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Hands-on with the new Laowa lens collection

02 Oct

Hands-on with Venus Optics’ new Laowa lenses

As we reported last week, lens manufacturer Venus Optics launched a total of eight Laowa lenses at the Photokina trade show this year. Or more accurately, nearly launched eight as some of the cine lenses were plastic dummies behind glass – but we went to the stand to see those on display to get a taste of what they’re like.

Venus Optics has produced some really excellent lenses in the past, and seems to specialize in lenses that other manufacturers aren’t making – such as the unusual 24mm probe macro lens recently released. The company’s Zero-D range has also gained a very good reputation as a series of extreme wide angles that display hardly any curvilinear distortion – hence the Zero-D name.

Above you’ll see the 17mm F4 GFX Zero-D – an interesting lens and the first Laowa lens for Fujifilm’s GFX system. Its 17mm focal length delivers the angle of view we’d expect from a 13mm lens on a full frame system, and as such it’s the widest lens available in the G-Mount.

Laowa 17mm F4 GFX Zero-D

It is pretty big, but well-made and solid in the hand. Some of the 829g/1.8lb weight comes from the 21 elements inside the barrel, but the rest comes from the shell-case metal construction. Its size will make it look at home perhaps on the GFX 50S but it may look odd on the new 50R rangefinder style model.

Laowa 17mm F4 GFX Zero-D

The lens measures 77×124.5mm and takes an 86mm threaded filter. It can focus to 20cm, offering a maximum magnification of 0.28x. The iris uses seven blades while Fujifilm’s own GF 23mmF4 R LM WR uses nine. The smallest aperture is F22 and the angle of view is 115°. The aperture ring offers clicks only in full stops and only closes down to F22.

Laowa 12mm F1.8 MFT

This is a tiny lens considering the focal length and the maximum aperture, making it best suited to the smaller of the Micro Four Thirds cameras – on which it will behave as a 24mm would on a full frame system. The lens hood is detachable and 46mm filters can be used.

Laowa 12mm F1.8 MFT

The example on show was very much pre-production, but the focus movements felt very nice. This is another 5-bladed iris lens, for the sunstar fans, and it can focus down to just 14cm/5.5in. The lens weighs 165g/0.4lbs, and measures just 5cm/2in long.

Laowa OOOM 25-100mm T2.9 Cine Lightweight Zoom

This might be a lightweight cine zoom, but it is still a pretty big piece of kit. Venus Optics was showing the lens on the front of a Kinfinity 6K Terra, the company’s smallest camera – a combination designed to emphasize the compact nature of the package. The lens has three geared rings, for the iris, the zoom and the focus, all of which turn smoothly and with a pleasant resistance.

Laowa OOOM 25-100mm T2.9 Cine Lightweight Zoom

The lens has a constant maximum aperture of T2.9 across the zoom range, and Laowa maintains that focus is retained during zooming as well. The company says that while some other brands convert a stills lens for video this Laowa Ooom was designed for cinema from the off.

Laowa OOOM 25-100mm T2.9 Cine Lightweight Zoom

Focus, aperture and focal length markings are repeated on each side of the barrel, and are controlled with some rugged looking gears. The lens will be available in PL mounts, as well as Canon EF and Sony E. It has a covering circle sufficient for Super 35mm sensors.

Laowa 10-18mm F4.5-5.6 FE Zoom

This is an intriguing little lens that shows what can be achieved when one of your goals isn’t a wide aperture. The tiny dimensions defy the extreme wide angles and the fact that it is designed for full frame cameras – Sony FE. That it will most likely be used closed down means the 5-bladed iris probably won’t show in highlights, and Laowa claims it will make lovely sunstars when aimed at bright point sources.

Laowa 10-18mm F4.5-5.6 FE Zoom

The rear of the lens offers a 37mm filter thread for hiding an ND, or similar, away from the flare of the front of the barrel when filming. Laowa is also working on a front mounted system for 100mm filters that will work with some sort of clamp mechanism. It offers clicked and unclicked apertures via a switch on the side of the barrel.

Laowa 10-18mm F4.5-5.6 FE Zoom

Amazingly the tiny barrel contains 14 elements in 10 groups. The length of the lens is 90.09mm and it weighs just 496g. Laowa claims it is the widest zoom available for Sony FF users, and that it is ideal for travel, landscapes and architecture.

Laowa 17mm F1.8 MFT

This is a very neat little lens that comes with a plastic hood and is designed to be an everyday 35mm-type focal length for the small cameras of the Micro Four Thirds system. It is quite small for the size of the maximum aperture, and weighs only 160g/0.36lbs.

Laowa 17mm F1.8 MFT

It feels very well made, and the construction is the sort of solid you get from a most-metal lens. It features 9 elements in 7 groups, and the company boasts it only has a 5-bladed iris – which it says makes the lens excellent at producing clean sunstars.

Laowa 17mm F1.8 MFT

Shown on an Olympus Pen the lens looks very much at home and in proportion. Its solidity makes a nice balance with the small camera, and the smooth focusing ring makes it feel like a quality lens.

Laowa 4mm F2.8 Fisheye MFT

This is a seriously nice wide lens. I’m not usually a fan of circular fisheyes but this might change my mind. It is really well made and produces a 210° angle of view, in a delightfully small form, and is designed for the MTF system.

Laowa 4mm F2.8 Fisheye MFT

The front element is really bulbous and the reflections in it give some idea about what it can see. The focus ring is fitted with a small handle to make working with just a finger easier. The aperture range covers F2.8 to F16, and inside there are seven elements in six groups controlling the light path. It doesn’t take filters!

Laowa 4mm F2.8 Fisheye MFT

Mounting it on my Lumix G9 I could immediately see why Laowa was displaying it on a flat-fronted Olympus Pen, as my fingers and the grip of the camera were clearly visible at the edge of the frame – as well as my stomach at the bottom of the picture! It is a fun lens that is very well made, but it will be difficult to use.

Laowa 100mm F2.8 2X Ultra Macro APO

Why there aren’t more macro lenses that allow magnifications greater than 1:1 I don’t know, but Laowa is making the most of the gap in the market with its second model. The 100mm F2.8 2X Ultra Macro APO is quite a beast compared to the other miniature lenses on the stand, but remains quite lightweight as a lot of the barrel is empty space. It will be available for Nikon, Sony, Pentax and Canon users, and focuses from 24.7cm to infinity.

Laowa 100mm F2.8 2X Ultra Macro APO

The front element drops about halfway down the barrel when focused at infinity, and extends right to the top for close working. The 67mm filter thread is actually on the barrel itself rather than attached to the front element housing, so it will remain still the whole time – just sometimes closer to the lens than at other times.

Laowa 100mm F2.8 2X Ultra Macro APO

The rear of the lens reveals something Laowa is excited about – contact pins that allow the lens to work with Canon cameras while retaining aperture controls. This also allows aperture coupling in Nikon F cameras which makes life a lot easier.

Laowa 100mm F2.8 2X Ultra Macro APO

Mr. Li Dayong, the General Manager and lens designer at Laowa, says the lens has APO corrections and is suggested for portraiture as well as macro. He also says that the variation in the number of aperture blades between the different mounts is accounted for in the design differences he had to make when creating the automatic iris mechanisms.

Laowa 9mm F2.8 Zero-D MFT

Laowa has introduced two new 9mm F2.8 Zero-D lenses – one for Micro Four Thirds and the other for the DJI DL mount. It will be the widest option for DJI Inspire 2 drone owners with the Zenmuse x7 gimbal, and the imaging circle is enough to cover Super35 sensors.

Laowa 9mm F2.8 Zero-D MFT

The lens weighs only 215g and is very small indeed. It has the standard Laowa finish and offers a detachable hood. This is the same lens that the company already produces in the Fuji X, Sony E and EOS-M mounts.

Laowa 12mm T2.9 Zero-D Cine

This 12mm cine lens is part of the Zero-D range and is designed for full frame cameras. It will come fitted with either a PL or Canon EF mount, and is a cine version of the existing lens aimed at stills photographers. Of course it has stepless apertures and uses 0.8 gears, as do all these cine lenses, and has had the rotation of its focus ring extended to 270° to make life easier for focus pulling during recording. It has a closest focus of 0.6ft/18cm and weighs 650g/1.4lbs.

Laowa 7.5mm T2.1 Cine

There wasn’t too much to see here as the lens is clearly some way from being finished. It looks nice though! The lens will be available for MFT and weighs 180g/0.4lb, it uses 13 elements in 9 groups and has a 46mm filter thread.

For more information on these lenses see the Venus Optics Laowa website.

Articles: Digital Photography Review (dpreview.com)

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Photokina 2018: Hands-on with Tokina’s Opera 50mm F1.4 premium full-frame lens

30 Sep

Hands-on with the Tokina Opera 50mm F1.4

We first saw a prototype of Tokina’s new 50mm F1.4 Opera lens at the CP+ show in Japan earlier this year. After waiting all summer, we finally gotten hands-on time with a working model at this year’s Photokina in Germany. The Opera series is Tokina’s high-end lens lineup – the equivalent to Sigma’s Art line – and the 50mm F1.4 is the first lens in the series to come into production.

Available in both Nikon and Canon full-frame DSLR mount, the lens is specifically meant to be paired with high-resolution cameras like the Nikon D850 and Canon EOS 5DS R. Set to ship around the end of October, it is priced at $ 950.

Hands-on with the Tokina Opera 50mm F1.4

The build quality of this Opera lens is superb. Weighing 33.5oz / 950g it’s about 4.8oz / 135g heavier than the Sigma 50mm F1.4 Art, but handles well on a Canon EOS 5D Mark IV. It doesn’t feel front heavy.

The large rubberized focus ring matches the directional turn of the mount it’s meant for – turning the ring to the right achieves minimum focus on a Canon and infinity on a Nikon. And the ring continues to turn beyond its minimum and infinity point.

Hands-on with the Tokina Opera 50mm F1.4

The Opera 50mm F1.4 is made of 15 elements arranged in 9 groups. 3 of those elements are super low dispersion elements to compact chromatic aberration – there’s also one aspherical element in the rear focus group. To deal with flaring, the lens is coated with Tokina’s Extremely Low Reflection coating. The front element has a 72mm filter size, smaller than the 77mm filter size of the Sigma’s front element.

Minimum focus distance for this lens is 0.4m / 1.3ft, the same as the Sigma.

Hands-on with the Tokina Opera 50mm F1.4

Autofocus is achieved using an ultrasonic ring-shaped AF motor which is very quiet in operation. There’s also a manual focus decouple switch on the side of the lens barrel.

The lens has 9 rounded aperture blades which we hope will result in very nice bokeh. And this is the first Tokina lens ever to include an electronic diaphragm (specifically for the Nikon version).

Hands-on with the Tokina Opera 50mm F1.4

There are a total of 8 weather sealing points in the construction of the Opera, which should keep water and grime out of the internal construction. There is also a rubber gasket around the lens mount to keep nastiness out of your camera body.

Hands-on with the Tokina Opera 50mm F1.4

Overall we’re excited to get Tokina’s first Opera series lens in and start shooting with it. It’s priced exactly the same as the Sigma Art version and seems to be built to a similar level of physical and optical excellence. Seeing as Sigma’s version is one of our favorite 50mm F1.4s out there, we have high hopes for the Tokina Opera 50mm F1.4. Stay tuned for a sample gallery.

Articles: Digital Photography Review (dpreview.com)

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Zeiss announces ZX1 full-frame compact with fixed 35mm F2 lens

28 Sep

The Zeiss ZX1 is based on the Android operating system and has been designed to be able to run Adobe Photoshop Lightroom CC
Image: Zeiss

Zeiss has just announced the ZX1, the company’s first-ever digital camera. It comes with a 37.4MP full-frame image sensor, fixed 35mm Distagon F2 lens and a huge 4.3″ touchscreen with a resolution of 1280×720 pixels to augment its physical controls. Zeiss has also teamed up with Adobe to offer full Adobe Photoshop Lightroom CC capability in the camera itself. It’s designed to allow you to shoot, edit and share on the fly.

The ZX1 offers 512GB of external memory and Wi-Fi, Bluetooth and USB-C connectivity

Zeiss says both the 37.4MP sensor and 35mm F2 lens were developed in-house and were designed from the outset to be matched with one another, not unlike Leica’s Q and Sony’s RX1 series. Unlike the Leica, however, the ZX1 does not come with any form of image stabilization. The lens offers a minimum focus distance of 30cm (11.8″) and the optical formula comes in at 8 elements in 5 groups.

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While the ZX1 does not have a memory card slot, it does have 512GB of internal memory, which the company claims is enough to store approximately 6,800 Raw files in DNG format (or up to 50,000 JPEG files). Zeiss’ ZX1 website does claim that you can connect an external USB drive to the camera to offload images. The camera offers Wi-Fi, Bluetooth and USB-C connectivity. The company will also offer over-the-air software updates.

The ZX1 comes with an electronic viewfinder using an OLED panel at full HD (1920×1080) resolution and a magnification of 0.74x. There’s a flash hot-shoe, but no flash is built into the camera body. The ZX1 offers single and continuous autofocus, though we don’t yet know if continuous focus is allowed at the maximum burst speed of 3fps. Exposure is taken care of courtesy a leaf shutter in the lens.

The ZX1 is designed to allow you to shoot, edit and share on the fly.

Since we live in 2018 and 4K is everywhere, it’s no surprise that the ZX1 is capable of capturing UHD 4K at up to 30fps, and Full HD video at up to 60fps.

The ZX1 appears light on controls, but the large touchscreen – with an unusual curved design – will help users take more control over their photographs, as well as the editing process.

Image: Zeiss

There’s no word on pricing, but the ZX1 will be available in ‘early 2019.’ Stay tuned for more updates as we get them.

ZEISS ZX1: The Camera Concept for the Creative Flow in Photography

First full-frame camera from ZEISS with first-class image quality and the familiar, intuitive image editing and connectivity of a smartphone.

OBERKOCHEN/Germany, 2018-09-27.

ZEISS ZX1 – That is the name of the newly developed mirrorless full-frame camera from ZEISS that was presented today in Cologne, Germany. Thanks to the ZEISS lens and a sensor developed in-house at ZEISS, the camera delivers first-class image quality combined with an operational concept and user experience that make the photographer’s jobs-to-be-done as intuitive as on a smartphone.

The ZEISS camera concept is just the first step to opening up a new world of possibilities for ambitious photographers – from taking the shot to editing the image and sharing it on the web.

SHOOT. EDIT. SHARE. – Harmonized hardware, software and optics for a seamless creative process

SHOOT: the ZEISS ZX1 features a newly designed, integrated ZEISS Distagon 35 mm f/2 T* lens with autofocus that has been perfectly matched to the 37.4 megapixel full-frame sensor developed in-house at ZEISS. The interplay between the lens and sensor ensures first-class picture quality with that typical ZEISS look.

EDIT: The ZEISS ZX1 enables photographers to professionally process RAW images directly on the camera thanks to fully integrated Adobe Photoshop Lightroom CC. Moreover, the ZEISS ZX1’s unique user interface supports the user’s particular workflow without any interruption – providing direct access to the most frequently used functions via a 4.3″ multi-touch display.

SHARE: when the networked full-frame camera is connected, the user can upload selected images directly to the internet – without the intermediate transfer to memory cards or other external devices.

512 GB of internal memory provide sufficient space for approximately 6,800 RAW files (DNG) or over 50,000 JPGs – more than enough to handle photos, even during a longer trip, and giving the photographer the chance to let their creativity flow. Versatile connectivity options such as Wi-Fi, Bluetooth and USB-C ensure that various peripherals can be connected. Over-the-air software updates keep the camera up to date without requiring a computer connection.

Designed with a passion for detail and a focus on the essentials

The design of the ZEISS ZX1 is characterized by its iconic shape with carefully crafted details. The overall form and reduction to just those elements that are absolutely necessary lay the foundation for an ergonomic camera and ensure easy handling. The symbiosis of hardware and software is exemplified by the newly defined user interface that utilizes the 4.3″ multi-touch display. The slightly bent screen separates the live view from the control elements, making camera operation comfortable and straightforward.

“We know that we exploring new ways and initially addressing a special target group with the ZEISS ZX1. With our concept we are focusing on ambitious, professional creatives who want to produce their photographic experiences quickly and efficiently, and inspire as many people on the Internet as possible. This requires a streamlined workflow in addition to high-end features. This is exactly what the concept of the ZEISS ZX1 offers,” explains Jörg Schmitz, Head of the Consumer Products business group at ZEISS.

ZEISS ZX1 available from early 2019

The ZEISS ZX1 will be available at selected dealers in early 2019. ZEISS will announce the recommended retail price at the start of the official market launch. Starting now, anyone interested in receiving information on exact availability can register at www.zeiss.com/zx1.

Articles: Digital Photography Review (dpreview.com)

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Zeiss expands Batis lens range with 40mm F2 Close Focus

28 Sep

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Zeiss has announced the Batis 40mm F2 Close Focus, bridging a gap between their existing 25mm F2 and 85mm F1.8 offerings. This brings the total Batis lineup for full-frame Sony E-mount to five, with focal ranges from 18mm to 135mm.

As with the rest of the Batis lineup, the 40mm F2 CF is weather-sealed and comes with autofocus and an OLED display showing focus distance. Reflecting the ‘Close Focus’ in the name, the lens can focus down to a distance of 24cm (9.4in) with a maximum reproduction ratio of 1:3.3.

The Batis 40mm F2 CF, seen under glass in Cologne, Germany.

The Zeiss Batis 40mm F2 CF is priced at €1299/$ 1299.

Press release:

The Most Versatile Lens in the ZEISS Batis Family

The ZEISS Batis 2/40 CF bridges the gap in the ZEISS Batis family lineup

OBERKOCHEN/Germany, 2018-09-27

With a 40 millimeter fixed focal length, the ZEISS Batis 2/40 CF (Close Focus) is the latest addition to the product family. This standard lens in the ZEISS Batis family features a quick autofocus and an extremely short minimum focus distance. Delivery will start in November 2018. “The focal length on the ZEISS Batis 2/40 CF makes it suitable for a wide range of applications, something customers have been eagerly awaiting. The lens bridges the current gap between the ZEISS Batis 2/25 and the ZEISS Batis 1.8/85,” says Dr. Michael Pollmann, Category Manager for Imaging at ZEISS.

The ZEISS Batis family was developed specifically for mirrorless full-frame cameras from Sony (Alpha 7 and Alpha 9 series). The lenses are compatible with all E-mount cameras and cover a total of five focal lengths ranging from 18 to 135 millimeters. Together with these cameras, the ZEISS Batis 2/40 CF ensures a lightweight, easy-to-use, high-performance system that delivers outstanding image quality, a minimum shooting distance of 24 centimeters for close-up shots and a magnification ratio of 1.3.3. “With the launch of the ZEISS Batis 2/40 CF, we now offer a focal length that falls between the standard 35 and 50 millimeter lenses people love to use. We have made the entire ZEISS Batis lens family even more attractive by offering the complete range of focal lengths,” says Pollmann.

The most versatile lens in the ZEISS Batis family

The ZEISS Batis 2/40 CF is able to tackle various photography challenges thanks to its special 40-millimeter focal length. From portrait and street photography to landscape and architecture – anything is possible with this high-resolution fixed focal length. “The lens is excellent for applications requiring normal focal lengths as well as common photographic situations where a bit more of a wide angle is needed. Our customers will enjoy a truly versatile lens which, thanks to its proven ZEISS look, and an outstanding image quality, is also ideal for close-ups. If you’re traveling light and decide to opt for just one lens, then this would be it,” says Pollmann.

Thanks to its high micro contrast and initial aperture of f/2, the lens can perfectly capture individual objects. Features like floating lens design for consistently high image quality across the entire focus range, the ZEISS T* coating for fewer reflections and weather and dust sealed housing and splash protection ensure maximum image quality in almost any situation. For creative work, the innovative OLED display on the ZEISS Batis shows the distance and depth of field, ensuring a perfectly adjusted focus range.

The price of the new ZEISS Batis 2/40 CF is 1.299 € (incl. German VAT) or 1.299 US$ (excl. local taxes).

Articles: Digital Photography Review (dpreview.com)

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Venus Optics shows eight new Laowa models, including the widest Fujifilm GFX lens

27 Sep

A dramatic flurry of lenses has emerged from independent manufacturer Laowa at Photokina as the company shows a total of eight new models in a wide range of mounts. The company is showing a 17mm F4 for the Fujifilm GFX medium format system that will offer the angle of view we’d expect from a 13mm focal length on a 135 format camera. The lens will be the widest available lens for Fujifilm’s system and, as part of the Zero D series, it should have only the slightest amount of distortion.

Other lenses of note in the collection include a designed-for-cinema 25-100mm T2.9 zoom marking Laowa’s entry into the professional movie market. The lens is claimed to be parfocal, so focus doesn’t shift during zooming, and to display minimal breathing as focus is altered.

Drone and MFT users will both get versions of a 9mm F2.9 super wide, while macro lovers will be able to enjoy a 100mm macro that can reproduce a subject at double size on the sensor.

All the details are below and on the Venus Optics website. Pricing and availability are yet to be confirmed.

Press Release

Venus Optics unveil 8 new & unique Laowa lenses in Photokina, including the 25-100 T/2.9 Professional Cine Lens

Together with the 4 new lenses showed earlier in Beijing P&E, a total of 12 new Laowa lenses will make their Europe debut in Venus Optics’ booth in Photokina (Hall 2.1, D-040)

Venus Optics, the camera lenses manufacturer who had previously launched a number of unique Laowa camera lenses, is proud to unveil 8 new and unique lenses in Photokina.

Laowa OOOM 25-100mm t/2.9 Cine Lightweight Zoom
Laowa 17mm f/1.8 MFT
Laowa 12mm f/1.8 MFT
Laowa 9mm f/2.8 Zero-D (DJI DL)
Laowa 9mm f/2.8 Zero-D MFT
Laowa 7.5mm t/2.1 Cine
Laowa 9mm t/2.9 Zero-D Cine
Laowa 12mm t/2.9 Zero-D Cine
Laowa 10-18mm f/4.5-5.6 FE Zoom
Laowa 100mm f/2.8 2X Ultra Macro APO
Laowa 17mm f/4 GFX Zero-D
Laowa 4mm f/2.8 Fisheye MFT

Laowa OOOM 25-100 t/2.9 Cine Lightweight Zoom

Laowa OOOM Cine lightweight zoom is the first professional cinema style zoom lens offered by Venus Optics. The lens features a wide 25-100mm zoom range, making it a one-size-fits-all lens for different types of productions.

Unlike some cine lens in the market which were re-engineered from a photo zoom lens, Laowa OOOM Cine lens is designed for digital cinematography in the first place. It is truly parfocal, meaning the focus will never shift when you zoom in or zoom back out. It is designed to have nearly zero focus breathing throughout the whole zoom range. The aperture remains fixed at t/2.9 at all focal lengths.

It is built with the true cinema level mechanics. It comes with a stepless, t-stop independent aperture ring with an industry standard 0.8 mod /32 pitch gears. The 270° rotation flow provides room or precise focus pulls and the iris is clickless, enabling smooth iris pulls. The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length range.

Laowa 17mm f/1.8 MFT

Laowa 17mm f/1.8 is a new compact, standard prime designed for Micro Four Thirds cameras and it gives a 35mm-equivalent field of view. The lens houses 9 elements in 7 groups and have a 5-blade aperture for the best sunstar rendering. The lens is extremely compact and lightweight, weighs only 160g (0.36lbs) and is 5cm (2”) long. A 46cm filter thread is included and the 15cm minimal focus distance make it a perfect lens for videography.

Laowa 12mm f/1.8 MFT

Laowa 12mm f/1.8 is a new compact, wide-angle prime for Micro Four Thirds cameras and it gives a 24mm-equivalent field of view. The ultra-fast f/1.8 aperture allows photographers to take astro photos with ease. The lens houses 13 elements in 10 groups and a 5-blade aperture. The lens can focus as close as 14cm (5.5”) and takes 46mm screw-in filters which gives extra convenience to videographers. It weighs only 165g (0.4 lbs) and its 5cm long (2”).

Laowa 9mm f/2.8 Zero-D (DJI DL)

Following the successful launch of the super compact and lightweight 7.5mm f/2 MFT lens for DJI Inspire drones (X5 gimbals) during 2017, Venus Optics is proud to introduce another ultra-wide option, Laowa 9mm f/2.8 Zero-D DL, to use on DJI Inspire 2 (X7 gimbals).

Featuring an effective 118° angle of view, the Laowa 9mm f/2.8 Zero-D DJI DL is currently the widest available option for DJI Inspire 2 drones with Zenmuse X7 gimbals. The bigger image circle can cover the size of Super35 sensors and the native DL mount allows an easy lens switching. The lens weighs only 215g and it is super tiny and compact. It comes with a 49mm filter thread and features a close-to-zero optical distortion.

Laowa 9mm f/2.8 Zero-D MFT

Laowa 9mm f/2.8 Zero-D (Micro Four Thirds mount) is the 4th variant added to the existing Fuji X, Sony E and EOS-M mounts. The 9mm lens provides a 18mm equivalent angle of view on the Micro Four Thirds sensor. It also has a better vignetting control over the other variants of the same lens. The close-to-zero distortion will remain unchanged.

Laowa 7.5mm t/2.1 Cine / Laowa 9mm t/2.9 Zero-D Cine

The new Laowa 7.5mm and 9mm Cine lenses are the cine-mod version of the existing photo version of Venus Optics best-selling models. Both lenses were re-housed with a step-less aperture rings and focus rings with standard 0.8 mod gears which give videographers extra convenience to use with follow-focus systems. Both of the lenses are the widest available in the market in its class and only weigh 180g (0.4lbs) & 250g (0.55lbs) respectively. Closest focusing distance is both 12cm (0.4 feet). The wide perspective and lightweight makes them the perfect companion for gimbal shooting. MFT mount is available for 7.5mm t/2.1 Cine and Sony E mount is available for 9mm t/2.9 Cine.

Laowa 12mm t/2.9 Zero-D Cine (PL)

The new Laowa 12mm t/2.9 Zero-D Cine in PL mount is the cine-mod version of the existing 12mm f/2.8 Zero-D lens. The lens was rehoused with a step-less, t-stop aperture rings and focus rings with standard 0.8 mod gears for iris and focus pulls. It successfully covers the 35mm Vista Vision sensor size and offers an ultra-wide 122° angle of view, making it one of the world’s widest and fastest available option for shooting with large sensors. Despite the ultra-wide field of view, it is perfectly rectilinear and features a close-to-zero distortion rate. The focus flow is extended to 270° for cinematographers to also take advantage of the 0.6 feet (18cm) closest focusing distance. The super lightweight (650g, 1.4lbs) is also an added benefit for cinematographers.

Laowa 10-18mm f/4.5-5.6 FE Zoom

This lens is currently the widest zoom lens available for Sony full frame E-mount cameras. Designed primarily for travel photography, Venus optics have managed to compress the size to smallest in its class, less than 4 inch (<10cm) and only 1.1 pounds (<500g). The 102? (18mm) to 130? (10mm) angle of view provides flexibility for photographers to compose landscape or architecture photos with ease. The lens houses with 14 elements in 10 groups with 2 aspherical elements & 1 extra-low dispersion element to deliver exceptional performance. It can focus as close as 15cm for some mini-macro shooting. A rear filter slot is included to fit with 37mm filter. A dedicated filter holder is being developed to fit 100mm-wide filters. Click/clickless aperture can be toggled by the switch on the lens barrel. A 5-blade aperture design ensures a pleasing and clean sunstar rendering.

Multiple samples will be available for free rental during Photokina period.

Laowa 100mm f/2.8 2X Ultra Macro APO

Followed by the success of the Laowa 60mm f/2.8 2:1 Macro, the 100mm f/2.8 2:1 Macro is the 2nd member of Laowa 2:1 macro line-up. This new 100mm lens can cover full frame sensor size and focus from 2:1 magnification to infinity. The wide magnification range allows macro photographers to capture subject at any sizes. This 100mm portrait lens also features an apochromatic (APO) characteristic that no chromatic aberration can be found. The 12 elements in 10 groups optics design delivers a crystal sharpness image in both macro and tele distances. Automatic aperture control feature is available for Canon EF version and Aperture coupling is available for Nikon F mount version.

Laowa 17mm f/4 GFX Zero-D

This is currently the widest available native lens option for Fujifilm G-mount cameras. The new Laowa 17mm f/4 GFX has a field of view equivalent to 13mm in 35mm format (113?). Featuring a close-to-zero distortion and 86mm filter thread, this lens is ideally suited for landscape, architecture & interior photography. The 21 elements in 14 groups design with 2pcs of aspherical & 3pcs of Extra-low dispersion elements successfully help to control the distortion & chromatic aberrations to the minimal.

Laowa 4mm f/2.8 Fisheye MFT

Featuring a 210? angle of view, this lens delivers unique circular fisheye field of view on Micro four thirds cameras. The ultra-wide angle view allows photographers to create 360? panorama with ease. Despite the unique & ultra-wide perspective, the lens only weighs 0.3 pounds (135g).

Free Rental Programme
Venus Optics have prepared some copies of the Laowa 10-18mm f/4.5-5.6 FE Zoom and Laowa 24mm f/14 Probe lens (Canon) for free rental during Photokina period. For reservations, please contact Venus Optics via contact@venuslens.net.

Availability
All 12 new lenses will make its Europe debut in Venus Optics’ booth (Hall 2.1, D-040) in Photokina, Cologne during 26th-29th Sept. Pricing and ship date are to be confirmed.

About Us
Anhui ChangGeng Optical Technology Company Limited (Venus Optics) is a new Chinese camera lens manufacturer based in Hefei, Anhui. We currently manufacture and distribute camera lenses under the brand name of ‘Laowa’.

For more information about Anhui ChangGeng Optical Technology Company Limited and our products information, visit http://www.venuslens.net/

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Photokina 2018: Hands-on with Tamron’s 2nd-gen 15-30mm F2.8 lens

27 Sep

Open wide: Tamron’s 15-30mm F2.8 G2

Tamron has updated their SP 15-30mm F2.8 Di VC USD full-frame lens and we got a chance to check out version 2 as this year’s Photokina. It handles essentially the same as its predecessor but there are some cosmetic changes. The design now matches that of the SP 24-70mm F2.8 and SP 70-200 F2.8 – specifically the grey bit by the base is new and the switches on the side have been redesigned.

Aside from cosmetic changes, a list of improvements under the hood make the 15-30mm F2.8 version 2 all the more appealing, including: dual processors for faster AF and better stabilization, fresh coatings to reduce flare and a new aspherical element.

It is available in both Canon EF and Nikon F mounts – the Nikon mount just began shipping, Canon mount ships October 12th. The list price is $ 1299.

Open wide: Tamron’s 15-30mm F2.8 G2

Like version 1, the front element is large and bulbous and the front of the glass moves forward in the housing as you zoom in – it is shown here zoomed to 30mm. There’s no way to put a threaded filter on it but the Canon version has a rear filter holder that can accept gels. The Nikon does not due to the F mount’s flange distance.

Version 2 also features a new Anti-reflection eXpand coating that Tamron developed in house to ensure flaring is as well-controlled toward the edges as it is in the center. The lens has two additional coatings to combat flare and ghosting. It also features an updated fluorine coating on the front element that is ‘abrasion resistant.’ This should make it easy to wipe away dust, water or grime and provide some level of scratch resistance. Speaking of water, the whole thing is weather resistant.

Open wide: Tamron’s 15-30mm F2.8 G2

Vibration control has been improved thanks to the inclusion of a second processor – now one processor is dedicated to AF and one to VC. Tamron says the new VC-dedicated processor should result in up to 4.5 stops of stabilization.

In addition to a dedicated AF processor, the lens has an updated AF algorithm. All of this should result in faster AF speeds. And because focus is driven by an ultrasonic silent drive motor, AF noise shouldn’t be an issue for video shooters. Then again, if you are old-fashioned, a manual override switch has you covered.

Open wide: Tamron’s 15-30mm F2.8 G2

A rubber gasket along the mount ensures no water gets inside your DSLR. And as mentioned, the lens design is moisture-resistant with internal seals located in critical areas where water or dust might get in.

Also the 15-30mm can make use Tamron’s TAP-in console for AF fine-tuning, VC control adjustments and firmware updates. The console will set you back about $ 60.

Open wide: Tamron’s 15-30mm F2.8 G2

In terms of handling, version 2 is nearly identical in size and weight to version 1. At 1100 g, it is not light-weight. Nor is it small, but that’s the price of ice when it comes to a stabilized constant-aperture wide-angle full-frame zoom.

Overall we’re excited to get the Tamron 15-30mm F2.8 version 2 on a body and start shooting. We were big fans of version 1 and it will be nice to see how all these improvements affect overall image quality and the shooting experience. Stay tuned for a sample gallery!

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Sigma unveils 56mm F1.4 DC DN lens for Sony E and Micro Four Thirds

26 Sep

Sigma has announced the 56mm F1.4 DC DN lens for Micro Four Thirds and Sony E mounts. The compact 56mm lens becomes the sixth DN lens for mirrorless cameras and will make a handy portrait lens on both systems.

On Micro Four Thirds, the lens will behave as being equivalent to a 112mm F2.8 lens on full frame. On Sony E mount, it will act as an 84mm F2.1 equivalent. In both instances it should lend itself to offering a good degree of control over depth-of-field and, if previous Sigma pricing for the DN range is anything to go by, should be a sensibly-priced option.

The lens will be part of Sigma’s ‘C’ (for Contemporary) range of lenses which aim to strike a balance between quality and price.

The Sigma 56mm F1.4 DC DN is likely to be a keenly-priced portrait lens for both Micro Four Thirds and Sony E mount.

Press Release:

Sigma Unveils Five New Global Vision Lenses

Sigma’s 28mm F1.4 DG HSM Art, 40mm F1.4 DG HSM Art, 56mm F1.4 DC DN Contemporary, 70-200mm F2.8 DG OS HSM Sports, and 60-600mm F4.5-6.3 DG OS HSM Sports will make their public debut at Photokina 2018

Cologne, Germany – September 25, 2018 – Sigma today announced five new Sigma Global Vision lenses shown for the first time at the 2018 Photokina expo in Cologne, Germany from September 26th-29th in Hall 4.2 on Stands B020, B028I and C029. From wide-angle to hyper-telephoto, the new Sigma Global Vision introductions arrive as some of the most anticipated lenses in the industry, further facilitating artistic expression for photographers.

Sigma 28mm F1.4 DG HSM Art
The new Sigma wide-angle model stands out with its thoroughly corrected magnification chromatic aberration and sagittal coma flare, as well as completely minimized distortion thanks to its optical design. It features water- and oil-repellent coating on the front lens element and its overall dust- and splash-proof structure ensures excellent performance even in the most challenging shooting conditions. The high-speed AF, thanks to the HSM (Hyper Sonic Motor) with an updated algorithm, captures the perfect moment instantly. Available in Sigma, Nikon, Canon and Sony E camera mounts, this lens is a great contender for street photography, as well as shooting landscapes and night skies.

Full technical specifications are available here: https://bit.ly/2DdAiVE. Pricing and availability will be announced later.

Sigma 40mm F1.4 DG HSM Art
The 40mm F1.4 DG HSM Art is Sigma’s first lens developed originally to live up to the sought-after angle of view and performance standard for a benchmark cine lens. This lens effectively arranges three FLD (“F” Low Dispersion) glass elements and three SLD (Special Low Dispersion) glass elements to correct axial chromatic aberration and magnification chromatic aberration. Designed for exceptional sharpness at maximum aperture, this lens excels at available light photography. With less than 1% distortion and near non-existent sagittal coma flare, this lens demonstrates consistent optical results featuring both 8K-compatible resolution and a beautiful bokeh. It is available for Sigma, Nikon, Canon and Sony E mount camera systems.

Full technical specifications are available here: https://bit.ly/2QHliC5. Pricing and availability will be announced later.

Sigma 56mm F1.4 DC DN Contemporary
This lens completes the Sigma large aperture series of portable wide-angle, standard, and telephoto prime lenses in Micro Four Thirds and Sony E mounts. Featuring compact design, light weight and outstanding image quality offered in Sigma’s Contemporary line, this lens stuns with a beautiful bokeh effect and the amount of brightness expected from F1.4 lenses even in the mid-telephoto range for cropped sensor cameras. In addition, this lens is characterized by smooth and quiet autofocus ideal for video shooting. Compatible with the Sony E mount Fast Hybrid AF, it also achieves precise AF tracking. By using the face recognition or eye AF functions of the camera, focus will continuously be on the face or the eye even if the subject moves during the shoot.

Full technical specifications are available here: https://bit.ly/2PLuSTh. Pricing and availability will be announced later.

Sigma 70-200mm F2.8 DG OS HSM Sports
One of the most anticipated lenses from the Sigma Global Vision line, the Sigma 70-200mm F2.8 DG OS HSM Sports is the new flagship large-aperture telephoto zoom lens that meets the most stringent needs of professional photographers. Robust yet lightweight, the lens’ magnesium body ensures high mobility and its dust- and splash-proof structure together with the water- and oil-repellent coating on the front element ensure safe use even in the most challenging shooting conditions. It also incorporates Intelligent OS with an acceleration sensor and the latest algorithm capable of panning in all directions. The lens’ optical design, incorporating 10 exclusive low-dispersion glass elements, allows for extremely high resolution, from the center to the corners. By optimizing spherical aberration, a smooth and natural bokeh effect is achieved when using the Sigma 70-200mm F2.8 DG OS HSM Sports for portrait photography. The versatility of this lens is demonstrated in various customization options via an AF Function button either through the camera body or Sigma USB Dock. The newest F2.8 large-aperture zoom lens from Sigma comes in Sigma, Canon and Nikon mounts.

Full technical specifications are available here: https://bit.ly/2DlyWbE. Pricing and availability will be announced later.

Sigma 60-600mm F4.5-6.3 DG OS HSM Sports
The Sigma 60-600mm F4.5-6.3 DG OS HSM Sports is the world’s first 10x optical zoom telephoto lens with a tele end of 600mm. Incorporating 25 elements in 19 groups, excellent and consistent image quality can be achieved throughout the entire zoom range. This lens’ intelligent OS featuring the latest algorithm delivers an image stabilization effect of 4 stops. Its optical design ensures maximum correction of magnification chromatic aberration encountered in hyper-telephoto shooting. This offers both high resolution and consistent edge-to-edge performance throughout the entire zoom range. In addition, when shooting at the focal length of 200mm, the Sigma 60-600mm F4.5-6.3 DG OS HSM Sports can also be used for telephoto macro photography, with a maximum magnification ratio of 1:3.3, thanks to its high rendering performance. Its multi-material build, which incorporates magnesium among other components, ensures durability and enhances portability, allowing for comfortable handling of the 10x zoom lens. The zooming mechanism has been engineered to make both smooth rotation and straight zoom possible. Versatile and robust, the new Sigma hyper-telephoto zoom lens is available in Sigma, Canon and Nikon mounts starting in late October 2018 for $ 1999 USD.

Full technical specifications are available here: https://bit.ly/2xmASv1.

Sigma 56mm F1.4 DC DN specifications

Principal specifications
Lens type	Prime lens
Max Format size	APS-C / DX
Focal length	56 mm
Image stabilization	No
Lens mount	Micro Four Thirds, Sony E
Aperture
Maximum aperture	F1.4
Minimum aperture	F16
Aperture ring	No
Number of diaphragm blades	9
Optics
Elements	10
Groups	6
Special elements / coatings	SLD element
Focus
Minimum focus	0.50 m (19.69″)
Maximum magnification	0.14×
Autofocus	Yes
Motor type	Stepper motor
Full time manual	No
Focus method	Internal
Distance scale	No
DoF scale	No
Physical
Weight	280 g (0.62 lb)
Diameter	67 mm (2.62″)
Length	60 mm (2.34″)
Sealing	Yes
Filter thread	55 mm
Hood supplied	Yes
Tripod collar	No
Other
Notes	Weight and dimensions for Sony mount

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Hasselblad announces three XCD lenses, including its fastest lens ever

25 Sep

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Hasselblad has announced three new lenses and one teleconverter for its XCD lens system. The lenses are the XCD 80mm F1.9, the XCD 65mm F2.8 and XCD 135mm F2.8, all of which are designed for the X1D digital medium format camera. In all, this brings the system to nine focal lengths covering 21-230mm (16.6-178mm full-frame equivalent).

The standout lens for most users will be the XCD 80mm F1.9, which is not only the fastest lens currently in the X System, but the fastest lens Hasselblad has ever released. Offering a field of view equivalent to 63mm and depth-of-field equivalent to F1.5 on a 35mm full-frame system, Hasselblad claims that the lens comes with ‘superior optical surface precision’ on its aspherical elements to allow for smooth bokeh and a twin motor drive for quick autofocus.

At 1045g (2.3lb), the 80mm F1.9 is currently the heaviest lens in the XCD lineup.

It has 14 elements in 9 groups and, at 1045g (2.3lb), it’s currently the heaviest lens in Hasselblad’s XCD lineup.

Hasselblad has also announced the XCD 65mm F2.8, with a 51mm equivalent field of view. With a close-focus distance of 0.5m (20in), the lens is positioned as a versatile option for street and travel photography.

Lastly, the company has announced the XCD 135mm F2.8 alongside the X Converter 1.7. On its own, the 135mm F2.8 provides roughly a 107mm field of view and a close focus distance of 1m (3.3ft). The lens and 1.7x teleconverter were designed to be paired without any loss of optical quality, and together offer a 230mm (178mm equivalent) field of view, F4.8 maximum aperture and a minimum focus distance of 1.05m (3.5ft).

As with all current XCD lenses, the 80mm, 65mm and 135mm lenses come with built-in leaf shutters to allow for full flash synchronization up to 1/2000s shutter speed.

They are all available for pre-order now, and will begin shipping in December 2018. The 80mm F1.9 will retail for $ 4845 / £3690 / €3990; the 65mm F2.8 will retail for $ 2750 / £2090 / €2290; the 135mm F2.8 will retail for $ 4050 / £3090 / €3390; bundling the 135mm F2.8 with the X Converter 1.7 brings the retail price to $ 4845 / £3690 / €3990.

Official sample images

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Press release:

Hasselblad expands its X1D lens lineup with three new XCD lenses, including XCD 1,9/80, Hasselblad’s fastest lens ever

Increasing the capabilities of the X1D-50c mirrorless medium format camera, Hasselblad adds three new lenses to its XCD lens family, including the XCD 1,9/80, with the largest aperture of a Hasselblad lens ever, the XCD 2,8/65 and the XCD 2,8/135 telephoto lens with X Converter 1,7. The three new lenses and one dedicated teleconverter expand the XCD family to nine different focal lengths.

The XCD 1,9/80 represents a major milestone for Hasselblad with an impressive f/1,9 aperture, Hasselblad’s largest lens aperture, offering an extremely shallow depth of field and light-gathering ability. Thanks to Hasselblad’s optical design expertise and rigorous calibration standards, the XCD 80mm boasts superior optical surface precision, avoiding poor bokeh results or out of focus highlights often seen in high aperture lenses with aspherical surfaces. The lens’ distinct twin motor drive provides quick autofocus performance, while offering a precise manual focus experience. Maximizing the artistic potential of X1D image makers for a stunning shooting experience with a field of view similar to 63mm on a full frame system, it is especially suitable for portrait, nature and product photography with its ability to produce pleasing bokeh through excellent subject isolation and shallow depth of field.

The XCD 2,8/65 is the ideal standard lens in any X System photographer’s kit. With a 50mm full frame equivalency, it’s designed to achieve the ‘normal’ focal length and mimic the human field of view. Thanks to its f/2,8 maximum aperture and 0.5 m (20 in.) minimum focus distance, the XCD 65mm is the versatile option for street, travel and general photography.

Growing the telephoto range, the XCD 2,8/135 and X Converter 1,7 expand the reach of Hasselblad’s X1D-50c. Available as both a paired kit or as a stand-alone lens, the XCD 135mm and dedicated teleconverter have been designed as a cohesive unit to ensure no decrease in image quality when the teleconverter is used. Without the teleconverter, the XCD 135mm has an aperture range of 2,8-32 and a field of view similar to 105mm lenses on full frame cameras and features a minimum focus distance of 1 m. With the X Converter 1,7, the lens’ focal length grows to 230mm (178mm full frame equivalent) with a f/4,8 maximum aperture and minimum focus distance of 1.05 m. The telephoto focal length is ideal for portrait, outdoor, and landscape photographers looking to document details and subjects with stunning image quality.

Like the other XCD lenses, the XCD 80mm, XCD 65mm and XCD 135mm feature an integral central shutter, offering exposure times from 60 minutes to 1/2000s with full flash synchronization through the entire range.

The XCD 80mm, XCD 65mm and the XCD 135mm lenses are now available for pre-ordering and will begin shipping in December 2018.

The XCD 80mm lens has an MSRP of €3,990, $ 4,845, £3,690, JPY¥ 576,000 (excl. VAT) / CNY¥ 38,500 (incl. VAT).

The XCD 65mm lens has an MSRP of €2,290, $ 2,750, £2,090, JPY¥ 331,000 (excl. VAT) / CNY¥ 22,100 (incl. VAT).

The XCD 135mm lens has an MSRP of €3,390, $ 4,050, £3,090, JPY¥ 489,000 (excl. VAT) / CNY¥ 32,700 (incl. VAT).

The XCD 135mm lens with X Converter 1,7 has an MSRP of €3,990, $ 4,845, £3,690 , JPY¥ 576,000 (excl. VAT) / CNY¥ 38,500 (incl. VAT).

For full specs, sample images and more info, please visit:
www.hasselblad.com/x-system-lenses/xcd-19-80mm/
www.hasselblad.com/x-system-lenses/xcd-28-65mm/
www.hasselblad.com/x-system-lenses/xcd-28-135mm/

About Hasselblad

Founded in 1941, Hasselblad is the leading manufacturer of medium format cameras and lenses. Made in Sweden, Hasselblad cameras are renowned for their iconic ergonomic design, uncompromising image quality and Swedish craftsmanship. For over half a century Hasselblad cameras have captured some of the world’s most iconic images – including the first landing on the moon – and helped shape the way we look at the world through genuine photographic artistry. Trusted by NASA and used by the greatest photographers in the world, Hasselblad continues to create products with uncompromising image quality that inspire.

The Hasselblad H Camera System with its professional lens family and unique advancements is widely acknowledged as the most comprehensive digital camera system of its kind available today. Hasselblad was the first to launch the fully integrated medium format camera system incorporating the latest in CMOS sensor technology. In 2016 Hasselblad launched the H6D, a technological feat with an all new electronic platform, delivering superior craftsmanship and image quality. Later the same year, Hasselblad introduced the world’s first compact mirrorless digital medium format camera – the X1D. Hasselblad’s X1D sensor benchmarked the highest score in the history of DxO Mark’s independent testing.

Headquartered in Gothenburg, Sweden, Hasselblad is a global brand with offices in New York, London, Tokyo, Paris, Copenhagen, Hamburg and Shenzhen with distributors throughout the world.

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IRIX announces 150mm F2.8 Macro 1:1 lens with near-zero distortion

24 Sep

IRIX has announced a new full-frame telephoto macro lens, the 150mm F2.8 Macro 1:1.

The 1:1 reproduction lens will be available for Nikon F, Canon EF and Pentax K mounts and claims to have ‘close to zero distortion,’ according to IRIX — just 0.1 percent, thanks to the optical construction consisting of twelve elements in nine groups.

IRIX touts the telephoto focal length as a benefit noting ‘the possibility of being able to move away from the photographed object […] makes the operation more convenient than using lenses with a shorter focal length. No shadows are cast on the object and it is also possible to use lamps dedicated to this type of photography.’ Its internal focusing mechanism means the lens won’t shrink or expand when focusing.

Illustration showing the location of the weather-sealing gaskets.

The lens features select weather-sealing at various areas on the lens and has a rubberized focus grip with 270-degrees of rotation. There’s also Focus Lock and a removable Arca Swiss lens collar for easy shooting on a tripod.

The construction of the lens features IRIX’s new ‘Dragonfly finish.’ In Irix’s own words, ‘the aluminium frame has been enclosed in an external structure made of aluminium-magnesium alloys and composite elements. The combination of Firefly and Blackstone features gave the lens lightness and solidity while maintaining high mechanical strength and resistance in difficult weather conditions.’

Sample image captured on the 150mm F2.9 Macro 1:1, provided by IRIX.

Pricing and availability is yet to be determined.

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Cosina announces Voigtlander 21mm F3.5 lens for Sony E-mount systems

21 Sep

Cosina has announced its new Voigtlander Color Skopar 21mm F3.5 E-mount lens.

This is the eighth Voigtlander lens designed specifically for Sony’s full-frame E-mount support. As with past lenses, the Color Skopar 21mm F3.5 features full EXIF support. In addition to having the extra metadata there, this also means Sony’s in-body image stabilization should work without issue when shooting with the lens.

The lens constructed of nine elements — including one aspherical element and one anomalous partial dispersion element — in eight groups. It has a minimum focusing distance of 20cm/7.87in and uses a ten-blade aperture diaphragm.

The diameter of the lens is 62.8mm/2.47in and the length is 39.9mm/1.57in. It weighs just 230g and features a 52mm filter size.

Below are a collection of sample images provided by Cosina:

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The lens is currently available for pre-order and is expected to start shipping in October 2018. Cosina has it listed for ¥85,000, which equates to roughly $ 758 at the current exchange rate. Fred Miranda notes though that the price is suspected to be $ 799 when it lands stateside.

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