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Posts Tagged ‘impressions’

DPReview TV: Panasonic G95 first impressions review

06 Apr

The Panasonic G95 was just announced, and Chris and Jordan are here with their first impressions. Join the boys on a photo scavenger hunt, and find out why Jordan can eat Lucky Charms better than all of you.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

  • Introduction
  • Body
  • Compared to the G85
  • USB charging
  • Displays
  • Moiré
  • Compared to the G9 and GH5
  • Video intro
  • Vlogging
  • Slow motion
  • Audio
  • VlLog-L and record limit
  • Wrap-up

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Leica Q2 first impressions review

24 Mar

This week Chris and Jordan take the new Leica Q2 for a spin, and while most of us in the Northern Hemisphere are welcoming spring, they head even farther north than usual to visit ice castles. Because #Canada.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

  • Introduction
  • Lens and sensor
  • Weather sealing
  • LCD and EVF
  • Battery
  • ISO 50
  • Night shoot
  • Bokeh
  • Low light
  • Buffer
  • Autofocus
  • Design and handling
  • Video capability
  • Wrap-up

Sample gallery from this week’s episode

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Articles: Digital Photography Review (dpreview.com)

 
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Leica Q2 first impressions review

07 Mar

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The Leica Q2 is a fixed-lens, full-frame camera sporting a new 47.3MP sensor and a sharp, stabilized 28mm F1.7 Summilux lens. It’s styled like a traditional Leica M rangefinder and replaces the hugely popular original Leica Q (Typ 116), launched in 2015.

The Q2 looks essentially the same as its predecessor, but under the hood notable improvements have been made including the addition of weather-sealing, better battery life, a new processor and an improved electronic viewfinder. Sensor resolution has also nearly doubled.

Key Specifications:

  • 47.3MP full-frame sensor
  • 28mm F1.7 Summilux stabilized lens
  • 3.68MP OLED EVF with 0.76x magnification
  • 3″ fixed touchscreen LCD with 1.04 million dots
  • Fast autofocus and smoothly damped manual focus ring
  • Native ISO range of 50-50,000
  • 4K video capture
  • Leaf shutter up to 1/2000 sec
  • E-shutter up to 1/40,000 sec
  • IP52 rated dust and water resistant
  • Magnesium-alloy body
  • Wi-Fi and Bluetooth
  • Improved battery life

While the Q2 will replace the original Q in Leica’s lineup, the Leica Q-P – a stealthy version of the Leica Q – will remain available for some time, according to the brand. The Leica Q2 ships March 7th for $ 4995.

Raw photo processed to taste in Adobe Camera Raw.
ISO 250 | 1/80 sec | F2.8

What’s new and how it compares

The Q2 and original Q look pretty similar, but there are a lot of upgrades under the hood. Here’s the nitty gritty.

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Body and controls

How’s it feel in hand? How’s the new electronic viewfinder? Find out here.

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First impressions

We’ve been shooting around with the Leica Q2 – here are our initial thoughts based on that time.

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Sample gallery

Puppies and landscapes and portraits, oh my! Check out our full sample image gallery for out-of-camera JPEGs and Raw conversions.

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Specifications

You’re a gear nerd, we get it. Here’s where you’ll find all the juicy details about the Q2 listed out.

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Articles: Digital Photography Review (dpreview.com)

 
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Video: first impressions of the Canon EOS RP

16 Feb

Got a couple of minutes? Then you have all the time you need to learn about Canon’s second full-frame mirrorless camera body. Technical Editor Richard Butler has been able to do some shooting with the camera and gives a full rundown of its feature set – and explains why it’s a compelling option for someone stepping into full-frame for the first time.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Fujifilm X-T30 first impressions review

15 Feb

The new X-T30 may not be Fujifilm’s flagship model, but it arrives with some very impressive features and specifications. Chris and Jordan have been shooting it for a few days and share their first impressions, along with a look at an iconic new building in their hometown of Calgary, Alberta.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

  • Introduction
  • Shot on the X-T30
  • Design and handling
  • LCD design
  • Film simulations
  • The sensor
  • The processor
  • LCD and EVF quality
  • Burst mode
  • Autofocus
  • Video quality and features
  • Wrap-up

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Sony a6400 first impressions review

21 Jan

This week, Sony introduced its newest APS-C camera, the a6400. Of course, Chris and Jordan were on hand to take it for a spin and test out all the new features. Watch to find out what they think of Sony’s newest model.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

  • Opening sequence
  • Introduction
  • Shooting with tracking autofocus (beta) on the Sony a9
  • Body and handling
  • Weather sealing
  • Sensor
  • Buffer
  • Menus and customization
  • Video
  • Video: tracking AF
  • Video: time-lapse
  • Video: rolling shutter
  • Video: no record limit
  • As a vlogging camera
  • Autofocus
  • Final thoughts

Articles: Digital Photography Review (dpreview.com)

 
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Sony a6400 first impressions video

17 Jan

Our intrepid team is in San Diego, for the launch of the new Sony a6400. In this short overview video, Carey, Chris and Jordan talk through the main specifications of the new camera, and what they might mean for photographers and videographers.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Z6 First Impressions Review

11 Dec

The Nikon Z6 is one of two full-frame mirrorless cameras that Nikon introduced in August of 2018. It’s very similar to its big brother, the Z7, with the main differences being the sensor (24MP vs 46MP) and the decrease in resolution that comes along with it. The Z6 also has fewer phase-detect autofocus points (273 vs 493) due to the lower-res sensor. Otherwise, you’re getting the same rugged body, the same (mostly) familiar controls and access to a small but soon-to-grow collection of Z-mount lenses.

Specs aside, the Z6 is for a very different audience than the Z7. The latter is for those seeking ultra-high resolution and would also be considering cameras like the Sony a7R III and Nikon D850. The Z6, on the other hand, is intended to be be more appealing to those looking to upgrade from crop-sensor cameras or previous-generation full-frame DSLRs.

The Z6 will ultimately be compared to its DSLR sibling, the D750 (which is getting on in years, but still very capable). While the two cameras have different designs, they operate similarly, with autofocus modes and video being the the most significant differences.

Key specifications:

  • 24.5MP full-frame BSI-CMOS sensor
  • Hybrid autofocus system w/273 phase-detect points
  • Up to 12 fps burst shooting (Raw + JPEG)
  • 3.69M-dot OLED viewfinder
  • 2.1M-dot tilting touch LCD
  • OLED top plate display
  • Single XQD card slot
  • UHD 4K capture up to 30p
  • 10-bit 4:2:2 N-Log output over HDMI
  • Up to 100Mbps H.264 8-bit internal video capture
  • SnapBridge Wi-Fi system with Bluetooth
Out of camera JPEG | ISO 7200 | 1/250 sec | F1.8 | Nikkor Z 50mm lens
Photo by Dan Bracaglia

If those specs look familiar, it’s because they’re almost identical to that of the Z7, with resolution and the number of AF points being the main differences. You do reap the benefits of the lower resolution sensor when shooting bursts, with a top frame rate of 12 fps (versus 9) and the ability to capture more photos per burst. Otherwise, you’re getting the same design and innovations found the Z6’s big brother, which is significantly more expensive.

The Z6 is sold body-only for $ 1999 or with the Nikkor Z 24-70mm F4 S lens for $ 2599. If you buy the $ 249 FTZ (F-to-Z mount) adapter at the same time, Nikon will knock $ 100 off of the price.


What’s new and how it compares

The Z6 uses the all-new Z-mount along with a full-frame 24MP sensor with 5-axis image stabilization built in, along with a hybrid AF system and oversampled 4K video.

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Body and handling

The Z6 has excellent build quality, familiar controls and a lot of customizability, though some favorites from Nikon DSLRs didn’t make the cut.

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Operation and controls

The Z6 can be customized in numerous ways, and we appreciate its ability to have separate settings for stills and video.

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Image quality

The Z6’s 24MP sensor has excellent resolution and high ISO performance, though on rare occasions you may see banding if shadow areas are brightened.

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Sample Gallery

See how the Z6’s photos look in our extensive sample gallery.

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Articles: Digital Photography Review (dpreview.com)

 
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Nikon Coolpix P1000 First impressions review

11 Oct

Four years ago, the typical superzoom ‘bridge’ camera had a zoom power of around 50x. Over the years that number has slowly risen, before leveling out at 65x. And then came the Nikon Coolpix P900, whose 83x, 24-2000mm equiv. lens suddenly took zoom ranges from ‘really long’ to ‘absurd’.

Nikon’s new Coolpix P1000 has moved the zoom needle to ‘ludicrous,’ with an equivalent focal length of 24-3000mm. That’s right, 3000mm. This is a lens so long that we were able to fill the frame with a 1 meter (3.3 foot) tall monkey that’s 2.3 kilometers (1.4 miles) away.

This does come at a cost, though. For one thing, the P1000 is huge and its lens is challenged by a slow maximum aperture (and thus diffraction) and image quality can be compromised by the same thermal and atmospheric issues that are typical of images taken at extreme focal lengths with any super telephoto lens.

Besides the lens, the P1000 features a 16MP 1/2.3″ BSI-CMOS sensor, a fully articulating LCD and high-res EVF, Raw support and the ability to capture 4K video.

Key features

  • 16MP, 1/2.3″ BSI-CMOS sensor
  • 24-3000mm equiv. F2.8-8 lens
  • ‘Dual Detect’ optical image stabilization
  • 3.2″, 921k-dot fully articulating LCD
  • 2.36M-dot OLED electronic viewfinder with eye sensor
  • Raw support
  • UHD 4K/30p video capture
  • Microphone input
  • Hot shoe
  • Wi-Fi + Bluetooth (SnapBridge)
  • 250 shots per charge (CIPA standard)

The P1000 has a spec sheet almost as long as its lens. From Raw support to a high-res EVF, the camera has just about everything you’d want in a bridge camera, save for decent battery life and a touchscreen (a glaring omission). Image stabilization is a requirement on superzoom cameras, and Nikon’s ‘Dual Detect VR’ reduces shake by up to 5 stops, according to Nikon. Being 2018, it’s no surprise that Wi-FI and Bluetooth are also onboard.


What’s new and how it compares

The Coolpix P1000 really is all about that lens.

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Shooting experience

Find out what it’s like to use the P1000 at the Woodland Park Zoo in Seattle.

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Sample gallery

View a variety of sample images from the Coolpix P1000.

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Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS R First Impressions Review

04 Oct

The Canon EOS R is the first full frame mirrorless camera to use the new RF mount. It’s built around the same 30 megapixel Dual Pixel CMOS sensor as 2016’s EOS 5D Mark IV but is designed for a new series of RF lenses. Canon says the shorter RF lens mount will allow them to design better or smaller lenses than they can for the existing EF mount.

Being the first RF-mount camera, it’s not surprising that the EOS R occupies a unique new position in Canon’s lineup. In essence, you’re getting image and video quality from the 5D Mark IV at around the price point of the 6D Mark II with a healthy dose of control philosophy from both of those cameras as well as the EOS M series.

Key Specifications:

  • 30MP full frame Dual Pixel CMOS sensor
  • 3.69M dot OLED viewfinder
  • Fully articulated rear LCD
  • Autofocus rated down to -6EV (with F1.2 lens)
  • Up to 8 fps shooting (5 fps with continuous AF, 3 fps ‘Tracking Priority mode’)
  • UHD 4K 30p video from a 1.83x crop of the sensor
  • Canon Log (10-bit 4:2:2 over HDMI or 8-bit 4:2:0 internal)
  • USB charging (only using optional Canon charger)
Converted from Raw using ACR 11 and the Camera ‘Standard’ profile.
ISO 100 | 1/100 sec | F1.2 | Canon RF 50mm F1.2L
Photo by Wenmei Hill

The EOS R was announced less than two weeks after Nikon’s Z7, which itself is Nikon’s first full-frame mirrorless camera and is also designed around a new mount. Where Nikon makes a big deal about how immediately familiar the Z7 will be to existing Nikon shooters, Canon is incorporating some more radical ergonomic innovations on the EOS R – it handles unlike any existing Canon camera. Let’s take a closer look at what exactly those innovations are and how they work.

The Canon EOS R will be available from October 2018 at a cost of around $ 2,299 or $ 3,399 with the RF 24-105mm F4L IS lens.


What’s new and how it compares

The EOS R comes with a lot more than just a new mount. Read about the new features included on the EOS R.

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Body and handling

The EOS R is Canon’s lightest full-frame camera, but remains weather sealed and has a full-size grip. Read about all of the EOS R’s ergonomic updates here.

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First impressions

The EOS R comes with some surprising ergonomic updates that aren’t to everyone’s tastes, but its still capable of great image quality.

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Sample gallery

View a variety of sample images from our final production EOS R.

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Articles: Digital Photography Review (dpreview.com)

 
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