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Posts Tagged ‘Lens’

Canon 60D With 28-135mm USM Lens Sample Video Footage

04 Jan

Sample video footage taken with Canon 60D and 28-135mm USM lens. Edmonton, Alberta Music: Bach, Brandenburg Concerto No. 6 Perfomer: U..S. Army Band License: Public Domain Source: musopen.org Canon EF 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens for Canon SLR Cameras by Canon Cheyenne Ruether, Leasa Lachance
Video Rating: 5 / 5

The mono internal microphone is severely limiting in producing reasonable quality audio recordings. It provides only 1 channel, is sensitive to camera handling and wind noise when used outdoors. I wanted to find a cost effective solution to use with the camera when I needed to get better quality, noise free, stereo sound when using the camera both indoors and outside. Without going to the expensive of buying something like the Rode video mike which really makes the camera very prominent whilst trying to be discrete with filming I set about experimenting with less expensive electret microphones and capsules to see what the quality would be like with the 550D/60D. The 3.5mm stereo input jack of the camera also provides power for external electret mikes so this came as a real bonus as cheap capsules could be used without the need for them to have their own power source and electronics. Surprisingly the stereo tie clip microphone ( available of ebay from several retailers) gave good frequency response and sensitivity without excessive background noise. I am no audiophile and my hearing upper limit is decreasing but for general purpose recording this unit IMHO provides good enough stereo signals for most purposes that i need it for. It is easy to add a “dead cat” type fur windshield for outside use and can be attched to the hot shoe of the camera by means of a plastic adaptor which can easily be made by anyone with a few DIY skills. The test files have not been altered in
Video Rating: 4 / 5

 
 

Canon 60D with EF 50mm 1:1.8 II Lens – Video Test September 2011

03 Jan

Drew K Forrest Camera Test Camera: Canon EOS 60D Lens: Canon EF 50mm 1:1.8 II Starring: Evie McCloskey Featuring: Kaiti McCloskey, Some Frog and Drew’s Feet. It’s all footage as it came off the camera – I know the white balance is off for “the frog scene” and I don’t particularly care that a lot of it’s over exposed… Infact I kinda do care, it’s awesome…

 
 

Tamron 28 – 75mm F2.8 Lens Review

01 Jan

Welcome to DSLR Lab 2012 twitter.com We are kicking of the new year with a review of the Tamron 28 – 75mm F2.8 lens. This constant aperture zoom lens is perfect for video and photography and is a great alternative to the Canon 24-70 2.8 L lens. Its a third of the cost and half the size, but produces super sharp images and has beautiful color clarity. More test footage from this lens will be uploaded during the week. Thanks for Watching and Please Subscribe. 😀 Filmed on – Canon 550D Canon 50mm 1.8 Tamron 28-75mm 2.8 Audio – Rode Videomic Zoom H1

Full review: www.carbuyer.co.uk Volvo wants its S60 to be seen to offer a stylish, sporty alternative to rivals from Audi, Mercedes-Benz and BMW, and it’s not too far off.

 
 

Building a Nikon DX Lens System – For Recreation

01 Jan

www.snapchick.com SnapChick talks about which lenses to add to your Nikon DX DSLR body for fun!
Video Rating: 4 / 5

 

Nikon 70-300mm Lens

27 Dec

Product video for the Nikon 70-300mm Lens produced for Nikon by iSiteTV Ltd.
Video Rating: 5 / 5

Questions? Go here: www.youtube.com Hands-on review on Nikon 24mm Æ’/3.5D ED N PC-E. Manual focus only on all cameras; fully compatible with D300-Series, D700, D800-Series, D3-Series, and D4-Series only.
Video Rating: 0 / 5

 
 

Tokina 16-28mm f/2.8 Ultra-Wide Angle Lens Unboxing | Nikon Mount

22 Dec

Hello, Today I am going to be unboxing the Tokina 16-28mm Ultra-Wide Angle lens that come in either a Nikon or Canon mount. This lens offers a 107º Degree field of view that goes all the way to 76º Degree’s at 28mm, mind you this is on a Full-Frame camera. A cropped sensor APS-C or APS-H camera will offer a different degree of view. With a maximum aperture of f/2.8 this lens allows you to shoot in very low light conditions keeping your shutter speed high or ISO low. This results in clearer, sharper images from any camera. Consisted of 15 Elements in 13 groups, edge-to-edge sharpness is very well controlled as well as vignetting wide open and excellent CA handling. Optically what you are getting is a Nikkor 14-24mm f2.8 for half the price. What a deal! This lens is every bit as sharp as the Nikkor counter-part and even SHARPER in some instances. Feel free to look up these claims on DxOMark. Unlike the Nikkor 16-35mm f/4 with it’s VR (Vibration Reduction) this lens allows a full stop or more or light into the lens because it is an f/2.8. This can come into handy when that extra little bit of light is needed, especially when shooting video which only allows a 1/25 Shutter Speed or higher. The Tokina is built like a tank, weighing in at 2.09lbs or 950g, this lens is no light-weight. It’s meant to be a serious wide-angle lens and you can be assured it is exactly that. One draw-back of this lens is the exposed front-element and also most-importantly the inability to except
Video Rating: 3 / 5

 
 

6 Tips for Near-Macro Photography with a Telephoto Lens

22 Dec

Macro photography is the art of capturing the fine detail of very small subjects that may not be able to be seen by the naked eye.  Technically, to fall under the term ‘macro’, the subject should be captured with a reproduction ratio of 1:1, i.e. the subject will be captured on the sensor at 100 % life size.

Macro lenses are specially designed to minimise the focussing distance, allowing the photographer to get closer to the subject and so increase the reproduction ratio.  There are a number of other techniques that can be used to help achieve the desired magnification without a dedicated lens (extension tubes, close-up filters, reversing rings), however, one of less often considered techniques is to use something that you probably already have in your kit bag: a telephoto lens.

Milking Bonnet Fungi (Mycena galopus)

Milking Bonnet Fungi (Mycena galopus)

Telephoto lenses offer extreme magnification but generally have much larger minimum focussing distances pushing the photographer further from the subject and so reducing the reproduction ratio.  Some telephoto lenses, when combined with camera systems utilising smaller sensors, are able to offer 1:1 magnification (‘true macro’) however, typically, telephoto lenses are limited to close-up photography, at near-macro reproduction ratios.

Using a telephoto lens for this kind of work offers a couple of advantages over a dedicated macro lens that are a direct result of the large minimum focus distance.  Because the working distance to the subject is in the region of 1 metre (compared to 15 – 30 cm of standard macro lenses) the risk of disturbing your subject as you compose your shot is much reduced.  Also, given the extra distance between the camera and the subject, you are much less likely to cast a shadow over your subject and have a lot of freedom with the lighting you can employ to light the subject – both natural and flash.

Common Blue butterflies, mating (Polyommatus icarus)

Common Blue butterflies, mating (Polyommatus icarus)

Using a telephoto lens for such precise work is not without challenge, so here are a few tips to help maximise your chances of getting that near-macro shot, with your telephoto lens:

  1. Due to the extreme focal length, the risk of reduced sharpness due to camera shake is higher.  Therefore, it is imperative to use a tripod and remote shutter release to try and limit lens/camera movement.
  2. Even on a tripod, images can still suffer from camera sake.  Try and use a tripod collar for your telephoto lens, so that the lens is clamped directly to the tripod, reducing the chances of ‘lens wobble’.  If not, use the ‘1/focal length’ shutter speed rule to help capture sharp images (I always use 1/effective focal length (i.e. multiply your focal length by sensor crop factor to give the focal length in 35 mm terms) when selecting a shutter speed to reduce movement).
  3. Be aware of the depth of field.  Using extreme focal lengths at such close distances can reduce the depth of field to fractions of a millimetre.  Therefore, to ensure the subject is sharp throughout, use a small enough aperture to ensure the depth of field extends across your whole subject (there are websites and apps to help you do this).
  4. Ensure your subject is parallel to the sensor.  If you want to capture your subject in focus from front to back, ensure that it is parallel to your sensor.  The depth of field will be so narrow at the extreme focal lengths that you may not have more than a few millimetres to play with.  Therefore, position yourself accordingly to maximise your chances of capturing a sharp image.
  5. Switch the lens to manual focus.  If your telephoto lens as an AF/MF switch, switch it to manual focus and compose/focus the shot manually.  You may find that when focussing manually, the minimum focussing distance decreases meaning that you can get closer to your subject, increasing the magnification.
  6. Use a teleconverter to increase the focal length, but retain same minimum focussing distance.  This will allow you to significantly increase the magnification of the subject, without having to move any further away.  Increasing the focal length in this way will have consequences on your choice of shutter speed and aperture, but as long as it is taken into consideration, a teleconverter can successfully be used to increase the reproduction ratio.
Common Blue Damselfly (Enallagma cyathigerum)

Common Blue Damselfly (Enallagma cyathigerum)

Using a telephoto lens for near-macro photography will typically not allow you to magnify your subject as far as if using a dedicated macro lens, but you will be able to test the water to see if macro photography is something you enjoy, without having to splash out on any additional kit.  If you do decide that macro photography is for you, by putting this technique to practise you will learn a lot of good field craft that will be of benefit when you get around to picking up that new macro lens.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

6 Tips for Near-Macro Photography with a Telephoto Lens


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Just posted: Sigma 35mm F1.4 DG HSM lens review

21 Dec

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Earlier this year Sigma outlined a new vision for its product line-up, with lenses to be split into three categories: Contemporary, Sports and Art. The 35mm F1.4 DG HSM is the first release in the latter, and is designed to offer a relatively affordable alternative to the camera manufacturers’ equivalents. It works on both full frame and APS-C cameras, and will be available in mounts for all major brands. In our latest review in partnership with DxOMark, we take a detailed look at how it performs, including test data from all of its closest competitors to see how it measures up. Click through to find out what we thought.

News: Digital Photography Review (dpreview.com)

 
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Nikon 18-55mm VR Review: An Under-estimated Lens That May Surprise You

21 Dec

www.artoftheimage.com – The Nikon 18-55mm VR (as well as the non-VR version) is a lens that many over-look due to it’s low price and designation as a kit lens, but this lens is severely under-estimated and may surprise you.
Video Rating: 4 / 5

It’s a Fujifilm S2950 HD video test. I tried to zoom as much as I can. Other sounds are a little bit annoying but hope you enjoy. I think this camera has pretty good video skills. Check out my Flicker account for some examples of macro and scenery. www.flickr.com And a little recommendation for the ones want to buy this camera, you shouldn’t buy this camera for auto mode you should use manual because machine doesn’t thinks in the way of a photographer’s thinks. You can get good photos with the good settings.
Video Rating: 4 / 5

 
 

Polaroid to announce an Android interchangeable lens camera at CES 2013

20 Dec

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Polaroid appears to be set to announce an Android OS-based interchangeable lens camera at the CES 2013 trade show. Imaging Resource has written an article in which Scott Hardy, President and CEO of Polaroid, has confirmed the upcoming announcement. While Scott has commented that “Additional information and specs will be released during the show”, a product image on a Russian social media site shows a Nikon 1 series-like camera body and kit lens, while leaked specs suggest the camera runs Android 4, and features an 18.1-megapixel sensor and 3.5″ touchscreen display. (From Imaging Resource)

News: Digital Photography Review (dpreview.com)

 
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