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Posts Tagged ‘Lens’

Tamron 35mm f/2.8 Lens for Sony Review

14 Feb

The post Tamron 35mm f/2.8 Lens for Sony Review appeared first on Digital Photography School. It was authored by Suzi Pratt.

 

tamron-35mm-f2-8-lens-review-sony

Hot on the heels of Tamron’s widely successful f/2.8 zoom lenses comes a trio of f/2.8 prime lenses, specifically a Tamron 20mm, 24mm, and 35mm. I recently tested the Tamron 35mm f/2.8 and found it to be a surprisingly fun little lens.

Why surprising? Well, the 35mm f/2.8 may seem like an odd lens at first glance. There are faster versions of this focal length, such as the 35mm f/1.8 and 35mm f/1.4. And for those who shoot with a 16-35mm f/2.8 or 24-70mm f/2.8, this lens might seem unnecessary. However, there are a few clever tricks that the Tamron 35mm f/2.8 lens has up its sleeve to set it apart from the competition.

Tamron 35mm f/2.8 Lens for Sony Review

Tech specs

The official name of this lens is the Tamron 35mm f/2.8 Di III OSD M 1:2 Lens. It is made for Sony E-mount mirrorless full-frame cameras. Affordably priced at $ 349 USD, this is among the cheapest 35mm FE E-mount lens options.

Only Samyang makes a cheaper version.

All other FE 35mm options are over double the price of this Tamron. However, most of them have apertures of f/1.8 or faster.

  • Maximum Aperture: f/2.8
  • Minimum Aperture: f/22
  • Lens Mount: Sony E
  • Format Compatibility: Full-Frame
  • Angle of View: 63° 26′
  • Minimum Focus Distance: 5.9″ / 14.99 cm
  • Maximum Magnification: 0.5x
  • Macro Reproduction Ratio: 1:2
  • Optical Design: 9 Elements in 8 Groups
  • Diaphragm Blades: 7, Rounded
  • Focus Type: Autofocus
  • Image Stabilization: No
  • Filter Size: 67 mm (Front)
  • Dimensions (ø x L): 2.87 x 2.5″ / 73 x 63.5 mm
  • Weight: 7.4 oz / 210 g
  • Price: $ 349 USD

Compact size

Coming in at just 3oz, the Tamron 35mm 2/.8 lens is so lightweight, it may feel as though you forgot to attach a lens to your camera. Its size makes it a great lens for travel or street photography.

Since it isn’t terribly heavy, the lens does have a mostly plastic feel to it. However, the lens is still weather-sealed and even comes with a gasket in the bayonet to prevent moisture and dust from building up.

Tamron also offers a 5-year warranty with all of its products, which should help put your mind that ease.

Fun macro capabilities

Despite its light weight, the Tamron 35mm f/2.8 is a bit chunky – it’s definitely not a pancake lens.

But part of the reason for the lens’ size is its macro capabilities. As noted in the tech specs above, this lens has a minimum focusing distance of 5.9 inches (15 cm) and a macro reproduction ratio of 1:2. This means that you can get really close to your photo subjects for some macro photography fun.

When focusing at a close distance, the bokeh looks amazing, making up for this lens’ f/2.8 aperture.

Tamron 35mm f/2.8 review

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/125 sec, f/5.6, ISO 400, Aperture Priority

Excellent image quality

I paired the Tamron 35mm f/2.8 lens with a Sony A7riii and found the resulting images to be pleasing. The images were sharp with excellent contrast, good bokeh, and just a small amount of vignetting.

The lens also performed well while shooting video. However, there is no image stabilization in the lens, so it is not an optimal choice for video shooters.

Laggy autofocus

After listing several high points of this lens, it’s time to talk about its downfall – autofocus.

Given Sony’s reputation for having fast and accurate autofocus in its cameras, this lens’ autofocus performance was disappointing.

When paired with my Sony A7riii, the Tamron often struggled to focus on both macro and non-macro shots. The autofocus problem worsened in low lighting. As someone with lots of experience with macro photography, I suspect that the slow autofocus is due to the lens’ macro capabilities. So in a way, it’s a trade-off – you can shoot macro with this lens but at the cost of slow autofocus.

In Conclusion

Should you get this lens?

If you are a beginner photographer looking for a compact prime lens to experiment with, the Tamron 35mm f/2.8 would be a great choice. It has a great price point and will help you develop an eye for photography, as the 35mm focal length is often recommended as the best lens for beginners.

Even experienced photographers may prefer this compact lens with macro capabilities for travel or street photography. However, if you often shoot fast-paced subjects or in low light environments, save up for the more expensive, faster versions of this lens.

Have you tried the Tamron 35mm f/2.8 lens? Share with us your thought in the comments section.

Tamron 35mm f/2.8 review

Shot with the Sony a7r iii and the Tamron 35mm f/2.8. Focal length 35mm, 1/1600 sec, f/9, ISO 500, Aperture Priority

Tamron 35mm f/2.8 review

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/500 sec, f/9, ISO 500, Aperture Priority

Tamron 35mm f/2.8

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/200 sec, f/2.8, ISO 4000, Aperture Priority

Tamron 35mm f/2.8

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/100 sec, f/2.8, ISO 3200, Aperture Priority

Tamron 35mm f/2.8

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/50 sec, f/2.8, ISO 800, Aperture Priority

Image: Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/100 sec, f/2.8, ISO 3200, Aperture...

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/100 sec, f/2.8, ISO 3200, Aperture Priority

Image: Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/160 sec, f/10, ISO 400, Aperture Pr...

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/160 sec, f/10, ISO 400, Aperture Priority

Image: Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/100 sec, f/2.8, ISO 400, Aperture P...

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/100 sec, f/2.8, ISO 400, Aperture Priority

Image: Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/640 sec, f/6.3, ISO 400, Aperture P...

Sony a7r iii with Tamron 35mm f/2.8. Focal length 35mm, 1/640 sec, f/6.3, ISO 400, Aperture Priority

The post Tamron 35mm f/2.8 Lens for Sony Review appeared first on Digital Photography School. It was authored by Suzi Pratt.


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Fujifilm releases X100V with new sensor, new lens and tilting touchscreen

07 Feb

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The Fujifilm X100V has arrived and represents that biggest re-working of the camera since the series arrived nearly ten years ago. While the additions and updates are a little bigger than before, Fujifilm hasn’t messed too much with the basic formula that’s made the X100 so popular.

We still have an APS-C sensor, a 35mm-equivalent F2 lens and a hybrid optical-and-electronic viewfinder, but all of those have been updated. The sensor is Fujifilm’s latest 26MP X-Trans unit we first saw on the X-T3 and X-Pro3 interchangeable lens cameras, the lens has been redesigned to improve close-up and corner performance, and the viewfinder is all-new and has an OLED panel instead of the LCD panel on older models.

Beyond that, a new tilting screen mechanism doesn’t add much bulk to the camera, but makes it much easier to shoot from the hip. The addition of 4K video with F-log internal recording, alongside various capture aids and Fujifilm’s ‘Movie Silent Control’ system give the camera some serious video chops. Burst speeds of up to 20 fps with the electronic shutter, improved battery life and claimed weather-sealing (provided you attach the AR-X100 filter ring and a filter to the front of the lens) complete the package.

Put all of this together, and you get the most well-rounded and capable fixed-lens compact camera on the market today. Fujifilm says the X100V will be available in late February 2020 at a price of $ 1399, or $ 1799 CAD.

Press release:

INTRODUCING THE FUJIFILM X100V: MAKE EVERYDAY REMARKABLE

Valhalla, New York – February 4, 2020 – FUJIFILM North America Corporation is pleased to announce the launch of the FUJIFILM X100V (X100V), the latest model in a long line of iconic, portable, and fun X100 premium compact digital cameras.

The fifth iteration in Fujifilm’s X100 Series, the X100V is a significant upgrade over previous X100 line models. Featuring a new 23mmF2 lens, advanced hybrid viewfinder, optional weather resistance*, and 2-way tilting rear LCD screen, among a host of other product line updates, the X100V also uses the latest generation X-Trans CMOS 4 sensor and X-Processor 4 to provide all creatives from professionals to everyday image makers with an easy to use, fully capable, and sophisticated tool that provides incredible image quality when shooting both stills and video.

Key features and improvements of X100V include:

Sophisticated appearance, advanced operability and classical design

X100V’s timeless body has top and bottom plates milled from single pieces of aluminum, which results in a refined and classic camera body with clean edges. Finished with a beautiful satin coating, slight enhancements have also been made to the camera’s grip, ISO dial, and lens barrel to make it incredibly comfortable to hold and operate. Weather resistance appears for the first time in the X100 line when the optional AR-X100 adapter ring and the PRF-49 protection filter are attached. Additionally, a new two-way tilting touchscreen LCD screen fits flush at the back of the camera and provides intuitive touch controls, unlocking even more possibilities for image-makers to see, frame, and create images.

A new lens to make the most out of any image

X100V features a new 23mmF2.0 lens to ensure that every detail from its X-TRANSTM CMOS 4 Sensor is resolved beautifully. Designed for higher resolution, lower distortion and improved close focus performance, this lens is a significant upgrade from the design used on previous X100 cameras, while maintaining the same overall size and compatibility with legacy WCL/TCL conversion lenses, and retaining its internal ND filter that now features 4 stops.

At the heart of X100V is the state-of-the-art X-Trans CMOS 4 sensor and X-Processor 4 combination. The exceptional 26.1MP sensor uses a back-illuminated design to maximize quality and dynamic range, while its unique color filter array controls moire? and false color without the need for an optical low pass filter. Such outstanding imaging capability is complemented by the quad-core X-Processor 4. This powerful CPU not

only ensures images are quickly and smoothly processed, but also, thanks to a new algorithm, boosts AF performance with precision face and eye detection down to -5EV.

Two ways to see an image

X100V’s vastly improved hybrid viewfinder enables image-makers to quickly and easily choose between the 0.52x magnification optical viewfinder (OVF) or the 3.69M dot OLED electronic viewfinder to make their images. Offering 95% frame coverage, the OVF provides parallax-correcting frame lines to provide an uninterrupted view of the world, while the camera’s EVF delivers a real-time representation of the image as it is being made. The Electronic Rangefinder (ERF) function can also be selected to display a small EVF at the bottom right corner of the OVF, which gives image-makers another helpful tool as they frame and make their images.

More than just a still camera

X100V offers the ability to record 4K video at up to 30 frames per second or capture 120 frames per second at 1080p to create super slow motion effects. Filmmakers needing extreme color fidelity can record 10-bit, 4:2:2 color externally via the HDMI port and leverage Fujifilm’s advanced color reproduction technology, to apply film simulations, like “Eterna”, to their video footage. Additionally, image makers can also incorporate numerous shooting functions, such as “Monochrome Adjustments” and “Color Chrome” to extend their creative visions directly to the footage being recorded.

Optional accessories

Use the wide conversion lens (WCL-X100 II) or tele-conversion lens (TCL-X100 II) to extend X100V’s fixed 23mm focal length to a 28mm equivalent (0.8x) or 50mm (1.4x) equivalent lens on a 35mm format system.

Add a premium, genuine leather case (LC-X100V) to X100V to complement its classic design, while giving complete access to the camera’s battery and memory card without removing the X100V from its case.

X100V will be available in both black and silver and is expected to be available for sale in late February 2020 at a manufacturer’s suggested retail price of $ 1,399.95 USD and $ 1,799.99 CAD. For more information, please visit https://fujifilm-x.com/en-us/X100V.

*With the combined use of the optional AR-X100 Adapter ring and the PRF-49 protection filter (sold separately)

Fujifilm X100V specifications

Price
MSRP $ 1399
Body type
Body type Large sensor compact
Body material Magnesium alloy, aluminum
Sensor
Max resolution 6240 x 4160
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 26 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type BSI-CMOS
Processor X-Processor Pro 4
Color space sRGB, Adobe RGB
Color filter array X-Trans
Image
ISO Auto, 160-12800 (expands to 80-51200)
Boosted ISO (minimum) 80
Boosted ISO (maximum) 51200
White balance presets 7
Custom white balance Yes (3 slots)
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG
  • Raw (Fujifilm RAF, 14-bit)
Optics & Focus
Focal length (equiv.) 35 mm
Maximum aperture F2–16
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Normal focus range 10 cm (3.94)
Number of focus points 425
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,620,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic and Optical (tunnel)
Viewfinder coverage 95%
Viewfinder magnification 0.52×
Viewfinder resolution 3,690,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash Yes
External flash Yes (via hot shoe)
Flash modes Auto, Standard, Slow Sync, Manual, Commander, off
Flash X sync speed 1/4000 sec
Continuous drive 11.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±5 (2, 3, 5, 7 frames at 1/3 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 4096 x 2160 @ 30p / 200 Mbps, MP4, H.264, Linear PCM
  • 4096 x 2160 @ 25p / 200 Mbps, MP4, H.264, Linear PCM
  • 4096 x 2160 @ 24p / 200 Mbps, MP4, H.264, Linear PCM
  • 4096 x 2160 @ 23.98p / 200 Mbps, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 200 Mbps, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 200 Mbps, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 200 Mbps, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 23.98p / 200 Mbps, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 200 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC card (UHS-I supported)
Connectivity
USB USB 3.1 Gen 1 (5 GBit/sec)
USB charging Yes
HDMI Yes (micro HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth
Remote control Yes (via cable release or smartphone)
Physical
Environmentally sealed Yes (with optional filter holder and filter)
Battery Battery Pack
Battery description NP-W126S lithium-ion battery & charger
Battery Life (CIPA) 420
Weight (inc. batteries) 478 g (1.05 lb / 16.86 oz)
Dimensions 128 x 75 x 53 mm (5.04 x 2.95 x 2.09)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Nomad launches iPhone 11, Google Pixel 4 cases with Moment lens mount

07 Feb

Accessory maker Nomad has announced new smartphone cases in its Rugged line. The new models are available for all Apple iPhone 11 models as well as the Google Pixel 4 and feature an integrated mount for Moment lenses.

In a press release, Nomad said:

Our newest cases are Moment compatible. Meaning, they are the same style and quality you’ve come to expect from Nomad but now with an integrated Moment mounting plate. These will be available for all iPhone 11 models as well as Google Pixel 4 phones.

According to Nomad the cases are designed to withstand drops from up to six feet height and available in two colors, black or brown Horween Leather. They also come with a lanyard attachment point.

The lens mount allows you to attach any lens from premium accessory lens makers Moment, which includes an 18mm wide-angle, a 15mm fisheye, an anamorphic lens, a macro lens, and a 58mm tele lens, making the Nomad lenses an interesting alternative to Moment’s own cases.

The cases are available now form the Nomad website for $ 50.

Articles: Digital Photography Review (dpreview.com)

 
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Lomography Petzval 80.5mm F1.9 MKII Art lens launches on Kickstarter

07 Feb

Lomography has launched its twelfth Kickstarter campaign with its new Petzval 80.5mm F1.9 MKII Art lens. This 180th Anniversary Edition of the 19th-century portrait lens features 4 elements in 3 groups, F1.9 to F16 aperture, 67mm filter, 0.8m minimum focusing distance, 30-degree FOV and weighs 440g (0.9lbs).

Lomography’s new Petzval 80.5mm MKII Art lens sports a stopless aperture diaphragm, Waterhouse Aperture System, helicoid focusing mechanism, and what the company describes as a ‘velvety swirly Bokeh’ when the shot is wide open. The stopless aperture diaphragm and helicoid focusing mechanism mean users will be able to adjust the f-stop and focus while recording.

The new Petzval offering was designed for use with full-frame cameras but is said to still offer ‘great results’ with cropped sensors. The Advanced Bokeh Control Edition of the lens will feature a bokeh control ring with seven different bokeh swirl levels; this version of the lens will only be offered in black anodized aluminum.

The Petzval 80.5mm F1.9 MKII Art lens will be made available in Nikon F and Canon EF mounts in black anodized, brass satin and black painted brass colors. Lomography is offering the lens to Kickstarter backers who pledge at least $ 290. The lens is estimated to start shipping to backers in June.


Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm shows off XF 50mm F1.0 lens, teases fastest GF lens yet

05 Feb

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In amongst the X100V hullabaloo in London today, Fujifilm also discussed three new lenses spread across their two interchangeable lens camera systems. Unfortunately, we have neither press releases nor full specifications for these lenses, but you can get a sense for their size and how they handle from our hands-on photos with the mockups.

The first lens is the Fujifilm XF 50mm F1.0. We’ve covered this lens before; it was originally going to be a 35mm F1.0 lens (52.5mm equivalent focal length), but Fujifilm pivoted to a 50mm F1.0 (75mm equivalent) design due to size, weight and autofocus speed considerations. As you can see, it’s still a big lens when mounted on an X-T3 and comes with a 77mm filter thread and carries a ‘WR’ label for weather resistance, but manages to weigh in under a kilo. Judging from the aperture ring, the lens is capable of a minimum aperture of F16.

Next up is the GF 30mm F3.5 for the company’s medium-format GFX system. This lens has a roughly 24mm equivalent field of view, a common moderate-wide focal length that’s handy for everything from architecture to reportage as well as video shooting. With a relatively small 58mm filter thread, we expect it to handle well on all GFX bodies thus far released, and like all GFX lenses, also comes with a ‘WR’ label for weather resistance. The 30mm F3.5 will stop down as far as F32.

Lastly we have the GF 80mm F1.7. While more substantial-looking than the 30mm, it doesn’t look out of place on the (admittedly, fairly large) GFX 100. Its F1.7 aperture makes it the fastest lens yet for the GFX system, and it offers an equivalent focal length of 63mm. It comes with a minimum aperture of F22, has a 77mm filter thread, and of course, a ‘WR’ rating for weather-resistance.

Let us know what you make of Fujifilm’s latest lenses in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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4 Tips to Choose the Right Lens for your Photography

05 Feb

The post 4 Tips to Choose the Right Lens for your Photography appeared first on Digital Photography School. It was authored by Karthika Gupta.

tips-to-choose-the-right-lens-in-photography

A few years ago, I came across the term ‘gear lust.’ Suddenly all those feelings of wanting, dreaming, and lusting over the latest and greatest lens and cameras that I would see in glossy magazines and catalogs were categorized as a known condition. How could I choose the right lens to use and buy for my photography when there were so many options out there?

Did I really need to choose? Couldn’t I just buy everything and make myself a happy camper?

Pretty soon, I came crashing down to earth and realized that buying every single lens out there was not practical and near impossible given my finances and photography budget.

So, I learned fairly quickly how to understand my photographic needs and choose a lens that best fits that need – from a usability, functionality and budget perspective.

DPS Choosing The Right Lens Karthika Gupta

Here are some tips on how you can choose the right lens that works for you, based on your photography style, needs, and budget. Remember, these are all very individualistic, so make sure you are honest when answering these questions.

1. Understand your photography style

When we are starting out as photographers, there is a need to master everything. And rightfully so.

The early stages of learning any art form is one of exploration, and we should try everything out there.

When I first started, I was exploring different genres and editing styles. I explored moody to black and white, to light and airy, and everything in between.

I soon found myself gravitating towards a light bright airy style. This meant photographing wide open and using a lot of natural light in my photos. I realized that my lens needed to be fast to focus and let me photograph wide open at apertures of around f/1.2 through f/2.

These needs saw me gravitating towards prime lenses. I found that they worked well for me in post-processing for the style that I wanted to focus on too.

So I invested in the Canon 50mm f/1.2 L and a Canon 24-70mm f/2.8 L. Now, 9 years later, I still have both of these lenses and use them consistently.

Even though my genre and specialization have changed slightly, my photography style has remained fairly consistent. So these lenses have served me well.

DPS Choosing The Right Lens Karthika Gupta

Taken with my beloved 50mm f/1.2

So, take the time to understand what photography style works for you and then try out different lenses. Do you prefer working with zoom lens, or are primes more your style?

You will find that choosing the right lens for your style of photography becomes much easier when you take the time to understand what your photography style is rather than buying something and then adjusting your style to match the gear you have.

DPS Choosing The Right Lens 24-70mm Karthika Gupta

My 24-70mm f/2.8 lives on my camera 80% of the time. This is the lens I choose in a giffy because I know it gives me what I am looking for.

2. Understand your photography needs

When I first started photography, I considered myself a family and lifestyle photographer. Soon I added newborn and weddings into the mix.

I quickly realized that while I love kids, I just could not handle newborn photos. Newborn shoots take a lot of time and a lot of patience, waiting on babies to be cooperative.

However, I found my sweet spot with weddings and lifestyle photos.

As I tried out different lenses for this type of work, I quickly realized that speed and wide angles were important for family photos and weddings. With weddings, I often found myself in the back of the room, taking photos of the couple at the altar or interacting with family and loved ones. As I did not want to intrude on these special moments, I found that a lens with a good zoom was pertinent.

With this realization, I invested in the Canon 70-200mm f/2.8 because this lens had everything I was looking for – the zoom and speed.

DPS Choosing The Right Lens Karthika Gupta

Taken with the 70-200mm f/2.8 shot – I will love this lens till the day I die!

DPS Choosing The Right Lens 70-200mm Karthika Gupta

Choosing the right lens sometimes is like choosing your favorite child! You cannot voice it publicly but you know which one is the favorite!

I also found myself renting the Canon 35mm f/1.4 for larger weddings to take wide-angle photos. My second shooter would use this lens to get a different angle as we photographed side-by-side.

So, take the time to understand your photography needs. Do you want to focus on close-up portraits or do you want wide-angle photos of architecture? Perhaps you want to experiment with street photography? Do you want to do more macro or wildlife photos?

Choosing the right lens will become a breeze when you really narrow down what your photography needs are.

DPS Choosing The Right Lens Karthika Gupta

3. Acknowledge your budget

If you have to pick only one lens because of your budget, understand that it is perfectly okay, and even the top photographers do that occasionally. The amount of gear you own does not equate to skill and proficiency.

For my very first photoshoot, I rented a Canon EF 50mm f/1.4 lens and used that with my Canon 24-70mm f/2.8. I had no idea what I was doing other than the fact that I had read that the nifty-fifty was the best thing since sliced bread!

I hated that lens and couldn’t wait to return it. Fast forward a few years, and once I had the understanding and the budget, I invested in the L version of the 50mm. It is now my favorite lens for portraits of any kind. The bokeh from this lens is pure magic!

DPS Choosing The Right Lens Canon 24-70 Karthika Gupta

My 24-70mm f/2.8 is almost 9 years old. It has been readjusted multiple times by Canon Professional Services, but I will never get rid of it. It delivers day-in and day-out!

You can get creative with what you have.

Change up your angle. Change up the focal length by moving closer or backing out.

No matter what the limitations, for the most part, you can make it work.

4. Find the happy match between lens and photographer

This is the million-dollar question, isn’t it? With so many choices out there, what lens should you choose, and when? Investing in camera gear should always be a healthy balance between need, wants, and budget. The last thing you want is a closet full of gear that you never use.

Rent or borrow a lens that interests you so you can test it out for yourself first before outlaying a big amount of money on something that may not suit your needs.

An example of this is the Sigma 135mm f1.8 I was interested in buying. It is an incredible lens. I was so tempted to buy it having heard about its awesomeness from all my photographer friends. However, when I had a chance to test it out, I realized that I get a lot of the same results from my 70-200mm f2.8 for the way I was using it. So it would have been an unnecessary addition to my gear.

DPS Choosing The Right Lens Sigma 135mm Karthika Gupta

Selling off your unwanted gear is always an option, but it’s better to get it right to start with. Remember, needs and styles constantly change, and that is fairly common among photographers. That way, if you find yourself needing the same lens down the road, you can always keep using what you have or upgrade to a newer version.

As I slowly move away from weddings and more towards travel and culture, my needs have changed. I want to travel light and wanted the most bang for the gear I lug halfway around the world. Hence, I choose lenses that fit that need.

I’ve been lucky, because the lenses I chose for my initial needs, still suit my new needs. My go-to lenses are the 24-70mm f/2.8, 50mm f/1.2 and 70-200mm f/2.8. I find that this combination works the best for travel portraits, wide-angle landscapes as well as the occasional wildlife photos.

Good gear is essential for a good photographer, but expensive gear does not make a good photographer.

If you only have a kit lens and cannot afford anything else, that’s perfectly okay. Master your craft with what you have, and when the time is right, choose the right lens based on what you need and what you can afford, not on what is the latest/coolest gadget on the market.

You may also like: 

Photography Gear You Will Need for Different Types of Photo Shoots

Do you have any other tips to choose the right lens for your photography? If so, please share in the comments section.

The post 4 Tips to Choose the Right Lens for your Photography appeared first on Digital Photography School. It was authored by Karthika Gupta.


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Nikon’s Nikkor Z 70-200mm F2.8 VR S lens is being delayed ‘due to production reasons’

01 Feb

Nikon Japan has announced [translated] that the much-anticipated Nikkor Z 70–200mm F2.8 VR S lens and three of its accessories will be postponed.

Originally set to be released on February 14, 2020, Nikon Japan says the lens has been ‘postponed due to production reasons.’ No specific details have been given regarding production issue at hand and no timeframe is given for the new release date. Nikon Japan says it ‘apologize[s] for any inconvenience this may cause to customers waiting for this product.’

DPReview has contacted Nikon for a comment and will update this article accordingly when we receive a response.

We will provide further updates regarding the situation as they become available.

Articles: Digital Photography Review (dpreview.com)

 
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News: Irix Offering 15mm f2.4 Lens with Edge IFH-100 Filter Holder Combo

27 Jan

The post News: Irix Offering 15mm f2.4 Lens with Edge IFH-100 Filter Holder Combo appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

 

irix-15mm-f2-8-lens

If you haven’t heard of Irix, you should check out their products; the lens company combines fresh, modern designs and stellar optics to create some amazing third-party lens options.

And until February 14th, Irix is offering an equipment combo deal:

When you purchase the Irix 15mm f/2.4 Blackstone, you can pay just one extra Euro and receive the Irix Edge IFH-100 filter holder (normally 69 Euros in value).

Irix produces the 15mm f/2.4 Blackstone lens for three camera mounts: Canon EF, Nikon F, and Pentax K. It’s a fast prime lens that has received raved reviews, which makes it a perfect choice for landscape or architecture photographers looking to add an optically-impressive prime to their bag, not to mention astrophotographers.

The Irix 15mm f/2.4 is a manual focus only lens, which means it isn’t optimal for fast-paced genres such as street photography. But street photographers rarely shoot at ultra-wide focal lengths anyway, and all the photographers that would actually appreciate a 15mm prime probably work in manual focus most of the time.

One more thing you’ll appreciate about the Irix 15mm f/2.4 is the build quality. Irix is unique among lens manufacturers in that it offers two versions of the 15mm f/2.4: A rugged “Blackstone” lens, and a less rugged “Firefly” lens.

While the optics in the two versions are identical, the Blackstone is perfect for photographers who frequently take their gear into rough situations and who don’t have time to baby their equipment.

As for the Irix Edge IFH-100:

It holds 100mm square filters, including Irix’s hard and soft graduated neutral density filter lines. And it’s billed by Irix as “the lightest filter holder in its class.”

The Irix Edge IFH-100 should mount on lenses with a diameter between 52mm and 95mm.

So if you’re interested in grabbing a high-quality wide-angle prime, as well as a square filter holder, then take a look at Irix’s offer.

But act fast, because the deal expires 14th Feb 2020!

The post News: Irix Offering 15mm f2.4 Lens with Edge IFH-100 Filter Holder Combo appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Fujifilm announces affordable XC 35mm F2 prime lens

25 Jan

Alongside the X-T200, Fujifilm has announced the Fujinon XC 35mm F2 lens. For those of you not familiar with Fujifilm’s lens names, the ‘XC’ denotes the company’s more affordable optics.

The XC 35mm F2 should pair nicely with Fujifilm’s lower-cost models, such as the X-T200 and X-T30

The XC 35mm F2 is essentially a rehoused version of the XF 35mm F2 R WR. It has a plastic mount and less-solid-feeling construction, and features neither an aperture ring nor weather sealing (the ‘R’ and ‘WR’ in the XF version’s name, respectively). However, it does feature the same optics as the XF version, so image quality should be comparable.

The difference is that this brings the XC down to a price of $ 199. The result is a much more affordable 50mm-equivalent lens for newcomers wanting to expand their photography with a prime lens. In this sense, it’s like the ‘nifty fifty’ lenses traditionally available for most DSLR systems, but in a focal length nicely suited to APS-C users.

Press Statement

[From Fujifilm’s X-T200 Press Release]

For those interested in expanding their X-T200 tool kit, the new FUJINON XC35mmF2 lens gives an equivalent to 52mm field of view on 35mm format. Weighing just 130g and measuring 46.5mm in length, this new prime lens has nine elements, including two aspherical lens elements in six groups, which work to produce sharp and crisp images with creamy bokeh. AF operation is quick and near silent thanks to the use of an internal focus system and a stepping motor, which is used to drive the focusing elements quickly and accurately.

XC35mmF2 lens: $ 199 USD ($ 259.99 CAD)

Articles: Digital Photography Review (dpreview.com)

 
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Laowa launches new 65mm F2.8 2x Macro APO lens for Fuji X, Canon M and Sony E-mount

25 Jan

Venus Optics has unveiled its latest lens, the Laowa 65mm F2.8 2x Macro APO lens for Fuji X, Canon M and Sony E-mount camera systems. This marks the first macro lens Venus Optics has designed specifically for APS-C mirrorless cameras.

The lens offers a 2:1 magnification ratio and a 100mm full-frame equivalent focal length. It’s constructed of 14 elements in 10 groups, including three extra-low dispersion elements. Venus Optics says the lens was ‘carefully designed to remove both [lateral chromatic aberration and longitudinal chromatic aberration] to an invisible level.’

Below is a collection of sample images provided by Venus Optics:

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It has an aperture range between F2.8 and F22, and features a nine-blade aperture diaphragm. The minimum focusing distance is 17cm (6.7in) and the front filter thread is 52mm. The lens measures in at 100mm (3.94in) long, 57mm (2.24in) in diameter and weighs 335g (11.8oz).

Below is a video review of the lens from photographer Micael Widell:

The Laowa 65mm 2x APO Macro lens is available on Laowa’s website for $ 400. It’s available for Fuji X, Canon M and Sony E-mount camera systems.

Articles: Digital Photography Review (dpreview.com)

 
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