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Posts Tagged ‘launches’

Synology launches DS419Slim miniature NAS

30 Jun

Synology has introduced a new network-attached storage device that is designed to take up less space than usual NAS units and which is suitable for photographers away from home. The DS419Slim is a four-bay case that accepts 2.5in drives and which has a maximum capacity of 20TB.

The enclosure measures only 120x105x142mm and weighs 660g empty, so is very portable. It is also very power efficient, drawing only 20 watts when in use and 7 watts in standby. This helps it run cool, and a single fan built-in to the base is claimed to be enough to regulate its temperature.

Compatible with 2.5in HDD and SSD media the DS419Slim has dual Gibabit LAN ports for link aggregation when you need to shift large amounts of data quickly – at up to 220MB/s read speed and 94MB/s for writing. USB-3 ports are located one and the front and one at the back for connecting additional devices, and the NAS can run on Mac, PC and Linux operating systems. The CPU used is the Marvell Armada 385 dual core 1.33GHz and 512MB of DDR3L RAM is installed.

The usual implementation of Synology’s DiskStation Manager runs the device and offers over a hundred specialist apps to help with specific tasks, such as scheduled back-up, photo/video sharing, webhosting and remote access via smartphones and tablets for all files. The DS419Slim is designed for less heavy-use environments as a personal cloud, as a back-up device in a home office, simply as a small storage unit on the desktop or to be taken on location with traveling photographers and videographers.

As there are four bays the hot-swappable drives can be configured in Basic, JBOD, RAID 0, RAID 1, RAID 5, RAID 6 and RAID 10, as well as Synology’s own Hybrid RAID.
The Synology DS419Slim is available now, comes with a 2-year warranty and retails for $ 329.99 / £320. For more information see the Synology website.

Press release:

Synology® DS419Slim Brings Big Data Management in a Small Package

Mini in Size, Versatile in Features

Synology® Inc. launched DiskStation DS419slim, a highly versatile, 4-bay NAS which is a great data solution for the dorm room, home office, or a traveling professional.

“Nowadays, many people are still struggling with managing files scattered across public clouds, USB drives, or personal computers. As a clever and reliable personal cloud, DS419slim helps keep your precious photos, videos, and documents in order, bringing everything under control with its powerful file management capabilities,” said Katarina Shao, Product Manager at Synology Inc. “Not only can you easily access, share, and synchronize all your files across multiple platforms, but you can also own a multimedia library where you can stream digital content on your mobile devices on the go.”

Key Features Include:

  • Large Capacity, Small Footprint: A discrete NAS, less than 15cm cubed, that weighs 700 grams, with a maximum storage size of 20TB
  • Excellent Performance and Backup: Dual 1GbE LAN ports allow for failover and Link Aggregation. Secure your data by configuring your NAS with a RAID setup to realize redundancy
  • Black Box, Green Energy: DS419slim consumes only 20 watts during data access and 7 watts during HDD hibernation, giving you an energy-efficient device to serve as a 24/7 personal storage server

Your Personal Multimedia Library

DS419slim helps you easily manage your multimedia content and share it across Windows, macOS, and Linux platforms. You can organize your personal digital video library, listen to Internet radio, and lossless audio via DLNA and AirPlay® devices. Synology Moments promises users a modern browsing experience by offering mobile photo backup, photo sharing, image recognition and similar photo detection.

Data Storage on Your Terms with DiskStation Manager

DiskStation Manager (DSM) is an intuitive web-based operating system for every Synology NAS, designed to help you manage your digital assets across home and office. Easily access your files from computers and mobile devices, or sync your files between multiple users, servers and public clouds. You can also stream your personal media collection to various devices to provide you with a non-stop entertainment experience.

Availability

This release is available worldwide immediately

Articles: Digital Photography Review (dpreview.com)

 
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TurtleRig launches latest versions of its Bulb Extensions for Flashpoint/Godox strobes

28 Jun

Lighting accessory manufacturer TurtleRig has announced the launch of its latest Bulb Extensions for Flashpoint and Godox strobes.

As explained in the three-minute promotional video above, the third-generation Bulb Extension units move the flashbulb forward 32mm (1.25in) so less light is wasted when used with certain speed-rings and light modifiers. The result is not only more light per flash (TurtlRig claims between 1/3rd to one stop of additional light) but also more even light, since modifiers like beauty dishes and parabolics benefit from having the light project more evenly than would be possible with the standard flashbulb position.

At the time, TurtleRig offers its Bulb Extensions for four different Flashpoint/Godox units, including the AD200, AD400, AD600 and AD600 Pro. Prices start at $ 20.95 and go up to $ 22.95 depending on the model.

Articles: Digital Photography Review (dpreview.com)

 
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Leica launches the M-E (Typ 240), a more budget-friendly M-system rangefinder

25 Jun

Leica has introduced a new M-E model designed to give users access to the M system at a lower price than would usually be required to buy one of its rangefinders. The M-E (Typ 240) replaces the M-E (Typ 220) first introduced in 2017 and delivers several upgraded features.

The new model offers a 24MP CMOS sensor, presumably the one from the 2012 Leica M (Typ 240). So, while it matches the resolution of the top end M10-P, it has an ISO range limited to the same 200-6400 as the older camera.

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The buffer for drive shooting and clearing images to the memory card is also increased to 2GB, allowing three frames per second, and this new model can shoot video—but only in 1080p FHD. A special grey anthracite paint coats the body of the camera, the rear display is a 3-inch 920k-dot screen and Leica claims the M-E (Typ 240) is dust and spray proof. The viewfinder has a 0.68x magnification.

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Details are still a bit thin on the ground as Leica hasn’t released any further technical specifications yet, but retailers are advertising the M-E (Typ 240) for £3500 / $ 3995 body only. The camera is set to be available at the end of July 2019.

For more information see the Leica website.

Manufacturer information:

Leica M-E (Typ 240)

Welcome to the M Family!

The moment in which you decide to purchase a Leica M changes your view of the world. And making the choice has never been easier: become the proud owner of the new Leica M-E, benefit from its exceptionally favourable retail price, and use this opportunity to join the family of M photographers.

The new Leica M-E continues the unique tradition of rangefinder photography. A stringent paring down to the most essential camera functions ensures a streamlined and intuitive operation. Compact, quiet and characteristically discreet, the new Leica M-E allows photographers to blend into their surroundings, establish a direct connection with their subject, and capture each scene with absolute authenticity and brilliant image quality.

Available End of July 2019!

The Leica Rangefinder System Seeing the Bigger Picture
Leica’s unique M-System – whose name is based on the German term ‘Messsucher’, meaning rangefinder — has been making history for 65 years. The ‘Messsucher’ presents a bigger picture – a broader view of your subject – and opens up a whole new world of creative freedom: this enables the photographer to anticipate the way in which a composition might develop — and press the shutter at the decisive moment.

Consequently, Leica M cameras are particularly suited to street and reportage photography. In addition, the rangefinder allows for a fast and precise focus, even in challenging lighting conditions.

The Iconic M Design

Visual and Tactile Perfection
The Leica M-E (Typ 240) is distinguished by a timelessly elegant aesthetic and high-end construction; each model is handcrafted in Germany. The compact camera body is dust and spray water resistant, while the genuine leather trim offers both a sophisticated appearance and a safer grip on the camera. Top and base plate are finished in an anthracite grey paint which has been developed especially for the M-E.

As with all Leica M models, owners of the new M-E benefit from the comprehensive system compatibility that distinguishes the Leica M series: thanks to the M bayonet mount, the M-E is compatible with nearly every M lens ever produced — and so represents a particularly sustainable investment.

24-Megapixel CMOS Sensor

Image Quality without Compromise
The new Leica M-E ranks among the most compact full-frame camera systems in the world. Its 24MP CMOS sensor offers a high light sensitivity of up to ISO 6400 – facilitating outstanding image results even in low-light situations. Its 2GB buffer memory ensures that the Leica M-E is always ready to shoot, even when capturing a rapid succession of frames – so you can rest assured that you will never miss out on the decisive moment.

Integrated Video Function

Leica Look in Full-HD
Thanks to its exceedingly high resolution and light sensitivity, the Leica M-E delivers photographs imbued with the classic ‘Leica look’, characterized by a unique bokeh rendition. Owners of the new Leica M-E are also able to apply this distinctive quality to their moving images: the Leica M-E features a 1080p, full-HD movie mode — allowing you to capture stunning videos using a dedicated recording button, adding yet another dimension to your creative pursuits.

Articles: Digital Photography Review (dpreview.com)

 
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Hasselblad launches X1D II 50C with improved handling, faster responses and lower price

22 Jun

Hasselblad has released a new version of its X1D medium format digital camera that offers a range of upgraded features and a speedier operating system. With improvements based around user feedback, the X1D II 50C offers a larger rear screen, a higher resolution EVF, faster startup and reduced lag, as well as a collection of menu and interface changes. Hasselblad says the new camera offers a ‘quicker and more intuitive medium format experience’. Critically though, the new version will cost a good deal less than the original X1D, presumably to bring it closer to the price of the Fujifilm GFX 50R.

Using the same body and pixel-count as the original X1D 50C, the Mark II is clearly an upgrade rather than a completely new camera, a fact reflected in the naming convention. A new processor appears to have been used that speeds up the operating system so that the time it takes the camera to start up is cut by 46%, shutter lag is cut and the blackout time between frames is reduced.

Users will get an extra 0.4 fps on the maximum drive mode taking the frame rate to 2.7 fps, and the time it takes to preview and scroll through recorded images has been decreased. The new processor allows a 62% better refresh rate in the viewfinder too – it’s now 60 fps – and focus accuracy has been improved.

Hasselblad claims the 3.6″ rear screen is the largest available on a digital medium format camera, and has increased the resolution to 1024×768 pixels with the total number of dots standing at 2.36M compared to the 920,000 screen used on the original model. Likewise, the EVF resolution has jumped from 2.36M dots to 3.69M (1024×768 vs 1280×960), and the new 0.87x magnification gives users a bigger view.

Hasselblad says the camera’s menu system has been tweaked to make it more logical and to deliver easier access to the functions, while new icons and clearer language make finding what you are looking for more straightforward. The menu can now be displayed and operated in the viewfinder, while a new system for touch AF has been incorporated and the control screen will now display more information, including self-timer and a Balance Scale to indicate exposure adjustments.

JPEG users will be pleased to hear that the X1D ll 50C allows not only full sized JPEG images but that JPEGs can be recorded on their own with no Raw accompaniment. And, the company says the quality of its JPEG files has improved – though we don’t get to know how exactly.

The camera’s 24.7Wh battery can be charged either in an external charging block or in-camera via the USB socket. This also allows the battery to be charged via a powerbank when on the location. Another new feature is that a GPS module is now built into the body instead of being supplied as a hot shoe accessory. This saves the $ 175 that it costs for the hotshoe model used with the original body if one wasn’t supplied with your camera, while freeing up the hot shoe for a flash unit.

The Hasselblad X1D II 50C will be available in July 2019 and will cost $ 5750 (before tax) or €6000/£5400 (inc VAT). For more information see the Hasselblad website.

Phocus Mobile 2 allows Raw download and cabled connection

Hasselblad has also updated its Phocus Mobile iOS app so that now users can not only control the camera and rate images, but additionally download Raw and JPEG files to their iPad Pro and iPad Air (2019) devices. The app can connect to the X1D II 50C either via Wi-Fi as before or via the camera’s USB-C port, and will now support tethered shooting.
Phocus Mobile 2 is free, and will be available on Apple’s App Store.

Press release

X1D II 50C – AN EVOLVED MEDIUM FORMAT PHOTOGRAPHY EXPERIENCE

In the pursuit to continue the journey of taking medium format outside of the studio, Hasselblad is pleased to announce the next installment of the X System – the X1D II 50C Mirrorless Medium Format Digital Camera. Dedicated to optimising the X System for a wider audience of creatives, Hasselblad has listened to user feedback and improved upon the first generation with enhanced electronics for a quicker and more intuitive medium format experience.

Continuing in the legacy of being the most portable and lightweight digital medium format camera, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame DSLRs in a beautifully designed, compact package. Its large, high resolution 50-megapixel CMOS sensor (43.8 x 32.9 mm) is 1.7 times larger than 35mm full format sensors, packing in huge pixels (5.3 x 5.3 nm) for capturing images with superb tonality. With outstanding colour depth and an impressive dynamic range of 14 stops, which allows for capturing immense details in both shadows and highlights, the photographer is left with plenty of room for adjustment in post-processing. With Hasselblad Natural Colour Solution (HNCS) technology integrated into the camera’s system, exceptional, true-to-life tones are delivered that match what the human eye sees.

Building upon the award-winning first generation, the X1D II 50C blends form and function with minimalistic, Scandinavian design aesthetics and a smooth handling experience with its ergonomic grip. The new X1D II 50C continues to provide creatives with incredible Hasselblad image quality, with 16-bit RAW images and now full resolution JPEGs, in a compact, lightweight design.

Developing upon the first generation of the X System, the X1D II 50C’s upgraded electronic platform includes a higher resolution 3.6-inch 2.36-million-dot touch display, which is physically the largest LCD display currently available on a digital medium format camera.

Additionally, the X1D II 50C features a higher resolution enhanced OLED electronic viewfinder (EVF) with 3.69-million dots and a high magnification of 0.87x, letting you see the bigger picture. The much higher resolution of the rear display screen (1024×768) gives a more vivid, true to life image viewing experience.

The X1D II 50C’s live view features a faster refresh rate, reduced shutter lag and black out time between frames, an improved continuous capture rate, and a startup time cut almost in half from the first generation. Building upon the highly-intuitive user interface of the previous model, further refinements have been made to the X1D II 50C to improve the camera’s handling experience, including the ability to access the menu system when looking in the EVF, giving greater usability in the sunniest conditions.

Enabling an even more portable medium format workflow, Hasselblad’s post production solutions now include the new Phocus Mobile 2. Connected via USB-C and Wi-Fi, photographers can transfer RAW and full quality JPEG files directly from the X1D II 50C and edit RAW images on their iPad Pro or iPad Air (2019) while out on the field.

PHOCUS MOBILE 2 TAKES IMAGE PROCESSING WORKFLOW TO A NEW PORTABLE LEVEL

Expanding the possibilities of the Hasselblad workflow, Phocus Mobile 2 takes the image editing process to a new, portable level. Compatible with the X1D II 50C via either USB-C or Wi-Fi, this application is currently supported on iPad Pro and iPad Air (2019) models, enabling the traveling photographer to have a quicker, more mobile workflow. With Phocus Mobile 2, users can import, edit and rate RAW images and import and rate full quality JPEG images directly on their portable device. In addition, Phocus Mobile 2 supports full quality image export, tethered shooting and direct camera control.

Articles: Digital Photography Review (dpreview.com)

 
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Slik launches new carbon fiber tripod legs and two ball-heads

22 Jun

Tripod maker Slik has launched a new range of carbon fiber tripod legs and two new ball-heads. All models in the PRO CF series come with 8-layer carbon fiber legs, which are bonded and sealed in a high-pressure furnace for low weight, toughness and rigidness. Slik says the heavy construction makes them ideal for pro photographers who work with big DSLRs and long tele lenses as well as large and medium format cameras.

Customers can choose from four or five-section telescopic legs and three leg diameters. At the lightweight and compact end of the spectrum the PRO CF-635 tripod legs measure only 37cm when folded but can extend to 159cm and hold a 3kg load.

The PRO CF-834 offers the longest legs in the range and measures 48cm in its folded state. At 165cm the maximum extended height is not that significantly more than the CF-635 but the 7kg maximum load is more than double.

Two new ball-heads (PBH-535AS and PBH 635AS) are designed to work with the new PRO CF tripod legs and come with the new ‘Cam-Lock’ quick-release system which is compatible to Arca-Swiss and lets you attach or detach a camera from the head without having to slide the plate it in or out of the groove.

The heads feature three separate knobs for locking, panning and friction control and can hold large cameras and lenses weighing up to 5kg and 6kg respectively.

UK pricing for the new tripods ranges from £220 ($ 280) to £300 ($ 380). The heads are £85 ($ 108) to £90 ($ 114) respectively. More information is available on the Slik website.

Articles: Digital Photography Review (dpreview.com)

 
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Hasselblad launches X1D ll 50C with improved handling, faster responses and lower price

19 Jun

Hasselblad has released a new version of its X1D medium format digital camera that offers a range of upgraded features and a speedier operating system. With improvements based around user feedback, the X1D ll 50C offers a larger rear screen, a higher resolution EVF, faster startup and reduced lag, as well as a collection of menu and interface changes. Hasselblad says the new camera offers a ‘quicker and more intuitive medium format experience’. Critically though, the new version will cost a good deal less than the original X1D, presumably to bring it closer to the price of the Fujifilm GFX 50R.

Using the same body and pixel-count as the original X1D 50C, the X1D ll 50C is clearly an upgrade rather than a completely new camera, a fact reflected in the naming convention. A new processor appears to have been used that speeds up the operating system so that the time it takes the camera to start up is cut by 46%, shutter lag is cut and the blackout time between frames is reduced.

Users will get an extra 0.4 fps on the maximum drive mode taking the frame rate to 2.7 fps, and the time it takes to preview and scroll through recorded images has been decreased. The new processor allows a 62% better refresh rate in the viewfinder too – it’s now 60 fps – and focus accuracy has been improved.

Hasselblad claims the 3.6″ rear screen is the largest available on a digital medium format camera, and has increased the resolution to 1024×768 dots-per-inch with the total number of dots standing at 2.36 million compared to the 920,000 screen used on the original model. Likewise, the EVF resolution has jumped from 2.36 million dots to 3.69 million (1024×768 vs 1280×960), and the new 0.87x magnification gives users a bigger view.

Hasselblad says the camera’s menu system has been tweaked to make it more logical and to deliver easier access to the functions, while new icons and clearer language make finding what you are looking for more straightforward. The menu can now be displayed and operated in the viewfinder, while a new system for touch AF has been incorporated and the control screen will now display more information, including self-timer and a Balance Scale to indicate exposure adjustments.

JPEG users will be pleased to hear that the X1D ll 50C allows not only full sized JPEG images but that JPEGs can be recorded on their own with no Raw accompaniment. And, the company says the quality of its JPEG files has improved – though we don’t get to know how exactly.

The camera’s 3400 mAh battery can be charged either in an external charging block or in-camera via the USB socket. This also allows the battery to be charged via a powerbank when on the location. Another new feature is that a GPS module is now built into the body instead of being supplied as a hot shoe accessory. This saves the $ 175 that it costs for the hotshoe model used with the original body if one wasn’t supplied with your camera, while freeing up the hot shoe for a flash unit.

The Hasselblad X1D ll 50C will be available in July 2019 and will cost $ 5750/€5000/£4500. For more information see the Hasselblad website.

Phocus Mobile 2 allows Raw download and cabled connection

Hasselblad has also updated its Phocus Mobile iOS app so that now users can not only control the camera and rate images, but additionally download Raw and JPEG files to their iPad Pro and iPad Air (2019) devices. The app can connect to the X1D ll 50C either via Wi-Fi as before or via the camera’s USB-C port, and will now support tethered shooting.
Phocus Mobile 2 is free, and will be available on Apple’s App Store.

Press release

X1D II 50C – AN EVOLVED MEDIUM FORMAT PHOTOGRAPHY EXPERIENCE

In the pursuit to continue the journey of taking medium format outside of the studio, Hasselblad is pleased to announce the next installment of the X System – the X1D II 50C Mirrorless Medium Format Digital Camera. Dedicated to optimising the X System for a wider audience of creatives, Hasselblad has listened to user feedback and improved upon the first generation with enhanced electronics for a quicker and more intuitive medium format experience.

Continuing in the legacy of being the most portable and lightweight digital medium format camera, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame DSLRs in a beautifully designed, compact package. Its large, high resolution 50-megapixel CMOS sensor (43.8 x 32.9 mm) is 1.7 times larger than 35mm full format sensors, packing in huge pixels (5.3 x 5.3 nm) for capturing images with superb tonality. With outstanding colour depth and an impressive dynamic range of 14 stops, which allows for capturing immense details in both shadows and highlights, the photographer is left with plenty of room for adjustment in post-processing. With Hasselblad Natural Colour Solution (HNCS) technology integrated into the camera’s system, exceptional, true-to-life tones are delivered that match what the human eye sees.

Building upon the award-winning first generation, the X1D II 50C blends form and function with minimalistic, Scandinavian design aesthetics and a smooth handling experience with its ergonomic grip. The new X1D II 50C continues to provide creatives with incredible Hasselblad image quality, with 16-bit RAW images and now full resolution JPEGs, in a compact, lightweight design.

Developing upon the first generation of the X System, the X1D II 50C’s upgraded electronic platform includes a higher resolution 3.6-inch 2.36-million-dot touch display, which is physically the largest LCD display currently available on a digital medium format camera.

Additionally, the X1D II 50C features a higher resolution enhanced OLED electronic viewfinder (EVF) with 3.69-million dots and a high magnification of 0.87x, letting you see the bigger picture. The much higher resolution of the rear display screen (1024×768) gives a more vivid, true to life image viewing experience.

The X1D II 50C’s live view features a faster refresh rate, reduced shutter lag and black out time between frames, an improved continuous capture rate, and a startup time cut almost in half from the first generation. Building upon the highly-intuitive user interface of the previous model, further refinements have been made to the X1D II 50C to improve the camera’s handling experience, including the ability to access the menu system when looking in the EVF, giving greater usability in the sunniest conditions.

Enabling an even more portable medium format workflow, Hasselblad’s post production solutions now include the new Phocus Mobile 2. Connected via USB-C and Wi-Fi, photographers can transfer RAW and full quality JPEG files directly from the X1D II 50C and edit RAW images on their iPad Pro or iPad Air (2019) while out on the field.

PHOCUS MOBILE 2 TAKES IMAGE PROCESSING WORKFLOW TO A NEW PORTABLE LEVEL

Expanding the possibilities of the Hasselblad workflow, Phocus Mobile 2 takes the image editing process to a new, portable level. Compatible with the X1D II 50C via either USB-C or Wi-Fi, this application is currently supported on iPad Pro and iPad Air (2019) models, enabling the traveling photographer to have a quicker, more mobile workflow. With Phocus Mobile 2, users can import, edit and rate RAW images and import and rate full quality JPEG images directly on their portable device. In addition, Phocus Mobile 2 supports full quality image export, tethered shooting and direct camera control.

Articles: Digital Photography Review (dpreview.com)

 
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DxO launches Nik Collection 2 with Raw processing and 40 new presets

07 Jun

DxO has released the latest version of its presets application and has added the ability to work with Raw files. The company says it discovered most of its users shoot in Raw and want to be able to work with these files in its programs, so DxO has included PhotoLab 2.3 Essential edition in the package. The software features a direct button that converts and sends processed Raw files directly to Nik Collection 2.

The Nik Collection interface sitting over the PhotoLab 2.3 window, using the Super Punch preset from the new En Vogue effects in Color Efex Pro

Previously, Nik Collection was available only as a plug-in for Adobe products, but with this new update, users will also be able to remain completely in the DxO environment without having to use Lightroom or Photoshop.

There are 40 new presets in the Nik Collection 2, which have been labelled ‘En Vogue’ to reflect their modern and fashionable looks. The styles are spread across the Color Efex Pro, Silver Efex Pro, HDR Efex Pro and Analog Efex Pro modules, and bring the total number of presets to 196. The included PhotoLab 2.3 application adds Raw support for a range of new cameras, including the Canon EOS RP and Olympus OM-D E-M1 X, and has 500 new lens modules. In total there are 47,500 camera/lens combinations to work with.

The Nik Collection 2 is available now with special prices of $ 99.99 for new users and $ 59.99 for those upgrading until the end of June. From then new users will pay $ 149.99, and those upgrading will pay $ 79.99. For more information see the DxO website.

Press release:

New Nik Collection 2 by DxO Offers Unmatched Creative Possibilities and RAW File Compatibility

DxO, one of the most innovative companies in the photography and image editing industry, has announced the release of the Nik Collection 2 by DxO, a major upgrade to the famous plugin suite for Adobe Photoshop, Lightroom Classic, and Elements. After bringing the Nik Collection back to the market with the software’s first stable version with customer support in June 2018, DxO is expanding the plugin suite with over 40 new creative presets and high-resolution monitor support for Windows. In addition, the Nik Collection 2 now comes with DxO PhotoLab 2.3 ESSENTIAL Edition, DxO’s recently released advanced RAW photo editing software.

Choose from more than 40 new “En Vogue” styles to create unique images with a single click.

The Nik Collection 2, which has gained a significant following for its high-quality, creative filters, has added 42 new “En Vogue” presets to its original set of 156: 10 new recipes for Color Efex Pro, 10 new black and white presets to Silver Efex Pro, 12 new HDR presets to HDR Efex Pro, and 10 new tool combinations to Analog Efex Pro.

The latest filters in the Nik Collection 2 will take your photos’ emotional impact to the next level. For example, “Blue Monday,” which is available in Color Efex Pro, combines the fresh look of subtle Varitone coloring, the visual interest of cross processing, and the softness of slightly desaturated effect. “More Silver,” which is available in Silver Efex Pro, pairs the crispness of silver toning with a fine grain, resulting in black and white photographs that feature a level of balanced contrast typically achieved through darkroom techniques. Photographers who would like to add a bit of nostalgia to their images can turn to “Burned Edges,” in Analog Efex Pro to reproduce the burned-edge, vignetting, toning, and framing effects typical of old-fashioned analog cameras.

The “En Vogue” series was created in collaboration with Dan Hughes, a highly respected lecturer of photography at Rochester Institute of Technology and a former instructor with Nik Software. “I was honored to be a part of the expansion of the Nik Collection by DxO,” he said. “The plugin suite has helped promote the art of photography, and the addition of new effects has significantly increased its potential by offering all photographers new creative opportunities.”

Improved high resolution display with Windows

To better meet users’ needs, the Nik Collection 2 now supports high-resolution monitors (HiDPI) with Windows. The graphic elements of the Color Efex Pro, Silver Efex Pro, HDR Efex Pro, and Analog Efex Pro plugin interface have been improved to ensure flawless readability when viewed through high-resolution monitors—just like with the macOS version.

All the potential of RAW files within an optimized workflow

DxO’s recent surveys of Nik Collection customers revealed that nearly all users work in RAW. To help them harness the full power of this file format, the Nik Collection 2 by DxO now comes with DxO PhotoLab 2.3 ESSENTIAL Edition, DxO’s advanced and multiple award-winning photo editing software. The software has been adapted to offer users direct access to the plugins from their workspace via a dedicated button and drop-down menu. After the image is edited in DxO PhotoLab 2, it can be quickly converted and sent to one of the Nik Collection plugins, where the photo can be further altered and enhanced with creative effects.

“By offering our advanced photo editing solution along with the Nik Collection 2, we are giving users access to DxO’s powerful and high-quality RAW treatment technology as well as its unparalleled optical corrections, which were developed over fifteen years of measurements and analyses conducted in its laboratory,” said Jean-Marc Alexia, VP Product Strategy and Marketing with DxO. “DxO also offers high-quality de-noising capabilities, smart exposure optimization with DxO Smart Lighting, and U Point local adjustment technology, which is now available for use with RAW images.”

DxO PhotoLab 2.3: support for new cameras

On top of providing access to Nik plugins directly from the software’s workspace, DxO PhotoLab 2 continues to support new equipment. In addition to adding support for Leica M 10-D and M 10-P, Nikon D3500, Panasonic Lumix DC-S1, DC-S1R, LX100 II, Sony A6400, and DSC-RX100 VA, DxO PhotoLab 2.3 can now process files from Canon EOS RP and Olympus OM-D E-M1 X. It has also added more than 500 new optical modules to its library, bringing its total number of camera/lens combinations to 47,500.

To read the full list of all devices supported by DxO PhotoLab 2.3, visit: https://www.dxo.com/en/dxo-photolab/supported-cameras/

Price and availability

The Nik Collection 2 is now available for download on the DxO website (https://shop.dxo.com/en/photo-software/dxo-nikcollection) for $ 99.99 instead of $ 149, and $ 59.99 instead of $ 79 for the upgrade until June 30, 2019.

The ESSENTIAL and ELITE editions from DxO PhotoLab 2.3 are now available for download on the DxO website (https://shop.dxo.com/en/photo-software/dxo-photolab) for $ 129 and $ 199, respectively. DxO PhotoLab 2 users can download this upgrade for free.

Articles: Digital Photography Review (dpreview.com)

 
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Vazen launches “world’s first” anamorphic lenses for Micro Four Thirds

04 Jun

Vazen, a Chinese optics manufacturer, is set to launch a trio of anamorphic lenses for Micro Four Thirds cameras. Showing at the Cine Gear Expo and spotted by Newsshooter, the company will be offering 28mm, 40mm and 65mm focal lengths with a 1.8x anamorphic effect.

The lens on show at Cine Gear is a 40mm T2 that will be shipping at the end of this month. When used on Micro Four Thirds cameras, such as the Lumix GH5/s, Blackmagic Pocket Cinema Camera or Z-cam E2, it will produce 2.39:1 aspect ratio images. Vazen claims the lenses will provide ‘buttery smooth oval bokeh, signature blue horizontal flare and the widescreen cinematic look’ as well as a minimum focus distance of 0.82m (2.7ft) for the 40mm example. The focus and aperture rings are fitted with gears and the front filter thread measures 110mm.

Below is sample footage captured with the 40mm T2 lens:

The 40mm version weighs 1.8kg (3.97lbs), is 110mm x 175mm (4.33in x 6.89in), and will cost $ 3,250. Users will have to wait until much later in the year for the 28mm and 65mm models. For more information see the Vazen website.

Articles: Digital Photography Review (dpreview.com)

 
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Moment launches new sling bags, wallet cases for mobile photographers

30 May

Moment has introduced a new range of sling-style bags and a series of wallet cases for photographers who like to travel light. Described as part fanny-pack, part sling the bags are intended to look good and be functional at the same time.

The bags are designed to hold a mobile phone as well as Moment’s accessory smartphone lenses and even a small compact camera, as well as the usual travel essentials like passports. The bags can be worn over the shoulder like a sling or around the waist like a fanny pack, and come in a range of materials and colors.

Smaller wallet cases are aimed at those who want to carry only daily essentials along with their phone, while a new line of phone cases come with pockets for credit cards for those who really want to travel light.

The Fanny Slings costs $ 69.99 and the Crossbody Wallets cost $ 74.99. To purchase either or for more information visit the Moment website.

Articles: Digital Photography Review (dpreview.com)

 
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Honor 20 Pro launches with F1.4 aperture and dedicated macro camera

22 May

Huawei sub-brand Honor has launched its new flagship smartphone and, as rumored, the Honor 20 Pro is the first smartphone to come with an F1.4 aperture in its primary camera. But that’s not the only news. The new model also comes with a dedicated 2MP macro camera that has been optimized for image capture at a subject distance of only 1.5 inches (4cm) and uses a F2.2 aperture.

The primary camera features a 48MP Sony IMX586 1/2″ Quad-Bayer sensor that produces 12MP image output. The lens is optically stabilized.

The tele lens has an equivalent focal length of approximately 80mm and an F2.4 aperture. It also comes with OIS. Finally, there’s a 16MP ultra wide-angle camera with a 117-degree field of view and F2.2 aperture.

A AIS Super Night Mode captures several frames in quick succession, discard the blurry or otherwise unusable ones, and merges the rest into one high-quality low-light image. The 48MP AI Ultra Clarity Mode uses similar methods for additional detail in bright light.

The front camera offers a 32MP pixel count and is located inside a hole in the 6.26” 1080p+ LCD display. The device is powered by the same Kirin 980 chipset as the Huawei P30 Pro and comes with 8GB of RAM and 256GB storage. The 4,000mAh battery can be charged from flat to 50% in 30 minutes.

The Honor 20 Pro will be available soon at a price point that makes it look like an attractive alternative to some more established competitors. The device will cost you €600 ($ 670) in Europe. No pricing information for other regions has been released yet.

Articles: Digital Photography Review (dpreview.com)

 
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