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Posts Tagged ‘Getty’

Call for entries: Getty Images grants

17 Apr

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Getty Images has announced a call for entries for its Getty Grants, a series of photographic grants for editorial and portrait photographers totaling $ 130,000 (~£77,737). To celebrate the 10-year anniversary of its grant program, Getty Images is offering six prizes for editorial photography, three creative grants for non-profits and individual photographers, and one for portrait photographers. Learn more

News: Digital Photography Review (dpreview.com)

 
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Getty and Flickr to cease partnership

11 Mar

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Getty is back in the news, announcing in an email to contributors that its near 6-year partnership with Flickr has has ended, and will not be renewed. In the letter, Getty stresses the fact that the partnership has been terminated does not affect existing contributors’ contracts, and the Flickr Collection will form the the basis of a new ‘house collection’ on Getty’s site called ‘Moment’. Click through for more details. 

News: Digital Photography Review (dpreview.com)

 
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EyeEm to sell user images in partnership with Getty Images

07 Mar

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Two weeks ago the makers of the photo app EyeEm, together with Soundcloud and Wunderlist, started sending out email invitations to their users, offering to pre-register for the EyeEm Market in order to sell user images. Today EyeEm has announced on its blog that it will run the EyeEm Market in partnership with stock image giant Getty Images. Click through for more details.

News: Digital Photography Review (dpreview.com)

 
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Getty to allow embedding for ‘non-commercial use’ of images

06 Mar

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Getty Images has taken a major step towards addressing unauthorized image use by allowing low resolution embedding of images for no charge, with no watermark, on non-commercial ‘blogs and social media’. Admitting that combatting widespread unauthorized image use by the world’s Internet users is impractical, Getty is pitching the new embedding service, which is available for more than 35 million photographs as a legal alternative to image theft. Click through to learn more.

News: Digital Photography Review (dpreview.com)

 
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How to Lose Control of Your Photos With Getty Images

11 Apr

Facebook Thomas Hawk Image

Last week photographer Remi Thornton penned a post about why he quit working with Getty Images. Remi alerted photographers to a new scheme by Getty Images whereby they were “loaning” photographer images (without pay) to Cafe Press for marketing purposes. The idea is that Cafe Press could use photographers’ images without paying, unless a sale was made, then a photographer might receive a royalty.

Allowing Cafe Press free use of photographers’ images for marketing did not sit right with Remi or other photographers, Remi felt that Cafe Press should have to pay a royalty for using the image at all and not get to use the images to market Cafe Press for free.

On March 25th, I submitted my own resignation to Getty Images. Shortly thereafter on March 27th I received acknowledgement from Getty along with the following:

“As per your recent request where you expressed your desire to terminate your outstanding contract with Getty Images, this is your official notice of termination of the Agreement between yourself and Getty Images, which had a Commencement Date of 3/11/2009.”

A few days later my images disappeared from Getty’s website for sale.

One would think that upon termination with Getty Images, the pilfering of images by Cafe Press would cease, but not so. Not only are my images still up for sale with Cafe Press (being marketed in a large font as “Thomas Hawk Gifts”), Cafe Press is additionally ADVERTISING them to me to buy on Facebook (again without pay — see image above).

Even though I no longer have a relationship with Getty and have NEVER had a relationship with Cafe Press, they want to sell me a dry erase board of a dog image of mine. I can also buy a wine charm thing or a beer coaster if I want.

I’m sure in the super fine print of my contract with Getty there is some loophole that is allowing this, but frankly it’s bad enough that Getty is allowing Cafe Press to market our images without pay. To further allow our images to be marketed in Facebook ads (again, without pay) seems a bit far fetched — especially when my relationship with Getty is supposed to be terminated. And why is Cafe Press specifically targeting me on Facebook trying to sell me my own images?

I have no idea how long my images must remain for sale at Cafe Press, but this just serves as an example of how a photographer can lose control over their images with Getty.

I wonder how much money Getty was paid to allow Cafe Press to use our images for free on Facebook?

I’d ask Getty what the deal is in the Contributor forum, but alas, I’ve been permanently banned from the Contributor forum for daring to criticize Getty’s paltry 20% payout.


Thomas Hawk Digital Connection

 
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Getty Is An Insult To Photographers. Introducing Stocksy [OPINION]

27 Mar
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Not Represented By Getty

I’ve never liked Getty. I’ve gotten through about 80% of the submission process on multiple occasions but could never convince myself to pull the trigger. Sure there are a select and very elite few that make their livings to this day on stock photography. But those photographers have been at this stock game a LOT longer than most of us. Every time I started to submit my work to Getty, I always stopped just short of hitting send. I couldn’t get past the thought of the 20% commission that I would receive for my work. This goes right along with the frustration of getting emails from companies, magazines and the like wanting to use my images for free in exchange for “credit and a link to my website.” But that’s a whole other article…

We as photographers spend an ungodly amount of money and time on our craft. We spend thousands upon thousands of dollars on camera bodies, lenses, CF cards, SD cards, camera backpacks, camera shoulder bags, straps, extra batteries, laptops, desktops, software, websites, hosting, training, workshops….the list goes on and on and on. We put in all this time and effort and then a company like Getty wants to pay us some slave labor wage of 20%. It’s nothing short of ridiculous. It’s insulting to photographers.

Thomas Hawk is a very well known photographer in the photo community. He’s one of the most followed photographers on Flickr, Google+ and Facebook. He’s also a very established stock photographer and has had his images licensed/represented by Getty for years now. Well, on Monday Thomas announced (very publicly) that he is quitting Getty and moving to Stocksy. You can read Thomas’ post at his website or over at PitaPixel.

In his article, Thomas goes over in detail much of what I talked about above. About how absurd it is that Getty is undercutting photographers so drastically. He then goes on to describe the culture behind Getty; how they excommunicate photographers who speak up and express their distaste for what it has become. One photographer who made much of his entire living from Getty recently got ‘fired’ and banned for voicing his opinion. Thomas points out that “At Stocksy; editors and management do Google+ hangouts with photographers. While at Getty all they seem to do is fight.”

So What Is Stocksy Already!?

Screen Shot 2013-03-25 at 4.20.47 PMStocksy could very well be the future of stock photography. Instead of a lousy and insulting 20% for all the hard work that goes in to making stock photographs, Stocksy is going to pay 50%. Right down the middle. You provide the work, they put it in front of buyers. This is fair. Would I like more than 50%? Um, yes. Who wouldn’t? But would I be happy with 50%? Yes.

Stocksy is also different in the way it’s run. The founder is none other than Bruce Livingstone, the founder of iStockPhoto who sold the company to Getty for $ 50 million (you can read more about that from this article on CNET). According to that article, Stocksy won’t be selling out to large companies like Getty. It doesn’t have a master plan of growing and selling. Livingstone says that Stocksy will be “more like a nonprofit. At the end of the year, we take all the profits and distribute them. We’re not lining our pockets with cash.” It will essentially be a stock agency run by photographers, for photographers.

Quality Control

Another way that Stocksy is different is the quality control aspect of it. Let’s face it, Getty pretty much opened the flood gates on Flickr and just about anyone with a camera and some decent images could begin touting that they’re “Represented By Getty.” Stocksy is, at least for now, taking a much different approach. Only letting in very high quality portfolios that meet the level of excellence that Stocksy wants to be known for. I think that’s awesome.

Conclusion

Like I said, Stocksy could very well be the future of stock photography. But it’s up to us, the photographers, to make sure that happens. Tell your friends, tell your parents, tell your web designer, your graphic designer, write a blog post, tell everyone. And for the record, I am not part of Stocksy. I submitted my portfolio to them yesterday and am crossing my fingers to make it through. I just think this is a great idea and would love nothing more than to see quality photographers flock from Getty and start getting what they deserve. I think this has been a long time coming.

Let me know what you think in the comments below or on Twitter. Follow me @jamesdbrandon.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Getty Is An Insult To Photographers. Introducing Stocksy [OPINION]


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Why I Quit Getty Images and Why I’m Moving My Stock Photography Sales to Stocksy

26 Mar

Dear Getty, I Quit

Dear Getty Images: I quit.

I just sent Getty Images the email above, which, I think, is how I terminate my relationship with them. Hopefully. I’m not 100% sure, but I can’t seem to figure out any way to do it online, so I’m hoping that email works.

Why am I quitting?

Well, I’m sitting here typing this at 4:56 in the morning on my “vacation,” getting ready to get an early up to the top of a mountain in Idaho to shoot sunrise and I’m not a skier. It’s dark, it’s cold — and maybe, just maybe, with $ 10,000 worth of camera gear on my back, I’ll get something that works from this shoot. After I shoot several thousand images today I’ll go home and spend hours and hours processing them. Finally, I’ll upload them online and maybe sell some. If I do sell some though, bottom line is I feel that I’m getting ripped off with Getty’s lousy 20% payout.

I don’t care how you look at it, for me, 20% is not fair. It’s too low. I’ve been complaining about it for years, but have just grumbled along because Getty felt like the only game in town for stock photo sales. Artists and photographers *deserve* more than 20% payouts. I understand that Getty has the buyers, that Getty is the 800 pound gorilla, but still, photographers deserve a better split than 80/20 against them.

There are other reasons why I’m quitting Getty Images too though.

Since the Carlyle Group (read their wikipedia page actually, it’s fascinating) has taken over Getty Images, things seem to have changed. Maybe Getty’s parent is trying to wring as much profit as their stock business as they can, but it feels like artists are getting the short end of the stick even more these days.

In the private, closed, Getty Photographers group, managed by Getty on Flickr, there were almost 3,500 replies to a thread about Getty’s deal with Google Drive. Whatever you think about this deal, there are ALOT of photographers who are unhappy at Getty about an arrangement where they receive a pittance for their work. The 20% payout is already pretty low, but when you combine it with a $ 12 image buy, some photographers feel that was pushing things too far.

The fact that Getty made this deal doesn’t bother me as much as how they’ve handled the criticism from their members over it. The above mentioned thread is now closed and locked by Getty Images. As a result of the thread, a member was banned and removed from the group — this is the second time that a Getty photographer has been booted from this group that I know of. An earlier member Alex Hibbert was also banned for criticizing Getty.

One of the Getty admins in the group, said that the more recent member was booted not because of his criticism, but because he wasn’t respectful with his criticism. I asked the question if respectful criticism would be allowed to stand and was told yes. I’m going to post this blog post into that forum and I guess we’ll see if this is true. For me, while critical, this post is entirely respectful. I’m still not sure it will get to stay there though.

When you start to see a company fighting with it’s contributors, banning contributors, even FIRING contributors, it makes me feel like maybe it’s time to go. This doesn’t feel like a healthy “relationship” any more. Paying me 20% and keeping 80% already felt a little insulting, but I think we deserve to be treated better.

So where am I going?

This has been the hardest part of all about leaving Getty earlier, there didn’t really seem like there was any place good to go — before today.

Today I’m pleased to announce that I’m going to start selling my stock photos on Stocksy.

Stocksy is a revolutionary new photo agency started by Bruce Livingstone, the founder of iStockphoto. A lot of my friends are there selling photos now too. I’m pleased to be joining some of the most talented photographers I know in a new sort of photographer-owned coop.

While Stocksy isn’t exactly “occupy” stock photography, rather than me getting 20% and Carlyle getting 80%, I’ll be paid a much fairer 50% payout. The exciting part about Stocksy though isn’t just the higher payout, it’s that the members of Stocksy actually OWN the agency. That’s right, after paying out costs, Stocksy will distribute profits to it’s members — so members will get dividends and actually hold real equity in the business.

Now THAT is an idea that I can get behind, and one that’s been long overdue. Fairly compensating photographers while running an agency with some of the most talented photographers in the world today? Sign me up!

Today Stocksy is launching to the rest of the world. You can read more about that here.

If you are a photographer, consider signing up. One bit of warning here though, Stocksy is being *very* selective about the photographers that they are adding. I have felt a little bad because some of my good friends and talented photographers haven’t been asked to join.

Especially early on, Stocksy is trying to build a super premium library of images and sometimes this means making hard choices about who you will launch with. They are also trying to keep Stocksy small where the editors and members can know each other on a personal level. I’ve already made lots of new friends at Stocksy and I’ve appreciated the valuable advice that the editors there share with me about why an image may or may not be right. At Stocksy editors and management do Google+ hangouts with photographers. At Getty all they seem to do is fight.

If you are an image buyer, consider looking at images on Stocksy the next time you need to buy. Not only will you find some of the best, fresh, and most authentic images in the marketplace today, you can feel good about buying them, knowing that they are treating the photographers fairly.

As fellow creative professionals, you are one of us — if given a choice, where would you rather your money go — to actual photographers who create the images, or to Carlyle? Even if you don’t care, still give Stocksy a look, because the imagery there really is miles ahead of what you see in the run of the mill stock photography library out there today.

Let Stocksy make you and your clients look the best they possibly can. You are the ones we need to embrace this idea most of all.

I’ll blog more about Stocksy as time goes on. For stock photography it will be the primary place where I market my own images (like the other photographer members my images for sale on Stocksy will be exclusively offered there) and I’m looking forward to a long and successful relationship.

Here’s Stocksy’s announcement on today’s launch.

Update: well that was fast. I’ve been banned from Getty’s Forum. I’m fine with that as I’m not a member, but I’m told that my post criticizing them has also been deleted. I hope those that are still in the forum can keep up the good fight, demanding more for photographers. I’m disappointed (although not surprised) that after being told that respectful criticism would be allowed that Getty deleted my respectful criticism there.

Update #2: More from Stephen Shankland over at CNET. PetaPixel republished my article as a guest post here. My good friend Trey Ratcliff is also joining Stocksy.

Update #3: Fast Company’s article on Stocksy here.


Thomas Hawk Digital Connection

 
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Getty Images’ Flickr licensing deal reaches 1/2 million images

16 Oct

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Getty Images’ scheme for licensing images from the photo sharing site Flickr has added its 500,000th image. The half-millionth image was shot by system engineer and photo hobbyist ‘Jiangang Wang’ for Tianjin, China, of the Minato Mirai development in Yokohama, Japan. The licensing deal, started in June 2010, allows Flickr members to offer their images for licensing by Getty. If Getty chooses to accept the request, the photographer can choose how to license their images, at rates comparable to Getty’s other images libraries.

News: Digital Photography Review (dpreview.com)

 
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The Getty Villa in Stereo 3d (anaglyph)

30 Aug

The Getta Villa filmed with a homemade stereo cam. Use red / blue anaglyph glasses.

(3D Glasses Red Cyan Anaglyph Needed)-Artist: my son( 9 years old) ,musictitle: cyberspace coffeeshock by creativeresult,creativedirector: my son .
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