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Posts Tagged ‘iphone’

Challenge: Shooting portraits using just an iPhone, a flashlight, and a Big Mac box

30 Aug

Great gear can make a big difference when it comes to the quality of your photographs, but we all know that good gear does not a great photographer make. What’s more, a great photographer can do amazing things using really mediocre equipment.

Case in point: watch portrait photographer Philippe Echaroux take on what he’s calling “Big Mac Portrait Challenge.”

Usually Echaroux uses Hasselblad digital cameras, Elinchrom lights and other expensive (for a reason) equipment to capture his professional portrait work. But he was recently asked to make due without any of that; instead, he would be using an iPhone for shooting and retouching, a small flashlight, and a Big Mac box from McDonald’s. Yeah… seriously.

The final shots benefit from a lot of post-processing, of course. In all, Echaroux used VSCO, Photoshop Fix, and Lightroom Mobile to tease out something that looks a lot more professional than you’d expect from his meager setup. But The basic gear and lighting was all the same: iPhone, flashlight, Big Mac box.

Whether you’re shooting an astronaut in a darkened Soyuz capsule with a 10-year-old DSLR and an iPhone flashlight, or taking the so-called Big Mac Portrait Challenge, don’t let lack of gear intimidate you. If nothing else, it might lead to a cool story or creative video.

Articles: Digital Photography Review (dpreview.com)

 
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Throwback Thursday: the iPhone 4S

10 Aug
Credit: Gabriele Barni

Late 2011 was a period of big changes for me. I had just finished up college, an internship, and landed my first ‘big boy’ job at Puget Sound Energy doing photo and video for their communications department. It was also around this time that I got my very first smartphone, an act which would forever change my perspectives on photography.

Okay, well, it was my second smartphone that did that. My first was a Blackberry Bold, which was a Puget Sound Energy company phone, and I very briefly thought that it was amazing. I was wrong. You see, wanting to keep my work and personal life somewhat separate, I figured I should purchase my own smartphone for personal use. So I picked up a just-released iPhone 4S, and the Blackberry felt prehistoric in comparison.

With a decent camera in my pocket at all times, I of course started an Instagram account and promptly put a photo of a bagel sandwich up for all the world to see. Yes, this is literally the first image on my Instagram profile, and it’s probably damaging my credibility to this day.

A lot of people credit cell phone cameras with the death of the compact camera, but I think the iPhone 4S was one of the first cell phones with quality that could really rival the PowerShots and Coolpix’s of the day. In high school, VGA camera phones were all the rage, but a lot of us still carried around a dedicated compact camera for ‘real’ photos.*

But with the iPhone 4S, you got an 8MP sensor, a reasonably fast F2.4 lens, 1080p HD video recording and a Retina high-density display that was probably the best display I’d ever seen up until that point. Suddenly, for an average consumer to get appreciably better image quality, you had to step up to a reasonably high-end camera, and that’s why I think the iPhone 4S was the final nail in the compact camera’s coffin.**

Of course the Sony RX100 came out the following summer and, though it did inspire eventual competition and somewhat stemmed the hemorrhaging sales of compact cameras, the $ 650 MSRP was a sign that dedicated photography tools capable of truly better output than a phone were going to be pushing ever further up-market. In other words, further out of the reach of average consumers, reinforcing for those consumers that a camera someone already has on his or her phone is going to be good enough.***

For the benefit of mankind and my personal friendships, I got over my strange obsession with posting images of my meals, and started taking pictures of other things. Cropped to taste.

In any case, I was lucky enough to have a DSLR at the time for more serious work, but whenever I didn’t want to lug that around, the iPhone 4S was there. I even ended up preferring the phone to an original Olympus Pen Mini for casual photography because of its speed, overall image quality and the ability to quickly share images to the web. Without Google Drive or Wi-Fi pairing, it was an ordeal to get images onto the iPhone from any source other than the internal camera.

In fact, looking back on my own photos from early on with the 4S, I’m struck by how often I thought that an Instagram filter was an improvement, when really, some more careful framing and more conservative editing would have been better advised. But maybe there’s more to it. I can see now that the iPhone 4S’s camera was good enough that it wasn’t the limiting factor for me at the time, it was just my own skill and taste (or in this case, a lack thereof).

This is one of the less egregious crooked horizons and ‘filter jobs’ I could find on the early days of my Instagram account, but it still looks darn overcooked to me these days.

Something about how most of the images I can find from this camera are uploaded and super compressed and all that.

As I grew in my career and as a photographer, I ended up getting a cheap Moto G when the iPhone 4S started to feel a little dated. I should have known better. I had become absolutely addicted to having at least a decent camera in my pocket at all times, and images from the Moto G just looked washout out and ‘cheap’ in comparison to the iPhone, despite having the same 8MP resolution.

That ‘addiction’ to a decent camera is something that has reached epidemic proportions throughout the world. For better or for worse, photography has been democratized and commoditized, and there just isn’t any going back – and while yes, we can thank smartphones in general for that, the iPhone 4S was one of the more influential players in changing the way that we view smartphone cameras and smartphone photography.

Photo by Scott Everett

* ‘Real’ photos usually included my 1980 Datsun 210, or trying to perfectly time the shooting of an unopened soda can with a bow and arrow. You know. High school kid stuff.

** The advent of 1080p video capture in phones is also probably why Flip and other pocket camcorders disappeared seemingly overnight.

*** After having gotten used to the iPhone 4S, I still thought for a while I had a need for a cheap, carry-everywhere camera, maybe with an optical zoom. So I got a Canon PowerShot A1200 at Costco, and the photos were absolutely horrible in comparison to the phone. For a long while, I swore off ever having a camera that lay somewhere between my iPhone and my D80.

Articles: Digital Photography Review (dpreview.com)

 
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The next iPhone may record 4K 60fps video with front camera

05 Aug

A firmware leak for the Apple HomePod has already revealed that the upcoming generation of Apple’s iPhone might use ‘SmartCam’ AI to adjust to different scenes on the fly. But that’s not the only gem developers have managed to dig out of the code. Further analysis of the source code has now found that at least one of the new models might also be capable of shooting 4K video at 60 frames per second on both front and rear cameras, making it the first smartphone to offer this video specification.

The function is mentioned in a section of code related to the HEVC, or H.265 video codec that will be included in both iOS 11 and macOS High Sierra, both due out this fall. HEVC is capable of maintaining high levels of image quality while using advanced compression algorithms to keep the file size down. This allows for 4K video capability to be installed in devices with limited storage or processing power.

Considering Apple’s current FaceTime front cameras only offer a 7MP stills resolution and 1080p video this would mean a huge jump in performance. The image sensor would need a bump in resolution, but presumably Apple’s new chipset will provide enough processing power to crunch the large amounts of data generated when shooting video at 4K resolution and fast frame rates.

Articles: Digital Photography Review (dpreview.com)

 
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The iPhone camera may soon use ‘SmartCam’ AI to adjust to different scenes on the fly

04 Aug

Apple’s Photos app and other gallery solutions have used AI (artificial intelligence) technology for years now to identify objects and scenes for image sorting, searching and categorization. But according to information that was found in the source code of the Apple HomePod firmware the same technology might soon be implemented in the iPhone Camera app, and be used in real time (instead of post-capture) to optimize camera settings such as exposure, white balance and HDR for specific scenes.

The new feature is called “SmartCam,” and takes the widely used face detection technology to a new level. The code—which was discovered as part of a firmware leak for Apple’s HomePod—identifies several different types of scenes that could be identified, including: baby photos, pets, the sky, snow, sports, sunset, fireworks, foliage, documents and more. This sounds pretty much like a list of conventional camera scene modes, but without the need to select and set them manually in the camera menu—Apple will simply recognize them and shift accordingly.

The so-called “SmartCam” feature was not announced by Apple at its Worldwide Developers Conference, which likely means it won’t be made available to older iPhones with an update to iOS 11. It’s possible Apple wants to retain the feature as a unique selling proposition for the next generation iPhone models, which are expected to be announced in September.

Articles: Digital Photography Review (dpreview.com)

 
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Former Google SVP prefers iPhone over Android for mobile photography

01 Aug

Vic Gundotra was an SVP of engineering at Google for almost eight years before leaving the company in 2014, and heavily involved in running Google’s mobile initiatives. However, despite being one of the main drivers behind Android from 2007 to 2010, Gundotra appears to prefer Apple’s iPhones over Android devices, at least for photography.

In a Facebook post, Gundotra called the results of the background-blurring iPhone 7 Plus portrait mode “stunning” and “the end of the DSLR for most people”. When replying to comments on the post he went on the say that, in terms of imaging, Android phones were years behind the iPhone:

Here is the problem: It’s Android. Android is an open source (mostly) operating system that has to be neutral to all parties. This sounds good until you get into the details. Ever wonder why a Samsung phone has a confused and bewildering array of photo options? Should I use the Samsung Camera? Or the Android Camera? Samsung gallery or Google Photos?

It’s because when Samsung innovates with the underlying hardware (like a better camera) they have to convince Google to allow that innovation to be surfaced to other applications via the appropriate API. That can take YEARS.

Also the greatest innovation isn’t even happening at the hardware level – it’s happening at the computational photography level. (Google was crushing this 5 years ago – they had had “auto awesome” that used AI techniques to automatically remove wrinkles, whiten teeth, add vignetting, etc… but recently Google has fallen back).

Apple doesn’t have all these constraints. They innovate in the underlying hardware, and just simply update the software with their latest innovations (like portrait mode) and ship it.

Bottom line: If you truly care about great photography, you own an iPhone. If you don’t mind being a few years behind, buy an Android.

Apple’s portrait mode doesn’t come without its limitations, but it’s probably fair to say among all the various incarnations of depth or bokeh effects we have seen so far it is the best performing. On the other hand some Android smartphones, such as the Google Pixel or HTC U11, offer an advantage over the latest iPhone models in terms of detail resolution and textures.

So, like with so many things, the smartphone camera that is best for you depends a lot on your personal requirements. Vic Gundotra definitely seems to have made his mind up, though. In another post he says he “would NEVER buy an Android phone again if I cared about photography.” Do you agree? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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This Nat Geo cover was shot with a 10-year-old DSLR and an iPhone flashlight

24 Jul
European astronaut Paolo Nespoli sitting in a Soyuz launch module simulator, illuminated by a single iPhone flashlight. Photo © Alessandro Barteletti.

Photographer Alessandro Barteletti has spent the last year creating a photo essay for National Geographic, in which he tells the story of 60-year-old European astronaut Paolo Nespoli. The project has taken him all over the world with Paolo, but it’s the photo above that stuck with him, and that Nat Geo in fact picked for the cover of the July issue of National Geographic Italia.

For this project, Barteletti received access to the training centers in Europe, the US, and Russia, trailing Paolo and capturing photos honoring the astronaut as the first 60-year-old ever to be enrolled in a 6-month-long mission.

Behind the scenes with Barteletti, shooting Paolo Nespoli for National Geographic. Photo © Alessandro Vona

The memorable cover photo was captured in Star City, Russia, while Paolo sat inside the Soyuz launch module simulator.

“I came into the Soyuz with my Nikon D3 and a wide angle lens, ready to shoot Paolo when, suddenly, something unbelievable happened: all lights off, everything was dark and from the outside they started knocking on the door telling me I had only one minute left,” Barteletti tells DPReview. “I didn’t know what to do: that was the perfect setting for THE PHOTO, probably one of the best ones ever. Outside I had some led lights but if I had come out the module, they wouldn’t have let me come in once again.”

Paolo agreed that leaving the module wasn’t an option, and so they tried to come up with some way to capture the shot in the next 60 seconds… with no professional lighting anywhere in sight.

“I had an idea, one of those crazy ideas that only come to you when you are desperate,” says Barteletti. “I took my iPhone—the only electronic device I had with me—I turned on the torch, and I put it between two panels behind the astronaut.”

As it turns out, his idea worked perfectly. “The module was so small, less than 2 meters of diameter, that the torch was enough to properly light the setting,” he told us. “I had only the time for two landscape shots and two portrait ones, just a few seconds before I was literally obliged to leave the module.”

In the end, Barteletti was right: it was THE PHOTO. National Geographic chose this shot for the cover. Barteletti still can’t quite believe they chose a photo “shot with a ten-year-old Nikon D3 and lit with an iPhone torch.”

To learn more about Alessandro or see more of his work, visit his website by clicking here.

Articles: Digital Photography Review (dpreview.com)

 
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The Gudak app turns your iPhone into a disposable camera

16 Jul

Before there were smartphones, disposable cameras used to be the go-anywhere cameras of choice for many casual photographers. If you are the nostalgic type, you can now get a simulated disposable camera experience on your iPhone, thanks to the new Gudak app by Korean startup Screw Bar.

Like a real disposable camera, the app offers a “film roll” of 24 shots and a small viewfinder.

Shoot through that roll and, once you’ve finished, it is sent to the app’s “lab” where it’s kept for three days of processing. You also have to wait twelve hours until you can “insert” a new roll of film, which means you probably want to be pretty careful with your shot selection.

Processed images show the typical color casts and occasional light leaks that should be familiar to anyone who has ever used a real disposable camera. If that sounds appealing (if a bit nostalgic and silly) to you, you can download the app now on the Apple App Store for $ 0.99. No word yet on an Android version.

Articles: Digital Photography Review (dpreview.com)

 
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The iPhone turns 10 years old today: What has it meant to you?

03 Jul
10 years later, photography is a much bigger part of the iPhone’s DNA than anyone could have predicted.

Ten years ago today, Steve Jobs stood up on stage and delivered what might be the most consequential keynote of his career: he introduced the world to the iPhone. Today, we want you to tell us how it has revolutionized, reorganized, and restructured the world of digital photography.

As Jobs put it on stage, repeating the line over and over again to a crowd of excitable tech journalists, the iPhone was three things: “an iPod, a phone, and an internet communicator.” But if Jobs could somehow come back to life and re-do that moment today, he would probably add ‘camera’ to that list.

Sure, that original 1st generation iPhone only boasted a measly 2MP camera that was laughable even by 2007 standards. But the impact that this camera—and the one after that… and the one after that… and the 6 after that—had on our industry is hard to fathom.

The point and shoot camera has all but gone extinct, camera giants are struggling to appeal to a new crop of ‘photographers’ who value convenience and connectivity above all else, and each day the line between ‘professional photography’ and ‘smartphone photography’ gets a bit blurrier—if it hasn’t already disappeared entirely.

The 1st generation iPhone looked a lot different than today’s iPhone 7

But we’re not interested in the big picture stuff—there are tens, hundreds, maybe thousands of articles about how the iPhone changed photography for better and for worse. We want a more personal perspective. We want to hear from you.

From a photography perspective, how has the iPhone impacted your life? Do you use your main camera less often, or not at all? Is the ability to connect your camera to your phone and post pictures instantly a must-have? Do you even remember the last point-and-shoot camera you owned, and when you last turned it on?

On a day marked by hundreds of tech op-eds, quirky origin stories, and enough ‘looking back’ videos to keep you busy for days, we want to compile a more personal picture of the iPhone and how it has impacted the world of digital photography. Share your story with the community in the comments, or drop us a line directly at dpreview.com/feedback.

And in the meantime, we’ll content ourselves with wishing the iPhone a happy 10th birthday… and we’re only being, like, 21% passive aggressive when we say that.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Those ‘Shot on iPhone’ ads are not what they seem

02 Jul

Anybody who knows about the technique and gear involved in capturing great photos and video knows to look at those ‘shot on *insert smartphone here*’ ads with a bit of skepticism. Yes, they were technically shot on those phones, but many people don’t realize the amount of extra gear and software that goes into the final product.

There is a disclaimer at the end of these videos, of course, but it’s easy to miss or subconsciously ignore it when you’re hoping against hope that your iPhone 7 Plus will be the last camera you’ll ever need.

Have you noticed this disclaimer at the end of the ‘Shot on iPhone’ ads?

In this short video, YouTuber Marques Brownlee sheds a bit of light on the matter, sharing a little behind the scenes look at some of the really intense gear these commercials use, before diving into some more affordable options that can help get your smartphone video—shot on iPhone or otherwise—closer to those professional grade commercials.

Because while you’ll probably never use a rig this advanced:

It’s not unthinkable that you could buy yourself a DJI Osmo Mobile and some Moment lenses to help get your shaky hand-held attempts a little closer to the results you see in Apple and Samsung’s professional ads.

Just don’t beat yourself up if your first few tries don’t live up to this level of quality. We don’t know exactly what gear Apple used on its latest ‘Shot on iPhone’ commercials, but we’re betting it’s closer to the crazy rig you see above, than the pared down little stabilizer and smartphone lenses Brownlee touts in his video.

Articles: Digital Photography Review (dpreview.com)

 
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2017 iPhone Photography Award Winners Announced

28 Jun
The grand prize (left), first place (top right), and second place (bottom right) winners of the 2017 iPhone Photography Awards. Photos courtesy of IPPA, individual credits below.

When the iPhone Photography Awards were established in 2007, the first iPhone had just been released and its 2MP images were… well, they were nothing to write home about. Fast-forward to 2017, and the winners of this year’s 10th annual IPPAs are stunning, taking full advantage of a decade’s technological advancement.

This year’s winners were selected from ‘thousands’ of entries that poured in from over 140 countries around the world. Let’s take them one by one:

Grand Prize

This year’s grand prize and title of iPhone Photographer of the year went to Sebastian Tomada for his photograph titled ‘Children of Qayyarah’. Photo © Sebastian Tomada

The grand prize winner, titled ‘Children of Qayyarah’, was captured by Sebastian Tomada, a photojournalist based in New York City and the Middle East.

As the title suggests, the image was captured in Qayyarah, Iraq. It was shot on November 4th, 2016 after Islamic State militants set fire to oil wells in the city. The image was captured with an iPhone 6s.

1st Place

First place went to photographer Brendan O Se from Ireland, for her striking photograph titled ‘Dock Worker’. Photo © Brendan O Se

Photographer Brendan O Se—a university teacher/teacher trainer in Cork, Ireland—was awarded 1st place in the competition for his portrait of hands titled ‘Dock Worker’.

The photograph was taken on an early morning walk around the docks in Jakarta in April of 2016. “These were the hands of a dock worker who was taking a break,” says O Se. “I was struck by the texture created by the accumulated dirt on his hands.”

This photo was also taken with an iPhone 6s.

2nd Place

Second place was awarded to photographer Yeow-Kwang Yeo of Singapore for his portrait titled ‘The Performer’. Photo © Yeow-Kwang Yeo

Coming in 2nd behind O Se and Tomada is photographer Yeow-Kwang Yeo, formerly a Mechanical Engineer and Business Administrator who decided to change tracks and devoted himself entirely to photography in 2007.

His photograph, ‘The Performer’, was captured at a performance of traditional Chinese street opera.

“Instead of shooting their performance, I decided to go the back of the stage to capture the performers’ preparation activity,” says Yeo. “I spotted this experience performer who is taking a short rest and was waiting for his turn to perform. I was attracted by the lighting of the old plastic curtain, electric fan, and the overall calm atmosphere.”

The photo was captured with an iPhone 6 Plus.

3rd Place

Third place in the overall competition was awarded to photographer Kuanglong Zhang of Shenzhen, China for his image ‘The City Palace’. Photo © Kuanglong Zhang

The 3rd and final award handed out in the IPPA’s main Photographer of the Year category went to Chinese photographer Kuanglong Zhang, a freelance photographer living in Shenzhen city. This photograph was taken in Udaipur, a city Zhang calls ‘one of the most romantic in India.’

“In the City palace, I snapped a moment of one of the staff gazing out of the window,” says Zhang. “[It’s] as if he saw the slowly historic course of the palace’s construction, which was quite an attractive moment.”

The photo was taken with an iPhone 7.

To see more winning images from the other 19 categories the IPPA ran, or if you’d like to learn more about each of the photographers above, visit the IPPA website by clicking here.


All photos used with permission, courtesy of IPPA.

Articles: Digital Photography Review (dpreview.com)

 
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