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Posts Tagged ‘Image’

Fotodiox’s new EF to L-mount adapter features AF, aperture and image stabilization support

07 Apr

Fotodiox has announced the release of its new Canon EF to L-Mount Pro Fusion adapter, which offers complete electronic control and communication between the lens and the camera it’s attached to.

The adapter works with both EF and EF-S lenses and converts them to L-Mount mirrorless cameras. It features an all-metal design with chrome-plated brass mounts and features a built-in Micro USB for updating the firmware of the adapter.

Fotodiox uses its ‘Fusion’ technology to add complete electronic communication and control between the lens and camera body, including autofocus, aperture control and image stabilization. EXIF and aperture data is also transmitted between the lens and camera. In the event you’re using a manual lens, the ‘Fn’ button on the adapter can be pressed to turn off all electronic communication between the lens and camera body.

Fotodiox notes continuous AF and video AF aren’t currently supported due to ‘unsatisfactory’ performance, but other autofocus modes should work with minimal issues. It’s also pointed out that some third party lenses, such as those from Sigma and Tamron might struggle with autofocus a bit more than first-party lenses.

The adapter is backed by a two-year manufacturer warranty, comes packed inside a padded bamboo box and is currently available to purchase for $ 179.95 (B&H).

Articles: Digital Photography Review (dpreview.com)

 
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Hasselblad updates its desktop, mobile Phocus image processing apps

02 Apr

Hasselblad has released an update to its Phocus image processing applications for both desktop and mobile devices. Phocus 3.5 for desktop brings a number of new and improved features, while the Phocus Mobile 2 update is more incremental with only a few small changes.

Phocus 3.5

Phocus version 3.5 brings a number of new tools and features, including. Specifically, Hasselblad has added a new defringe tool for removing green and purple fringes. The tool will automatically detect and correct for fringing, but also offers manual controls for more precise edits. The brightness and contrast adjustments have also been updated with ‘enhanced algorithms’ that should create more precise tonal adjustments than previous versions.

Hasselblad has also added a new ‘Luma Mode’ to the curves tool for controlling the luminosity of an image with less impact on the colors of an image compared to using the RGB curve mode. Finally, to smooth things out, Hasselblad has increased GPU usage within Phocus 3.5, which should help increase performance, specifically when viewing and exporting high-resolution images. Hasselblad notes the ‘Extended GPU usage option’ must be active within the settings/preferences in order to get the boost from your computer’s GPU.

Phocus Mobile 2 version 1.0.1

Phocus Mobile 2 version 1.0.1 makes only a few changes. In addition to general performance improvements, Hasselblad has also added lens correction support for its XCD 45P and added the ability to zoom and scroll around images immediately after they’re loaded into the viewer within the app.

Phocus Mobile 2 is available on iOS and iPadOS. Hasselblad has an overview video walking through the core functionality of the app if you want to familiarize yourself with the app.

Articles: Digital Photography Review (dpreview.com)

 
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Glimpse image editor aims to make open-source GNU Image Manipulation Program more accessible

02 Apr

The Glimpse project has released a new fork of the GNU Image Manipulation Program often referred to as ‘GIMP,’ called Glimpse image editor. This free, open-source image editing software is building upon the legacy of the GNU Image Manipulation Program to make free image editing software more user-friendly and accessible. If you’re unfamiliar with GNU Image Manipulation Program, it is a free alternative to Adobe Photoshop, offering much of the same core functionality.

GNU Image Manipulation has remained an important tool for many users, but over time, it has seen fewer updates and improvements and has lagged behind modern photo editing software. By forking, Glimpse Image Editor can build upon a stable foundation but reinvigorate efforts to improve the usability and functionality of the software.

Screenshot from Glimpse image editor

There are three primary reasons for the Glimpse project forking. First is the name of the GNU Image Manipulation Program, GIMP. The name ‘GIMP’ was chosen nearly two decades ago as a reference to a scene in the cult classic movie, Pulp Fiction. However, many people find the name offensive. At worst, the name is ableist and reduces the reach of the program, especially in educational settings. There have been many user complaints and requests for the GNU Image Manipulation Program to be renamed, but the team in charge of the project has opted against a major change.

Secondly, the dedicated user interface design team for GNU Image Manipulation Program hasn’t met since 2012, resulting in fewer usability improvements and slower development of updates.

Finally, GNU Image Manipulation Program made the decision to remove its built-in mechanism to support third-party plug-ins. To help deal with this, Glimpse will include useful third-party plug-ins pre-bundled.

The Glimpse project is quick to point out that the intention is not to replace GNU Image Manipulation Program, but rather, to provide a rebranded fork which is more appropriate in professional and educational settings. On GitHub, the Glimpse project says the following of Glimpse image editor, ‘The aim of Glimpse Image Editor is to repackage the GNU Image Manipulation Program to make it more appealing to the wider computer-using public, and also to better tailor the program for school and workplace deployments.’

Of course, it is about more than just the name. As of now, Glimpse has been focused on removing the pre-existing ‘GIMP’ branding. Over the longer term, the team aims to revise the graphical user interface and improve overall functionality and usability. Ultimately, in terms of both the name and overall goals for Glimpse, the team hopes to make free image editing software more accessible.

As of now, you can download and install Glimpse on systems running Windows 7 or newer and modern variants of GNU/Linux. Support for macOS is in the works. Glimpse can be downloaded from Snapcraft and from Glimpse directly. If you are interested in learning more about the project and finding out how you can contribute, click here.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm introduces X-T4 with in-body image stabilization and improved battery life

26 Feb

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Fujifilm has announced the long-awaited X-T4, a stills/hybrid that brings a much-desired feature to the X-T range: in-body image stabilization. The IBIS system on the X-T4 can reduce shake by up to six stops on eighteen of the company’s lenses, and up to five stops on the rest. Fujifilm has redesigned the shutter mechanism, which is rated to 300k cycles and is quieter than on the X-T3. The new shutter can support bursts at 15 fps.

While the X-Trans sensor is the same as the X-T3, the autofocus system has received an upgrade, with improved face and eye detection as well as subject tracking. Fujifilm has also added a new Eterna Bleach Bypass Film Simulation mode, support for ‘lossy’ Raw files and additional precision when adjusting tone curves.

The design of the camera has changed in several ways. The LCD is now fully articulating, an AF-On button has been added and the metering switch has been replaced with a stills/video toggle. The grip has been enlarged, the rear control dial protrudes a bit more from the back of the camera and the eyecup is less likely to come off. Settings for stills and videos are now separate, with each mode having their own Q Menu. The X-T4 uses the new NP-W235 battery, which can take 500 shots per charge using the LCD.

On the video front, the camera gains a 240 fps high-speed mode and interface improvements, but the loss of a dedicated headphone socket will not be popular with videophiles: a USB-C dongle must be used. Just like the X-H1, if you want a dongle-less microphone socket, you’ll need to buy the battery grip.

The Fujifilm X-T4 will be available this Spring, in your choice of silver or black. The body-only kit will be priced at $ 1699. When bundled with the 18-55mm F2.8-4 the price is $ 2099, and the 16-80mm F4 kit comes in at $ 2199.

Press release:

INTRODUCING THE FUJIFILM X-T4: CRAFTED FOR THE MODERN IMAGE-MAKER

Valhalla, New York – February 26, 2020 – FUJIFILM North America Corporation is proud to announce the launch of the FUJIFILM X-T4 (hereinafter “X-T4”), a flagship model of the X Series family of mirrorless digital cameras.

The X-T4 is an astounding imaging tool, packing a newly designed IBIS, a quiet new shutter unit, a new vari-angle LCD screen, a new Eterna Bleach Bypass Film Simulation, and a new, large-capacity, battery all into a compact and lightweight camera body. This camera is the perfect tool for today’s image makers and is an ideal multi-functional solution for visual storytellers to use in creating their stories.

More information about the key features of X-T4:

Designed for Quality and Speed

Fujifilm’s state-of-the-art X-Trans CMOS 4 sensor and X-Processor 4 combination sits at this camera’s core, pairing this exceptional, 26.1MP, back-side illuminated sensor with a powerful quad-core CPU to produce images with wide dynamic range and incredible image quality, doing so with lightning-fast processing and precision AF performance, right down to -6EV.

IBIS Puts Stability in the User’s Hands

A huge part of creating great photos or videos is being in the right place at the right time – and that often means making handheld images to get to the heart of the action. X-T4’s five-axis In-Body Image Stabilization (IBIS) provides up to 6.5 stops1 of image stabilization to make sure that, even in the midst of all the excitement, images remain steady and sharp. Combine this with the new four-axis Digital Image Stabilizer, and there’s lots of room to maneuver.

Steady, Reliable Performance

For any serious image maker, having a tool that can be relied upon to perform flawlessly whenever it is required is extremely important. For this reason, X-T4 features a newly developed mechanical shutter that is the fastest and most robust in the history of the X Series. Not only can it make 26.1 Megapixel images at 15 frames per second, but it is also rated for 300,000 actuations. Combined with its larger capacity battery that is capable of up to 600 frames per charge2, X-T4 has the power and the durability to give users the peace of mind that they’ll never miss the perfect opportunity.

Find the Best Angle for the Story

When chasing the perfect image, versatility is key. The 1.62 million pixel vari-angle touchscreen LCD featured on X-T4 can be adjusted to make it visible from a wide range of positions. This not only provides a high-quality monitor to frame with, but also provides quick and simple controls when they’re needed most. On the flip side, there are times when it’s necessary to minimize the light and distractions that a screen can create. That’s why X-T4’s LCD has been designed to easily fold away so it is completely hidden from view, leaving the updated 3.69 million pixel/100fps electronic viewfinder to focus on the moment at hand.

When a Story Needs Movement

The modern image maker is blurring the lines between photography and videography, and X-T4 has been designed to celebrate this new generation of hybrid creativity. With the simple flick of a switch, movie mode is activated, meaning X-T4 is capable of recording both professional-level DCI 4K/60p and Full HD/240p super slow-motion video. It is also possible to record F-Log footage in 10-bit color, straight to the card. What’s more, the innovative AF-C subject tracking works in low-light conditions down to -6EV and the camera’s use of a new, high capacity battery lets content creators push their creative limits.

Powerful Image Manipulation Made Easy

For over 86 years, FUJIFILM Corporation has produced photographic films that have been used by some of the world’s best-known moviemakers to create some of the world’s most successful movies. This legendary reputation in color science is celebrated with the company’s hugely popular selection of film simulation modes, which digitize some of the industry’s most iconic films and puts them right at hand. X-T4 introduces ETERNA Bleach Bypass, the newest addition to the much-loved collection of Film Simulation modes available in the X Series product line, which creates a beautiful de- saturated, high-contrast look that image-makers will find irresistible.

X-T4 will be available in both black and silver and is expected to be available for sale in Spring 2020 at a manufacturer’s suggested retail price of $ 1,699.95 USD and $ 2,199.99 CAD.

Fujifilm X-T4 specifications

Price
MSRP $ 1699 (body only), $ 2099 (w/18-55mm lens), $ 2199 (w/16-80mm lens)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6240 x 4160
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 26 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type BSI-CMOS
Processor X-Processor 4
Color space sRGB, Adobe RGB
Color filter array X-Trans
Image
ISO Auto, 160-12800 (expands to 80-51200)
Boosted ISO (minimum) 80
Boosted ISO (maximum) 51200
White balance presets 7
Custom white balance Yes (3 slots)
Image stabilization Sensor-shift
Image stabilization notes Some lenses limited to 5 stops of correction
CIPA image stabilization rating 6.5 stop(s)
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (14-bit RAF)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 425
Lens mount Fujifilm X
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3
Screen dots 1,620,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 1.125× (0.75× 35mm equiv.)
Viewfinder resolution 3,690,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync port)
Flash X sync speed 1/250 sec
Drive modes
  • Single
  • Continuous (L/H)
  • Bracketing
Continuous drive 20.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±5 (2, 3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264, H.265
Modes
  • 4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM
  • 4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM
  • 4096 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM
  • 4096 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM
  • 4096 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM
  • 4096 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM
  • 1920 x 1080 @ 240p / 200 Mbps, MOV, H.265, Linear PCM
  • 1920 x 1080 @ 120p / 200 Mbps, MOV, H.265, Linear PCM
  • 1920 x 1080 @ 60p / 200 Mbps, MOV, H.265, Linear PCM
  • 1920 x 1080 @ 50p / 200 Mbps, MOV, H.265, Linear PCM
  • 1920 x 1080 @ 30p / 200 Mbps, MOV, H.265, Linear PCM
  • 1920 x 1080 @ 25p / 200 Mbps, MOV, H.265, Linear PCM
  • 1920 x 1080 @ 24p / 200 Mbps, MOV, H.265, Linear PCM
  • 1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types Dual SD/SDHC/SDXC card slots (UHS-II supported)
Connectivity
USB USB 3.1 Gen 1 (5 GBit/sec)
USB charging Yes
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth
Remote control Yes (via smartphone or wired remote)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-W235 lithium-ion battery & charger
Battery Life (CIPA) 500
Weight (inc. batteries) 607 g (1.34 lb / 21.41 oz)
Dimensions 135 x 93 x 84 mm (5.31 x 3.66 x 3.31)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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JPEG Committee explores using AI and blockchain tech for image compression

25 Feb

On February 17, the JPEG Committee published the results from its 86th Meeting, detailing some of the topics of discussions and potential future plans. Among other things, the committee issued a Call for Evidence on what it refers to as learning-based image coding solutions, something following the JPEG AI activity the committee launched a year ago. As well, the committee has expanded discussions on the use of blockchain technology and distributed ledger technologies (DLT) for JPEG.

During the 85th JPEG meeting last year, an effort dubbed JPEG AI was initiated in order to explore the use of image coding technologies to increase compression efficiency. During the new 86th JPEG meeting, this effort was expanded to a formal Call for Evidence, which is described as the first step in considering the ‘standardization of such approaches in image compression.’

In the JPEG AI Call for Evidence, JPEG Committee states:

‘This activity aims to find evidence for image coding technologies that offer substantially better compression efficiency than available image codecs with models obtained from a large amount of visual data and that can efficiently represent the wide variety of visual content that is available nowadays.’

In addition, the most recent meeting featured an Open Discussion Session on Media Blockchain that involved ‘interactive discussions’ on media blockchain and its various uses, namely its suitability for addressing ‘challenges in transparent and trustable media transactions.’ The committee has shared the presentations and pitch slides from these discussions on its website.

Articles: Digital Photography Review (dpreview.com)

 
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Omnivision launches high-end 1/1.7″ 64MP smartphone image sensor

21 Feb

OmniVision might not be the most well-known image sensor maker, but the company is among the sector’s big players and its imagers can be found in a wide range of smartphone cameras.

Now Omnivision has launched a new image sensor that is set to compete with some high-end models from Sony and Samsung. The OV64C is Omnivision’s first 1/1.7? 64MP sensor with a 0.8-micron pixel size and is built on the company’s PureCel Plus stacked die technology.

It features 4K video recording with electronic image stabilization as well as an on-chip 4-cell color filter array and hardware re-mosaic, which allows for full-resolution 64MP Bayer output. In low light, the sensor can use pixel binning methods to output 16MP images with lower noise levels and better dynamic range. It also offers a 2x digital zoom crop at 16MP resolution and fast mode switch.

Other features include type-2 2×2 microlens phase detection autofocus, 8K video at 30 fps and 3-exposure, staggered HDR timing for up to 16MP video modes. Omnivision says the OV64C is designed for use in smartphone main cameras. Samples are available to industry customers now, so we should be able to see what the new chip can do when implemented in a smartphone within the next few months.

Articles: Digital Photography Review (dpreview.com)

 
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Research firm claims Sony had nearly half of the image sensor market share in 2019

18 Feb

Sony held nearly half of the image sensor market share in 2019, according to Japanese research firm Techno Systems Research (TSR). The detail was spied by PulseNews, which points out that Sony’s 49.1% market share greatly eclipsed the second biggest market share, 17.9%, held by Samsung. The South Korean company recently launched its 108MP Nonacell image sensor with its new Galaxy S20 Ultra smartphone.

The news isn’t surprising. In December, Sony revealed that its semiconductor business was working 24/7 through the holidays in an effort to keep up with the demand for its image sensors. The company is building a new facility in Nagasaki in order to boost production capacity due to this demand; it is expected to go online in April 2021.

Samsung remains the biggest competitor to Sony’s image sensor business. In 2018, the South Korean company announced that it would expand the production capacity of its own image sensor business and that its ultimate goal was to overtake Sony. Based on the TSR data, the company still has a long way to go toward reaching that milestone.

Still, Sony’s image sensor business may have a rocky future. Earlier this month, Sony expressed concerns about the ongoing novel coronavirus outbreak in China where the company has four large factories. According to Sony CFO Hiroko Totoki via the Nikkei Asian Review, the impact of the coronavirus on the company’s supply chains could potentially cause enormous disruption to Sony’s image sensor business.

Articles: Digital Photography Review (dpreview.com)

 
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Video: How much does an anti-aliasing filter affect image quality?

16 Feb

Some digital cameras currently on the market don’t have a traditional optical low pass filter (OLPF), or anti-aliasing feature, in front of the sensor. Manufacturers claim this makes images sharper though it comes with an increase in moiré patterns. Does this significantly affect image quality? New Zealand-based wedding photographer Richard Wong wanted to find out. In the video, above, he displays side-by-side comparisons of images taken with similar full-frame mirrorless cameras. One has an anti-aliasing filter while the other leaves it out.

By zooming in on images taken with a Panasonic S1, which leaves the anti-aliasing filter out, and a Panasonic S1H, which contains an OLPF, Wong illustrates some subtle differences. Both cameras boast a 24MP sensor and photos were captured with the same lens, a Lumix S 24-105mm f/4, with an aperture setting of f/8. While it might be easy enough to correct minor flaws in the post-production process for photos, it gets a bit more complicated with video.

Even when zooming in 200%, it’s difficult to tell the difference between the images taken with the two different cameras.

“If there are two cameras out there that are pretty much identical, and the only difference is that one camera doesn’t have the anti-aliasing filter and one has it, if you want to maximize the image sharpness and don’t worry too much about moiré patterns, then definitely go for the camera that doesn’t have the anti-aliasing filter because that will give you the best image sharpness,” explains Wong.

“On the other hand, as you can see from the comparison photo, even when I zoom in and look at the photo side-by-side at 100% zoom level, I can’t really tell the difference,” Wong continues. “I have to zoom in to 200% or 400% before I can actually see the difference between the two photos.”

By zooming in 400% to 800%, differences become more defined. You can see discoloration or false colors on the balcony with the S1 while the S1H is slightly more blurry in the details.

One final note: Wong recommends you watch this comparison video from a full screen instead of a smartphone to see the subtle differences. What do you think? Would it be worth upgrading to a camera like the S1H, which contains an anti-aliasing filter, if you were using it for video as well?

Articles: Digital Photography Review (dpreview.com)

 
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The Nikon D6: Here are the official specifications and image samples

12 Feb

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At long last, Nikon has released details of its newest flagship DSLR, the D6. As a camera that will find its way into the hands of sports and action photographers around the globe, it needs to live up to the speed, durability and quality of its predecessors – and though it doesn’t appear to break significant new ground, we expect the D6 will continue to serve the needs of demanding photographers very well indeed.

At the heart of the D6 is a 20.8MP sensor, offering the same resolution as the D5, but it’s now coupled with a new Expeed 6 processor and offers up to 14fps burst shooting with ‘E-type’ lenses (those with electromagnetically controlled diaphragms). Switch into live view, and the D6 will shoot silently at up to 10.5fps at full resolution – users can also opt for 30fps for 8MP files and 60fps for 2MP files if needed. The native ISO range covers values of 100 to 102,400, with an expansion up to 3.2 million.

The result is AF coverage that is 1.6x denser than that of the D5, and each point uses a ‘triple-sensor arrangement’

Perhaps the biggest change for end users, though, is an all-new autofocus system. Though the total number of points has gone down from 153 to 105, now all of those points are selectable and cross-type, and each uses a ‘triple-sensor arrangement,’ which we’ll be asking for more details about. The result is AF coverage that is ‘1.6x denser than that of the D5.’ Fifteen of the central points are F8 compatible, and the center point can focus down to -4.5EV. All other points are good down to -4EV. Nikon is also promising that the detection area for single points and groups is expanded, so focus can still be achieved even if the subject moves slightly outside the zone in use.

In terms of video, the D6 continues to offer 4K/30p recording, but now comes with focus peaking and an option for MP4 recording.

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The D6 makes do without any Compact Flash option, with Nikon offering a single version of the camera with dual XQD / CFExpress card slots. There have been some other tweaks as well, including a maximum shutter length of 30 minutes, the option to shoot different quality or sizes of JPEGs to different cards (basically a JPEG + JPEG shooting option), and Wi-Fi with Bluetooth as well as GPS capability are now built-in. The D6 has gigabit ethernet like the D5, but Nikon is promising 15% faster transfer speeds. Weight has gone up just slightly, from 1405g to 1440g including battery and memory cards.

Expect to see quite a few of these at the 2020 Tokyo Olympic Games! The Nikon D6 will be available April of 2020 with a suggested retail price of $ 6499.95 USD. Let us know what you think of Nikon’s newest DSLR in the comments.

Press release:

DECISIVE POWER. FASTER WORKFLOW. ABSOLUTE RELIABILITY: THE NEW NIKON D6 GIVES PROFESSIONALS THE EDGE WHEN IT MATTERS MOST

The New Nikon D6 Offers the Most Powerful AF System in Nikon’s History, and Continues the Brand Legacy of Professional Cameras That Deliver Connectivity, Dependability and Streamlined Workflow

MELVILLE, NY (February 11, 2020) –?Today, Nikon Inc. has unveiled the D6, a new professional-grade DSLR built for those in need of extreme reliability and ultimate performance. The D6 addresses the needs of professionals and press agencies and is faster and more powerful than ever before. Offering the most powerful AF system in Nikon’s history, this flagship DSLR camera delivers crucial improvements to modern workflow while also accelerating file transfer capabilities. Promising unparalleled low-light performance, powerful agility, advanced 4K UHD multimedia capabilities and a mechanical shutter frame rate boosted to a staggering 14fps, the D6 will redefine the way pros work.

“The D6 is purpose-built and inspired by the valuable feedback of professional users,” said Jay Vannatter, Executive Vice President of Nikon Inc. “The world relies on photojournalists and professionals to document every corner of the globe through impactful images; Nikon cameras are trusted to stand up to any job and help photographers capture the shot, time and time again.”

The Most Powerful AF in Nikon’s History: The D6 leaves nothing to chance. To maximize hit rate, it is equipped with a newly developed, densely packed 105-point AF system in which all the focus points utilize cross-type sensors and all points are selectable. Through the new focus point layout and the use of a triple-sensor arrangement for each focus point, the D6 achieves AF coverage that is approximately 1.6x denser than that of the D5. The D6 also sports an expanded focus detection range which increases the detection area for single point AF and dynamic area AF, making it easier to achieve focus on a subject even when slightly outside the focus point.

Improving upon Nikon’s popular Group AF mode, this function has evolved with support for 17 custom arrangements from which users can choose according to the scene or subject movement. The D6 also demonstrates superior low-light AF performance. The center focus point works down to -4.5 EV1 and the others to -4 EV, making autofocus possible even in dark situations or with low-contrast subjects.

Unparalleled Performance: The new EXPEED 6 engine’s superior image-processing capabilities combined with the vast amount of information provided by the new dedicated AF engine drives high-level performance in any situation. To help capture the decisive moment consistently, the D6 boasts a 14fps2 mechanical shutter with full AF and AE. The D6 can also shoot completely silent for sensitive situations, capturing full resolution at 10.5 fps. For faster frame rates, the Nikon D6 is able to take 2-megapixel images at approx. 60 fps and 8-megapixel images at 30 fps in Live View mode.

The D6 leverages a 20.8-megapixel FX-Format CMOS sensor, creating images that pop with stunning detail and true colors and exhibit incredible dynamic range. The ISO ranges from 100 to 102,400, which helps to preserve sharpness and subtle details in even the most challenging light. Additionally, ISO is expandable up to 3.2 million, giving photographers the ability to truly conquer the dark.

Concentration on Workflow: Building on Nikon’s history of serving professionals, the D6 is the most customizable Nikon DSLR yet, designed to speed up the workflow of any user during and after capture.

  • Recall shooting functions create combinations of settings that can be assigned to a specific button to get the perfect shot in a pinch
  • The D6 excels in connectivity and supports the same 1000BASE-T Ethernet standard as the D5, with an approximate 15% increase in transmission speed. The camera also supports a number of options for wireless networking, offering built-in 2.4- and 5-GHz*3 Wi-Fi®4 or traditional wireless transfer using the WT-6 Wireless Transmitter (optional)
  • Includes 14 customizable buttons, assignable to any of 46 unique function choices and a new intuitive menu system
  • Priority Image Transfer gives the ability to move an important image to the front of the queue when speed is of paramount priority, which can easily be done by swiping the touch LCD during playback
  • Security Lock compatibility supports connection of anti-theft cables to provide maximum security for remote applications or when the camera is unattended
  • Built in GPS5 gives accurate time, date and location information for just about anywhere on the planet
  • Dual CFexpress6 slots offer blazing fast read/write times and have the ability to overflow, copy or separate file types
  • JPEG functions allow for the simultaneous recording of two JPEG images with different image size and quality settings, which is convenient for separating images that will be transmitted from those that will be edited
  • Creativity options for multimedia creators including a new interval timer mode to retain the best resolution and enable in-camera time-lapse movie file recording providing professionals the ability to create exceptionally sharp 16:9 4K Ultra HD video

Absolute Reliability: Nikon’s flagship cameras remain trusted in the industry and have been proven on the sidelines, in the studio and even in outer space. With a magnesium alloy camera body and extensively weather-sealed design, the D6 is as tough as the professionals who use it, ready to take on the harshest shooting conditions. The camera offers long-lasting battery life, delivering the safety net and energy-saving performance that pros need on daylong outings. The D6 also employs a USB-Type C connector for faster direct-to-PC file transfer rates than previously possible with the D5.

Endless Lens Choices: By pairing the D6 with Nikon’s extremely diverse selection of F-Mount NIKKOR telephoto lenses, professionals have the most advanced imaging solution in Nikon’s history. No matter the job, the client or the location, there’s a NIKKOR lens, from the ultra-wide to the super-telephoto. The D6 is also compatible with Nikon’s line of creative Speedlights, offering extra creative freedom to enhance natural light and add artistry and drama to any scene.

Pricing and Availability

The new Nikon D6 will be available in April 2020 for a suggested retail price (SRP) of $ 6,499.95* for the body only configuration. For more information on the latest Nikon products, please visit www.nikonusa.com.

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1. At ISO 100, 20°C/68°F.
2. With continuous-servo AF (AF-C), manual (M) or shutter-priority auto exposure (S), a shutter speed of 1/250 s or faster, and other settings at default values are trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon Corporation and its Affiliates is under license.
3. Available in station mode; not available in some countries or regions.
4. Wi-Fi® and the Wi-Fi® logo are trademarks or registered trademarks of the Wi-Fi Alliance.
5. GPS function is not available in some countries or regions.
6. CFexpress is a trademark of the CompactFlash Association in the United States and other countries.
*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
Specifications, equipment and release dates are subject to change without any notice or obligation on the part of the manufacturer.
All Nikon products include Nikon Inc. limited warranty. Images are for illustrative purposes only. All Nikon trademarks are trademarks of Nikon Corporation. Nikon Authorized Dealers set their own selling prices, which may vary. Nikon is not responsible for typographical errors.
All other trade names mentioned in this document are trademarks or registered trademarks of their respective holders.

Articles: Digital Photography Review (dpreview.com)

 
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Sony’s image sensor business may be ‘enormously’ hit by coronavirus outbreak

05 Feb

Sony, which has four large factories in China, has expressed concerns that the ongoing outbreak of a novel coronavirus in the country may negatively impact its image sensor business. It remains unclear just how infectious the coronavirus is, making it difficult to estimate how extensively it may spread and how it may impact a variety of industries.

Sony CFO Hiroko Totoki warned that the coronavirus outbreak may ‘negate our revised earnings outlook,’ referring to the high demand the company has experienced. According to Nikkei Asian Review, Sony is concerned that the outbreak may disrupt its supply chains, potentially disrupting its image sensor and electronic businesses, both of which could be ‘affected enormously,’ according to Totoki.

In addition to impacting its image sensor business, Nikkei reports that disruption caused by the coronavirus outbreak may also impact Sony’s PlayStation 4 production, though this ultimately depends on which plants may be affected. Beyond that, Sony Pictures and Sony Music Entertainment may also take hits if the outbreak results in movie and concert cancellations.

Articles: Digital Photography Review (dpreview.com)

 
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