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Posts Tagged ‘Group’

Reducing the Stress of Group Photos at Weddings

07 Mar

I am sure you understand how important the family photos are on a wedding day. For me, they used to be the most stressful part of the day, I would almost dread them. Logistically they can be challenging, gathering all the guests and particular family members, organizing them into the right groups, then getting the shots right. There is a lot to do and think about.

I have sure you’ve heard the age old story, about how the couple went to their friend’s wedding, and the photographer bossed them around, and spent ages doing countless group photos. None of us want to become that photographer, with the help of this short guide and bit of preparation, you can prevent that.

Group photos robert sail 4

After shooting over 100 weddings, I have I slowly figured out a sort of system, which helps me manage the process better. I have cut down the number of recommended family shots I do. This allows the couple to have time to relax during the reception, and gives me a little more time to shoot candid shots, or even spend a little bit more time with the bride and groom, creating something more creative.

Some of the points within the article my be more relevant to wedding photographers in Europe, who tend to shoot the group photos after the ceremony during the cocktail reception, but you may still find some of the points useful if you are based in the US, and shoot them before the ceremony.

Setting the scene – initial meeting with couple

When you are in the process of booking a new wedding couple, I would suggest having a short chat with them about the group photos. It is good to discuss how many family formals they envision you will take on their day. It is also worth mentioning that you limit the number of family formals you take, to provide them with the best possible experience on their wedding day.

Spending less time doing the family formals, will allow them to have more time relaxing during the cocktail reception with their friends and family. The last thing I would want a bride and groom to remember from their wedding day, was that we spent their whole cocktail hour standing around taking endless group photos.

Group photos robert sail 3

Email to couple with booking confirmation

To make the group photos as easy as possible on the wedding day, I would suggest that you email a recommended shot list over to the bride and groom beforehand, asking for them to fill in everyone’s names. This means that during the formal photographs you can call people by first name, which will make you much more amenable to the guests.

Here is my sample list that I normally work from, which covers most of the bases:

  • Bride and groom with bride’s family (please confirm which family members)
  • Bride and groom with bride’s parents
  • Bride and groom all parents
  • Bride and groom with groom’s parents
  • Bride and groom with groom’s family (please confirm which family members)
  • Bride and groom with bridesmaids
  • Bride and bridesmaids
  • Groom and best man/ushers
  • Bride and groom and best man/ushers

Group photos robert sail 1

If the couple email back a much larger list of shots to take, I will normally have a chat with them, discussing whether or not they are happy to spend potentially a large proportion of their reception doing group photos. In a lot of cases they will not want that, and will reduce their list slightly.

Re-oder the list – largest groups first

To make the process as easy as possible, I would recommend you shoot the largest group photos first. As chances are that the same guests/family members will also be in the smaller group photos.

Here is the re-ordered list, in the way I would shoot them after adding additional requested photos:

  • Bride and groom with everyone (additional shot requested)
  • Bride and groom and friends (additional shot requested)
  • Bride and groom with bride’s family
  • Bride and groom with bride’s parents
  • Bride and groom all parents
  • Bride and groom with groom’s parents
  • Bride and groom with groom’s family (please confirm which family members)
  • Bride and groom with bridesmaids
  • Bride and bridesmaids
  • Groom and best man/ushers
  • Bride and groom and best man/ushers

Group photos robert sail 2

Bring several copies of the list to the wedding day and hand these out to ushers or groomsmen. It is very important that you clarify with them, how important it is that they help you. With them helping you organize the group shots, this will give the bride and groom the most time possible to relax and enjoy their day.

Normally the ushers will help you, as they are often good friends, or related to the bride and groom. They can also help round guests up, preventing you from shouting, or raising your voice to get everyone’s attention. Thus it saves you from becoming that bossy photographer, which no one wants.

Work through the shot list methodically

Once the ushers have gathered the first grouping in the correct location, I will then get the bride and groom, working through all the group photos on the list.

It is just a case of crossing them off as you go, so you don’t miss a shoot. For photos with six people or more, I tend to shoot those full length, and for smaller groups I will also shoot those at ¾ length, providing the couple with a bit of variety. Using a clipboard can also go a long way to making you appear professional, and prevent you from misplacing your list when the pressure is on.

Group photos robert sail 5

Arranging the groups

Normally I will pose the bride and groom first, close in together, in the traditional V-style (turned slightly inward toward each other) pose. I will then pose the remaining family members in a single line, equal numbers on either side, getting the guests on either side of the bride and groom to turn in towards the centre.

I will also ask the guests and family members in the photo to put down any; drinks, cameras, handbags, scarves, coats, etc., and for men to button up the middle button on their jackets. This just helps to make the photo as uniform as possible, by removing any distractions.

After you have finished taking any of the group photos, always make sure to thank the guests and family members. I didn’t do this when I first started, as I was a little too distracted checking all my camera settings were correct. Definitely make sure you do this as it goes a long way to providing a good experience for the guests.

Group photos robert sail 6

Do you have any other tips that work for you when doing group photos at a wedding? Please share in the comments below.

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The post Reducing the Stress of Group Photos at Weddings by Rob Sail appeared first on Digital Photography School.


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Submit your photos to Feature Shoot’s ‘Vertical Living’ group show for your chance to be displayed at PIX

02 Sep

Feature Shoot is accepting submissions for its latest group show, and winners will have their work displayed at PIX 2015 – our interactive photo expo. The show centers on themes of ‘vertical living,’ and will be curated by Feature Shoot Editor-in-Chief Alison Zavos. Read more

Articles: Digital Photography Review (dpreview.com)

 
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The Winner of the Group f.64 Signed Book Giveaway is…

26 Dec
Mary Street Alinder Group f.64 Book Signing at the Scott Nichols Gallery

Mary Street Alinder Group f.64 Book Signing at the Scott Nichols Gallery

Thanks to everyone who entered my giveaway of a signed copy of Group f.64. Thanks to the craziness of the holidays I ran slightly behind schedule in making my winner announcement, but it’s finally here. And the winner is… Sid Vedula.

Congratulations Sid! Expect your copy of the book in the mail soon.

I hope everyone has a fun and healthy holidays.

If you haven’t already taken part, be sure to enter Your Best Photos from 2014 in my annual blog project.

Copyright Jim M. Goldstein, All Rights Reserved

The Winner of the Group f.64 Signed Book Giveaway is…

The post The Winner of the Group f.64 Signed Book Giveaway is… appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.

       

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Group f.64 Signed Book Giveaway

10 Dec
Mary Street Alinder Group f.64 Book Signing at the Scott Nichols Gallery

Mary Street Alinder Group f.64 Book Signing at the Scott Nichols Gallery

This past weekend I had the pleasure of meeting Mary Street Alinder during her Group f.64 book signing at the Scott Nichols Gallery. If you’re unfamiliar with Mary Street Alinder she was an assistant to Ansel Adams also wrote Ansel Adams: A Biography. Her latest book chronicles the famous Group f.64 photography movement that included Ansel Adams, Imogen Cunningham, Dorothea Lange, Willard Van Dyke and Edward Weston. If you’re a fan of photography and the West Coast Photographic Movement then this book, which also contains 100 photographs by and of its members, should be high on your list to read and add to your photo book collection.

Win A Signed Copy

Did you miss out on meeting Mary Street Alinder and getting a signed copy of her book?

Lucky for you I had my blog readers in mind and picked up a second copy that Mary was kind enough to sign. If you’d like to win this signed copy of her book fill out the form below and add a comment to this blog post letting me know what you’ve been up to with your photography, how you’ve been, etc. I’ll randomly pick & announce a winner in 2 weeks on Wednesday December 24th, 2015. Again to enter fill out the form and leave a comment.  Spread the word of my little giveaway and good luck!

Copyright Jim M. Goldstein, All Rights Reserved

Group f.64 Signed Book Giveaway

The post Group f.64 Signed Book Giveaway appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.

       

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On-Assignment: Full-Sun Group Shot

18 Jul

If you have never done it before, lighting a group shot outdoors in full sun can be daunting. After all, sun is pretty bright. And your subject is pretty big and thus harder to light at a high level.

But with a leaf-shutter camera and a couple of battery powered monoblocs, you can easily own the sun and just about anything you can put under it.

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Dive in: Waterproof compact group test posted

17 Jun

underwasser2014-copy-flatfinal2.jpg

For those of us here in the Northern Hemisphere summer is upon us. We’re celebrating the arrival of longer days and seaside vacations with our annual waterproof compact group test. This year’s test includes the Canon PowerShot D30, Nikon Coolpix AW120, Olympus Tough TG-3, and Ricoh WG-4 GPS. See which of these rugged compacts came out on top.

News: Digital Photography Review (dpreview.com)

 
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Photographing Adults: the Hardest Group of All

06 Aug

Step one: surround them with kids or puppies or something so they relax and act normal.

 IMG_9367b

Okay, fine.  That’s not always possible.  It’s hard to get your hands on a bunch of puppies for one.  It’s a little easier to find a bunch of children, but then there you are…… stuck with a bunch of children.

Adults are so awkward in front of a camera.  It’s just so much PRESSURE.  To look GOOD.  And NORMAL.  I’m am one of the biggest offenders of this.  A running conversation with me while I’m getting my picture taken goes something like this:

Is my hair doing something weird?  I feel like my hair is doing something weird.  

Oh man, you totally just noticed that my right eye is smaller than my left didn’t you?  I hate that.  I was always going to have it fixed, just as soon as laser eyelid reconstruction became available. 

Can you tell me when you’re actually shooting because I want to be sure I’m sucking it in and looking as skinny as possible. 

Why did I wear this shirt?  It only highlights my big weird left eye and my non-ability to suck it in.  That was so stupid.  Can you Photoshop in a different shirt?

Can you try to get my toes in the picture?  Because I painted them last night and that’s about the only part of me that probably looks okay right now.

Nope, scratch that.  I just saw a chip in the polish.  Great.  Just great.  

The whole thing is ruined.  No sense in even trying at this point, as clearly I will break your camera.

Now feels like a good time to mention that I’m not exactly low maintenance.  On any level.  But I also know that I am not the only one that does that, and I know this because every time I photograph an adult, this is the type of things I hear from them too.  Kids have it made when it comes to getting their picture taken—everything they do looks cute.  And if it doesn’t?  What do they care?  They have much more important things to worry about like why the chicken nuggets that are shaped like dinosaurs taste different than nugget-shaped ones.  (Though to be fair, I’m kind of curious about this too.)

Here are five tips for photographing adults without involving puppies:

IMG_0924a

1. Keep them Busy

If I had a dollar for every adult I have asked to twirl and dance around, I would have enough dollars to buy this 200 pound St. Bernard I’ve had my eye on with enough left over to keep him in food for at least a week.  Adults fight me every time on this one, but I force it because I can, and hey, we’re all grown-ups here.  I don’t care about their twirling skills a bit.  What I want is for them to loosen up and let go of their worry over how they are going to look.  Ask for something to do something goofy and you’re likely to get a true smile and a natural stance.

 IMG_0140b

2. Use your Surroundings

Adults don’t often come with a car full of stuffed animals to include in the pictures (and boy if they do, I’m outta there so fast), so you have to find parts and pieces of the world around that are going to make the image interesting and personal.  I love me some sky if it’s an option.  I also don’t mind a little concrete but whatever it is, utilize it as a way to draw interest to the person and tell a little story.

 IMG_9632b_bw

3. Give them Something to Do with their Hands

It’s a lot to ask of someone to just stand there and look cute and often the most awkward part of that is not knowing what to do with your hands.  Offer up anything but shoving them in pockets to avoid the inevitable “I don’t know what to do right now” look.

IMG_2327b

4. Show them how You would do it

Every time I photograph an adult and have an idea for a pose or concept, I do it first.  ”I would lay down in this patch of dandelions like this, but you may find that it feels better to you to do it a little differently”.  I encourage them to try it and see what feels comfortable.  In reality you’re just giving them a starting off point.  Once they feel like they are “doing it right” they will become more comfortable and be able to sink into a place that feels natural to them.

 IMG_1222b_bw

5. Reassure them….  Lots

While I am shooting, I’m always encouraging.  In an obnoxious and loud way because that’s just how I roll.  I’ll tell them I love what they’re doing, or that they look perfect in this light, or that I’m getting tons of great stuff.  Sure, every once in a while I admit that something looks stupid but only because my idea didn’t work out.  And I’m a big believer in adults thinking I have a magical darkroom where I sprinkle special fairy dust on everyone’s faces and wrinkles and dull skin and that extra 10 pounds you swear exists that doesn’t, just magically goes away.  And then I go out to my money tree and pick todays offerings.  Seriously though, adults take a lot of comfort in knowing that you look at faces all day long and can be trusted to make sure the end result looks great.

And it never hurts to mention that as far as you can tell, both of their eyes appear to be the same size and you like their shirt.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Photographing Adults: the Hardest Group of All


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QA: Lighting a 1,300-Person Group Shot [Magnum Opus]

23 Jul

Reader Albert Yee asks, via Twitter:

Ever shoot a group of 1,300 before? Trying to wrap my head around a possible assignment: Teachers and staff in a basketball arena.

1,300? 1,300. Hmm.

Lighting 1,300 people indoors is a Herculean task, no matter how you slice it. Can you do it? Do you wanna do it? How would you charge for it? Lotsa questions.

Let's jump in.

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How I Took This Award Winning Night Sky Group Photo

17 Jul

Last weekend one of my photos was selected as a category winner in the national night sky photography competition, the David Malin Awards. The category was “People and Sky”, and Darren asked if I could write a post describing how the photo was created.

creek-120812-012-X2

I assist friend and colleague Phil Hart with regular night sky photography workshops under the beautiful dark skies of country Victoria (Australia). Knowing my love of fisheye photography, Phil had an idea for a photo to help promote the course: A group photo under the stars by fisheye lens.

I immediately had a vision in my head of the photo and knew it would look cool, so I set myself to working out how to achieve the difficult task of composition and balancing light. Once night fell and we made sure the students were all confident with their new skills and happily taking photos of the night sky, I put my Sigma 8mm f4 circular fisheye on my full-frame Canon 5D MkIII. To achieve this effect you will need a circular fisheye lens and a full-frame camera, or a fisheye lens designed to give a circular image on a cropped sensor. A diagonal fisheye will not capture the whole hemispherical field of view needed to image the whole sky.

Testing the setup and lighting.

Testing the setup and lighting.

From experience shooting the night sky with this lens, I knew that I would be shooting at the widest aperture of f4 and the full 30 seconds shutter speed. Balancing noise and sufficient exposure I chose an ISO of 8000. These settings give me a good exposure of the night sky and particularly the milky way, which would feature in the shot. This is incredibly faint! My main problem was how to light the faces of the students to approximately the same brightness of the Milky Way.

At first I considered using a flash, but even at the lowest setting, even with significant diffusion, the exposure was too difficult to control. The other problem is that I’d need the light to be omnidirectional so that all of the people in the shot would be evenly lit. Ultimately the solution I came up with was to use my LED video light, dialed down to its lowest power setting and laid face down on the ground on a piece of white paper. Only a little bit of light leaked out from around the edges, but it was even and spread out in all directions. Due to the relatively warm white balance of the Milky Way I adjusted the light’s white balance to be warm to match.

A recreation (in my office) of the setup I used. The video light is pointing straight down into the paper.

A recreation (in my office) of the setup I used. The video light is pointing straight down into the paper.

I took a few test shots to make sure the exposure, focus, white balance and everything else was working just right, and when the galaxy had risen to it’s highest point and was nearly directly overhead we called everyone together. We formed a circle and put our arms over each others’ shoulders to ensure even spacing, and tried to keep where the camera would be in the centre. Linking arms also helped us all to stand as still as possible for the 30 seconds of the exposure. Once we were all ready, I set the camera to 10 second self timer mode and placed it on the ground pointing directly up.

There were a couple of confused comments as people tried to work out how it would look, and jokes about how we all must have looked to anybody watching us from the outside. But once we got a look on the back of the screen, everyone was convinced. This was a truly unique group photo.

Join me on Facebook to learn more and see new photos daily: http://facebook.com/neilcreekphoto.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

How I Took This Award Winning Night Sky Group Photo


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san francisco street bmx group edit

02 Jan

bmx colab edit of used and unused footy from the last 5 months of local riders james precit, cornelio greer (me), matt hinton, shelby miller, and brett decker aka our crew sf shredders. cameras used panasonic dvx100, nikon d90, canon gl2, canon hv30, and iphone 4. edited by me (cornelio greer) enjoy!
Video Rating: 4 / 5