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Posts Tagged ‘Lens’

Tamron says its new SP 35mm F1.4 is ‘its finest lens ever’

06 Jun

Tamron has released details of a new lens it claims is the finest it has ever produced. Made to celebrate 40 years of the SP range, the SP 35mm F1.4 Di USD will be the ‘embodiment of all the optical technology and manufacturing know-how Tamron has developed to date,’ a sentiment Tamron shared with us in an interview back in April.

The lens will use 14 elements in 10 groups, including four LD (Low Dispersion) and three GM (Glass Molded Aspherical) lens elements. Tamron notes this combination will limit chromatic aberration and will produce high-resolution across the frame as well as ‘beautiful, appealing background bokeh’.

The lens will also feature a new coating called BBAR-G2 (Broad-Band Anti-Reflection Generation 2). Tamron says this reduces reflections, minimizes flare and allows it to achieve better levels of contrast. Powering the focus mechanism inside the lens is Tamron’s Ultrasonic Silent Drive, and a new Dynamic Rolling-cam mechanism has been added to reduce the drive load on the main focusing group to allow the large elements to move more quickly in all operating conditions.

The lens will be available in Nikon F mount first at the end of June, and then for Canon EF at the end of July. It will cost $ 899 / £929.99. it’s available to pre-order from both Adorama and B&H.

Press release:

The “ultimate” lens to commemorate the 40th anniversary of Tamron SP Series lenses

Fast fixed focal SP 35mm F/1.4 Di USD (Model F045) that boldly demonstrates
Tamron’s lens-making expertise.

Tamron launches the finest lens in its history with the new fixed focal lens, the SP 35mm F/1.4 Di USD (Model F045), for full-frame DSLR cameras.

Tamron’s SP (Superior Performance) lens series was born in 1979, based on the concept of delivering lenses for taking the perfect picture for those who love photography. This year marks the 40th anniversary of the series. In celebration, Tamron has developed the 35mm F/1.4 (Model F045), the distillation of Tamron’s accumulated lens-making expertise and craftsmanship. This orthodox fixed focal lens, which some consider the most desirable of all interchangeable lenses, is the embodiment of all the optical technology and manufacturing knowhow Tamron has developed to date.

The 35mm F1.4’s (Model F045) unprecedented high-resolution image quality and beautiful, appealing background bokeh let photographers capture any scene down to the finest details. The external lens barrel was developed through tireless pursuit of operability and durability, focusing constantly on the needs of photographers. This lens is equipped with a large F/1.4 aperture and high-speed, high-precision AF functionality offering exceptional reliability, plus various other features for increased convenience, making it the perfect everyday lens for your creative pursuits. It is ideally suited for nearly every photographic genre, including photojournalism, landscape, sports, street life, wedding groups and family snapshots.

Product Development Background

“To commemorate the 40th Anniversary of Tamron’s renowned SP series lenses that are designed and constructed to deliver the highest levels of performance, we drew upon our accumulated expertise and technologies to create the ‘ultimate lens’ — the Model F045,” said the person responsible for product planning. “Our goal was to achieve high resolution, fidelity of point light source and beautiful bokeh,” he continued. “We deployed existing skills, like our highly regarded knowhow for producing bokeh, and combined them with new innovations like BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating for anti-reflection performance. Today we announce with sincere pride that the Model F045 embodies Tamron’s philosophy for manufacturing and is the finest lens in Tamron’s history.”

PRODUCT HIGLIGHTS

1. Consummate image quality across the entire frame from edge-to-edge
The optical construction (14 elements in 10 groups) leverages the best of Tamron technology and features a generous arrangement of special glass materials including four LD (Low Dispersion) and three GM (Glass Molded Aspherical) lens elements. This combination of components successfully eliminates the effects of chromatic aberrations (which are particularly perilous for high-speed lenses) as well as other optical aberrations to the greatest extent possible. Even at its maximum aperture of F/1.4, high resolution performance is achieved from the center of the frame to the edges, providing superior aberration correction to maintain perfect fidelity of point shapes. The result is ultimate ultra-high image quality. This exceptional optical performance extends to the quality of defocused bokeh areas. With this lens, photographers can capture dramatic images that neatly sculpt their subjects against large and beautifully appealing background bokeh.

2. Next-generation BBAR-G2 Coating
To maximize the optical performance and ultra-high image quality of this lens, special measures are in place for optimal correction against ghosting and flare. Tamron has developed BBAR-G2 Coating through continued research into the coating technologies they have developed over many years. This new BBAR-G2 Coating vastly exceeds the performance of the original BBAR (Broad-Band Anti-Reflection) Coating that enjoys a long and well-established reputation in its own right. In addition to minimizing ghosting and flare, BBAR-G2 Coating enables clear images with stunning, unprecedented contrast.

3. Exceptionally reliable, fast and accurate AF
The AF drive is equipped with Tamron’s proprietary USD (Ultrasonic Silent Drive). This technology affords an autofocusing system with high speed, precision and quiet operation—even in a large aperture lens, which is typically bigger and heavier. Additionally, thanks to the Dynamic Rolling-cam mechanism that has been newly developed specifically for this lens, Tamron has succeeded in minimizing the drive load placed on the focus lens component. This breakthrough ensures stable AF operating performance and improves reliability even under the harsh shooting conditions of professional use, including high and low temperature extremes. This exceptional lens is also equipped with a Full-Time Manual Focus override system so photographers can instantly make fine adjustments to the point of focus, even when using the AF mode.

4. Vastly improved highly durable Fluorine Coating
The front surface of the lens element is coated with a Fluorine Coating based on a newly developed fluorine compound with high water- and oil-repellent properties. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture, and fingerprints, and enabling your important lenses to be continually protected on a long-term basis.

5. Moisture-Resistant Construction
Seals are located at the lens mount area and other critical locations to prevent infiltration of moisture and/or rain to provide Moisture-Resistant Construction. This feature affords an additional layer of protection when shooting outdoors under adverse weather conditions.

6. Compatible with TAMRON TAP-in ConsoleTM, an optional accessory
The Model F045 is compatible with the TAMRON TAP-in Console, an optional accessory product that provides a USB connection to a personal computer, enabling users to easily update a lens’s firmware as well as customize features including fine adjustments to the AF.

7. Locking lens hood for precise positioning
The included lens hood is equipped with a locking mechanism. Being able to reliably attach the hood prevents it from unintentionally shifting position or coming off at the wrong time.

8. Consistent with Tamron’s sophisticated design concepts
The smoothly contoured body and the texture of fine details reinforce simple operation and ensure intuitive use. The shape boasts a high-grade feel worthy of a next-generation model that’s packed with advanced technologies. The form snugly houses the internal components, while the carefully finished Luminous Gold brand ring and painstakingly precise construction speak loudly of the extreme high quality of the lens. Combined with the ergonomic switch box shape, highly legible distance-scale window and sturdy metal mount, the lens boasts a finely-finished rugged and functional design.

Price and Availability
The SP 35mm F1.4Di USD lens will be available in both Canon and Nikon mounts with a UK Suggested retail price of £929.99.

It is expected to be available in the UK as follows:
Nikon mount: End of June 2019
Canon Mount End of July 2019

Articles: Digital Photography Review (dpreview.com)

 
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Best fixed prime lens buying guide updated with Ricoh GR III, Leica Q2 and Fujifilm XF10

06 Jun

We’ve updated our ‘best fixed prime lens camera’ buying guide, adding the Leica Q2, Fujifilm XF10 and Ricoh GR III. Despite some solid competition, the Fujifilm X100F remains as our top choices in this category.

Articles: Digital Photography Review (dpreview.com)

 
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Unreleased Sony 200-600mm F5.6-6.3 G OSS FE lens prototype appears on auction website

05 Jun

Last month, a rumor surfaced that Sony has a new ‘wildlife/sports’ lens announcement scheduled for the first week of June. Following that leak, a new Sony 200-600mm F5.6-6.3 G OSS FE lens prototype appeared for sale on Yahoo! Japan’s auction website for 20,000 JPY ($ 185 USD). A number of images were included with the auction, which detailed the lens as ‘junk / for parts.’

The auction went live on June 1 and ended at a price of 31,500 JPY ($ 291 USD) on June 2. The prototype’s origins remain a mystery; the product was listed as slightly disassembled with ‘unconfirmed’ functionality. No box or accessories were included with the product, fueling speculation that the prototype was either stolen or found discarded.

The lens visibly contains Sony branding, as well as the model info stamped into the housing. The company hasn’t commented on the auction, which is still visible on Yahoo! Japan, but no longer open to bidding. It’s unclear whether the prototype was sold or the auction was cancelled. At this time, the lens doesn’t officially exist.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic’s versatile Leica DG Vario-Summilux 10-25mm F1.7 lens available in July

01 Jun

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Panasonic has announced that its Leica DG Vario-Summilux 10-25mm F1.7 ASPH lens – first teased at Photokina 2018 – will be available for purchase in July. Panasonic is marketing the 10-25mm, which in full-frame terms is equivalent to 20-50mm on a Micro Four Thirds body, as a single lens that covers five commonly used equivalent focal lengths: 20, 24, 28, 35 and 50mm.

The lens features a total of 17 elements, including aspherical, ED and UHR glass. The lens uses a stepping motor to provide fast, quiet focus. It has a nine-blade aperture and minimum focus distance of 28cm (11″). The lens isn’t as large or as heavy as one would expect, and is very well-built and fully weather-sealed. It’s the first Panasonic Micro Four Thirds lens with a focus clutch and a clickless aperture ring is also provided.

The 10-25mm was very much designed with video in mind, with minimal focus breathing, ‘seamless’ iris control for smooth exposure changes and linear focus response.

The Panasonic Leica DG 10-25mm F1.7 ASPH will be available in July for $ 1799/£1799.

Panasonic Introduces The World’s First* Standard Zoom Lens Achieving Full-range F1.7

LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025)

*As a digital interchangeable lens for a mirrorless camera, as of May 31, 2019

Newark, NJ (May 31, 2019) – Panasonic is proud to introduce a new standard zoom digital interchangeable lens, the LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH.

(H-X1025), which boasts a large F1.7 aperture throughout the entire 20-50mm (35mm camera equivalent) zoom range and exceptionally high optical performance, clearing the stringent LEICA standards. The LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. is suitable not only for stills shooting, but also for video recording, to satisfy both professional photographers and videographers.

The full-range F1.7 ASPH. high-speed aperture provides beautiful bokeh and high descriptiveness. Covering a focusing distance from wide angle to standard zoom range, the LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. functions as a multiple fixed focal-length lens, providing the same or higher level of descriptiveness than a fixed focal-length lens can offer. It is suitable for a variety of daily shooting situations, from dynamic landscapes to portraits–even in low-lit scenes– eliminating the need to change lenses between variations in environment.

Comprising 17 elements in 12 groups, the lens system features three aspherical lenses and four ED (Extra-low Dispersion) lenses that effectively suppress the axial chromatic aberration and chromatic aberration of magnification. Spherical aberration and distortion are also corrected by the aspherical lenses for stunningly high resolution. The use of aspherical lenses coupled with the optimum design of the lens system, results in a compact size and light weight, while maintaining its outstanding optical performance.

Compatibility with a maximum 240-fps high-speed sensor drive realizes high-speed and high-precision auto focusing. Notably, the new lens excels in video recording performance. In addition to the silent operation achieved by the inner focus drive system, the stepless aperture ring and micro-step drive system in the aperture control section help the camera smoothly catch up to brightness changes when zooming or panning. The optical design achieves exceptional barycentric stability to minimize image shifts during zooming. Adoption of a focus clutch mechanism enables instant AF/MF switching and accurate manual focusing. The LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. also excels in video recording performance with a mechanism that suppresses focus breathing, which was previously a fatal problem of all interchangeable lenses designed for still image photography.

The rugged dust/splash-resistant* design withstands use under harsh conditions even at -10 degrees Centigrade for high mobility. Nine blades give the aperture a rounded shape that produces an attractively smooth defocus effect in out-of-focus areas when shooting at larger aperture settings. Filter diameter is in 77mm. A highly reliable metal mount endures long time use.

Panasonic is committed to expanding the of Micro Four Thirds lineup through its LUMIX G series of cameras and lenses.

*Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

  • Design and specifications are subject to change without notice.

Leica DG Vario-Summilux 10-25mm F1.7 ASPH lens specifications

Principal specifications
Lens type Zoom lens
Max Format size FourThirds
Focal length 10–25 mm
Image stabilization No
Lens mount Micro Four Thirds
Aperture
Maximum aperture F1.7
Minimum aperture F16
Aperture ring Yes
Number of diaphragm blades 9
Optics
Elements 17
Groups 12
Special elements / coatings 1 UHR, 3 aspherical, 4 ED elements
Focus
Minimum focus 0.28 m (11.02″)
Maximum magnification 0.14×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale No
Physical
Weight 690 g (1.52 lb)
Diameter 88 mm (3.46″)
Length 128 mm (5.04″)
Materials Magnesium alloy
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 77 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Hands-on with Panasonic’s 10-25mm F1.7 Micro Four Thirds lens

01 Jun

Panasonic Leica DG Vario-Summilux 10-25mm F1.7 ASPH

The Panasonic Leica DG Vario-Summilux 10-25mm F1.7 ASPH is a fast zoom lens that covers several popular focal lengths. When mounted on a Micro Four Thirds body, where it’s equivalent to 20-50mm, you can hit 20mm, 24mm, 28mm, 35mm or 50mm with a single lens (and a fast one, at that). It will ship in July for $ 1799/£1799.

The lens was originally announced last year at Photokina, and saw a mockup under glass at CP+ back in March.

We were able to get our hands on a preproduction lens, so click through to learn more about this beast of a lens.

Big, but not that big

Make no mistake, the 10-25mm F1.7 is a hefty lens, but it’s not nearly as large or heavy as one would expect given its ambitious spec. The lens is 128mm (5″) long, has a max diameter of 88mm (3.5″) and weighs in at 690g (1.5lb). By comparison, Sigma’s 18-35mm F1.8 Art lens is a bit shorter, but almost 20% heavier, despite covering a narrower range of focal lengths.

The 10-25mm is a pricey lens, and it feels like it in the hand. It’s virtually all metal and is dust and splash-resistant. The lens can function down to -10°C/+14°F.

Seventeen elements

It shouldn’t come as a huge surprise that this ambitious lens requires a lot of glass. The 10-25mm F1.7 has 17 elements in 12 groups and includes aspherical, ED and UHR elements. The lens is threaded for 77mm filters, which serves as an example as how compact (relatively speaking) the 10-25 is.

The lens uses a stepping motor that focuses quickly and quietly.

Grabbing control over focus

The 10-25 is the first Panasonic Micro Four Thirds lens to have a focus clutch, making it easy to quickly switch between auto and manual focus. As you can see from the photo above, the lens can focus down to 28cm (11″).

With the clutch pulled back, the manual focus response is linear. This will be especially useful for video shooters, since it means you can be certain of how much the focus will change in response to you turning the lens. There’s a feedback stop at either end of the focus range but they’re not hard stops: the focus ring will continue to rotate beyond the close and far points, so it’s not great for use with a follow-focus.

Stills shooters are likely to appreciate that it gives an experience much more like an old, mechanically-driven lens,

Put a ring on it

The aperture ring, which travels from F1.7 to F16, is click-less, another feature the video crowd will appreciate. Something we like about the dial, at least on the prototype we used, is that there’s a detent to prevent you from accidentally switching the ring out of Auto mode.

Just as importantly for videographers, the aperture/iris is driven smoothly, without steps. This allows subtle adjustments in exposure (either manually or in auto mode), without the brightness of the video visibly jumping.

No going to great lengths

The lens extends when you adjust the zoom, but not by much: here it’s shown at full-extension.

Its comparably low weight should make it easy for a gimbal to stabilize, and the limited change in length should also mean its center of gravity doesn’t move very much. This should make it possible to get away without having to re-balance for different focal lengths, which is a clear benefit over using a series of prime lenses.

L-mount teleconverters

Panasonic released a pair of teleconverters for its S-series full-frame bodies alongside the 10-25mm F1.7. These 1.4x and 2x converters are compatible with Panasonic’s S Pro 70-200mm lenses: the currently available F4 version as well as the F2.8 model coming later this year.

Both teleconverters feature UHR (ultra-high refractive index lens) elements, and Panasonic claims that there’s virtually no reduction in resolution when using them.

The 1.4x and 2x teleconverters are priced at $ 499/£489 and $ 599/£579, respectively.

Articles: Digital Photography Review (dpreview.com)

 
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Kickstarter campaign seeks funding for Alter RFS, a hinged lens filter adapter

01 Jun

Alter has launched a Kickstarter funding campaign for Alter RFS, a Rapid Filter System that attaches lens filters to a camera via a hinged adapter. The Alter RFS friction hinge supports 270 degrees of rotation, enabling photographers to lower a filter over the lens when needed, then quickly lift it out of the way again.

Alter RFS, which is made out of milled anodized aerospace aluminum, features a magnet for sealing the filter over the lens and a light shield for preventing light leaks. The adapter supports existing lens filters with universal threads and can be rotated to move the hinge to the ideal position for the user’s needs (from the top to the side of the lens, for example).

The friction hinge prevents the filter from falling back down over the lens even during rough camera movements. Alter plans to offer the Rapid Filter System in filter sizes 40.5mm to 105mm, as well as an RFS+ adapter model that includes a built-in step-up.

Alter is offering Kickstarter backers various discounts for pledging funds to the campaign, with those discounts starting at $ 67 USD for a single Alter RFS up to $ 59 USD each for three units and $ 55 USD for any additional units beyond that. The company anticipates a retail price of $ 79 USD, assuming the campaign is successful and the product is brought to market. Shipments to backers are estimated to start in September.

Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

 
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Kipon shares new details of upcoming 12mm F2.8 lens for Fujifilm X-mount cameras

29 May

Kipon has shared new details about an upcoming 12mm F2.8 manual wide angle lens for APS-C camera systems.

The Ibegon 12mm F2.8 lens is being sold under the Kipon name, but its optical formula was designed by the German IB/E Optics. Its optical construction consists of 12 elements in nine groups and it features a seven-blade aperture diaphragm. It has a minimum focusing distance of 15cm (approximately 6in) and an aperture range between F2.8 and F22.

Blurry MTF charts provided by Kipon.

Currently, the product page only mentions availability for Fujifilm X mount camera systems, but Kipon previously teased at CP+ 2014 that it would be available for MFT, Sony E and EOS M mounts as well. Kipon hasn’t shared specific pricing information, but says it plans to ship the lens starting September 2019.

Kipon hasn’t shared specific pricing information, but says it plans to ship the lens starting September 2019.

Articles: Digital Photography Review (dpreview.com)

 
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This wooden Leica is a covert music box with rotating ‘lens’

29 May

Unlike some of the camera replica projects that have surfaced over the years, this wooden Leica music box is available to purchase now. The music box, which is available from multiple sellers through online retailers Amazon and eBay, features a combination of wood components and wood burning to imitate the Leica M camera system.

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Different versions of the music box are available, including options that play Für Elise, The Blue Danube, and more modern tunes like the Harry Potter theme song. Users wind the music box by rotating the front lens, which then slowly unwinds as the music plays. Prices vary based on seller, but generally sit around $ 12.

Articles: Digital Photography Review (dpreview.com)

 
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7 Ideas for Creative Lens Ball Photography [video]

25 May

The post 7 Ideas for Creative Lens Ball Photography appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video by our friends over at Cooph, you’ll learn 7 great ideas for creative lens ball photography to have fun with.

The 7 ideas for creative lens ball photography include:

1. Typography

Type some text and print it out (or find some text you already have) and photograph the lens ball on top. The ball acts as a magnifying glass and distorts the edges of the text.

Look for large letters on signage and displays and photograph the lens ball in front of it for a cool effect.

2. Split World

Look for corners with contrast to create a yin/yang effect.

3. Altering Structure

Find interesting flat structures to photograph the sphere against. The sphere will alter its structure and give it form.

Scan your lawn for flowers and photograph them through the sphere.

4. Inner Circle

Find round shaped objects that support the shape of the lens ball. Crawl into a tunnel (only a safe one, of course), set up your lens ball for the perfect shot.

5. Elements

Fill up a bucket with water. Set up your camera with a high shutter speed and have someone throw the lens ball out of the water bucket. You capture all the action.

Prepare lighter fluid and a spark (Editor note: actually, I don’t fully recommend this one unless you can absolutely do this safely. Fire is dangerous!!)

6. Portraits

Play with nature and your model for capturing cool portraits using the lens ball.

You can also have fun in the studio with this.

7. Abstract Spheres

Create custom backgrounds (cool wrapping paper or printouts will work great). Find interesting patterns too. These make for awesome shots using the lens ball.

Grids also work well. Place your grid in front of a colored wall and light it up. Put your lens ball in front and take some shots.

Bonus Tip:

Use light sabers and your ball for cool effects.

 

You may also find the following helpful:

  • How to Create Glass Ball Landscapes – 6 Techniques
  • Which Size Lensball is Best for Crystal Ball Photography?
  • How to Make Creative Photos with Prism Photography
  • Copper, Prisms, and Orbs, Oh My! – 3 Creative Techniques for People Photography
  • How to Take Unique Crystal Ball Portraits
  • 5 Photography Hacks to Improve Your Creative Photography

 

The post 7 Ideas for Creative Lens Ball Photography appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Lomography announces Petzval 55mm F1.7 lens for full-frame mirrorless systems

25 May

Lomography has announced it’s opened pre-orders for the Petzval 55mm F1.7 MKII, its first lens designed specifically for full-frame mirrorless cameras.

According to Lomography, the lens ‘is created with discerning photographers and filmmakers in mind’ and ‘designed to allow full creative flexibility, with its 7 levels of Bokeh Control and Dual Aperture system.’ Like other Lomography lenses, the Petzval 55mm F1.7 MKII comes with various plates to shape the bokeh in images.

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Below is a gallery sample photos captured with the Petzval 55mm F1.7 MKII and shared by Lomography:

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The lens is available Sony E, Canon RF and Nikon Z mounts and comes in three varieties: black brass, satin-finish brass and black anodized aluminum for $ 499, $ 449 and $ 399, respectively. Pre-orders are open now; the first aluminum units are expected to ship in July 2019 and brass units will follow shortly after in August 2019.

Articles: Digital Photography Review (dpreview.com)

 
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