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Posts Tagged ‘Home.’

Fresh & Modern Showcase: 15 Unusually Beautiful Home Designs

30 May

modern houses aviators villa

These real-life residences go beyond the cool-looking-concept phase to prove how diverse, innovative and unexpected houses can be when architects tailor each one to specific needs and surroundings.

Blooming Origami House by IROJE KHM

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Set on the edge of Seoul’s Bukhansun National Park, this polyhedral structure by IROJE KHM Architects features an angular facade designed to protect two interior courtyards from the eyes of neighbors and passersby so the inhabitants can feel like they live in nature. The roof points mimic the surrounding mountains and transitional spaces planted with grasses and trees make it hard to tell where the outdoor areas end and the interiors begin.

Sky Bridge House by ONG&ONG

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Two separate halves of this dramatic concrete home in Singapore by ONG&ONG are connected by a glass sky bridge, dividing the social areas of the home from the bedrooms. On the ground floor, a courtyard with stone steps dotting a shimmering reflecting pool offer another way from one volume to the next, stretching all the way up to the sky to draw in sunlight.

Transparent Zig-Zag House by Yuusuke Karasawa

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You probably don’t want to live in ’S-House’ by Yuusuke Karasawa unless you don’t mind trucking up and down stairs all day, and don’t really value privacy. This visually stunning and highly unusual modern home design encases a series of zigzagging platforms and stairways in glass, segmenting what would normally be a two-story space into five levels. These mezzanine levels contain all the normal living spaces you’d expect in a fully functional residence. These photos were taken right after its completion, so it would be interesting to see it furnished and in use.

Blobular S-House by SDeG

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s house

It looks like a bunch of space-age modules that got lost on their way to the next Star Trek set got lost and then stacked on top of each other in urban India. SDeG Architects wanted the home to feel as if the inside is cushioned from the harsh elements and noise of the outside, giving it a thickened concrete envelope in a bulbous texture to create a temperature-regulating air gap. The facade also disguises an upper-level swimming pool.

Spiked Sundial House by Daniel Libeskind

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libeskind sundial

Daniel Libeskind’s 18.36.54 house is named for all of the planes, points and lines of its mirror-finish bronzed stainless steel exterior, which was conceived as a spiraling ribbon. Two jutting pointed extensions create the loook of a sundial when viewed from certain angles, and the reflective surface seems to shift and change every hour and every day of the year as the sun hits it.


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Go wide or go home: Voigtlander 15mm Super-Wide-Heliar lens gallery

18 May

Sony shooters took note in October when Voigtlander announced it would release three ultra-wide-angle primes for full-frame E-mount cameras. When we managed to borrow a 15mm F4.5 Super-Wide-Heliar for a few days, we handed it right over to DPR staffer and veteran landscape photographer Chris Williams. Read some quick impressions on the lens and take a look at a small selection of his images.


As a professional landscape photographer I’ve shot a number of wide-angle lenses and to say that I was impressed by the Voigtlander 15mm prime is a bit of an understatement. The lens excels in sharpness throughout the frame and maintains a high level of performance across nearly every aperture. Being that it is a super wide prime, it does suffer from barrel distortion (as most ultra and super wides do) but the amount of lens that you get for the money is impressive.

Chromatic aberration really only becomes apparent wide open where the corners also tend to soften up a bit. Overall the lens performed very well, so well in fact that I may pick one up for myself at some point.

The other really nice thing about the Voigtlander 15mm is that it accepts traditional screw on filters. The Tokina 16-28mm F2.8, Nikon 14-24mm F2.8 and the Canon 11-24mm F4L all require external filter systems like those designed by Fotodiox. The Voigtlander accepts standard 58mm threaded filters, which is rare for a prime (or even a zoom) this wide.

Articles: Digital Photography Review (dpreview.com)

 
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An Exercise to Learn and Practice Shutter Speed at Home

13 May

Practice-shutter-speed-f11-1:60

One of the most important choices you make when taking a photograph is deciding what shutter speed to use. The shutter speed controls how much light comes into your camera, and how motion is recorded.

A faster shutter speed will freeze action and slower shutter speeds can create a blur. Both choices can produce great pictures. In this simple exercise that you can do at home with a ceiling fan, you will have the opportunity to practice setting your camera on different shutter speeds, and seeing how each affects motion in the image.

It’s best to do this during the day when there is some ambient light in the room. You might choose to shoot this with the ceiling lamp on or off, either will work. Or you might try both ways to see which you like better.

To get started, set your camera on shutter priority, or manual mode, and do a few test shots to check your exposure. Put your camera on a tripod for the most consistent results. I also chose to focus on the silver plate on the lamp of the ceiling fan to create consistency. It can be tricky in an exercise like this because your auto focus can get confused and focus on the ceiling, the blades, or the chain cord. (Note: you might try back button focus here, or use autofocus and then lock it or switch to manual).

Practice shutter speed using a ceiling fan/

f/8 at 1/125th, ISO 1600.

Start your series at 1/125th of a second. Notice that I focused on the metal plate on the lamp, and how sharp it is. The blurring in the fan blades is caused by motion.  Also look at the chain. It’s sharp toward the lamp, but the focus gradually falls off as it gets toward the pulls.

Now slow your shutter speed down to 1/60th, and see what happens. If you are shooting in manual mode, remember that when you change your shutter speed, you must also change your aperture or ISO too.

Practice shutter speed using a ceiling fan/

f/11 at 1/60th, ISO 1600.

Notice the blur in the blades at 1/60th. Next, look closely and you can also see that the pull chains show some movement. The depth of field is deeper as well, see how much is in focus between the metal plate on the lamp and the pulls.

Now, slow it down a little bit more.

Practice shutter speed using a ceiling fan/

f/13 at 1/40th, ISO 1600.

What do you notice at 1/40th? The blades seem to be moving faster because of the blur, but nothing has changed with the fan. There is a greater depth of field also, much of the pull chain is in focus now.

Let’s slow it down even more.

Practice shutter speed using a ceiling fan/

f/20 at 1/4, ISO 1600.

Now, at 1/20th, the blades have taken on a new look and the chain is more in focus. Let’s slow it down a little more and see what happens.

Practice shutter speed using a ceiling fan/

f/32 at 1/8th, ISO 1600.

At 1/8th of a second, the blades are almost indistinguishable, and note that the metal plate is not as sharp as in the other photos. Ceiling fans are seldom perfectly still when the fans are moving and you can see slight movement in the metal plate.

Now, let’s go back and speed things up. Try a shutter speed of 1/250th and see what happens.

Practice shutter speed using a ceiling fan/

f/5.6 at 1/250th, ISO 1600.

Compare this to the first image, which was shot at 1/125th of a second. You can see that the blades still have motion, and notice the difference in the depth of field. At f/5.6, the chain is considerably more out of focus than at f/32.

Next, change your shutter speed to 1/500th.

Practice shutter speed using a ceiling fan/

f/4 at 1/500th, ISO 1600.

At 1/500th, the fan blades show motion. Now try 1/1000th.

Practice shutter speed using a ceiling fan/

f/2.8 at 1/1000th, ISO 1600.

At 1/1000th of a second, the fan blades are frozen. It’s almost as if the fan isn’t turning. Notice the difference in the depth of field. The pull chain is out of focus due to the narrow depth of field at f/2.8.

Here are a couple of real world examples of how you might apply this to your photography:

Shutter speed 1/30th - the water is partly frozen.

Shutter speed 1/30th – the water is partly frozen.

Shutter speed 1/2 second the water becomes silky and smooth

Shutter speed 1/2 second the water becomes silky smooth

You can also do this exercise by keeping your aperture consistent and changing your ISO. So what did you learn by doing this exercise? Give it a try and share your photos and what you learned below.

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5 Tips for Thinking Out of the Box to Inspire Your Photography at Home

05 May

Have you ever felt like the inspiration well is running dry ?

You carry your camera with you everywhere you go, day in and day out, but you just don’t see Kodak moments any more? If you know that feeling, than you must have been around shutters and lenses for some time now, and can’t wait to see something new.

Wait no more! here are some ideas that will inspire you, and help you get rolling again.

Istanbul railway station

1 – Understanding the box in order to think out of it

Photography can be a very technical act; operating your camera in a scientific way, following exact rules that will bring the wanted results. Or it can be the act of an instant emotional reaction to the world, you see a moment and click, you grabbed just it before it’s gone forever, thinking can be done afterwards. Both ways are good and every photographer is captivated by a different mix of both.

Thinking out of the box requires a box to begin. If you find yourself uninterested in doing things that you already know and have done, that is your box. Underneath it is the magic that made you grab the camera for the first time, the thing that got you excited when you held your eye to the viewfinder. On your first encounters with the camera you fell in love with a simple magic that the camera can do, it is now the time to go back to that magic and do it all over again.

The hunt for an interesting texture photo while on a short brake from computer work, led me to this photo out of my studio’s window.

texture out of the window at home

2 – The routine dichotomy

Routine is often thought to be a major enemy of creativity. You walk by the same corner every day for years, and you get used to it so much that you stop seeing its potential to make great photos. On the other hand, routine is the frame in which you create. Once you get used to the background noise, you can pay attention to the little changes in light, color, and small details that are never the same as the day before.

Make routine your friend by focusing your attention on smaller details every time you walk by the same scene. Look out of your window at different hours of the day, over and over again until new details start popping up in your viewfinder.

look for details out of your window

3 – Shoot without a camera

You may put the blame for the drought on your camera, and go look for the latest pixel beast to get you all excited again, or you can try something new, you can try seeing pictures without a camera.

As you do things during your day, try to imagine what they would look like in different photos, with different focal lengths or different exposure values. You may also look at things through a paper cut frame. Hold the frame at a different distance from your eye to zoom in and out, think of your composition, and move on.

Using your imagination instead of a camera will ignite a new spark in the way you see photography. Then, next time that you want to take a photo, you will see it before even having the camera up to your eye.

think-out-of-the-box-photo

4 – The Dead End

Back in the days before smartphone and GPS, you had to find your way around when driving in a new place, and once you faced a dead end street, you had to u-turn and find a new way. That’s when you had to be creative and come up with an inventive solution. That leads to thinking out of the box.

That survival skill is still there and can be kicked in by defining small boundaries in which you photograph, limiting yourself to taking pictures in uncomfortable conditions. For example, do portraits with just a wide angle lens, or look for triangle shapes only with a telephoto lens. Creating dead ends for your photography will force you to find creative solutions, which will lead to new and exciting photographs of the same old world.

The Fuji X100's fixed lens has made me cross the street to get closer to this group of boys and created a strong feeling of speed. Photo by Ouria Tadmor

The Fuji X100’s fixed lens has made me cross the street to get closer to this group of boys and created a strong feeling of speed.

5 – Experiment with home made light

In your home there are many different light sources that would make a good starting point for a photo session, they can be the subject of your photo and the light source at the same time. When you start from the light source and challenge yourself to see where you can go with it, you challenge your creative mind to take a different path than the more common way of seeing something you want to photograph, and thinking how to light it. Mastering this thinking technique can be of use later when you might need to photograph a subject that is not talking to you, just go for the light.

Home lights as photo inspiration

Conclusion

It is not always possible to stay creative and inspired in photography, but the innovative side of your brain can be kept in shape by repeating these small exercises regularly, at home with any type of camera. Do so and you are promised to come home with better photos next time you go on a photographic vacation.

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No Place (to Work) Like Home: 15 Extraordinary Office Designs

21 Apr

[ By Steph in Design & Furniture & Decor. ]

shoffice main

Warning – your cramped, cluttered cubicle might seem even more soulless than usual compared to the magnificence of these beautifully appointed home offices, some with all glass walls overlooking the ocean, others set into the backyard for privacy and connection to nature. From prefab pods to brilliant DIY creations, these unusual home office designs make the prospect of working feel downright pleasant.

Office In Flight
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A wing of this vacation house in the woods of California lifts up into the air as if it’s about to take off, its glass walls the only thing separating the home office inside from the natural surroundings.

Park-Like Office with Swing Table & Moss Carpet
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When you can’t actually take your work outside, you can just feel like you’re outdoors with a little creative decorating. Nidolab Arquitectura outfitted this home in Argentina with a hanging table and real moss floor covering in lush green hues, illuminating the whole thing with natural daylight via an oversized skylight.

Lush Ivy-Covered Backyard Office
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You can barely even tell there’s a building under all of the ivy that’s been trained to grow up trellises on the outside of this gorgeous backyard office in San Francisco. ‘Parkside Garden’ by Scott Lewis Landscaping Architecture creates a visual link between the main house on the property, and the adjacent public park.

Vintage Ikarus Bus Turned Office Cube
Home office vintage bus

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The cab of an old Ikarus bus was cut in half and inserted into the corner of a living room to create a tiny enclosed home office in Hungary. The owner spruced up the vintage find and added a corner desk to the interior to make it a cozy place for concentration.

Shingled Spherical Office Pod
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This shingled orb by Archipod looks like it could have fallen right out of a massive tree and into the backyard. Each one of these luxury prefabs comes equipped with porthole windows, top-hinged gull doors, electrical hookups, a semicircular interior desk, lighting and a heater.

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No Place To Work Like Home 15 Extraordinary Office Designs

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Midcentury Grain Silo to Modern Home: Incredibly Cozy Conversion

17 Mar

[ By Steph in Architecture & Houses & Residential. ]

silo house 10

With an entirely custom-built interior, a nine-foot-wide sliding glass door and a warm modern aesthetic, this grain silo converted to a compact home seems worlds away from its humble farmyard origins. Architect Christoph Kaiser purchased the 1955 corrugated steel wall silo from a Kansas farmer and had it dismantled and shipped to downtown Phoenix, Arizona on the back of a pickup truck to begin the renovation process that would transform it into a beautiful, cozy and affordable two-story residence.

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Once set in place in the up-and-coming Garfield Historic District, the silo began its dramatic makeover process. Large doors and windows were added to bring light into the previously darkened space, and the oculus at the top used to promote air circulation to the stored grain was turned into a skylight. Views of the Phoenix skyline are strategically framed, with the other windows looking out onto a spacious private garden.

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With the silo’s tiny footprint, maximizing the interior space was a top priority. Kaiser designed a built-in, all-in-one solution that’s essentially one big piece of furniture to accommodate all of the residents’ daily living needs. Curved to match the line of the walls, the custom interior is clad mostly in reclaimed walnut flooring scored on Craigslist. Kaiser even designed a one-of-a-kind ceiling lamp with hooks for hanging pots and pans to save space. The Eames wire chairs are the only elements that weren’t custom-made for the home.

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silo house 1

A spiraling staircase leads to the sleeping loft, which is equipped with a digital projector so the couple has their very own mini movie theater in their bedroom. The bathroom, finished in glossy floor-to-ceiling penny tile, boasts a rounded custom vanity and compact Duravit toilet. When the nine-foot window is opened to the garden in nice weather, the home seems to expand.

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“It was love at first sight: an affordable, challenging prospect,” the architect tells World Architecture News. “The thought of assembling a kit of parts that fits in the bed of a truck, and ending up with a home for two was a tantalizing challenge, very appealing from a carbon-footprint, sustainability, and shall we say, ‘architectural rigor’ standpoint.”

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Photograph Close to Home to Improve Your Photography

05 Jan

Think about the most interesting place that you could possibly go to take an incredible photograph. What comes to mind?

Maybe it’s Machu Picchu, New Zealand, Yosemite, a safari in Africa, a city like New York or Paris, or wherever is featured in the latest National Geographic Magazine. These locations are very special occasions for travel and photography. However, they are usually once in a lifetime trips, and once you are there, you often have a very limited amount of time for photographing, along with everything else planned.

Deer, Backyard, New Jersey by Neil Persh

All images in this article courtesy of my student, Neil Persh. Here is his backyard.

So what if I told you that the most interesting place you could photograph is much easier to get to? It’s in your own neighborhood, and its surrounding locations.

I am told fairly frequently by photographers and students that they cannot, or do not feel like, photographing where they live. “It’s too boring” they say, or “There’s nothing interesting to photograph. I only do my photography when I travel.”

This is great of course, as passion for travel and photography go hand in hand, and it’s often when people do their best work. But, thinking that way can also make you miss the whole point of photography.

Shop Window, Rutgers, New Jersey by Neil Persh

Shop Window, Rutgers, New Jersey by Neil Persh.

When students mention this to me, I get them to do a specific exercise, I suggest that you try it as well. Spend a few weeks photographing areas within close proximity to your house. Leave your home and go for a long walk in any random direction. Take it even further by thinking about the most uninteresting area that you can imagine photographing, and go there. Maybe it’s a mall parking lot, an empty street corner, or behind a convenience store. Stay there, and figure out how to take an interesting photograph.

Many people tend to take their own location for granted. Your surroundings may seem routine and banal to you, but they’re not. If you were to take someone from a different part of the world, or from a different time period, and park them right where you are – they would probably find things very weird and fascinating. They would probably photograph so many things that you may currently be overlooking.

Step outside, and try to see these areas in that way. What makes this area interesting? How are these scenes going to look as the world changes? How can you make these everyday things beautiful and interesting? Figure out why you might find an area uninspiring, and then photograph that. That is an fascinating idea in itself.

Road, New Jersey by Neil Persh

Road, New Jersey by Neil Persh.

The most experienced photographers have learned how to take unique and interesting photographs anywhere. They usually do not take anything for granted. I think this is a skill that you can practice and learn, and it goes to the heart of what being a good photographer is all about. On a practical note, these areas are right outside your door, so you don’t have to pack up all your equipment and plan a lengthy trip. You can walk outside three times a week for 30 minutes with your camera, altering the times of day and the route. If you are a once or twice a month photographer, this will have you practicing much more often. This alone will make you a much better photographer, over the longterm.

Photography is an exciting past-time. I first got into it for the simple fact that I liked to walk and daydream. As you improve and learn more about photography, as you eye better gear, as you think about creating grander images, and as you look at the work of well-traveled photographers on a daily basis, it can pull you away from this simple idea. One of most powerful aspects of photography is that it is a reason in itself to go and take an enjoyable walk. It is a reason to relax and daydream; it is an excuse to wander. It is also a great ice-breaker for meeting other people.

Subdivision, New Jersey by Neil Persh

Subdivision, New Jersey by Neil Persh.

Take a look at the work of William Eggleston, Lee Friedlander, or Alec Soth. Look at some of the areas where they photographed. The places probably did not feel that special, or inspiring, to the photographers on the surface. But these photographers were able to see past it, and show in their images how the areas were unique.

Any time that doubt creeps in, and you think that it is impossible to take a good photograph somewhere, I want you to stop yourself and slowly look around. Figure out how to take the best possible image that you can right there, and then go explore another block. Something new will be around the corner.

New Jersey by Neil Persh

New Jersey by Neil Persh.

The work of one of my students, Neil Persh is shown throughout this article. Neil frequently takes day trips into New York City, along with traveling to many interesting places to capture wonderful images. His work in these areas has gotten very good, and he clearly has an enthusiasm and passion for photography that is contagious. However, when he had to go photograph his neighborhood for an assignment, he struggled with the idea for a while. Then, when he finally commit to it, he began to get over his trepidation, and started to photograph his area more frequently. I was blown away by the images. The work shown here was taken over months, not years, and I find them to be much different from what you normally see.

You can do the same. Go for a walk this week!

Ham Radio Operator's House, New Jersey by Neil Persh

Ham Radio Operator’s House, New Jersey by Neil Persh.

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Caviar Warehouse to Modern Home: 14 Converted Residences

31 Dec

[ By Steph in Architecture & Houses & Residential. ]

converted caviar warehouse 1

You wouldn’t mind living in a stable, boathouse, boiler room, post office or even a wartime bunker once they undergo modern renovations like these, contrasting the original historic architectural elements with smooth new wood surfaces and lots of glass. A former caviar warehouse in New York City gets a lantern-like sunken courtyard, a bridge connects two old brick food factory buildings, a Victorian church goes contemporary and priests party it up in a seminary turned retirement home.

Concrete Bunker to Hidden Home, Netherlands
converted bunker 1

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converted bunker 4

If not for the incongruously new and modern deck positioned adjacent to the entrance, you’d never imagine that this wartime bunker in Belgium is actually a functional residence. Architecture studio B-ILD transformed the half-buried structure into a vacation retreat big enough to sleep four people, but made no attempt to disguise its original purpose, leaving most of it stark and unfinished.

Bakery Warehouse, Australia
converted bakery 1

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converted bakery 4

Two brick buildings in a former bakery warehouse complex stretch out to each other from across verdant courtyard with the addition of a new wooden bridge. What was once the Golden Crust Bakery in Melbourne is now a luxury residence large enough to house a Brady Bunch-like extended family, with the teenagers in one building and the parents with their younger children in the other.

Stable to Off-Grid Home, Spain
converted stable 1

converted stable, 2

converted stable 3

A crumbling stone stable in a remote area of western Spain is now an off-grid home with the help of Madrid-based studio Abaton. Oriented to maximize solar heat gain, the home sits within the restored stone exterior, its deep glazed windows hidden behind operable stable doors acting as shutters. A freshwater swimming pool in the front doubles as an irrigation tank.

Caviar Warehouse with Sunken Interior Courtyard, New York
converted caviar warehouse 2

converted caviar warehouse 3

converted caviar warehouse 1

A glass-walled courtyard sinks from the landscaped rooftop of a former caviar warehouse in Manhattan by Andrew Franz into the renovated interior, acting as an oversized skylight. A retractible roof lets air flow into what was previously a poorly ventilated and ill-lit space. Within the living quarters, modern elements contrast with original factory materials, like a staircase made from the old roof joists.

Victorian Church, London, UK
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Look beyond the copious animal print and oversized dog paintings to the architectural bones of this Victorian-church-to-home conversion in London by Gianna Camilotti architectural studio. While the design is a bit heavy-handed on the contemporary additions, the beautiful timber elements and windows of the original structure still shine.

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Caviar Warehouse To Modern Home 14 Converted Residences

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Et tu, Brutalism? ‘Experimental Home’ Now a Modern Roman Ruin

30 Dec

[ By WebUrbanist in Abandoned Places & Architecture. ]

experimental house ruins rome

Photographers traveling to photograph the ruins of Rome are generally so distracted by ancient remnants they naturally overlook this unique decaying structure on the outskirts of the city: the ‘Casa Sperimentale’ (Experimental House) created as a model to study interactions light, space and geometry at 1:1 scale.

experimental geometric brutalist abode

experimental home concrete sphere

Designer and shutterbug Oliver Astrologo sought out this decaying relic, which has gone into further decline since the death of its designer, Giuseppe Perugini, in the 1990s. A work of concrete, metal and class, the asymmetrical dwelling pushes out in unexpected directions and frames surprising spaces.

experimental playground study architecture

experimental scale model modernism

experimental window details

experimental desk interior design

As with many abandonments, signs of decay are showing, vandalism has further deteriorated the site and structure while wild plants continue to encroach as well. Figures in the photographs both help give the unusually-sized spaces and details a sense of scale, while also adding a layer of human emotion to the shots.

experimental circular bathroom window

experimental climber urban explorer

The building is a product of its times, drawing on planes-in-space Modernism and thick concrete Brutalism, almost as if famous architects from these stylistic traditions got together to make a pavilion or playground. And today, that is what it effectively is: a semi-enclosed space for urban explorers to climb and document.

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Tips for Capturing the Holiday Festivities at Home so You Can Enjoy Them Too

21 Dec

If you are a busy parent, you likely rely on your smart phone or pocket camera to capture the events of your daily life, especially at holiday times. But sometimes you want a little bit more than just the usual snaps, without the hassle of your bulky DSLR.

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There are some days when you often wish you had the time and ability to take meaningful photos of your family and capture special, magical times. Not the phone snaps that mostly end up as blurry images, but the ones that evoke emotion and feeling, and make new memories. There may be times when you wish you had a handful of quality photos as opposed to a hundred unrecognizable snaps on your phone or pocket camera.

This article has nothing to do with awesome DSLRs, it is about using the camera that you have with you to document fleeting moments of your family life. But it’s different from just snapping away without a little artistic vision. Instead, it’s about about seeing differently – with a creative eye, and most importantly, having fun doing so.

Note: Of course if you wish these tips can also be applied using your regular DSLR. It’s about whatever works for you so that you can still have fun participating in the activity with your family

Remember preparation is key, even if a lot of it is mental preparation and you only devote a few minutes to it. It gets you thinking and creative juices flowing.

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Christmas is just around the corner so let’s start get started creatively capturing Christmas at home in 10 images using the humble point and shoot pocket camera.

Part one: Capture a mini Christmas story at home in five photographs

Think of a simple theme (decorating a Christmas tree, making a Christmas card or décor, decorating a cake, etc.).
Choose a subject – a person, little or large. Find a location or corner in your own home and de-clutter the area. Choose a spot with ample light, or a light source such as next to a big window, lamps lit up, tree lights, or better yet just outside the house.

Select the macro or close-up scene mode. Turn your camera flash OFF as direct flash flattens the image and removes contrast making your photograph looking very two-dimensional. You want a play of light and shadow going on in your image to make it more interesting. Set the scene up as a fun activity with your family.

Top tip: When taking the photo, tuck both arms in, stay steady or lean on to something if that helps, and hold your breath as you press the shutter (some say press the shutter as you exhale but holding my breath works better for me).

Get ready to take photos. Wait for your moments. Take your time. Don’t snap loads of photos, rather try looking at the scene with an artistic eye. Remember you are only after 5 photos that tell a mini-story.

Photo 1: Get close and cosy

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Choose a Christmas decoration in your home. Get really close to it and shoot at an angle so you need to tilt your camera. Shooting very close or with a wide aperture can help achieve nice blur (bokeh) in the background. In macro mode, shooting a scene that has several focal planes helps in achieving some bokeh.

Photo 2: Blur it all

Include beautiful blur in the background, or use blur as the subject of your photo. Make sure your subject is at some distance, and in front of the light source. Press the shutter while your camera is still focusing. This way you get intentional blur even while using the automatic mode.

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Photo 3: Capture it

Choose a very simple activity, for example, ask your child to put a decoration on the tree. Tilt your camera, and fill the frame focusing in on the action. Avoid empty spaces in the background. You will have a more dynamic photo if you go close and fill the frame.

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Photo 4: Mirror it

Make sure there is ample available light, then photograph a reflection instead of the subject. Try to use a mirror, or any reflective object like a bauble, to frame your subject.

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Photo 5: Look straight down

Ask your subject to lie down under the tree and play with the baubles. Crack some jokes or tickle tummy and toes to get some genuine expressions. Make sure that the light from the window is illuminating your subject’s face so there is light in their eyes.

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Part two: Capture a Christmas activity and document the process

Set the scene, the photos below show a Christmas decorating activity. Get everything ready. Buy a Christmas cake if you haven’t had the time to bake one.

Choose the look (outfits and colour scheme), as you want some sort of coordination so that there is a focus. For example, if the cake is colourful, you may want to put plainer aprons or outfits on your kids, so that there is contrast and focus, and vice versa. Limit your colour scheme to three or four colors, so there is some sort of harmony and cohesion. Try not to go too matching though.

Make it a fun activity, but explain to the children that there is a process to follow to ensure a successful outcome, therefore they must allow time for each process. In your head, plan to document this process. Give them a sequence of stages so they look forward to the next step.

Set your camera to portrait or macro. The automatic settings for these in-camera include a wide aperture so lots of light enters the lens, and a slower shutter speed which allows in more ambient light. The danger here is blur, but you can use that creatively too. To counteract blur, try to be very still, and hold your breath as you press the shutter. You can also steady yourself against a table or wall.

Get ready to document.

Photo 1: Set the context

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In this case, it’s the bare, undecorated cake. One of the ways you can shoot editorially is to take the photo from a bird’s eye view. To make it interesting, rather than just photographing the cake on its own, get the kids to wave their hands on top of it for some energy and action. The blurry action creates an effective contrast to the still cake.

Photo 2: Introduce the characters

Take a photo of the kids kitted out in their aprons or outfits you planned for earlier, remember to try and capture expressions. You can introduce the kids by taking a more traditional front view image, or employing some creative cropping for a more interesting take.

Photo2 characters

Photo 3: Direct the spotlight on some details

Details are so important in telling a story, enhancing memory, and evoking emotions. Choose special, or key items in the process to focus on, and photograph them close-up. Avoid too many empty spaces in the background. A full frame engages the viewer more in this case.

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Photo 4: Document some action

Movement and blur add so much dynamic and energy to a photograph. They strengthen a story and allows for fun moments too.

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Photo 5: Add fun

Talking about fun, allow some silliness in the process, such as painting their faces with a bit of flour, writing their names on flour, waving decorations around while singing Christmas tunes, etc. Make it an experience, not just a secret photoshoot!

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So there you have it, 10 creative photos capturing some Christmas joy in your home.

Do you have any tips for photographing the Christmas spirit in your own home, or images to share? Share them in the comments below.

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