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Tips for Great HDR Sunsets

07 Dec

HDR is a bit of a buzz word in photography in the last while and there is much debate about it, whether it’s good or bad, appropriate or not, or even real photography or not.  Even right here on Digital Photography School, you can find articles for, and against, doing HDR.   I’m not going to get into any of that today, I’m just going to speak to those of you that do enjoy doing it and would like some tips for doing HDR sunsets, which is one of the toughest subjects to handle with this technique.   So if you are anti HDR, just carry on, or perhaps this may sway you a little to want to try it.

HDR or High Dynamic Range, why it’s great for sunsets

When we talk about a scene having a High Dynamic Range, it simply means that there is wide range of contrast from the darkest area, to the brightest area.  Sunsets exemplify that because we are usually shooting into the sun, a bright light source, and the landscape is often so dark it’s in a silhouette.  By shooting correctly and processing well you can achieve a result that has detail in both those areas.

Tips for shooting the right images

There are a few things you need to get right in camera when you’re at the scene so follow these tips.

  • Make sure to bracket your images far enough on both ends of the exposure scale , but dark enough and bright enough.  What I mean by that is your darkest image should have a gap on the histogram to the right side (meaning there are no white areas, and no blinkies on your camera display) and your brightest image should have a gap on the histgram’s left edge (there are no black areas)

Your darkest image’s histogram should look something like this with a gap on the right side.

Your brightest image’s histogram should look something like this with a gap on the left side.

  • shoot raw files, they will give you the most amount of data to work with
  • bracket your images 2 stops apart, because assuming you followed the tip above and have shot raw files, they carry plenty of data at least 2 stops either direction so shooting 1 stop apart will cause you to shoot more images than you need and just end up bogging down your computer in processing, OR you won’t shoot enough range
  • shoot at low ISO, ideally 100.  HDR processing introduces a lot of noise into your image so start with a lower ISO to minimize that problem.
  • use a tripod as your shutter speeds will likely be fairly slow, and it also allows you to get all your bracketed shots perfectly aligned for a sharper final image.  For the image above my settings  are:  ISO 400 (I did that because the light was fading fast and I wanted to shoot a bit faster), f8 at 1/1000, 1/250, 1/60, and 1/15th of a second
  • use a remote trigger (cable release) to fire the camera, so you aren’t touching it during the exposures to reduce camera shake and a blurry image
  • change only the shutter speed, NEVER the aperture.  If you change the aperture in your bracketed images you are changing the focus from one to the next and your resulting blended HDR image will likely have some odd focus issues or halos.

This is what your bracketed set should look like.  Good coverage on both the dark and light ends of the light scale.  Notice the darkest image has lots of nice colour in the sky, whereas the brightest one has a ton of detail in the foreground area but none in the sky.  This is normal, and exactly what you want.

Tips for processing the bracketed images

I use Photomatix as my HDR tone mapping software of touch.  I find it gives me the flexibility to be able to produce both natural looking and surreal results.  Whatever software you use for your tone mapping, try some of these tips for better sunset results:

  • if there are moving clouds in the scene or trees blowing, use the software’s deghosting feature to remove of minimize those.  It will make the final result look much sharper.
  • when adjusting the tones in your software of choice keep your saturation settings low, don’t overdo it.  In Photomatix I always (let me repeat that word), ALWAYS, keep my saturday under 50!  When I pull it back into Lightroom afterwards and punch my blacks and contrast up the saturation increases with it, so it’s really easy to take it too far.
  • watch the sky for halos (white areas glowing around the edges of things) especially if the sky cloud free against something dark like a tree or building.  Halos are generally an affect that is thought of as poorly done HDR and why many people do not like the technique.  Sure you can create a surreal look but I do think you can take it too far.  Just as an example, here’s what “too far” looks like in my opinion. Do NOT make something that looks like this. Notice the extreme noise and graininess in the sky? This is caused by pushing too far.

This is straight out of Photomatix. Notice how flat and drab looking it is?

Often when shooting a landscape in HDR you’ll find that one area looks good if you push it a little further, but the other half doesn’t.  Such is the case here.  I find that I can push the land and foreground area a bit further to get more detail out, but then the sky looks bad or has halos.  So you can mask back in one image of the sky if necessary, or blend the two together using Photoshop and pick which areas are best from each version.  See below for an example. Version #1 processed for a nicely blended sky.

Version #2 in the middle is our over processed one from above but the foreground land looks pretty good.

The final version above is #1 and 2 above blended together using layers and masks in Photoshop. Notice how it takes the best of both images and combines them.

HDR sunset with a person?

Let’s look at another example.  Some people say you can’t do HDR when you have a person in the shot.  Can you?   Take a look at the images below and you tell me if it works or not.

There has been no image blending on this final version, just tone mapped and tweaked in Lightroom. I do confess though that this is not  sunset, it is in fact a sunrise.  But you get the idea, it’s the same because the sun is on the horizon in both cases.

How to handle a sky with lots of fluffy clouds

Another common problem when doing HDR for landscapes is when there are lots of big white fluffy clouds, they often tend to come out looking rather dark and foreboding.  This is another good time to use the masking technique.  In the images below I’ve processed the HDR how I like it for the foreground, nice and crisp.  But my clouds have gone too dark.  If I choose to pull back on the surreal look I lose that nice detail in the grass and pyramids.  So I’ve taken the best of both and combined them once again.

Version #1 above, processed for detail in the grass, but notice how dark the clouds are.  They were not storm clouds but they sure look like it now.   I want to get those soft fluffy ones back so I took one of the original single images from my bracketed series and combined it with this one to get the following final image which I think is much softer looking.

Final blended version above.  See the difference?  It’s subtle but I think it makes a huge difference to the final appearance and feel of the image.

Summary and action plan

So where to go from here is to get out and try this for yourself.  If you have some bracketed series that you’ve already shot you can go back and try processing them with these tips and see if it makes a difference.   Or better yet, get out there and go shoot tonight’s sunset or tomorrow’s sunrise if you’re a morning person.

One other unrelated tip I’ll leave you to get better sunsets in general is to find an interesting subject in front of your sunset.  Notice in these cases I have a great scene or something with a great foreground or shape (pyramids) to add some interest to the scene.  A plain old sunset on a flat horizon is really not that interesting no matter how great the colours are.  So find a suitable scene during the daytime and come back at dusk and work your magic on it.

If you want some other HDR tips you can read 10 Tips on how to do HDR photos without a tripod, for those times when you don’t have one with you, or you aren’t allowed to use it.

Have you got other little secrets or tips for creating HDR sunsets?   I’d love it if you shared with in the comments below and as always if you have a question please ask as I read and answer ALL the comments.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Tips for Great HDR Sunsets


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The Great WebShop BrainSwap, Part 2

26 Nov

We’ve been asking our favorite shops on the web to let us know what they fancy most in our shop.

These folks know just what make the very best gifts. So, we picked their brains and are happy to present: what the crews from Modcloth and Polyvore like most.

Psssst… If it’s 11/26 it’s Cyber Monday! Some very friendly, very cute robots have hidden special deals all over the Photojojo Shop. Make your giftlist, then run on over to our shop and grab those dealz.

 

Ashley McGregor Dey, Modcloth

Meet ModCloth’s Social Media Specialist and Present Picker Extraordinaire:

Ashley McGregor Dey

Fun facts about Ashley – She has a Batman tattoo and a pretty intense My Little Pony collection.

 

A keychain tripod! What’s not to love about it?
Tiltpod Mobile
$ 15 at the Photojojo Store

Helps get that perfect outfit photo!
iPhone Shutter Remote
$ 40 at the Photojojo Store

Cameras and Cookies. Two of my favorite things.
The Camera Cookie Cutter Set
$ 18 at the Photojojo Store

Adorable accessories!
Lens Bracelets
$ 15-25 at the Photojojo Store

Always need some extra juice.
Bamboo Solar Charger
$ 35 at the Photojojo Store

About ModCloth

ModCloth.com is an e-retailer that sells retro, indie, and vintage clothing styles. We’ve attracted a large, devoted following through our unique selection of indie clothing and engaging promotions and content on the ModCloth Blog and social networks.

www.modcloth.com

 


Emily Craig, Polyvore

Meet Polyvore’s Graphic Designer and Arbiter of Good Taste:

Emily Craig

Fun facts about Emily – Emily was born and raised in San Francisco’s Mission District. She has all of her fingers and toes.

 

I just love how this can be used as a stand/tripod AND charges your phone. It’s the perfect conversational gadget piece that’ll have people asking, “what is that?”
Une Bobine
$ 30 at the Photojojo Store

As a kid, I played with Sunprints and still find myself making them as an adult (I even have a few of my faves up at my desk). I love this kit because it makes photography accessible to all ages and levels of experience!
DIY Pinhole Camera and Sunprint Kit
$ 25 at the Photojojo Store

I was first introduced to Souldier through their hand-made guitar straps and have become a huge fan of their recycled camera straps. They come in a range of delicious vintage colors and have a real sturdy feel (they are recycled from seat belts, after all).
Seat Belt Camera Straps
$ 20 at the Photojojo Store

Cameras! Letterpress! Oh my! I just adore this super-sweet vintage camera print from Sycamore Street Press. It’s a simple black and silver print that just tickles the design-nerd camera-lover in me.
Click Click Camera Print
$ 35 at the Photojojo Store

You’ve got photos of your friends but who doesn’t enjoy adding a little silliness to the situation… or everyday objects.
Disguise Magnet Set
$ 12 at the Photojojo Store

About Polyvore

Polyvore is a shoppable magazine where millions of members shop, create fashion collages and then share them with the world.

www.polyvore.com

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20 November, 2012 – Great Holiday Sale

20 Nov

It’s here. Our -25% sale. Oh yes, and the holidays are almost here as well.

Everything in our online store that isn’t already on sale is now -25% off until New Years. 

Happy Holidays! 


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The Great WebShop BrainSwap, Part 1

17 Nov

We’re teaming up with some of our very favorite shops on the web to help you, faithful readers, with your holiday shopping!

These folks have very good taste. So, we decided to take advantage of their expertise and asked them to pick out their faves from the Photojojo shop to share with you.

We’d have chosen ourselves, but that’d be like choosing your favorite from among your very own kids. That is to say… totally illegal. (right?)

Now, scroll-along to see what the crews from Threadless and Poketo like most.

 

Christian Picciolini, Threadless

Meet Threadless’ Community Partnerships Manager and Present Picker Extraordinaire:

Christian Picciolini

Fun facts about Christian – He’s been nominated for 3 Emmy Awards and was a Producer for the Smashing Pumpkins ‘Gish’ and ‘Siamese Dreams’ reissue DVD box sets.

 

I love instant Polaroid cameras. Taking a photo without adding a filter and seeing it published right in front of your eyes is raw and magical.
Polaroid Z340 Instant Camera
$ 249 at the Photojojo Store

Who wouldn’t love a watch that has a face that looks like an f-stop? Seriously.
The F-Stop Watch
$ 35 at the Photojojo Store

Want to have some fun with long exposures and not get arrested for graffiti? This is how you do it. Have a good time and don’t inhale.
Light Paint Can
$ 39 at the Photojojo Store

This twisty and bendy tripod is awesome when you want to take really amazing photos on the go from really gnarly angles.
The Gorillapod
$ 19+ at the Photojojo Store

There is so much cool stuff that you should share with your loved ones. A Photojojo gift card makes for friend-makin’ fun.
Photojojo Gift Cards
$ 10+ at the Photojojo Store

About Threadless

Threadless is an online community of artists and friends. As the company explores new opportunities and canvases for its artists, it keeps true to the core of its business; anyone from any corner of the Internet can make and pick what Threadless sells. Since 2000, thousands of artists have submitted their work. And every single week, Threadless transforms their weird, geeky, and beautiful ideas into tangible art. Join their community of 2 million – make, pick, play, and shop at Threadless.com.

www.threadless.com

 


Lehua Faulkner, Pocketo

Meet Poketo’s Graphic Designer and Photographer and Arbiter of Good Taste:

Lehua Faulkner

Fun facts about Lehua – She lives in Los Angeles with her husband and their pup named Maps. She loves living in a city with so much life and enjoys capturing her surroundings on a regular basis. She loves good food, music, and art and tries to surround herself with the things and people that make life a beautiful journey.

 

I’ve been on the lookout for a simple, but charming, camera strap. The Toyko Dreamer Strap fits the bill nicely with its clean and delightful design.
The Tokyo Dreamer Strap
$ 20 at the Photojojo Store

Saving photo opportunities from dead battery hell. What’s not to love? I tend to find myself in a pickle quite often when I see the red bar on my iPhone appear (and drain rapidly) as I continue to ignore its nagging warning. Now I truly can ignore this warning and capture away.
Keychain iPhone Charger
$ 34.95 at the Photojojo Store

My love for photos is only rivaled by animals, so the combination of the two together = perfection! I love its quirky appeal and am appreciative of the extra company while editing into the wee hours of the night.
Animag Photo Stand
$ 9 at the Photojojo Store

Most genius ideas are simple at heart and this is one of them. One of my biggest pet peeves is that I always have a tendency to tilt my photos by an angle or two. Au revoir, crooked photos!
The Level Camera Cube
$ 15 at the Photojojo Store

I’m from Hawaii so naturally I have a love for the ocean. I love taking photos with my iPhone and this would be the perfect accessory for my next trip home!
iPhone Scuba Suit
$ 60 at the Photojojo Store

About Poketo

Poketo is an online destination and brick and mortar shop for design-driven wares that take art off the gallery walls and into people’s lives. We host art shows and workshops in hopes of bringing the community together and continue to work with artists around the world.

www.poketo.com

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Overpower Ambient Ep 108: Take & Make Great Photography with Gavin Hoey: Adorama Photography TV

29 Oct

www.adorama.com Adorama Photography TV Presents Take & Make Great Photos with Gavin Hoey. Learn how to bring out the drama in a photo by manipulating the lighting. Adding a single speedlight to your setting will take your photography from “okay” to “great!” Then, follow along as Gavin touches up his image in Photoshop by enhancing the elements to really make the subject pop and the background look dramatic. Adorama Photography TV features talented hosts including Mark Wallace, Gavin Hoey, Joe McNally, Joe DiMaggio, Tamara Lackey, Bryan Peterson, and Rich Harrington. Related Products Featured items from this episode adr.ma AdoramaTV related episodes adr.ma Learn More from the Adorama Learning Center adr.ma Canon 5D Mark 2 www.adorama.com Canon 24-105mm L f/4 IS www.adorama.com Joby Gorillapod SLR – Zoom www.adorama.com Adobe Production Premium CS6 Software www.adorama.com www.adorama.com Adobe Design Standard CS6 Software www.adorama.com www.adorama.com Canon Speedlite Transmitter ST-E2 www.adorama.com Canon 580 EX II Flash www.adorama.com If you have questions, share them with us at: adotv@adorama.com
Video Rating: 4 / 5

Layer Groups, Blend Modes, Making Selections from Paths, Clipping Groups, Modifying Free Transform’s Point of Origin, Layer Comps. From her program ‘Comprehensive Photoshop CS3’.
Video Rating: 5 / 5

 
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5 Tips for Great Landscapes

28 Oct

In this video Kai goes back to his photographic roots and the whole team goes out for a nice and early sunrise shoot to give some top tips on how to shoot landscapes. Pricing Reference: Nikon D700 – www.digitalrev.com Nikon PC-E 24mm f/3.5D – www.digitalrev.com
Video Rating: 4 / 5

 
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Surf Photography: Chris Burkard’s Tips for Taking Great Outdoor Photos

20 Oct

www.silberstudios.tv We’re at Silber Studios with our guest Chris Burkard, a freelance surf photographer known for his distinct and creative photos. Unlike many professional photographers, 23-year-old Chris has not had formal training; instead, he developed his photography techniques through lots of practice with composition and natural lighting. His tips on composition and style will help any amateur photographer take better photos. I’m envious of the slew of big-name clients he’s managed to gather. Chris Burkard has been the Senior Staff Photographer for Water Magazine and Surfline.com and has already published his first book, The California Surf Project. Chris won the first annual Follow The Light Foundation grant and has worked with more than 35 national and international surf publications, including Surfer, Surfing Magazine and many others.
Video Rating: 4 / 5

An introduction to using long or telephoto dslr camera lenses. Lots of people have asked to have camera lenses explained and this is just one of our videos which will help you understand all about your camera lenses. To have camera lenses explained in full visit the lenses section of our video site www.photographycourses.biz for unique content that’ll explain all.
Video Rating: 4 / 5

 
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What Makes A Great Street Photograph and How Do We Create Them

16 Oct

This post is written by James Maher – author of The Essentials of Street Photography – an eBook currently onsale at SnapnDeals (25% off).

Pushups, Rucker Park, Harlem

Pushups, Rucker Park, Harlem.

Growing up I obsessed with basketball.

I would skip school; I would play in light rain and sometimes snow; I occasionally failed classes and always fell asleep in them.  From age 8 until 22, it’s pretty much all I did and all I wanted to do.

The best players were often reserved, relaxed, and mentally tough and focused.  The intense look in the child’s eyes above explains it all and shows how innate this mentality and focus can be.

What Makes A Great Street Photograph?

So how does this story relate to you taking a ‘great street photograph?’

I want to share with you what I have learned, because it has nothing to do with tips, tricks, or techniques. The techniques are necessary to be able to take a technically good photograph but they are not the reason why you take great photographs.

Great street photographs say something about life; they speak to us; they fill us with an emotion; or they give us insight.

They are not about light; they are not about shapes or forms; they are not about faces.  Light, shapes, and faces can only aid in the success of a photo; they cannot be the reason for it.  When you look at a great street photograph you should not leave it saying, ‘Wow that light was amazing.’  You should leave it saying, ‘Wow the emotion or story in that photograph really hit me – AND the light was amazing.’

A great street photograph is one that makes a person think or one that brings up a specific feeling, story, or idea.

For a quick example, you shouldn’t be trying to capture a face; you should be trying to capture an expression.

If Only For A Moment

If Only For A Moment.

“If Only For A Moment” – A fleeting moment with a story.  No faces, subtle blue lighting, and no spectacular forms that stop you in your tracks.  What is here is the subtle body language of the pass and that split second ‘what if’ thought going through their minds.  This photo leads you on a mental journey through all of those ‘what if’ moments in your life and youth.  It makes your heart beat.

How Do We Create Them?

So how do we create these photographs with meaning?  Aren’t we at the whims of randomness and our surroundings in street photography?

Not necessarily.

The answer to this comes back to you and it is the reason for the personal stories in this article.

Street photography is a form of self expression.  We go out and we search for the type of content that means something to us.  When we are out there we are basically photographing ourselves, and searching for people, ideas, stories, and thoughts that we relate to and want to share.

Look at the body of work of any street photographer and you will be able to get some consistent insight into their personalities and how they see the world.  They, like us, were at the whims of their surroundings and everyday randomness, yet this meaning still broke through in their work.

That is why you cannot copy another photographer’s style.  You can only learn from them and their techniques and apply them to your own way of shooting and your own personality.  Style isn’t about a look; it is about meaning.

It is about you.

Street photography is about exploring the world through our eyes and sharing the insights and stories that we see and find.  It is showing the viewer how we see and think about the world.

The best photographers are not just interested in photography; they have an interest in people, in life, in social issues or cultural issues.  They read and they explore new places and new ideas.  They are curious both about others and about themselves.  They have a good eye for design, but more importantly they have a good nose for the ideas that are floating around them.

Guess in Red

Guess in Red.

“Guess in Red.” – I grew up with a serious case of Attention Deficit Disorder, which luckily subsided as I got older.  Even simple stimulations would lead my mind way off track.  Because of this and over time, I became very sensitive to advertising and how it intrudes on our attention, because it would break mine constantly.  Walking around the streets was like a sensory overload.  It’s led me to become fascinated with advertising and their intrusive nature and influence on our lives.

Is the above photo a coincidence or is it the result of influence?

If you want to take better street photographs, figure out why you are shooting and what you want to capture from it.  What do you relate to most?  Is there a specific type of content or person you are attracted to?  Are you attracted to specific emotions or are there cultural issues that you want to show us?  There are an infinite amount of ideas that you can go out and capture.

To better understand yourself and your work, study you archives and search for themes.  Group similar photographs together.  You might notice some ideas that you had previously missed.

It’s not easy.

Think about what your personality is like and how that relates to what you see out there.   Maybe you can start by photographing a specific aspect of what life is like in your town or street.

Just because you live in an unpopulated area doesn’t mean you can’t do street photography.  Give us insight into what it’s like to live where you are.  You don’t even have to leave your home and it doesn’t matter if people are in the photographs or not.  If you live in a town without a lot of people, then perhaps out of a series of twenty images, only 5 to 7 of them should actually have people in them.  Photograph that sparseness.  Let us into your world.

I can’t think of many things that sound more interesting than that.

Waiting in Grand Central

Waiting in Grand Central.

New York is a city where there are a lot of people, a lot of stimulation, and a lot of things happening all at once.  However, it is also a very lonely city.  Living here, you feel like everyone is competing with you and that everyone is moving so fast that you can barely keep up.  This shot was my way of portraying these feelings visually.

A great street photograph is one that comes from your soul and explains how you see the world.  Light, faces, composition, and forms are all part of the recipe but they are not the reason why you click that shutter.

And you can create better street photographs by better understanding yourself and your world.

What are your thoughts about what creates a great street photograph?

This post is written by James Maher – author of The Essentials of Street Photography – an eBook currently onsale at SnapnDeals (25% off).

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

What Makes A Great Street Photograph and How Do We Create Them



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Winter Reads: Secrets of Great Portrait Photography

16 Oct

Looking for a good book to curl up with this winter? You're in luck. There is a stream of great choices hitting Amazon this season. I'll be highlighting a few of them as we head into the holidays.

Because, you know, you gotta put something reasonable on your wish list, right? It can't all be $ 30,000 Hasselblad/Ferrari limited edition cameras.

This week: Secrets of Great Portrait Photography, by Brian Smith.

Short version: Don't let the generic-sounding title put you off. This book is dynamite—chock full of valuable info and experience. Read more »


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Article: How to take great pictures of seascapes

23 Sep

Josie Reavely writes about how to capture something interesting and different from the coast. Beautiful seascapes shot in stunning locations can really enhance your image collection. Read the tips in this article to increase your chances of success and get your images of the coastline to the next level.
News: Digital Photography Review (dpreview.com)

 
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