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How to Know if You Should Upgrade Your Equipment or if You Just Have Gear Lust

29 Jan

Gear lust – it’s out there and is bound to bite you sooner or later. Whether photography is a business or a hobby for you, gear lust is a natural part of the consumer cycle. But there is a sane way to approach your desires and check if they are ruling you or you are ruling them. So here are some tips to help you know if you should upgrade or it’s just gear lust.

How to Know if You Should Upgrade Your Equipment or if You Just Have Gear Lust

New Photo Equipment Flowchart

Follow this flowchart to see where you land. Only if you end up at a green bubble should you consider upgrading or buying more camera gear.

How to Know if You Should Upgrade Your Equipment or if You Just Have Gear Lust - infographic

Click to view the chart in a new tab or print it out.

Do you shoot for profit?

The first question on the chart is the most defining, “Are you going to make money from this lens?” Whether photography is a hobby or profession for you makes a big difference in the purchase decision. I believe both groups should look at the choice through different eyes, so let’s start down the hobby side of things first.

Skip down to below the hobby section to find the questions for profitable shooters.

How to Know if You Should Upgrade Your Equipment or if You Just Have Gear Lust

Hobby: What can’t you currently do with your gear?

If you can’t answer this question truthfully, then you have textbook gear lust. If you answer it and that answer is, “Nothing,” you too have gear lust. That’s not a bad thing! I just want to help you recognize it so you can make your choice with a little more clarity.

But, if there is a technique or style you have tried to replicate over and over again with your current equipment, such as parallel lines in architectural photography or a ten-minute exposure when your camera has no Blub mode, you’re one step closer to justifying an outlay of cash. So let’s take a look at your next question.

Hobby: Should you buy pro equipment?

This question is usually related to lenses but can be adapted to camera bodies, lighting equipment, printers, and more.

If you’re in this photography game for the long haul, it’s in your best interest to purchase higher quality equipment. Lenses specifically will last through a number of camera bodies over the years, while camera bodies tend to make reasonable improvements every 3-5 years.

How to Know if You Should Upgrade Your Equipment or if You Just Have Gear Lust

I usually suggest intermediate or pro-quality equipment to anyone who has been using their gear for a couple of years and continually hits the limit for its abilities. Then we need to ask the next critical question…

Hobby: Can you afford it?

If you can’t afford the higher quality equipment, and you can still justify the need to upgrade, I would suggest looking for used equipment in the style you want or possibly renting it for a short-term project. This is an excellent idea for trips abroad, for instance.

If you have come this far and can afford the purchase without going broke, hungry or breaking up a relationship to do so, I say go for it! It might be wise to do a quick cost/benefit analysis (e.g. I’d rather spend $ 1500 on travel than on a new lens). That might point you to a cheaper option to balance the scales, which tends to be a wise choice for hobbies. Or you might find bliss in your Gear Lust (this time) and will revel in the joy of new shooting opportunities.

Profit: Should you get pro equipment?

How to Know if You Should Upgrade Your Equipment or if You Just Have Gear Lust

If you are making a profit or looking to do so with your equipment, you’re going to want to look at this decision through money-making glasses. That equipment won’t do you any good if it just sits on a shelf. It needs to be making you money!

To answer the pro equipment question for profit-seekers, let’s look at how this lens will be used. Make no mistake; it’s easy for pros to justify business-related purchases right away when they are really just gear lust in disguise.

Real Life Lesson: I bought a drone on the chance that I’d get a gig where I’d use it heavily. The client ended up canceling the project, but I bought the drone before the contract was signed, because of my gear lust. I made up a reason to justify it when I had no concrete payback schedule. Now I use the drone mostly as a hobby and it dented my pocketbook unnecessarily.

Should you get pro equipment? Let’s ask first if the photos are mission critical.

Profit: Are your photos mission critical?

Relating another analogy from my recent past, I bought a nice Sigma 150-600mm Sport Lens because I recently got into birding. I ‘”needed” (heavy emphasis on the quotes) a longer lens to capture those small or far away birds. That’s bad, expensive gear lust and I didn’t ask myself the “Mission Critical” question.

On the other side of the coin, I also shoot weddings and portraits, so buying a new 24-105mm lens would easily be justified, because the lens will pay for itself over time. Those photos are mission critical and pay my bills. Photos of bird, currently, do not. “Maybe I’ll sell some photos in the future,” is not the best business decision to make and the purchase of said item should be put off until it can be afforded as a hobby.

Profit: Will the equipment increase profits?

These new photos you will take with this new equipment, will those photos increase your profits? Really?

How to Know if You Should Upgrade Your Equipment or if You Just Have Gear Lust

Dig deep with this one, because you need to look at this as a business decision. Do you have work lined up that will pay for most, if not all, of the new equipment purchase? If so, skip to the last question. If not, continue.

Profit: Is the new equipment replacing old equipment?

If you’ve answered no this far, this no is your last. It’s gear lust, plain and simple.

How to Know if You Should Upgrade Your Equipment or if You Just Have Gear Lust

If you are replacing old gear, the purchase can likely be justified. Especially if you can offload your old equipment or use it as a much-needed backup. But I have one last question for you before you click the “Buy Now” button.

Profit: Can your old equipment be repaired?

I felt gear lust strong and clear when my 28-300mm L lens started having problems. A new one, not all scratched up, would be so nice. Then I asked Canon about fixing it. They said it would cost me $ 300. Once I compared that to the $ 2700 cost of buying a new lens, my decision was clear.

This choice can be made more difficult if the manufacturer has upgraded your camera or lens to a Mark II or III version. If your old equipment is simply aged beyond your capabilities, or it can’t be repaired, it’s time to buy new gear. But if it can be repaired and you can get a few more years of use out of it, then save your profits for expanding your business rather than giving in to gear lust.

Profit: At what photo business stage are you?

You’ve made your way through the chart and are going to buy that new piece of equipment. Congratulations on being clearheaded!

There is one last thing to consider: What stage are you at in your business development?

Beginner

How to Know if You Should Upgrade Your Equipment or if You Just Have Gear Lust

If you’re just beginning, I would consider some lower cost options for equipment. This might mean getting a mid-level camera body instead of the $ 8000 pro-version that gear lust is drawing you toward. Spending $ 6500 more than you need to on a camera body won’t make you that much more profit. Investing it in advertising has a better chance of bringing in more clients and hence more profits.

If you have a specific project to shoot for a client and you’re not sure if you’ll use that equipment afterward, renting can be a viable option to keep your profits up.

You’re getting some paid gigs

If the money is coming in steady enough, but it’s not your main source of income yet, then it’s likely a good time to upgrade to better gear. Especially if you have made a case for how you can increase profits or ease workflow (e.g. replacing a 6-year old computer will vastly improve your editing speed and leave more time for finding and shooting new gigs).

Be honest with yourself here. If paid work is sporadic and you can do other types of jobs to make cash, hold off on spending profits until the volume is up and more regular.

Also, I highly suggest upgrading your lenses before your bodies, all things being equal. While getting a new body that has GPS or one extra frame per second in high-speed mode might seem tempting, a faster and sharper lens will improve your end product in a more profitable way.

You make regular income with photography

If the dough is rolling in regularly and you can see the next three years being this way, pull the trigger and buy that new gear. You’re in this for the long-haul and can write off the new equipment as a business expense over its useful life.

Hint: If a new purchase would put your balance sheet far into the red for the year, you’re not making enough regular income.

How to Know if You Should Upgrade Your Equipment or if You Just Have Gear Lust

Conclusion

Gear lust happens to us all and it can be a struggle. I’ve suffered from it more than once and made bad choices more than once – thus the reason for this flowchart.

I hope it helps you find your way to photo-taking bliss. Remember, that’s why we own all this stuff: to take amazing photos. Don’t let the gear lust pull you away from that goal.

The post How to Know if You Should Upgrade Your Equipment or if You Just Have Gear Lust by Peter West Carey appeared first on Digital Photography School.


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Learn about Photoshop blending modes in just 8 minutes

21 Jan

Confused about what all those layer blending modes do in Photoshop? Well, you don’t need to be any more. Jesus Ramirez of the Photoshop Training Channel has made an excellent short video tutorial that explains each mode in simple and easily-understood terms, so even beginners will get the picture.

His 8-minute Crash Course uses a gray tone chart over a normal photograph to show how each blending mode alters the way the chart appears. Jesus also demonstrates how different brightness values blend together, and how to use layer blending to control color density and saturation. Finally, he also explains why the modes are grouped into six sections on the drop-down menu, so you can quickly find the mode you need depending on the situation.

Check out the full video above. It’ll only cost you eight minutes of your life, and you’ll almost certainly learn something new unless you’re already a Photoshop expert.

Articles: Digital Photography Review (dpreview.com)

 
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All dPS eBooks just $9 Today! (Save up to 80%)

13 Dec

It’s that time of year again where here on dPS we put together some amazing deals in the 12 days leading up to Christmas.

In that time if you’re subscribed to our newsletter or watch the blog here you’ll get access to some mega-discounts on dPS products as well as some very special offers from our partners.

It all starts today with all of our dPS eBooks available for just $ 9 each (USD).

That’s up to 80% off! But don’t delay – this deal will be gone in 48 hours.

With 23 titles in our eBook store there’s loads to choose from and at this price if you see more than one that you like you can create your own little bundle of photography training and still not break the budget.

Here are 3 of our most popular eBook guides:

  • Going Pro. Normally $ 49, get it today for just $ 9
  • Living Landscapes. Normally $ 19, today just $ 9
  • Portraits: Making the Shot. Normally $ 19, today just $ 9

But that is just the tip of the iceberg. There are eBooks on post processing, lighting, black and white photography, travel photography and much more.

Be sure to checkout all 23 titles here to find the guide that will take your photography to the next level.

Bonus Parter Offers

This year we’ve added some extra special bonuses for anyone who makes a purchase during our 12 days of Christmas.

Buy anything during this week and you get access to exclusive partner bonus offers – like saving $ 200 on online photography courses from our friends at the New York Institute of Photography.

Christmas Deals:
Bonus Offers

Bonus Offers

Brought to you by

ON1
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New York Institute of Photography

The post All dPS eBooks just $ 9 Today! (Save up to 80%) by Darren Rowse appeared first on Digital Photography School.


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Facebook just doubled the resolution of photos in Facebook Messenger

21 Nov

Photo messaging has been around for a long time, but as smartphone cameras get better and better, this form of ‘visual communication’ is only becoming more common. That’s why, earlier today, Facebook announced a major update to Facebook Messenger that doubles the resolution of the photos you send from 2K to 4K—or, more specifically, to a max of 4096 x 4096 pixels.

“We heard that people want to send and receive high resolution photos in Messenger,” reads the release from Facebook, “and considering people send more than 17 billion photos through Messenger every month, we’re making your conversations richer, sharper, and better than ever.”

And just in case you’re wondering: this resolution bump should not affect speed. According to Facebook, “your photos will also be sent just as quickly before, even at this new, higher resolution.”

Here are a few before and after samples that show what doubling the resolution from the previous 2K looks like IRL.

*The images on the left were reproduced to reflect the previous default resolution at 2K. The images on the right reflect the new default resolution at 4K

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To take advantage of the new feature yourself, update your FB Messenger app to the latest version and every photo you send should automatically go out at up to 4096 x 4096 pixels.

For now, the feature is limited to iPhone and Android users in the US, Canada, France, Australia, the UK, Singapore, Hong Kong, Japan, and South Korea. Additional countries will be added ‘in the coming weeks.’

Press Release

Making Visual Messaging Even Better – Introducing High Resolution Photos in Messenger

By Sean Kelly & Hagen Green, Product Managers, Messenger

The way people message today is no longer limited by just text; visual messaging as our new universal language is much more emotional and expressive. Whether you’re catching up over moments big and small — like a recent vacation, an amazing meal at a new restaurant, a new member of the family, or the first snow day of the year — sharing photos of our experiences brings our conversations to life.

We’re making significant investments in how people communicate visually on Messenger. That’s why today, we’re excited to share that people can send and receive photos in Messenger at 4K resolution — or up to 4,096 x 4,096 pixels per image — the highest quality many smartphones support. We heard that people want to send and receive high resolution photos in Messenger — and considering people send more than 17 billion photos through Messenger every month — we’re making your conversations richer, sharper, and better than ever.

Your photos will also be sent just as quickly before, even at this new, higher resolution.

You may be curious how much of a difference 4K resolution makes. Take a look at the before and after examples in the gallery above. On the right at 4K resolution, once you zoom in, the photo is much sharper and clearer so you can see every detail. That’s what we mean by bringing your conversations to life.

To send and share photos at 4K resolution, first update your Messenger app to make sure you have the latest version. Then open a conversation and tap the camera roll icon. Select the photo, tap send, and the person you’re messaging with will receive the high resolution photo.

Starting today, we are rolling out 4K resolution on both iPhone and Android to people in the US, Canada, France, Australia, the UK, Singapore, Hong Kong, Japan, and South Korea. In the coming weeks, we’re planning to roll out 4k resolution to additional countries.

We know that every message matters to you, no matter how or what you’re sharing. We appreciate that you continue to use Messenger to connect with the people you care about most.

Articles: Digital Photography Review (dpreview.com)

 
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Godox XPro-N wireless flash trigger for Nikon boasts TTL, HSS and more for just $70

18 Oct

Godox has launched a Nikon version of the XPro-C 2.4GHz wireless flash trigger it announced for Canon last month. The new model—aptly titled the XPro-N—is equipped to control Godox’s X1 system, and is currently listed by online retailers as available for pre-order with shipping planned to start on October 31st.

This Nikon version will be joined by models for Sony, Fujifilm, and MFT throughout the remainder of the year.

As with the Canon version, the new XPro-N model sports a large dot-matrix LCD alongside five physical buttons. The display shows five groups, one group per physical button, as well as data pertaining to each group. The trigger supports HSS (up to 1/8000), TTL, and manual (1/1 – 1/256) control. There’s also support for TTL-Convert-Manual (TCM) functionality, which allows you to meter flashes in TTL, then switching to manual mode with the settings automatically adjusting to keep an equivalent output.

The XPro-N is listed for pre-order at $ 70 on Amazon.

Articles: Digital Photography Review (dpreview.com)

 
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Shooting with a used DSLR kit that cost me just $80

14 Oct

Cameras and lenses are expensive. Really expensive. Even the cheapest entry-level DSLR kit today costs $ 500 and upwards. But what if you would buy the cheapest possible used DSLR? A camera that is over 10 years old? How would it stack up against today’s modern cameras? I was curious about this, and decided to find out for myself.

After two weeks of watching classified ads closely, and missing a couple of good bargains because I wasn’t fast enough, I finally managed to purchase a Canon 400D(also known as Rebel XTi) with a battery grip and a Canon 50mm f1.8 II lens on it. All this for only $ 80. It seemed like a great deal to me. It even came with a 2GB CF card!

I took the camera for a long walk the same day I bought it, and to summarize my experience: I was amazed by how good it was!

The sensor outputs 10 megapixel photos, meaning that they measure roughly 3900×2600 pixels. This is more than enough for posting on social media or viewing photos on a computer screen. And what amazed me even more, was that with a fairly good lens, which the Canon 50mm F1.8 is, these pixels get utilized very well. A 100% crop looks very crisp and sharp in most cases.

See the video above for image samples and 100% crop examples.

The only major downside with using an 11-year-old camera is that the dynamic range in the sensor falls far short of my modern Sony A7. If you do not nail the exposure really well when you take the photo, you have far less latitude to correct it later. With my modern cameras I just shoot everything slightly underexposed, and lift the exposure later in Lightroom. That would not be a good idea with the Canon 400D.

This camera’s weak dynamic range also makes it hard to capture scenes with strong light and deep shadows in the same frame. But other than that, this $ 80 camera kit has already, after a couple of days, given me a lot of photography joy for the money. I will definitely keep this camera—it’s a fun tool to take out once in a while to add some variation to my photo walks.

This little experiment taught me that if you just want a good camera to take nice looking photos in your everyday life, and you don’t have professional needs (such as 50 megapixel files) $ 80 will take you surprisingly far. And as an added benefit, 10 megapixel files give you such a swift and fast editing experience in Lightroom!


Micael Widell is a photography enthusiast based in Stockholm, Sweden. He loves photography, and runs a YouTube channel with tutorials, lens reviews and photography inspiration. You can also find him as @mwroll on Instagram and 500px.

This article was originally published on Micael’s blog, and is being republished in full with express permission.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe just made it way easier to import Lightroom collections into Adobe Portfolio

11 Oct

Adobe has announced that Portfolio, its online website publishing service for CC customers, has a new integration with Lightroom that lets users import their collections and add photos to their website with next-to-no effort.

As of this new update, a users’ Lightroom content will simply show up within Portfolio’s ‘Manage Content’ section under the ‘Integrations’ tab. From there, users are able to choose any of their Lightroom Collections to import to a Page on Portfolio. When added to the website, Adobe says the full Collection appears as a new Page with a photo grid, which you can then customize by removing images and/or rearranging the grid. Other elements, such as text and videos, can also be added to the page.

Finally, Adobe also says that Portfolio will now automatically import new Behance projects to new Pages within a chosen gallery—assuming the user chooses a default import gallery and has their Adobe ID associated with a Behance account.

Imported content is tagged with either a Lightroom or Behance badge in the Manage Content section to show where it was imported from.

To learn more about these new features or give them a try for yourself, head over to the Adobe Creative Cloud blog or download the latest version of Portfolio and give Lightroom import a shot for yourself.

Articles: Digital Photography Review (dpreview.com)

 
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Make a Macro Lens with Just a Drop of Water

27 Sep

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Challenge: Shooting portraits using just an iPhone, a flashlight, and a Big Mac box

30 Aug

Great gear can make a big difference when it comes to the quality of your photographs, but we all know that good gear does not a great photographer make. What’s more, a great photographer can do amazing things using really mediocre equipment.

Case in point: watch portrait photographer Philippe Echaroux take on what he’s calling “Big Mac Portrait Challenge.”

Usually Echaroux uses Hasselblad digital cameras, Elinchrom lights and other expensive (for a reason) equipment to capture his professional portrait work. But he was recently asked to make due without any of that; instead, he would be using an iPhone for shooting and retouching, a small flashlight, and a Big Mac box from McDonald’s. Yeah… seriously.

The final shots benefit from a lot of post-processing, of course. In all, Echaroux used VSCO, Photoshop Fix, and Lightroom Mobile to tease out something that looks a lot more professional than you’d expect from his meager setup. But The basic gear and lighting was all the same: iPhone, flashlight, Big Mac box.

Whether you’re shooting an astronaut in a darkened Soyuz capsule with a 10-year-old DSLR and an iPhone flashlight, or taking the so-called Big Mac Portrait Challenge, don’t let lack of gear intimidate you. If nothing else, it might lead to a cool story or creative video.

Articles: Digital Photography Review (dpreview.com)

 
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Leica unveils M Monochrom Oslo Edition, limited to just 10 units

29 Aug

The Leica Store in Oslo has announced a special edition Leica M Monochrom (Typ 246) camera simply called the Oslo Edition. This model is offered exclusively by the Leica Store Oslo, and though it is available worldwide, the edition is limited to just 10 units—this might be your best chance to get an ultra-rare Leica at a not-totally-insane price.

Both the camera body and the lens are engraved with the word ‘OSLO’ and a unit number ranging from 1 to 10. In addition to the special engraving and edition numbers, the Leica M Oslo Edition is shipped with a Leica Summaron-M 28mm F5.6 lens sporting a unique black finish.

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The special edition is packed in a gift box containing the lens, a battery, battery charger, and a Certificate of Authenticity. The Oslo Edition is available to purchase now for Kr. 118,000 / $ 14,800 USD. In other words: approximately double the cost of the regular Leica M Monochrom Typ 246.

Articles: Digital Photography Review (dpreview.com)

 
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