Lens feature is now available on all Android devices

11 Mar

The latest update to the Google Photos app in the Play Store expands the Google Lens feature’s availability from Google’s own Pixel devices to all Android smartphones.

Google Lens uses Artificial Intelligence to power its visual recognition algorithms and provides information about whatever your smartphone’s camera is pointed at—for example, what type of flower you are looking at or reviews and other information about a restaurant. You can also identify landmarks, look up movies, books or works of art and scan barcodes/QR codes and business cards.

As you can see from the embedded tweet below, Google says current Android users should update to the latest version of Google Photos in order to use the feature. What’s more, an iOS version of Google Lens is reportedly “coming soon.”

To learn more about Google Lens, how it works, and what it does, head over to the Google Lens support page.

Articles: Digital Photography Review (dpreview.com)

 
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Thoughts and Field Test of the Rokinon 12mm f/2.0 Wide-Angle Lens

05 Mar

If you’re a mirrorless camera shooter on the market for a fast wide-angle lens, look no further than the Rokinon 12mm f/2.0 lens. While this lens is indeed manufactured by a third party gear company, Samyang of Korea, don’t let brand names fool you. This unique little lens gives you an ultra wide point of view and is relatively inexpensive.

Read on for more!

Rokinon 12mm f/2.0 lens details

Introduced in 2014, the Rokinon 12mm f/2.0 lens is special because it is designed specifically for mirrorless cameras. With its maximum f/2.0 aperture, it is noted as the fasted 12mm lens for APS-C (crop) sensor cameras. At this time, the Rokinon 12mm f/2.0 comes in either black or silver from about $ 299-399.00. Lens mounts exist for the following mirrorless cameras:

Thoughts and Field Test of the Rokinon 12mm f/2.0 Lens

  • Sony E-mount
  • Fuji X-mount
  • Canon M
  • Samsung NX
  • Micro four thirds (Olympus and Panasonic)

The Rokinon 12mm f/2.0 is an APS-C lens, meaning it was designed to provide a 35mm (full frame) equivalent focal length of 18mm. Although specifically designed for crop sensors, this lens can be used on full frame sensor and micro 4/3 cameras, but with a different effective focal length.

The only catch is that this is a Manual Focus only lens, but that isn’t necessarily a bad thing. More on the lens focusing below.

NOTE: Check your manual – for some camera models you may need to set it to “Fire Without Lens” as is the case with Fuji X cameras. As the camera and lens do not talk, the camera needs to know it’s okay to take a photo.

Lens build

Considering this is a relatively inexpensive lens, it’s no surprise that much of its build is plastic. The aperture ring, manual focusing ring, and 67mm filter ring are all made of plastic. Thankfully, the lens mount is metallic. Despite being made mostly of plastic, the lens has a really solid feel and it weighs in at 0.47 lbs (215 g).

Thoughts and Field Test of the Rokinon 12mm f/2.0 Wide-Angle Lens

Image quality

This lens performs surprisingly well for its size and price. The center of the Rokinon 12mm is very sharp at f/2.0, peaking at around f/5.6. While the corners can at times be rather soft at f/2.0, they are quite sharp at f/4.0.

Vignetting, or light falloff, is visible when shooting at just about any aperture, but it is especially strong when shooting at f/2.0. Despite being an ultra wide angle lens, there is very little distortion in the images.

When to use this lens

Given its 12mm focal length and fast f/2.0 aperture, the Rokinon 12mm is best suited for real estate, architecture, and landscape photography. Perhaps the most popular reason why photographers buy this lens is to shoot the stars. That was my reason for purchasing it, and so far it has not disappointed.

Thoughts and Field Test of the Rokinon 12mm f/2.0 Wide-Angle Lens

Manual Focusing Tips

Probably the biggest challenge about shooting with the Rokinon 12mm f/2.0 is getting used to shooting with its manual focus settings. Personally, this was both the very first third-party lens, and the very first manual focus lens I’ve ever purchased.

If you’ve used Rokinon lenses or manual focus lenses, then all of these observations may not apply. But if you’re also new to Rokinon and manual focusing, you’ll probably relate to these challenges.

1. Practice, practice, practice

The Rokinon 12mm has two plastic rings that you must toggle in order to set your own aperture and focus. Both rings rotate pretty smoothly. There’s no way to control aperture or focus via your camera body, and this can be a big adjustment for some people.

The best way to overcome this challenge is practice. You’ll get used to it, eventually.

2. Turn on Focus Peaking

Thoughts and Field Test of the Rokinon 12mm f/2.0 Wide-Angle Lens

Focus peaking in action on the Sony a6300

While manual focusing a lens might sound intimidating, many mirrorless cameras are equipped with features that help you out tremendously. One such feature is focus peaking.

This focusing aid can be viewed when shooting in Live View or with an electronic viewfinder. When enabled, focus peaking places colored highlights on the in-focus edges of your image. It is a huge help to making sure your manual focus lens is focused on the right places.

3. Use the Focus Magnifier

Thoughts and Field Test of the Rokinon 12mm f/2.0 Wide-Angle Lens

Another way to ensure accurate focus with a manual focus lens is to enable your camera’s focus magnification system if it exists for your model. For Sony cameras, this feature is called Focus Magnifier, and it enables you to magnify your screen four times. This helps you really nail your focus.

In Conclusion

Rokinon 12mm wide angle lens

Overall, the Rokinon 12mm f/2.0 wide-angle is a compact, relatively cheap lens that is a great addition to any mirrorless shooter’s gear kit. It delivers superb photos without adding too much bulk or breaking the bank.

Sample Photos

Rokinon 12mm wide angle lens

Rokinon 12mm wide angle lens

Rokinon 12mm wide angle lens

Rokinon 12mm wide angle lens

The post Thoughts and Field Test of the Rokinon 12mm f/2.0 Wide-Angle Lens by Suzi Pratt appeared first on Digital Photography School.


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Nikon releases new firmware for nine cameras, mostly AF-P lens support

04 Mar

Nine Nikon DSLR models are getting new firmware to fix a few issues users have been encountering, particularly when using AF-P lenses. Updated models include the D4, D4s, Df, D800, D800E, D810, D810A, D7100, and D7200.

The whole lot of them received these fixes:

Added the following supports for AF-P lenses:

  • If the standby timer expires after focusing, the focus position will no longer change when the timer is reactivated.
  • When focus is adjusted by rotating the lens focus ring, the focus indicator in the viewfinder (and in live view, the focus point in the monitor) now flash to indicate when infinity or the minimum focus distance is reached.

The D4, D4s, Df, D800 and D800E received the following fixes:

Added support for AF-P DX lenses.

And the D4, Df, D800 and D800E also benefit from:

When photos were taken using Camera Control Pro 2 after Custom Setting d10 (Exposure delay mode) was enabled in the CUSTOM SETTING MENU, the software would sometimes mistakenly display a message stating that no photo could be taken.

Finally, the Nikon D810 and D810A received fixes to their microphone operation and multiple exposure modes, while the D7100 and D7200 get updates that fix an issue of incorrect exposures when E-type lenses are used in live view mode.

For more information on all of these updates, or if you want to get your Nikon DSLR up to the latest firmware version, visit the Nikon firmware download web page.

Articles: Digital Photography Review (dpreview.com)

 
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Tokina unveils ‘top premium’ Opera 50mm F1.4 FF lens for Canon and Nikon

01 Mar

Tokina has officially announced the Opera 50mm F1.4 FF lens for Canon EF and Nikon F mounts that was leaked last week. The lens—part of Tokina’s new ‘Opera’ series designed for ‘high-spec full-frame DSLR cameras’—will arrive on store shelves in Summer of 2018, and a prototype is being shown off this week at CP+ in Japan.

This lens, and the Opera series in general, are being billed as Tokina’s ‘premium’ line—sort of like the Sigma Art series. In fact, Tokina goes out of its way to connect the term Opera with ‘Art’ in its press release. But marketing word choice aside, Tokina promises that Opera branded lenses will be “designed to perfectly match recent high-spec full-frame DSLR cameras, which keep requiring high quality optics.”

The Opera 50mm F1.4 FF is the first in this lineup, and already Tokina has put more tech into the lens than you’re probably used to from the third-party manufacturer. The lens boasts a ring-shaped ultrasonic AF motor, weather sealing to protect internals from dust and moisture, an electric diaphragm mechanism for the Nikon version (a first for Tokina), and a focus ring that turns the same direction as your native Nikon and Canon glass.

Unfortunately, Tokina hasn’t revealed one of the most important details yet: price. But with the official release scheduled for summer 2018, it won’t be long before we find out if (or by how much) Tokina has undercut Nikon and Canon’s 50mm F1.4 options.

Press Release

Kenko Tokina Co., LTD. is Proud to Announce the New Tokina Opera 50mm F1.4 FF, a Premium Full-Frame Lens for High-End DSLR Cameras

February 28, 2018

About opera series

With the debut of opera 50mm F1.4 FF we are launching a new series of next generation premium full-frame lenses for high-end DSLR cameras called “opera” series.

Opera series is designed to perfectly match recent high-spec full-frame DSLR cameras, which keep requiring high quality optics to be used with. In addition to originally high-valued Tokina AT-X series, this new opera series is positioned as top premium series of full-frame size lenses and will be further expanded with other lenses of related specifications and performance.

In modern society the word “opera” is commonly used to express general genres of stage art. In Italian it means work or work of art. As an omitted art genre definition opera comes from “opera musicale” that means a piece of music work. In Latin opera comes from “opus” and in contemporary language “magnum opus”, “opera magna” still has a meaning of “great literary, artistic or intellectual work”. We chose the name “opera” for a new premium full-frame DSLR lens series thinking of a lens that will help photographer in creating real “work of art”.

About the product

The debuting premium full-frame lens for high-end DSLR cameras in opera series is 50mm F1.4 FF (FF – Full-Frame). Designed for full-frame format DSLR cameras, opera 50mm F1.4 FF adopts a ring-shaped ultrasonic motor for autofocus drive module. Weather sealing prevents from dust and moisture to come inside the lens body. For the first time in Tokina line up Nikon mount model incorporates an electric diaphragm mechanism. The direction of the focus ring rotation fits the genuine Nikon and Canon lens.

Mounts: Nikon F, Canon EF

Sensor size: full frame format

About sales release

Sales release: summer 2018

A prototype of Tokina opera 50mm F1.4 FF will be displayed at CP+2018 Kenko Tokina booth location: Exhibition Hall(1F), booth # G-57

Articles: Digital Photography Review (dpreview.com)

 
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Which Street Photography Lens is Right for You?

25 Feb

The correct lens for the correct photo is a debate often heard among many photographers. In this article, you’ll see the various merits of three different street photography lenses. The 50mm lens is often thought of as the perfect lens for street photography, perhaps even the only one.

Using different focal lengths can dramatically change the type of photos you take, though. So let’s take a look at which street photography lens might be right for you!

Which Street Photography Lens is Right for You?

This photo was taken at 135mm. There is still plenty of context in this scene, even at the longer focal length.

Wide-angle to get in close

This class of lens is usually thought of as a landscape, or architecture photography lens. That may be true, though using it for street photography is equally valid. So why might you use a wide-angle lens in your street photography work?

  • Get close – That famous Robert Capa quote that I’m sure you’ve seen, “If your pictures are not good enough, you’re not close enough.” Well, when you use a wide-angle lens for street photography you’ll have to get close. This will get you closer to the action and will lead to the following.
  • Tell more story – Capturing a wider scene will allow more context to come into your photo. If you can avoid the photograph becoming too cluttered, and you retain a clear focus on the main subject you will likely have a great photo.
  • Interaction – Getting close to your subject means interacting with your subject, most likely a person. They’ll now know you’re taking their photo. How you use this to your advantage depends on you. Building a positive relationship with your subject will enhance your photo, even if that relationship is short.
Which Street Photography Lens is Right for You?

This photo required a wide-angle lens to capture the whole scene. It was photographed at 17mm, and I was close to the people I captured in the image.

The nifty fifty, the classic street photography lens

The icon of street photography, it really is one of the best lenses out there. There are several different options for this lens along with the more expensive variety having a larger aperture. What makes the 50mm lens such a good choice for street photography then?

  • Normal field of view – This lens gives you a field of view that’s close to what your eyes see, a trait desirable for street photos. So you’re not dealing with a distorted view when using this type of lens. This assumes you’re using a full frame camera, crop sensors will give you a longer focal length of around 75mm on a 50mm lens.
  • The Depth of Field – As a prime lens with a fixed focal length these lenses have a large aperture of at least f/1.8. This allows you to create a shallow depth of field, and to blur out the background. This control can really help you take better street photos when it is applied well.
  • Comfortable distance – With this lens you’ll be close to your subject, but not in their face. A 50mm will also include enough of the surrounding scene to allow context in your photo.
  • Fast lens – This lens can be used in low light conditions. The combination of a wide aperture and mid-range focal length make this a fast lens and a good option to use at night.
Which Street Photography Lens is Right for You?

There’s no getting away from it, the 50mm lens is GREAT for street photography.

Long focal length for the unobtrusive photographer

At the longer focal lengths, you’ll be positioned farther from your subject, far enough that they may not spot you taking their photo. This type of lens is the choice of the paparazzi, although it’s unlikely you’ll be using a lens with the same kind of focal lengths (really long!).

So what are the advantages of standing a bit further back?

  • Capture the moment – When the person you’re photographing is oblivious to your presence, the chance of the moment being natural is a lot higher.
  • Compress the scene – This allows you to focus much more on the subject, but the risk is that you don’t include the area around them so you lose some of the story. It’s still possible to provide context at longer focal lengths, you will just have to stand even farther back.
  • Avoid confrontation – Not everyone wants their photo taken, and photos taken without permission can cause a confrontation if you’re caught. While it’s better to build a relationship with the person you want to photograph, sometimes what they don’t know won’t hurt them. In this case, using a longer telephoto lens allows you to get the photo, without causing a scene.
Which Street Photography Lens is Right for You?

This photo was taken using a 135mm lens. You can see the street vendor preparing food, the outside scene isn’t visible though.

Extra tip

When taking street photos with a long focal length you can sometimes take advantage of a shard of light. This will typically happen when there is a gap in the roof, perhaps in a market. Underexpose your photo at -2 or even -3 EV, with just enough exposure to give detail to your subject, but make the rest of the photo black. This will give some minimalism to your photo, which is a nice effect.

Which Street Photography Lens is Right for You?

This image was photographed at 180mm, on a camera with a crop factor of 1.6x. The shard of light was used to make the background black, as it is underexposed.

What’s your preferred street photography lens?

Many people will stick to the 50mm lens as their street photography lens of choice, but there are alternatives available. To this day, my favorite street photo was taken at full zoom with a 70-300mm lens.

How about you, do you have a favored lens for street photography? How about trying a different lens, and see how that changes the types of photos you get?

Here at dPS, we love to hear your opinions, so let us know what you think. We’d also love to see your examples of street photos, together with the lens you used to take that photo. Please share in the comments section below.

Which Street Photography Lens is Right for You?

Here is a selection of lenses that could be used for street photography.

Which Street Photography Lens is Right for You?

This is a scene captured using a wide-angle lens, photographed at 17mm.

Which Street Photography Lens is Right for You?

The scene was photographed at night. The 50mm lens is fast, and ideal for this type of scene.

Which Street Photography Lens is Right for You?

This scene also shows the 50mm lens in action.

Which Street Photography Lens is Right for You?

Even a fish-eye lens can be used for street photography. Though admittedly this photo is also architectural.

The post Which Street Photography Lens is Right for You? by Simon Bond appeared first on Digital Photography School.


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Tokina unveils the FíRIN 20mm F2.0 FE AF autofocus lens for Sony E-Mount

23 Feb

Well, that didn’t take long. Less than 12 hours after Nokishita shared some leaked photos and specs of the unreleased lens, Tokina has officially announced its latest piece of Sony E-Mount glass: the FíRIN 20mm F2 FE AF.

The new lens is only the second prime lens in the FíRIN series of lenses designed specifically for mirrorless cameras, and it’s actually a followup to the first. The original FíRIN 20mm F2 FE was a manual focus lens, and the new AF version uses an identical optical design. But it doesn’t so much replace the old lens as sit next to it in Tokina’s lineup, giving users “two options … to choose [from] according to the purpose and style of shooting.”

Like its predecessor, the FíRIN 20mm F2 FE AF boasts 13 lens elements in 11 groups, including two aspherical elements and three Super-low Dispersion elements that promise to do away with as much spherical aberration, distortion, and chromatic aberration as possible.

Unlike the manual focus version, this lens features a ring-type ultrasonic motor coupled with a GMR sensor for fast and silent focusing, and Tokina promises full compatibility with Sony’s Fast Hybrid AF system and all AF function settings, “providing the same AF performance as with common E-mount AF lenses.”

The FíRIN 20mm F2 FE AF lens is tentatively scheduled to arrive at the end of April for Japanese customers, and end of May worldwide, but if you happen to be at CP+ next week, you can check out a prototype of the new lens at Tokina’s booth.

No pricing info has been released as of yet.

Press Release

New Tokina FíRIN 20mm F2 FE AF

February 22nd, 2018 – Kenko Tokina Co., Ltd. is proud to announce the new Tokina FíRIN 20mm F2 FE AF, the second prime lens in Tokina’s premium lens series “FíRIN” for mirrorless cameras.

Overview

FíRIN 20mm F2 FE AF is the long-awaited autofocus version of the existing FíRIN 20mm F2 FE super wide angle lens for full-frame Sony E-mount. Adopting the same optical design as in MF model, now we offer two options for end-users to choose according to the purpose and style of shooting.

Optical performance

Being optimized for full size camera sensors in terms of size and resolving ability, the optical design adopts 2 aspherical elements and 3 lenses molded from Super-low Dispersion glass to significantly reduce any type of aberration including spherical aberration, distortion and chromatic aberration while assuring high resolution and stunning performance even at wideopen aperture.

Functionality

Keeping along with the basic development concept of the previous model FíRIN 20mm F2 FE AF is made compatible to autofocus and other functions of the camera providing perfect functionality and usability for the photographer.

Ring-shaped ultrasonic autofocus motor

For AF drive system FíRIN 20mm F2 FE AF adopts quick responsive and silent ring-shaped ultrasonic motor. Coupled with GMR sensor AF performs fast and accurate focusing.

Full compatibility to AF system

FíRIN 20mm F2 FE AF is fully compatible with Fast Hybrid AF system and all AF function settings, providing the same AF performance as with common E-mount AF lenses. Fine manual focus adjustment is also possible.

MF Assist function

Accurate focusing is supported by compatibility to MF Assist function, when fine focusing adjustment is operated by manual rotation of the focusing ring with the simultaneous interlocking with image enlarging function and bar distance display on the monitor.

Optical correction

Due to the data transmittance ability via electric contacts the camera obtains necessary data from the lens chip to correct shading, distortion and lateral chromatic aberrations. Optical corrections can be done by the camera as well.

Image Stabilization

By transmitting focal length data FíRIN 20mm F2 FE AF is able to get maximum use of In-Body Image Stabilization function of the camera.

* When in-built camera flash is used vignetting may occur. Please use external flash.

About sales release:

Sales release in Japan: end of April, 2018 (tentative)
Sales release worldwide: end of May, 2018 (tentative)

A prototype of Tokina FíRIN 20mm F2 FE AF will be displayed at CP+2018
Kenko Tokina booth location: Exhibition Hall(1F), booth # G-57

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Tamron is working on a 28-75mm F2.8 lens for full-frame Sony mirrorless cameras

22 Feb

Tamron is working on a fast standard zoom lens for full-frame Sony E-mount cameras. Details are thin at this point, but the 28-75mm F2.8 Di III RXD will offer a minimum focus distance of 19cm/7.5in at wide-angle, will measure 11.7cm/4.6in long and weigh in at 19.4oz/1.2lb. Tamron claims the lens will offer excellent optical performance and high-quality bokeh. An ‘RXD’ stepping motor autofocus unit provides quiet operation for video applications, and the whole thing will be moisture-resistant.

Press Release

Tamron announces the development of a high-speed standard zoom lens for Sony full-frame mirrorless cameras

28-75mm F/2.8 Di III RXD (Model A036)

February 22, 2018, Commack, New York – Tamron announces the development of a new high-speed standard zoom lens for Sony full-frame mirrorless cameras, the 28-75mm F/2.8 Di III RXD (Model A036). This signals Tamron’s plans to further expand and improve its lens lineup for full-frame mirrorless cameras, in addition to its lenses for DSLR and other mirrorless camera formats.

Model A036 delivers superb optical performance, including both outstanding image quality and beautiful background blur effects (bokeh). Photographers may enjoy dynamic wide-angle expressions like never before thanks to a minimum object distance of 7.5 in at the wideangle zoom setting. Usefulness and versatility are enhanced by its compact size and light weight, measuring only 4.6 in and weighing 19.4 oz. Model A036 incorporates an all-new high-speed and precise AF driving system. The RXD (Rapid eXtra-silent stepping Drive) stepping motor unit operates with remarkable quietness, making it perfect for video use. The lens also features Moisture-Resistant Construction that is helpful in outdoor photography, plus hydrophobic Fluorine Coating that is highly resistant to fingerprints and debris. In addition, A036 is compatible with the “Direct Manual Focus (DMF)” system feature of Sony cameras, enabling this new zoom to take full advantage of the advanced functions that ensure comfortable user experiences.

PRODUCT HIGHLIGHTS

1. Superb optical performance, including both outstanding image quality and beautiful background blur effects (bokeh), provided by fast F/2.8 aperture.

2. Comfortably light weight (19.4 oz.) and compact (4.6 in).

3. Close-focusing; Minimum Object Distance: 7.5 in at wide-angle setting and 15.3 in at the telephoto position.

4. All-new “RXD” stepping motor AF unit is extremely quiet and therefore perfect for video capture.

5. Exciting next-generation design keeping the brand consistency that is ergonomically superb.

6. Moisture-Resistant Construction and Fluorine Coating for weather protection.

7. Compatible with the “Direct Manual Focus (DMF)” feature that enables Sony cameras to instantly switch between autofocus and manual focus.

* Specifications, appearance, functionality, etc. are subject to change without prior notice.

Tamron 28-75mm F2.8 Di III RXD specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 28–75 mm
Image stabilization No
Lens mount Sony FE
Aperture
Maximum aperture F2.8
Aperture ring No
Optics
Special elements / coatings Fluorine coating
Focus
Minimum focus 0.19 m (7.48)
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 550 g (1.21 lb)
Length 117 mm (4.61)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No

Articles: Digital Photography Review (dpreview.com)

 
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