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Posts Tagged ‘Leica’

Leica Q2 first impressions review

07 Mar

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The Leica Q2 is a fixed-lens, full-frame camera sporting a new 47.3MP sensor and a sharp, stabilized 28mm F1.7 Summilux lens. It’s styled like a traditional Leica M rangefinder and replaces the hugely popular original Leica Q (Typ 116), launched in 2015.

The Q2 looks essentially the same as its predecessor, but under the hood notable improvements have been made including the addition of weather-sealing, better battery life, a new processor and an improved electronic viewfinder. Sensor resolution has also nearly doubled.

Key Specifications:

  • 47.3MP full-frame sensor
  • 28mm F1.7 Summilux stabilized lens
  • 3.68MP OLED EVF with 0.76x magnification
  • 3″ fixed touchscreen LCD with 1.04 million dots
  • Fast autofocus and smoothly damped manual focus ring
  • Native ISO range of 50-50,000
  • 4K video capture
  • Leaf shutter up to 1/2000 sec
  • E-shutter up to 1/40,000 sec
  • IP52 rated dust and water resistant
  • Magnesium-alloy body
  • Wi-Fi and Bluetooth
  • Improved battery life

While the Q2 will replace the original Q in Leica’s lineup, the Leica Q-P – a stealthy version of the Leica Q – will remain available for some time, according to the brand. The Leica Q2 ships March 7th for $ 4995.

Raw photo processed to taste in Adobe Camera Raw.
ISO 250 | 1/80 sec | F2.8

What’s new and how it compares

The Q2 and original Q look pretty similar, but there are a lot of upgrades under the hood. Here’s the nitty gritty.

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Body and controls

How’s it feel in hand? How’s the new electronic viewfinder? Find out here.

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First impressions

We’ve been shooting around with the Leica Q2 – here are our initial thoughts based on that time.

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Sample gallery

Puppies and landscapes and portraits, oh my! Check out our full sample image gallery for out-of-camera JPEGs and Raw conversions.

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Specifications

You’re a gear nerd, we get it. Here’s where you’ll find all the juicy details about the Q2 listed out.

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Articles: Digital Photography Review (dpreview.com)

 
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Jason Momoa, AKA Aquaman and Khal Drogo, is quite the Leica camera collector

05 Mar

Jason Momoa, better known as Aquaman and Khal Drogo from HBO’s Game of Thrones, is apparently an avid Leica camera collector and working alongside Leica and Red Digital for an upcoming project.

On his Instagram page, under the username prideofgypsies, Momoa shared the below post highlighting a ‘new project and film’ he’s working on. He doesn’t dive into the details of it, but says video is being shot on Red Digital cameras with Leica glass attached while stills are being shot with Leica cameras.

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Excited to start a new project and film. Shooting movies on the @reddigitalcinema @leitzcine and photos on @leicacamerausa #LeicaSummicronM. #M10. living on set I have learned from so many wonderful artists I want to thank Zack Synder @cruelfilms and @wfmft for starting my Leica obsession than @nicholasdominictalvola for always informing me and inspiring and @dennydenn @candytman for setting the bar. @lennykravitz always killing it. @johnson167 best gear. @kiran.karnani for making my dreams come true. Can’t wait to show everyone It’s gonna be a great couple years filled with art #theduneadventures. #pastandpresent #theroots #leicalover. Aloha j

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Based on Momoa’s post, he owns numerous Leicas, new and old, including a 1958 M2 and a newer M10-D with a limited-edition Noctilux lens.

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@leicacamerausa. @leitzcinewetzlar @on_the_roam LOVES YOU #mywifescoolwithit #hallpass #leicaohana mahalo @sethemmons aloha j

A post shared by Jason Momoa (@prideofgypsies) on

In addition to his post, Leica has shared a number of posts on its various Instagram profiles across the globe highlighting Momoa shooting with Leica cameras. We’ve rounded up a few of them below:

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Happy birthday to our favorite Aquaman, @prideofgypsies! Photo: @dennydenn

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On the field with Frontier actor Jason Momoa and the Leica M Typ 240. In the frame: Jason Momoa (@prideofgypsies) Photo by @dennydenn with #LeicaSL #LeicaCameraUSA @cinematicpix @frontier_book #LeicaSL #Leica #JasonMomoa #Photography

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Behind the scene fun with actor Jason Momoa and the Leica SL Photo: @dennydenn In the Frame: Jason Momoa (@prideofgypsies) Project: Shooting for the upcoming #FRONTIER coffee table book from @cinematicpix #LeicaCameraUSA #LeicaSL #Leica #JasonMomoa #Photography

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He also gives a few shoutout to fellow artists for informing and inspiring him along the way, including musician Lenny Kravitz, Nicholas Dominic Talvola and others.

Articles: Digital Photography Review (dpreview.com)

 
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CP+ 2019: Voigtländer unveils new manual focus lenses for Sony E-mount and Leica M

02 Mar

CP+ 2019: Voigtländer shows new lenses for Sony E-mount

We’re at the CP+ show in Yokohama, Japan, where Cosina is letting customers get their hands on three fast manual-focus primes for Sony E-mount and Leica M, respectively. We took a closer look.

Nokton 50mm F1.2 Aspherical

First up is the Nokton 50mm F1.2 Aspherical for E-mount. Although this is a metal-bodies, classically-styles manual focus prime, optical construction is thoroughly modern, comprising eight elements in six groups, including two aspheres.

Nokton 50mm F1.2 Aspherical

Considering the fast maximum aperture of F1.2, the Nokton is very compact, and fairly light at 434 g. Voigtländer claims that this is thanks to the use of aspherics, which allow for high-resolution imaging wide-open without the need for more, or larger elements.

Nokton 50mm F1.2 Aspherical

The Nokton 50mm F1.2 features a 12-bladed manual aperture, and a 58mm filter ring. Electrical contacts on the mount allow for focal length and aperture information to be transmitted to compatible E-mount cameras. Minimum focus distance is 0.45m (about 18 inches).

Nokton 21mm F1.4 Aspherical

The Nokton 21mm F1.4 for Sony E-mount handles like a slightly larger version of the 50mm, and operates in exactly the same way. Manual focus and aperture rings allow for direct manual control, and the overall quality of build and finish is as high as we would expect from a premium Voigtländer lens. All three of these new lenses, in fact, are lovely to hold and use.

Nokton 21mm F1.4 Aspherical

Optical construction comprises 13 elements in 11 groups, with at least one aspherical element (Cosina is being a little vague, for now, on the exact optical formulation). Like the Nokton 50mm, there are 12 aperture blades, and electrical contacts communicate focal length and aperture to the camera.

Nokton 21mm F1.4 Aspherical

The Nokton 21mm F1.4 is a fairly large lens, with a 62mm filter thread. For video use, the aperture dial can be ‘de-clicked’ for smooth stepless control. Minimum focus is 0.25m (about 10 inches).

Nokton ‘Vintage’ 75mm F1.5 Aspherical

The Nokton 75mm F1.5 Aspherical is a fast short telephoto prime lens for Leica M-mount. Preferred by some rangefinder photographers over 80mm+ lenses for portraiture, 75mm is meaningfully longer than 50mm, while not quite long enough that the framelines in an optical viewfinder end up too small for accurate composition.

Nokton ‘Vintage’ 75mm F1.5 Aspherical

Intended to recall the classic rangefinder lenses of the mid 20th Century, the Nokton 75mm might look like an antique, but its optical makeup is entirely modern. Optical construction comprises seven elements in six groups, including one aspherical element. According to Voigtländer, this should ensure good sharpness and resolution even at the lens’ widest aperture of F1.5.

Again, there are 12 aperture blades, which ensures near-circular apertures across the range of F1.5-16. At wide and medium apertures, this should result in the all-important pleasant circular highlight bokeh beloved of portrait photographers. As we’d expect for a lens designed for rangefinder cameras, minimum focus is a fairly unremarkable 0.7m, which represents the minimum focus coupling distance for a Leica M-series camera.

Pricing and availability for all three new lenses has yet to be confirmed, but we’ll bring you more details as they become available.

Articles: Digital Photography Review (dpreview.com)

 
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Leica announces new APO-Sumicron-SL 35mm F2 ASPH L-Mount lens

01 Mar

Leica has announced its new APO-Summicron-SL 35mm F2 ASPH lens, an L-mount lens designed to be used with Leica’s SL mirrorless cameras as well as Panasonic and Sigma cameras as part of the L-Mount Alliance.

The lens features 13 elements in 11 groups, including five aspherical elements. The optical elements feature ‘high-quality coatings’ on the various lens elements to help reduce unwanted reflections ‘to an absolute minimum’ and also feature a hydrophobic Aquadura coating on the exterior lens surfaces. The body of the lens is sealed against both dust and moisture.

As with other lenses in Leica’s Summicron-SL collection, the 35mm F2 ASPH lens features a Dual Syncro Drive (DSD) steeping motor for fast autofocus. Leica says the lens ‘completely travels the entire focus range in just 250 milliseconds.’ The lens measures 102mm / 4.02in long and 73mm / 2.87in in diameter and weighs in at 720g / 25.4oz.

The APO-Summicron-SL 35mm F2 ASPH lens will go on sale in mid-April for $ 4,595 at Leica Stores, Boutiques and authorized retailers.

Articles: Digital Photography Review (dpreview.com)

 
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Italian photojournalist has a Leica camera to thank for saving his life after being hit by an RPG

28 Feb

Editors note: Although no injury is shown, there is visible blood on a Leica camera in an embedded image below.


Italian photojournalist and co-founder of the Cesura Lab photographer collective, Gabriele Micalizzi, has a Leica camera to thank for saving his life.

On February 11, 2019, while covering conflict between the United States-backed Syrian Democratic Forces and the Islamic State (IS) militant group in Baghuz, Syria, Micalizzi was hit with shrapnel from an IS-fired rocket propelled grenade (RPG).

In the above video, shared by YouTube channel Gli Occhi della Guerra, wherein Micalizzi recounts the attack. The interview is in Italian, but closed captions can be turned on for an auto-generated English translation.

In speaking with Italian news outlet Corriere della Sera, Micalizzi recounts the incident, saying:

I can tell you the story now, in a corridor of San Raffaele hospital, [thanks to] those who did everything for me. The Kurdish military, the American doctors, the Italian embassy. My Leica camera, too. If I hadn’t been holding it in front of my face, I wouldn’t be here to talk about it: in the impact [the Leica] damaged my eyes, but it served as a shield.

Gabriel Chaim, a CNN visual journalist who was with him at the time, also spoke on Micalizzi’s brush with death with the Committee to Protect Journalists:

Micalizzi was hit by shrapnel from the RPG in his head, his left eye and ear, and different parts of his body. I was a meter and a half away from him and got hit by the blast.

The below image and accompanying caption was shared on the Cesura Instagram page.

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Following the recent events regarding our photographer, co founder, friend and brother Gabriele Micalizzi in Syria, we would like to update you on his conditions. Gabriele is currently in Baghdad’s military hospital and is being carefully looked after by their medics for his lesion on eyes and arms. Yesterday we talked with Gabriele on the phone and he confirmed he is feeling fine, he is able to stand up and can see from both his eyes even if blurry. We are extremely happy to be able to dispute the recent news about the loss of his left eye which the media published without the necessary fact checking. Gabriele, the Micalizzi family and cesura would like to thank the people who very quickly and efficiently helped to rescue and evacuate him from the area of the accident. We would like to thank the Farnesina Crisis Unit and Italian diplomatic network for quickly jumping to action, keeping us constantly updated and for organising Gabriele’s return in italy. Furthermore, thank you to the whole medical team at the American hospital in Baghdad who took him in and with great dedication is taking care of him. We would also like to thank the journalist Fausto Biloslavo, @francesco.semprini and @gabrielchaim for the support during the evacuation operations and lawyer Alessandra Ballerini for the constant and precious help. Thank you to all the people who helped us handle this emergency situation in the best way possible. We will still have to wait a few days longer to see Gabriele in Italy again and hug him but the operations to bring him back home are already under way and the hospital ready to welcome him. We are waiting for you Never never never give up Cesura

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Micalizzi’s work has been published around the world, with his credit line appearing in The New York Times, the Wall Street Journal and more. You can keep up with Micalizzi’s recovery on both his and Cesura’s Instagram profiles.

Articles: Digital Photography Review (dpreview.com)

 
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Leica releases M10-P ‘ASC 100 Edition,’ a still camera for cinematographers

12 Feb

Leica has released a limited edition model of its M10-P digital rangefinder to celebrate the 100th anniversary of the American Society of Cinematographers. In February 2019, the ASC will be presenting its awards for the 33rd time which Leica says is ‘an ideal occasion to present an exclusive tool for filmmakers: the Leica M10-P ASC 100 Edition.’

Leica has been linked to the world of cinematography since its very early days when Oskar Barnack took 35mm motion picture film strips to use them in still cameras. He also used the original Leica camera to test exposure settings for cinema cameras with a still camera.

According to the company ‘the Leica M10-P “ASC 100 Edition continues Barnack’s ingenious idea and translates it into modern times,’ making it the ‘ideal camera to recreate the authentic look of the cinema in still pictures.’

The limited edition set comes with a Leica M10-P body and a Summicron-M 35 f/2 ASPH lens. The camera includes two cinema-look software modes which have been developed in collaboration with ‘some of the world’s most influential cinematographers and members of the ASC.’ The ASC Cine Classic mode simulates the analog 35 mm motion-picture film look while the ASC Contemporary mode creates a contemporary digital movie look.

In addition the M10-P ASC 100 Edition lets users select from different aspect ratios used in cinematography. Aspect ratios are visible as a bright-line frame in Live View mode.

With the camera and lens buyers of the set receive a Visoflex electronic viewfinder and a Leica M-PL-Mount which allows for the use for most PL mount cine lenses with the camera. This means cinematographers can view and test scenes with a cine lens before motion picture shooting begins.

As one would expect, the limited edition camera also features a unique design, with black engravings on black chrome surfaces and leathering which is similar to the Leica SL. With its gold-colored anodized finish the design of the lens was inspired by the ‘Ur-Leica’ brass look. The final touch is the ASC logo on the top plate.

The Leica M10-P ‘ASC 100 Edition’ will be available beginning autumn 2019. No pricing information has been released yet but expect it to be expensive. More information is available on the Leica website.

Articles: Digital Photography Review (dpreview.com)

 
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Leica launches limited edition versions of three classic M lenses

09 Feb

Limited edition versions of the Leica APO-Summicron-M 50 mm F2 ASPH, Summaron-M 28 mm F5.6 and Summilux-M 28 mm F1.4 ASPH lenses have been announced for the Leica M rangerfinder series, with alternative finishes, red markings and different materials setting them out from the normal production versions.

Each of the limited editions has its distance or aperture markings picked out in red paint, and each comes in a different paint or finish to the standard models.

The lens with the most unique features is the APO-Summicron-M 50 mm F2 which comes in black chrome, and substitutes the regular focusing ring for a ‘scalloped’ version that the company says echoes the design of the 1956 model. There is a lot of brass too, with the components of the barrel made in brass, as is the lens hood and the lens cap.

The Summaron-M 28 mm F5.6 will come in a black matt paint that’s especially hard wearing, according to Leica, making it as tough as the black chrome finishes. The Summilux-M 28 mm F1.4 will come in a silver anodized finish.

Each of the lenses will be technically identical to the standard production models, just with these cosmetic differences. There will only be 700 of the 50mm lens, 500 of the 28mm F5.6 and 300 of the 28mm F1.4 – and all will be available by the end of the month.
For more information see the Leica website.

Leica APO-Summicron-M 50 mm F2 – $ 9,595

Leica Summaron-M 28 mm F5.6 – $ 2,995

Leica Summilux- M 28 mm F1.4 – $ 6,995

Press release:

Leica Camera AG presents three new design options in the Leica M-Lens portfolio.

Leica Camera AG presents new design versions of the Leica APO-Summicron-M 50 mm F2 ASPH., Leica Summaron-M 28 mm F5.6 and Leica Summilux- M 28 mm F1.4 ASPH. lenses for the Leica M-System. The special series of the three lenses are distinguished by unique design highlights and are being offered in a limited number of examples. The performance and technical specifications of the lenses are otherwise identical to those of the serial production products.

The new series of lenses includes a black chrome version of the APO-Summicron-M 50 mm F2 ASPH. standard lens. In comparison to the serial production lens, this design alternative features a characteristically scalloped focusing ring that recalls the appearance of the Summicron 50 mm F2 (II) from 1956. The components of the barrel of this special series are machined from brass. The engravings for the focal length and the distances in feet are picked out in red. The lens is supplied complete with a classic, round brass lens hood engraved with ‘Made in Germany’ and a lens cap turned from solid brass. The edition of the lens in this design version is strictly limited to 700 examples. The APO-Summicron-M 50 mm F2 ASPH. in black chrome is available from 21 February.

The second special series presents a version of the Leica Summaron-M 28 mm F5.6 in matt black paint finish, a lens from the classic line-up of Leica M-Lenses. The Summaron-M is modelled on a screw mount lens produced at the Leitz factory in Wetzlar from 1955 to 1963. With a length of less than 2 centimetres, this extremely compact wide-angle lens is the smallest lens of the M-System lens portfolio. The special paint used for this special series is particularly resistant to wear and lends the lens an appearance almost identical to that of the classic black chrome finishes.

A further feature of the new lens is the engraving of the aperture scale visible from the front, with numbers now picked out in red. This edition of the Leica Summaron-M 28 mm F5.6 in matt black paint is limited to 500 examples for the global market. The lenses will be on sale from 28 February.

The third design option, the Summilux-M 28 mm F1.4 ASPH. in a silver anodised version, offers owners of Leica M-Cameras in silver a further high-performance lens that matches the finish of their cameras. This fast wide-angle lens is an ideal companion for reportage photography and delivers impressive imaging performance in all lighting situations. The lens with the alternative finish will be on sale from 28 February in a limited edition of 300 examples.

Articles: Digital Photography Review (dpreview.com)

 
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Leica releases limited ‘Safari’ edition M10-P camera, Summicron-M 50mm F2 lens

01 Feb

Leica has announced the launch of a limited edition Leica M10-P Edition ‘Safari’ camera and accompanying Summicron-M 50mm F2 Edition ‘Safari’ lens.

The launch of the limited edition pieces continues Leica’s tradition of olive green camera releases. In Leica’s own words, ‘Leica cameras with the olive green enamel finish were originally designed and created for hard-wearing military use, as they were seen as robust and reliable tools that consistently delivered under extreme conditions.’

The Leica M10-P Edition ‘Safari’ is identical to its less colorful counterpart in terms of specs and includes a full-grain cowhide leather carrying strap as well as a matching leather case for memory cards and credit cards, both of which were designed to ‘complement the unique aesthetic of the limited edition camera.’

The Leica Summicron-M 50mm F2 Edition ‘Safari’ lens is the first time a Leica M lens will be available in the olive green finish. Aside from the new color, the limited edition lens features a distance scale and focal length engravings that are hand-filled with red paint to ‘contrast to the other bright white engravings on the lens.’ Like the camera, this lens is identical to its black and silver counterparts.

Interestingly, the camera and lens are being sold separately with no option of getting them together as a kit. Leica says the M10-P Edition ‘Safari’ camera body is available today for $ 8,450 in a limited run of 1,500 units while the matching lens will be available on February 15, 2019 for $ 2,750 in a run of just 500 units. Both the camera body and lens are available for pre-order at B&H.

Leica Camera Continues a Longstanding Tradition with the Leica M10-P and Leica Summicron-M 50 mm f/2 “Safari” Limited Editions

The first-ever release of a Leica M-Lens in the olive green coloring accompanies the fifth iteration of “Safari” camera offerings

January 31, 2019 – The launch of the limited Leica M10-P Edition “Safari” camera and Leica Summicron-M 50 mm f/2 Edition “Safari” lens reopens a beloved chapter in Leica Camera’s ongoing tradition of special olive green camera releases. Dating back nearly 60 years, the eye-catching finish has recurred throughout the brand’s rich history, making each rare piece highly sought after among Leica collectors and enthusiasts alike. Leica carries forth this tradition with the new limited edition camera body and limited edition lens in the olive green enamel finish, which when paired together, create the perfect symbiosis of functionality, design and history.

Leica cameras with the olive green enamel finish were originally designed and created for hard-wearing military use, as they were seen as robust and reliable tools that consistently delivered under extreme conditions. The rugged aesthetic of the Leica M1 “Olive” for the German armed forces, made in 1960, proved to be a great success from its onset. The subsequent olive green Leica M3 and M4 cameras were also created exclusively for the rigors of military use in the field, however, in response to rising popularity and increasing demand, in 1977 the olive green Leica R3 “Safari” camera became the first of its ilk to be created for sale to the general public. As popularity grew and the legacy carried on over the years, Leica Camera launched the M6 TTL “Safari” in 2000, the M8.2 “Safari” in 2008 and, most recently in 2015, the M-P (Typ 240) “Safari.” Each piece, a significant highlight in Leica’s historic lineage and timeline of milestones.

Today, Leica continues the tradition of these unique and storied cameras with the Leica M10-P Edition “Safari”, a modern take on the olive green finish, at its core containing the same performance and technical capabilities of the standard Leica M10-P and its industry-leading quiet mechanical shutter. The limited edition camera is accompanied by a leather carrying strap as well as a matching leather case for SD memory cards and credit cards. Both accessories are crafted from brandy-colored, genuine full-grain cowhide and complement the unique aesthetic of the limited edition camera, of which there are only 1,500 units available worldwide.

For the first time in Leica’s history, a Leica M-Lens will be available in the legendary olive green finish. The matching Leica Summicron-M 50 mm f/2 Edition “Safari” will be offered separately from the camera, with only 500 units being made available. In addition to the special enamel finish, the Leica Summicron-M 50 mm f/2 Edition “Safari” is distinguished by its distance scale and focal length engravings, which are precisely engraved and carefully hand-filled in red paint – in contrast to the other bright white engravings on the lens. The technical specifications and optical performance are identical to those of the well-regarded production model, though the artful coloring and compact design of this high-performance standard lens makes it an attractive addition to any photographer’s set of Leica M equipment.

Every bit of visible metal components of the Leica M10-P Edition “Safari” and the Leica Summicron-M 50 mm f/2 Edition “Safari” lens are crafted from solid brass. The premium enamel finish in olive green makes the camera and lens resistant to finger marks and scratches, providing enduring protection against external elements such as solvents, chemicals and UV light to ensure a long-lasting look that can stand the test of time and transcend generations, just as its forebears before it.

The Leica M10-P Edition “Safari” camera body is available for sale today for $ 8,450. The Leica Summicron-M 50 mm f/2 Edition “Safari” premium lens will be available starting February 15th for $ 2,750. Both camera and lens are sold separately at Leica Stores, Boutiques and Dealers.

Articles: Digital Photography Review (dpreview.com)

 
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Voigtlander Vintage Line lenses for Leica M mount get prices for US, UK markets

31 Jan

Prices have been released in the USA and UK for a pair of new Voigtlander lenses designed for M mount rangefinder cameras. Both the Color-Skopar 21mm f/3.5 VM Aspherical Vintage Line and the Ultron 35mm f/2 VM Aspherical Vintage Line will cost $ 799/£599 and are available now.

The aim of the lenses is to provide compact and high quality optics in a retro style that conjures the essence of the 1950s. The company says it targeted more moderate maximum apertures so that it could keep the lenses small, but also because very wide apertures are less practical when using rangefinders, especially when the subject isn’t central or is moving in the frame.

There is a sample gallery of images taken with the lenses in DPReview’s original news article, and there’s more information in the Voigtlander website.

Articles: Digital Photography Review (dpreview.com)

 
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Gear: Leica C-Lux Camera Review

07 Jan

The post Gear: Leica C-Lux Camera Review appeared first on Digital Photography School. It was authored by Kunal Malhotra.

One of the latest offerings by Leica is the C-Lux compact camera which features 20-Megapixel, 1-inch CMOS sensor. With the focal length range of 8.8-132mm (24-320mm as per 35mm format), this is a multi-purpose camera. You can shoot photos of multiple genres like street, portraits, landscape, wildlife, and events using the 15x zoom range on this camera by Leica.

Talking about a few key highlighting features, the Leica C-Lux allows you to shoot 4K video, shoot images at 10fps burst rate and has a sensitivity range up to ISO 25600.

Build quality and ergonomics

The moment you hold the Leica C-Lux in your hand, you get mesmerized by its looks and ergonomics. This camera looks and feels premium from the very first second you use it.

The grip on this camera allows you to use it for hours without sweat or pain in your fingers. The thumb support at the back of the camera allowed me to make a strong grip while clicking both photos and videos.

I like how Leica has made this compact camera ‘compact’ – making sure it is fully-loaded with the latest features. While the built quality feels sturdy, the camera weight is not very heavy.

Physical features

My favorite physical feature on this camera has to be the customizable ring on the lens. By default, the role of the ring is to adjust the focal length of the lens. However, you can customize it to control either the manual focus or aperture value. So if you frequently focus manually or shoot in aperture priority, you are going to love this feature. I shoot in aperture priority in most situations, and the ring helped me save time and effort switching between aperture values.

On the back side of the C-Lux camera sits the 3.0“ TFT LCD touchscreen and 0.21“ LCD viewfinder with diopter adjustment from -4 to +3 diopters. The touchscreen is responsive and you can touch-and-focus while shooting photos and videos. However, the viewfinder is something that did not impress me. It felt like there was light leakage from the sides which distracted my view.

There is a pop-up flash hidden on the top center of the camera, which can be used by merely sliding a physical key. The back panel also features three custom function buttons which can be used as per the user convenience.

Image quality

While this camera has a focal length range from 24mm to 360mm, you may want to know its performance at both ends. I found the images to be sharp and crisp between 24mm and 200mm, and it gets a bit soft beyond 200mm focal length. Nevertheless, while shooting in daylight, it gives incredible results even at 360mm. However, as the light reduces, the crispness becomes a bit average.

If you are someone who shoots more in daylight and you want a longer focal length range in your compact camera, this could be a great choice for you. The optics in this camera lens enables you to capture images with good color reproduction.

Low-light performance

The real test of a camera is when it gets used in low light conditions. I took this camera for a run at night and clicked some street photos. The ISO performance up to 1600 ISO is excellent considering it features a 1-inch sensor. But beyond 1600 ISO you will start noticing grain in your images.

I was shocked to see this camera perform brilliantly in low light conditions while shooting video. I expected high grain at ISO 800, but this camera worked like a charm even at ISO 1600. This camera is equipped to shoot 4K video at 30fps and 1080p video at 60 fps.

Monochrome mode

Leica is known to have one of the best sensors for monochrome photography. But is it any good in this, one of the most affordable cameras? I fell in love with monochrome photography the day I started using this camera. The monochrome images felt entirely different coming out of this camera; perhaps because it is my first Leica camera. This camera captures amazing contrast and dynamic range, as you can see in the image below.

Autofocus performance

Most of the time I used the touch-to-focus feature, and there is a reason behind that. Ideally, I use manual focus point selection, but after a few shots I could trust the C-Lux touch focus accuracy. The focus speed also feels quite fast without much focus hunting, even in low-light conditions. But when you are beyond 200-250mm in low light conditions, the focusing becomes slower, and the focus hunting begins.

Features

There are some useful features in this camera including Focus Stacking and Exposure Stacking modes. One of the benefits of using a small sensor camera is that you get to use some fantastic features. These two modes allow you to capture multiple photos and give you a final image using either the focus point of your choice to focus stack or combine multiple exposures to achieve a high dynamic range (HDR) image.

Moreover, if you are social media enthusiast, the C-Lux camera allows you to instantly transfer images and videos via Wi-Fi or Bluetooth with the help of the ‘Leica C-Lux’ app.

Final thoughts

Amidst so many options, why would you choose the US$ 1050, 20 Megapixel, 1-inch sensor Leica C-Lux compact camera? If you are a frequent traveler and wish to carry a camera that does most of the job for you, this may be an ideal choice. Also, if you want the ‘Leica’ branding and love clicking in monochrome, you may fall for this little camera. With features including 4k photos at 30fps, focus and exposure stacking, 4k video and that smooth custom ring, I would recommend this Leica camera.

What are your views about this compact camera from Leica? Would you go for it?

The post Gear: Leica C-Lux Camera Review appeared first on Digital Photography School. It was authored by Kunal Malhotra.


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